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Start Over You searched for: Campus Indiana University Bloomington Remove constraint Campus: Indiana University Bloomington Level Collection Remove constraint Level: Collection Year 1800 to 1999 Remove constraint Year: <span class="from" data-blrl-begin="1800">1800</span> to <span class="to" data-blrl-end="1999">1999</span>

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Robert Berry (born 1940) is an actor, playwright, and teacher. While a student in the Theater Department at Indiana University Bloomington in the summer of 1962, he wrote, directed, produced, and starred in a feature-length psychological horror film, "House of Dreams". The film, which was shot entirely without professional help with a budget of $10,000, is perhaps the first feature-length film created primarily by Indiana University students. The film was shot in Decker and Vincennes, Indiana and utilized the historic Sam Jordan House as the haunting centerpiece of the story. "House of Dreams" premiered in Vincennes on September 11, 1963. Given the involvement by local citizens and representation of small Southern Indiana towns, it was heralded locally as a distinctly "Hoosier" film.
 
This project is a compilation of interviews of subjects with strong ties to and memories of Indiana University, primarily at the Bloomington campus. The interviewees include former students, faculty, and staff, among others. The information contained in the interviews generally spans a little more than the first half of the twentieth century and often deals with the administrations under presidents William Lowe Bryan and Herman B Wells. The project is a survey of Indiana University's history as a whole including information about various academic departments, athletics, student organizations, campus growth, university development, living conditions, segregation and the treatment of African-Americans, the administration, and the importance of jazz at Indiana University. In addition, the impact of specific events, such as the Great Depression, World War I, World War II, the Vietnam War, and water shortages, is detailed in many of the interviews in this project.
 

9. William Lowe Bryan papers, 1830-1960 6 cubic feet (6 boxes)

Online
William Lowe Bryan was an Indiana University alumnus, professor, and president. This collection includes correspondence, genealogical information, notes, a single journal from 1886, and published and unpublished writings and speeches. Correspondents include family and friends as well as numerous well-known political figures such as Winston Churchill, U.S. Senator Homer Capehart and Eleanor Roosevelt. Frequent correspondents include brother Enoch Albert Bryan, Frank and Sara S. Elliott, Evangeline Lewis, Ruth McNutt, and Herman B Wells.
 

11. Crist mss., 1861-1865 1 Box (1 standard)

The Crist mss., 1861-1865, consists of letters to Barbara Ellen Crist, chiefly from her brother, Milton C. Crist, 1838-1864, and her future husband, John Erastus Lane, 1837-1893, both of whom were soldiers with the Ohio Volunteer Infantry during the Civil War.
 

18. Dubin mss., 1923-1953 5 Boxes (5 standard)

The Dubin mss., 1923-1953, consists of manuscript, mimeographed, and printed materials collected by Martin Dubin in connection with the preparation of his Ph.D. dissertation in the Department of Government, Indiana University.
 

19. Cooper mss. III, 1927-1980 1 Box (1 standard)

The Cooper mss. III, circa 1927-1980, consists of letters, photographs, and memorabilia such as plaques and resolutions, of and relating to journalist and Associated Press Director Kent Cooper, 1880-1965.
 
​The Ferguson mss., 1864-1929, consists of a collection of letters to Charles Eugene Ferguson, 1856-1945, a physician of Indianapolis, Indiana, and a member of the Indiana University School of Medicine faculty.
 

25. Fess mss., 1800-1900 1 folio

The Fess mss. consists of nineteen black and white undated photographs of paintings by artist Theodore Clement Steele, 1847-1926, and one of his studio in Brown County, Indiana. The photographs were made by Frank Michael Hohenberger, 1876-1963, also of Brown County, Indiana.
 
The Forman mss., 1885-1887, are those cards and letters sent to Harry Buxton Forman, 1842-1917, editor, who at this time lived at 46 Marborough Hill, St. John's Wood, London. Written by Ford Madox Brown, 1821-1893, painter, and John Pollard Seddon, 1827-1906, art critic.
 

30. Forster mss., 1920-1935 1 Box (1 standard)

The Forster mss., 1920-1935, consists of correspondence of Edward Morgan Forster, 1879-1970, novelist, with authors, editors, and publishers about his publications and literary figures.
 

31. Form mss., 1915-1920 1 folio

Form mss., 1915-1920, consist of drawings, etchings, and one letter related to the periodical Form: a quarterly of the Arts, edited by Austin O. Spare and Francis Marsden, published in London by John Lane (April, 1916) and Form: a monthly magazine of the Arts, edited by Austin O. Spare and W. H. Davies, published by The Morland Press, London (Oct.- Dec., 1921).
 

38. Gissing mss., 1863-1958 5 Boxes (5 standard)

The Gissing mss., 1863-1958, consist of correspondence, financial records, writings, photographs, and miscellaneous materials by and about writer George Robert Gissing, 1857-1903.
 
The Gilbert mss. II, 1931-1954, consists primarily of the correspondence between Carroll Atwood Wilson, 1886-1947, lawyer and collector of Gilbert and Sullivan materials, and Townley Searle, Gilbert bibliographer of London, England, concerning the sale and collecting of items relating to Gilbert and Sullivan operas.
 
The Gilmour mss., 1957-1971, consists of correspondence of John Scott Lennox Gilmour, 1906-1986, director of the University Botanic Garden, Cambridge [England] and president of the Cambridge Humanists.
 

44. Hahn mss. II, 1942-1943 0.1 Linear Feet (1 folio)

The Hahn mss. II, 1942-1943, consists of correspondence urging the U.S. Government to place the name of author Emily Hahn, 1905-1997, on the list of American correspondents in Japan and Japanese-held territories to be exchanged for Japanese journalists in the United States.
 
​The Duval, K. D. mss., 1973-1976, consists chiefly of the correspondence between Kulgin Dalby Duval, bookseller, and 23 British bookbinders commissioned by him to produce original bindings for a catalogue and exhibition: British Bookbinding Today.