Collection ID: SC 171
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Collection context

Summary

Creator:
Gilreath, Eddie
Abstract:
Eddie Gilreath was one of the first African American music industry professionals to hold executive level marketing and sales positions with major record labels including Motown, Warner Bros., Elektra Entertainment, Geffen, and MCA/Universal Distribution, promoting major artists across multiple genres. Included are personal papers and correspondence, marketing reports, press clippings, photographs, certified gold and platinum album plaques, clothing, and time-based media in both published and unpublished audio and video formats.
Extent:
2 document cases
Language:
Materials are in English.
Preferred citation:

Eddie Gilreath Collection, SC 171, Archives of African American Music and Culture, Indiana University, Bloomington.

Background

Biographical / Historical:

Eddie Gilreath was born in Maryland in 1943 and raised in the town of Chester outside of Philadelphia, where he learned to play bass as a teenager. After serving in the Army, he continued to perform while attending college. At the encouragement of his mentor, Weldon McDougall III, Gilreath began his illustrious music industry career at Chips Distributing in Philadelphia, promoting Motown releases, and in 1967 became Motown's National Promotion Director, where he worked with artists such as Marvin Gaye, Supremes, Jackson 5, Smokey Robinson, Temptations and Stevie Wonder.

In 1971, Warner Bros. recruited Gilreath to become their Southeast Regional Marketing Manager in Atlanta, where he directed marketing activities for pop, jazz and R&B artists. From 1975 to 1982, Gilreath served as the first African American National Sales VP for Warner Bros. in Los Angeles, directing the Black Music Division and hiring a team he called the "Warner Bros. Rhythm Section" to exclusively promote Black artists. He was also selected to assist Alex Haley with marketing and promotional tours for his book, Roots. In 1982, Gilreath was commissioned by the major labels to conduct the first industry study on the buying habits of Black consumers which resulted in his report, "Black Music is Green," presented at the National Association of Recording Merchandisers (NARM) trade show.

After leaving Warner Bros., Gilreath served as VP of Sales and Marketing for Island Records and Elektra Entertainment in New York, orchestrating sales activities for a roster of talent including Linda Ronstadt, Motley Crue, Anita Baker, Metallica, Simply Red, and Midnight Star while simultaneously directing activities for the label's Nonesuch classical music division. In 1986, Gilreath returned to Los Angeles to assist David Geffen and Eddie Rosenblatt with the launch of Geffen Records, a new division of Warner Bros. As VP of Sales, Gilreath worked with Geffen's superstar acts like John Lennon, Nirvana, Cher, Guns N' Roses, Don Henley, Aerosmith, and Elton John; and oversaw sales of Broadway show product for Dreamgirls, Miss Saigon, Les Miserables and Cats as well as the debut album from The Simpsons animated comedy series.

Gilreath then spent four years at MCA/Universal as Senior VP of Marketing, promoting artists such as Trisha Yearwood, Meatloaf, jazzier Dave Grusin, George Strait and Wynonna. In 1995 he briefly returned to Motown as Senior VP of Marketing, and in 1998 as Managing Director of Domo Records he elevated the career of Japanese New Age artist Kitaro. In 2000, Gilreath and four industry luminaries formed the E-nate Music Group and signed artists such as Kool & Gang, JT Taylor, Ray Charles, the Gap Band's Charlie Wilson and Dionne Warwick.

Gilreath's other career highlights include serving as a board member of the Black Music Association; serving as the first African American chairman of the Manufacturer's Advisory Committee following his election to the post by the six major entertainment corporations; and at the invitation of the Jamaican government, conducting seminars with Bob Marley's widow, Rita Marley, to assist their citizens in becoming more professional in the worldwide music industry.

Scope and Content:

This collection includes materials pertaining to the life and career of Eddie Gilreath, who held sales and marketing executive positions at several record labels. Series 1 consists of Gilreath's professional papers, corresopndence, and marketing plans for multiple performing groups in the late 90s. Series 2 includes personal awards and achievements in addition to several award plaques for performing artists such as Guns N' Roses, Curtis Mayfield, and Aerosmith. Series 3 consists of photographs of Gilreath's personal and professional life, including celebrities Gilreath collaborated with as a record executive. Series 4 and 5 consist of audio/visual time-based media of performing acts of clients and personal home videos. Series 6 contains several clothing items related to the organizations in which Gilreath worked or was affiliated.

Acquisition information:
Donated by Edward and Consuella Gilreath in January 2020.
Processing information:

Processed by AAAMC staff. Completed in 2022.

Arrangement:

Arranged in six series:

Series 1: Papers
Series 2: Awards
Series 3: Photographs
Series 4: Audio
Series 5: Videos
Series 6: Textiles
Rules or conventions:
Describing Archives: A Content Standard

Access

RESTRICTIONS:

Use of time-based media materials (audio and video) may require production of listening or viewing copies.

Access to streaming audio, moving image, and full resolution digital image materials may currently be restricted to researchers who can authenticate with an IU account or who are physically present on campus. Remote streaming to individual researchers may be allowed with the completion of applicable forms.

For further information about access to online audiovisual materials, contact AAAMC staff at aaamc@indiana.edu.

TERMS OF ACCESS:

Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, including but not limited to the Indiana Public Records Act (5-14-3-2 et seq.). Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which Indiana University assumes no responsibility.

Copyright is retained by the creators/authors of items in this collection, or their descendants, as stipulated by United States copyright law. All requests for copying and publishing materials must be submitted in writing to the Archives of African American Music and Culture, and may require the written permission of the creator(s)/author(s) or donor(s).

Motown marketing materials (1995) may not be reproduced or cited in any manner unless all names of personnel other than Eddie Gilreath have been redacted.

PREFERRED CITATION:

Eddie Gilreath Collection, SC 171, Archives of African American Music and Culture, Indiana University, Bloomington.

CAMPUS:
Indiana University Bloomington
LOCATION OF THIS COLLECTION:
Smith Research Center, Rooms 180-181
2805 East 10th Street
Bloomington, Indiana 47408-2601, United States
CAMPUS:
Indiana University Bloomington
CONTACT:
812-855-8547
aaamc@indiana.edu