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The Eastman mss. II, 1869-1981, consist of the correspondence, writings, personal papers, and photographs of Max Eastman, 1883-1969.

The Eastman mss. V, 1880-2009, consist of the photographs, correspondence, personal papers, writings, and legal documents of Max Eastman, 1883-1969; and Yvette Szekely Eastman, 1912-2014.

The Eastman mss. IV, 1890-2009, consist of the photographs, correspondence, personal papers, writings, and artwork of Max Eastman, 1883-1969; Yvette Szekely Eastman, 1912-2014; and Eliena Krylenko Eastman, 1895-1956.

The Trotskii mss., 1900-1957, consist principally of the correspondence of Lev Trotskii, 1879-1940, Russian communist leader, and Max Eastman, 1883-1969, author, during the period when Eastman was preparing his book about Trotskii in 1922 and 1923 and later when he served unofficially as Trotskii's literary agent from 1929 to 1933.

The Deshon mss., 1917-1922, consists of the correspondence between actress Florence Deshon, 1893-1922, and author Max Eastman, 1883-1969.

​The Eastman, E. mss., 1923-1958, consists primarily of the correspondene and writings of Eliena Vassilyenva Krylenko Eastman, 1895-1956, artist, and Max Eastman, 1883-1969, author.

The Eastman mss. III, ca. 1936, consist of a substantially complete annotated typescript and three partial earlier carbon drafts of Max Eastman's book The Enjoyment of Laughter.

The Norton mss. II, 1943-1960, consist primarily of letters from author Max Forrester Eastman, 1883-1969, to assistant magazine editor, Florence Norton. Also present are a few letters and telegrams from Eastman's second wife, Eliena Krylenko, 1895-1956, and a few from his third wife, Yvette Szekely (b.1912), following their marriage in 1958. Through 1956 these letters complement those found in the Norton mss. That is, this is the Eastman side of the correspondence while the Norton mss. are Florence Norton's letters to Max.

The Farano mss., 1954-1955, consist of letters and postcards from author Max Eastman to poet Michel Farano.

The Taylor, Jeanne mss., 1955-1956, consist of three letters and a postcard from Max Eastman to Jeanne Taylor, and one carbon of a letter from Taylor to Eastman, all dealing with payment for repairs on an apartment Taylor sublet from Eastman in 1955.