Collection context
Summary
- Creator:
- Cooper, Tyron, Burnim, Mellonee V. (Mellonee Victoria), 1950-, Jones, Alisha Lola, Williams-Forson, Psyche A., and Indiana University, Archives of African American Music and Culture (AAAMC)
- Abstract:
- Collection documenting the AAAMC's 2014 panel discussion and exhibit, Hot Buttered Soul: The Role of Foodways & Musicmaking in Building and Sustaining African American Communities, which explored the intersections between sacred and secular music genres and traditional foodways as signifiers of African American life and culture. Featured panelists include Dr. Psyche Williams-Forson, Dr. Tyron Cooper, Dr. Alisha Lola Jones, and Dr. Mellonee Burnim. Includes audio, video, image, and research files.
- Extent:
- 1 document case and 210 Digital Files (Documents, Photographs, Spreadsheets, Images, Audio Files, and Video Files)
- Language:
- Materials are in English.
- Preferred citation:
Hot Buttered Soul Collection, SC 127, Archives of African American Music and Culture, Indiana University, Bloomington.
Background
- Biographical / Historical:
Dr. Tyron Cooper is a five-time Emmy award winner and the director of Indiana University's (IU) Archives of African American Music and Culture. He is also an associate professor in IU's Department of Folklore and Ethnomusicology. He holds a BA in music education from Bethune-Cookman University, an MA in jazz studies, and a Ph.D. in ethnomusicology, both from IU. Cooper's research broadly focuses on popular black and religious music, specifically live gospel music recording productions as mediated products.
Dr. Alisha Lola Jones is an associate professor in the music faculty at the University of Cambridge in Cambridge, England. She is a board member of the Society for Ethnomusicology (SEM), a member of the strategic planning task force for the American Musicological Society (AMS), and a co-chair of the Music and Religion Section of the American Academy of Religion (AAR). Additionally, as a performer-scholar, she consults museums, conservatories, seminaries, and arts organizations on curriculum, live and virtual event programming, and content development. Dr. Jones' book Flaming?: The Peculiar Theopolitics of Fire and Desire in Black Male Gospel Performance (Oxford University and Press) breaks ground by analyzing the role of gospel music-making in constructing and renegotiating gender identity among black men.
Dr. Mellonee Burnim is professor emerita in the Department of Folklore and Ethnomusicology and retired Director of the Archives of African American Music and Culture at Indiana University-Bloomington. She is a past Director of the Ethnomusicology Institute at IU and has served as chairperson in the Department of African American and African Diaspora Studies. As an ethnomusicologist with a specialization in African American religious music, Burnim has done fieldwork and led choral music workshops on African American religious music across the United States, as well as in Cuba and Malawi. She is co-editor of African American Music: An Introduction (Routledge 2006), now in its second edition (2015). This text has been widely adopted in universities across the US, and in 2020 it was named to the Zora Canon: The 100 Greatest Books Ever Written by African American Women.
Dr. Psyche Williams-Forson is professor and chair of the Department of American Studies at the University of Maryland College Park. She is the author of Eating While Black: Food Shaming and Race in America (winner of the James Beard Media Award for Food Issues and Advocacy, 2023), co-editor of Taking Food Public: Redefining Food in a Changing World (2013), and, Building Houses out of Chicken Legs: Black Women, Food, and Power (winner of the Elli Köngäs-Maranda Prize, American Folklore Society). She is known nationally and internationally for her work in building the scholarly subfield of Black food studies, and she has published numerous articles on topics such as Black women, food, and power; food and literature; food and sustainability; race, food, and design thinking; eating and workplace cultures; as well as the historical legacies of race and gender (mis)representation, with (and without) food.
- Scope and Content:
This collection consists of physical and digital materials encompassing the planning stages, the event, and the post-production summaries of the lecture and exhibit. In this collection, there are physical materials used in the exhibit and digital files, including financial documents and initial planning correspondence, as well as images, audio files, and a video of the lecture in its entirety. Lastly, there are bibliographies and final reports to summarize the information from the event.
- Acquisition information:
- Materials in the collection were acquired and generated by the Archives of African American Music Culture in the process of planning and executing the exhibit and lecture.
- Processing information:
Processed by AAAMC staff. Completed in 2023.
- Arrangement:
Arranged in 3 series:
- Series 1: Administrative Documents
- Series 2: Promotional Materials
- Series 3: Exhibit and Lecture Materials
- --- Sub-series 3.1: Born-digital and Lecture Related Materials
- --- Sub-series 3.2: Exhibit and Related Materials
- Rules or conventions:
- DACS-Describing Archives: A Content Standard
Indexed Terms
Access
- RESTRICTIONS:
-
Use of time-based media materials (audio and video) may require production of listening or viewing copies.
Access to streaming audio, moving image, and full resolution digital image materials may currently be restricted to researchers who can authenticate with an IU account or who are physically present on campus. Remote streaming to individual researchers may be allowed with the completion of applicable forms.
For further information about access to online audiovisual materials, contact AAAMC staff at aaamc@indiana.edu.
- TERMS OF ACCESS:
-
Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, including but not limited to the Indiana Public Records Act (5-14-3-2 et seq.). Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which Indiana University assumes no responsibility.
Copyright is retained by the creators/authors of items in this collection, or their descendants, as stipulated by United States copyright law. All requests for copying and publishing materials must be submitted in writing to the Archives of African American Music and Culture, and may require the written permission of the creator(s)/author(s) or donor(s).
- PREFERRED CITATION:
-
Hot Buttered Soul Collection, SC 127, Archives of African American Music and Culture, Indiana University, Bloomington.
- CAMPUS:
- Indiana University Bloomington
- LOCATION OF THIS COLLECTION:
-
Smith Research Center, Rooms 180-1812805 East 10th StreetBloomington, Indiana 47408-2601, United States
- CAMPUS:
- Indiana University Bloomington
- CONTACT:
-
812-855-8547aaamc@iu.edu