Collection ID: SC 169
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Collection context

Summary

Creator:
Larson, Gloria, Calloway, Reggie, Calloway, Cino-Vincent, Calloway, Gregory, and Calloway (Musical group)
Abstract:
This collection documents the careers of the Calloway family including brothers Reggie, Vincent, and Gregory and their mother Gloria Calloway Larson, who variously formed and/or managed the groups Sunchild, Midnight Star, Calloway and Sharp. Included are personal papers, correspondence, business and financial records, tour itineraries, publicity materials, press clippings, programs, photographs, and time-based media in both published and unpublished audio and video formats.
Extent:
10 document cases (5.11 linear feet)
Language:
Materials are in English.
Preferred citation:

Calloway Collection, SC 169, Archives of African American Music and Culture, Indiana University, Bloomington.

Background

Biographical / Historical:

Gloria Dean Gilchrist Calloway Larson (1933-2019) was born in Louisville, Kentucky, where she attended Virginia Avenue Elementary School and graduated from Central High School, the only Black public school in the city at that time. She attended Kentucky State College for a brief period, majoring in elementary education, before enrolling in Helena's Business College. She married Irvin Calloway, a U.S. Air Force non-commissioned officer at the Francis Warren Air Force Base, and they had three sons: Gregory L. Calloway, Reginald L. Calloway and Vincent L. Calloway. After the Calloways divorced, Gloria later married William Larson, the first Black Greyhound bus driver in the Louisville area, and they moved to Cincinnati, Ohio in 1964 where Gloria worked for the City of Cincinnati's Manpower Planning Division and Department of Labor. She later purchased a home in the upper middle class North Avondale neighborhood and opened her first business, Larson's Flower Barn. James Brown, who was in town for recording sessions at King Records, attended the grand opening at Gloria's personal invitation. All three sons worked at Larson's Flower Barn and ice cream parlor, learning important aspects of business and entrepreneurship, until the business closed in 1970.

By the early 1970s, the Calloway family was immersed in the funk and jazz scene of the Dayton-Cincinnati corridor. The three brothers and two friends formed the jazz-fusion group SunChild and in 1975 released their first single on their own label, Starbound Records. For two summers SunChild served as the back-up band for Sonny Stitt. Desiring a more permanent group, Reggie formed the popular electro-funk band Midnight Star in the fall of 1976 during his senior year at Kentucky State University, and Vincent joined the group shortly thereafter. From 1976-1986, Gloria's primary focus was the management of Midnight Star with Gregory coming aboard in 1984 as vice president of business affairs through the company Midstar Music. They later signed other local bands, including The Deele featuring Antonio "L.A." Reid and Indianapolis native Kenny "Babyface" Edmonds, as well as Sharp. Gloria and Gregory then formed Soundway Management and for the next five years Sharp became their principle account.

When Reggie and Vincent left Midnight Star in 1986, they also entered the production and business side of the music industry. Reggie wrote and produced with Vincent the 1987 Grammy-nominated hit single "Casanova" for the group LeVert, and both brothers received writing credits on Teddy Pendergrass's 1988 hit single "Joy." The family also opened Crystal Clear Sound Studios in Cincinnati. Gloria was a dedicated community servant who helped to mentor and develop young artists in Cincinnati by coordinating the youth talent festivals Nati Live (1992-1993) and Back on the Block (1992-2002) in conjunction with the City of Cincinnati and with the assistance and participation of various family members. During this time she also formed Gloria Larson Entertainment and the non-profit, Horizons Unlimited, as a platform to educate emerging artists. Gregory went on to earn an MBA from Northwestern University's Kellogg Graduate School of Management and became the Associate Executive Director of Finance for the American Library Association (ALA). Prior to her death, Gloria moved to California to join her sons Reggie and Vincent, who remain active in the music industry.

Scope and Content:

This collection traces the careers of the Calloway family primarily during their residence in Cincinnati, Ohio from 1970-2000. from their initial business venture, The Flower Barn in 1970-1972, through various bands and management companies including Soundway Records and Sunchild (Musical group), 1970-1972; Midnight Star (Musical group), 1976-1986; The Deele (Musical group), 1985; Cartow Management, 1980–1985;, Glo Management, 1985; Soundway Management, 1985–1990; Calloway (Musical group), 1989–1993; Sharp (Musical group), 1985–1990;, Crystal Clear Studios, 1990; the Cincinnati talent show events Back on the Block and Nati Live, 1992–2000; Calloway Classics, 1992; Gloria Larson Entertainmant and Horizons Unlimited, 1994; Calloway Management, Inc., 1995-2000; Skys the Limit, and Vincent Calloway Productions.

Acquisition information:
Donated by the Calloway family in January 2019.
Processing information:

Processed by AAAMC staff. Completed in 2021.

Arrangement:

Arranged in ten series:

Series 1: Gloria Larson Papers
Series 2: Midnight Star Management
Series 3: Press Clippings
Series 4: Soundway Production and Management Co.
Series 5: Calloway Papers (Reggie, Vincent and Gregory Calloway)
Series 6: Youth Talent Showcases
Series 7: Magazines and Programs
Series 8: Oversize
Series 9: Sound Recordings
Series 10: Video Recordings
Rules or conventions:
Describing Archives: A Content Standard

Access

RESTRICTIONS:

Use of time-based media materials (audio and video) may require production of listening or viewing copies.

Access to streaming audio, moving image, and full resolution digital image materials may currently be restricted to researchers who can authenticate with an IU account or who are physically present on campus. Remote streaming to individual researchers may be allowed with the completion of applicable forms.

For further information about access to online audiovisual materials, contact AAAMC staff at aaamc@indiana.edu.

TERMS OF ACCESS:

Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, including but not limited to the Indiana Public Records Act (5-14-3-2 et seq.). Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which Indiana University assumes no responsibility.

Copyright is retained by the creators/authors of items in this collection, or their descendants, as stipulated by United States copyright law. All requests for copying and publishing materials must be submitted in writing to the Archives of African American Music and Culture, and may require the written permission of the creator(s)/author(s) or donor(s).

PREFERRED CITATION:

Calloway Collection, SC 169, Archives of African American Music and Culture, Indiana University, Bloomington.

CAMPUS:
Indiana University Bloomington
LOCATION OF THIS COLLECTION:
Smith Research Center, Rooms 180-181
2805 East 10th Street
Bloomington, Indiana 47408-2601, United States
CAMPUS:
Indiana University Bloomington
CONTACT:
812-855-8547
aaamc@indiana.edu