Collection ID: LAMC 2011 Orrego-Salas
Printable View Printable View

Collection context

Summary

Creator:
Juan Orrego-Salas
Abstract:
This collection consists of published and manuscript scores of Orrego-Salas's music, as well as letters to and from Orrego-Salas, photographs, concert programs, and writings by and about Orrego-Salas.
Extent:
60 linear feet (42 boxes)
Language:
Materials are in English and Spanish.
Preferred citation:

Juan Orrego-Salas Legacy Collection, LAMC 2011 Orrego-Salas, Latin American Music Center, Jacobs School of Music, Indiana University, Bloomington.

Background

Biographical / Historical:

Juan Orrego-Salas, composer, scholar, and founder of the Latin American Music Center, was born in Santiago de Chile on January 18, 1919. He graduated from the Universidad de Chile in 1938, where he studied architecture, as well as piano and composition with Pedro Humberto Allende and Domingo Santa-Cruz. Upon graduation, Orrego-Salas taught music history at the Universidad de Chile and conducted the Coro de la Universidad Católica of which he was the founder.

In 1944, aided by Rockefeller and Guggenheim grants, Orrego-Salas traveled to the United States in order to continue his studies in musicology, ethnomusicology, and composition at Columbia University and Princeton University. During this time, Orrego-Salas studied composition with Randall Thompson and Aaron Copland, as well as musicology with Paul Henry Lang and George Herzog.

Upon his return to Chile in 1947, he held several posts as music educator, editor, music critic, and music director. Chile remained his home until 1961, with the exception of a sojourn to the United States in 1954 during which Orrego-Salas premiered works at Tanglewood and presented a lecture series at Harvard titled "My Trip Through Music." In 1961, Orrego-Salas moved permanently to the United States, where, on behalf of the Rockefeller Foundation, he became the founding director of the Latin American Music Center, while also teaching composition at Indiana University in Bloomington, Indiana until his retirement in 1987.

Orrego-Salas has received many awards, including Chile's Premio Nacional de Arte (1992), the Olga Cohen Prize (1956 and 1958), three Biennial Chilean Music Festival Awards, and the Premio Interamericano de Cultura "Gabriela Mistral" given by the Organization of American States (1988). Throughout his life, Orrego-Salas has been an avid advocate for Latin American music around the world.

Scope and Content:

The collection is arranged in nine series. The first series contains sketches, manuscript scores, and published scores of works by Juan Orrego-Salas. The first series is divided into subseries based on medium of performance. The second series contains written materials pertaining to Orrego-Salas's works, including program notes, concert programs, reviews, and articles. The third series contains newspaper clippings and articles pertaining to Orrego-Salas's works, festivals, and current events. The fourth series contains scrapbooks created by Orrego-Salas with concert programs, journal articles, and newspaper clippings. The fifth series contains personal and professional correspondence to and from Orrego-Salas. The sixth series contains scholarly writings by Orrego-Salas, including dictionary entries, journal articles, and monographs. The seventh series contains scholarly writings by others, including journal articles and monographs. The eighth series contains papers and compositions written by students of Orrego-Salas. The ninth series contains photographs and artwork representative of his artistic endeavors.

Acquisition information:
The materials in this collection were donated by Juan Orrego-Salas in 2011. The donation was announced during the Inaugural Exhibit and Recital for the Latin American Music Center's 50th Anniversary conference, Cultural Counterpoints: Examining the Musical Interactions between the U.S. and Latin America, on October 19th, 2011.
Processing information:

Processed by Emma Dederick, David Scimonelli, María José Romero, Juan Carlos Zamudio, Allison McClanahan; finding aid encoded by Emily Baumgart.

Completed in 2019

Arrangement:

Arranged in nine series:

  1. Series 1: Works
  2. * Subseries 1.1 Orchestral Music
  3. * Subseries 1.2 String Orchestra Music
  4. * Subseries 1.3 Wind Ensemble Music
  5. * Subseries 1.4 Concertos
  6. * Subseries 1.5 Works for Solo Instruments
  7. * Subseries 1.6 Chamber Music
  8. ** Sub-Subseries 1.6.1 Duets
  9. ** Sub-Subseries 1.6.2 Trios
  10. ** Sub-Subseries 1.6.3 Quartets
  11. ** Sub-Subseries 1.6.4 Quintets
  12. ** Sub-Subseries 1.6.5 Sextets
  13. ** Sub-Subseries 1.6.6 Septets
  14. ** Sub-Subseries 1.6.7 Chamber Ensembles
  15. * Subseries 1.7 Works for Voices and Orchestra
  16. * Subseries 1.8 Dramatic Music
  17. ** Sub-Subseries 1.8.1 Operas
  18. ** Sub-Subseries 1.8.2 Oratorios
  19. ** Sub-Subseries 1.8.3 Ballets
  20. ** Sub-Subseries 1.8.4 Music for Film
  21. ** Sub-Subseries 1.8.5 Incidental Music for Theater
  22. * Subseries 1.9 Works for Chorus a cappella or with Instruments
  23. * Subseries 1.10 Works for Solo Voice and Instruments
  24. * Subseries 1.11 Works for Solo Voice
  25. * Subseries 1.12 Works for Young Musicians
  26. * Subseries 1.13 Works for Popular Music Ensembles
  27. * Subseries 1.14 Orchestrations
  28. * Subseries 1.15 Sketches and Unfinished Works
  29. Series 2: Written Materials Pertaining to Orrego-Salas's Works
  30. Series 3: Newspapers
  31. Series 4: Scrapbooks
  32. Series 5: Correspondence
  33. Series 6: Scholarly Writings by Orrego-Salas
  34. Series 7: Scholarly Writings by Others
  35. Series 8: Student Papers
  36. Series 9: Images

Access

RESTRICTIONS:

This collection is open for research. Audiovisual materials may require the creation of listening and/or viewing copies. Advance notice of your visit is highly recommended to ensure that requested materials will be ready for use upon your arrival. Contact the LAMC staff for more details: LAMC.

TERMS OF ACCESS:

All requests for copying and publishing materials must be submitted in writing to the Latin American Music Center. Some publication requests may also require the written permission of the interviewer, interviewees, and/or performers.

PREFERRED CITATION:

Juan Orrego-Salas Legacy Collection, LAMC 2011 Orrego-Salas, Latin American Music Center, Jacobs School of Music, Indiana University, Bloomington.

CAMPUS:
Indiana University Bloomington
LOCATION OF THIS COLLECTION:
Merrill Hall - MU 117
Jacobs School of Music
Bloomington, Indiana 47405, United States
CAMPUS:
Indiana University Bloomington
CONTACT:
812-855-2991
lamc@indiana.edu