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The Preston, Robert mss., ca. 1930s-1990s, consist of correspondence, photographs, and memorabilia of stage and screen actor Robert Preston.

The Weldon mss. II, 1992, consists of the manuscript, art work, and book production materials for A Question of Timing by British author Fay Weldon, 1931- .

The Dewhurst mss., 1990-1991, consists of drafts of the autobiography of Colleen Dewhurst, 1924-1991, an actor known especially for her Eugene O'Neill roles.

The Stoppard mss., 1987-2013, consist of correspondence, clippings, ephemera, and works by and about Tom Stoppard.

The Jay mss. III, 1984-2018, consist of correspondence, scripts, and production materials from playwright and filmmaker David Mamet (b. 1947) to his friend and collaborator, magician Ricky Jay (1946-2018).

The Kreidl mss., 1981-1991, consist of an unpublished manuscript, notes, and fragments by John F. Kreidl for a planned biography of Orson Welles.

The Saltzman, Barry mss., ca. 1978-2008, contain annotated actor scripts, books of plays, posters, contracts and box office receipts records and CDs of photos documenting the career of actor Barry Saltzman, 1961- .

The Fugard mss. II, ca. 1976–2002, consist chiefly of photographs, playbills, etc. relating to stage productions of plays by South African writer Athol Fugard, 1932– .

The Currimbhoy mss., circa 1977–1994, consists of the papers of playwright Asif Currimbhoy, 1928–1994.

Fugard mss. III, circa 1970–1975, consists of correspondence between Athol Fugard and his editor at Viking, Ann Hancock.

The Scrimgeour mss., 1968-1981, consists of the correspondence and manuscripts of author Gary James Scrimgeour, 1934-2011, primarily relating to the writing and publication of his first novel, A Woman of Her Times (1982).

The Bond mss., 1965-2010, consist of the drafts and newspaper clippings of theater director, poet, screenwriter, and playwright Edward Bond, 1934-.

The Fletcher mss., circa 1965, consists of papers assembled by Ifan Kyrle Fletcher, 1905–1969, toward a study of suspect (i.e. forged) printed playbills, mainly featuring David Garrick's performances.

The Hawes mss., 1964-1999, consists of writings, recordings, and videos relating chiefly to humorist Kin Hubbard, 1868-1930, and his character creation Abe Martin, collected by theatre professor David S. Hawes, 1910-2002.

The Cristini mss., circa 1961-1970, consists of paintings and drawings by opera theatre designer Cesare Maria Cristini , 1906- 1970.

The Albee mss., 1961, consists of mimeographed stage scripts for The American Dream and The Death of Bessie Smith, two one-act plays by American dramatist Edward Albee, 1928-2016.

The Arden mss., 1959, consists of plays written by English playwright John Arden, 1930-2012.

The Norman mss. III, ca. 1958–1983, consist of scripts, music scores, manuscript fragments, proofs, publications, photographs, and programs of plays of the work of Frank Norman, including materials relating to Fings Ain't Wot The Used T'be, Bang to Rights, and Dodgem Greaser.

The Norman mss., 1957-1967, are literary papers of Frank Norman, 1930-1980, author. They consist of manuscripts of his writings, correspondence and other papers.

The Norvelle mss., 1957-1959, consist of materials related to the play "Lincoln in Indiana, 1816-1830," adapted by Lee Roy Norvelle, 1892-1984, professor of speech and theatre at Indiana University, from the play, Marked Corners, by Mrs. Francesca (Falk) Miller Nielsen, (Mrs. A. E. Nielsen), 1888-?.