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This collection documents the activities of Dr. Winona Fletcher as Producing Director of the Indiana University Afro-American Arts Institute's 1986 revival of the Federal Theatre Project's 1939 production Prelude to Swing, entitled Prelude to Swing +50.

This collection consists of manuscript scores of Banfield's music, promotional and ephemeral material relating to Banfield, and recordings and transcripts of interviews that Banfield conducted with a variety of African-American composers as well as recordings of Banfield's radio show, Landscapes in Color.

These materials comprise a thirteen-part radio series of public service broadcasts produced by Sam Chase for WLIB radio in New York in cooperation with Newsweek Magazine.

The collection consists primarily of audiocassette copies of the 26-part radio series Wade in the Water, produced by NPR in collaboration with the Smithsonian Institution, and concieved and hosted by Dr. Bernice Johnson Reagon.

The collection consists primarily of materials related to the gospel musicals Mama, I Want to Sing; Mama, I Want to Sing II; and Born to Sing! Mama 3. It includes scripts, programs, promotional materials, posters, photographs, videos, and sound recordings. Records of the Mama Foundation include programs, press clippings, publicity, and posters.

Manuscript and printed scores, photographs, biographical material, and recordings by Black composers active from 1950 to present.

This collection consists of published and manuscript scores of Moore's music, as well as photographs of Moore and videos containing performances and interviews.

Black radio photograph collection documenting events and personnel, including photos with rhythm and blues musicians, at Houston station KCOH in the 1960s and 1970s. Photographs were copied from the personal collection of Gardner. Accompanied by a transcription of an interview with Gardner which includes descriptions of each photograph.

A small collection of photographs from the 1950s-1960s. The bulk of the photographs feature Jackie Wilson. Also included is early Motown recording artist Gino Parks.

Draper's collection documents the career of an African American music executive and covers his tenures at RCA Records and Warner Bros. Records.

This collection includes interviews and research materails used for the production of the book The Black Composer Speaks (1978), a project initiated by the Afro-American Arts Institute at Indiana University, and co-edited by Lida M. Belt, David N. Baker and Herman C. Hudson. The majority of the interviews were conducted by Lida Belt (Baker).

Audio recordings of taped radio show episodes, primarily from the series The Afro-American in Indiana, but also including the additional programs Reflections in Black and Black Heritage, as well as a radio special and recordings from a NAACP convention. The radio shows, hosted by Fr. Boniface Hardin, featured multiple high-profile guests. The episode topics includes sports, music, education, historiography, slavery, the American Civil War, Reconstruction, segregation, the Indiana Constitution, the United States Constitution, church, religion, the NAACP, WWI, WWII, medicine, black businesses, the Institute of Afro American Studies, prison, labor history, and more.

This collection documents Dr. Teresa Hairston's work in the gospel music industry from the late 1980s into the early twenty-first century and consists of materials related to the publication of her gospel music magazines Score, Gospel Today, and Gospel Industry Today as well as events and television programs produced by Dr. Hairston. Included are publicity materials, photographs, press kits, magazines, correspondence, business records, and time-based media in both published and unpublished audio and video formats.

Selection of 45rpm singles issued in the 1960s-1980s on record labels owned by Stan Lewis in Shreveport, Louisiana. Includes rhythm and blues, blues, and gospel music on Jewel Records and Stan's Record Division subsidiary labels Ronn Records, Paula Records, Susie Q Records, and Head.

This collection consists primarily of interviews conducted by AAAMC assistant director Stephanie Shonekan and director Portia K. Maultsby for the exhibit, Something in the Water : The Sweet Flavor of Dayton Funk, hosted by the National Afro-American Museum and Cultural Center in Wilberforce, Ohio. The exhibit was organized by NAAMCC curator Michael Sampson and Portia K. Maultsby with consultation by Ricky Vincent and was on display from October 3, 1998 through February through February 1999.

Photographs documenting the career of Houston deejay Skipper Lee Frazier, copied from his personal collection. Additional photo descriptions with biographical information transcribed from an interview with Frazier are available in accession folder. The collection consists of 12 b&w photographs with negatives primarily documenting Skipper Lee Frazier's activities in connection with KCOH in Houston during the 1970s and '80s.

Interviews with key figures in southern hip hop music and related secondary source materials including articles, press clippings, press releases and photographs.

The Ronald Lewis collection contains press releases, article clippings, concert flyers, posters, advertisements, sound recordings and video documenting Lewis' career as a musician, record label owner, and producer in Louisville, KY.

Publicity photographs, including movie and television stills, of African American musicians representing classical, jazz, gospel, soul and rhythm and blues genres.

Collection consists primarily of materials related to Roberts's work at KYOK-AM in the 1960s and '70s including images of KYOK sponsored events such as the "We Love You" concert and associated publicity materials, a beauty pageant, radio contests, and on-site broadcasts throughout Houston. Also included are photographs of KYOK radio personalities and staff as well as candid and publicity photographs of visiting R&B artists.