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Video recording of an interview with the legendary gospel music pioneer Al Hobbs by Keith McCutchen and Fredara Hadley at Hobbs' Indianapolis home in June of 2007.

The collection consists primarily of interviews and articles regarding radio stations and music in New Orleans, including information about the first African American deejays in New Orleans and the Poppa Stoppa radio program.

This is an artificially created collection that contains recordings and promotional materials for interviews and events created as part of the Indiana University Black Film Center & Archive's ongoing in-house research and outreach initatives.

Research on the Motown Record Corp., including photographs, Motown-related videos and television programs, and audio and video interviews with vocalists, instrumentalists, arrangers, songwriters, producers, technical staff, management, and consumers. Interviews include Thomas "Beans" Bowles (saxophonist and first road manager of the Motor Town Revue), Maxwell Powell (image specialist at Motown's Division of Artist Development), Bobby Rogers and Ronald White (vocalists with the Miracles), Sylvia Moy (songwriter), and Michael McLean (audio technician).

A collection of recorded interviews and transcripts, photographs, press clippings, posters, and research materials related to Detroit techno music. The bulk of the collection materials span the years 2007-2011 and include audio and written interviews with notable Detroit techno artists such as Derrick May, Juan Atkins, Carl Craig, Mike Banks, Anthony Shakir. Also included are video footage from Movement Festival and photographs from Dalphond's dissertation research.

This collection consists primarily of audio and video files of interviews with alumni of the IU Soul Revue and African American Arts Institute at Indiana University, including students, administrators, and directors of performing ensembles. The majority of the interviews were conducted with individuals who were members of the IU Soul Revue during its first ten years, under the direction of Dr. Portia K. Maultsby.

Collection includes audiocassette recordings of interviews about Ray Charles for Lydon's book Ray Charles : Man and Music (2004), a radio series about Ray Charles based on Lydon's book, complete or partial transcripts for many of the interviews organized loosely into book chapters, interviews with and about other African American musicians, class lectures given by Lydon at Indiana University and related publicity materials, and original music performed by Lydon.

The Phyl Garland Collection consists primarily of personal papers, including original typescripts for Garland's columns in Ebony and Stereo Review, and related research and photographs. Also included are 41 original audiocassette recordings of interviews conducted by Garland (except as noted) primarily with various African American musicians, artists, and filmmakers. Topics include African American composers and musicians as well as various genres of music including, but not limited to, jazz, R&B, soul, rock, classical, and blues. Record company publicity materials include publicity photos and press releases for over 900 artists.

The collection consists primarily of interviews conducted by AAAMC Project Manager Jason Housley for the 2005-2006 Indiana Historical Society Exhibit, "Soul and Funk: The Naptown Sound," as well as related production materials and photographs.