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The collection consists primarily of CD-R copies of the radio series "Lessons in Jazz," produced by Kevin Anderson for MD Illegal Rap Radio. The series began airing in 2002 on Hampton University's student radio station WHOV 88.1 FM. Co-hosts of the series are Marcel "Big Cel" Canady and Montez "The Wiz" Martin.

This collection consists of manuscript scores of Banfield's music, promotional and ephemeral material relating to Banfield, and recordings and transcripts of interviews that Banfield conducted with a variety of African-American composers as well as recordings of Banfield's radio show, Landscapes in Color.

The collection consists primarily of materials related to the gospel musicals Mama, I Want to Sing; Mama, I Want to Sing II; and Born to Sing! Mama 3. It includes scripts, programs, promotional materials, posters, photographs, videos, and sound recordings. Records of the Mama Foundation include programs, press clippings, publicity, and posters.

Manuscript and printed scores, photographs, biographical material, and recordings by Black composers active from 1950 to present.

This collection documents Dr. Teresa Hairston's work in the gospel music industry from the late 1980s into the early twenty-first century and consists of materials related to the publication of her gospel music magazines Score, Gospel Today, and Gospel Industry Today as well as events and television programs produced by Dr. Hairston. Included are publicity materials, photographs, press kits, magazines, correspondence, business records, and time-based media in both published and unpublished audio and video formats.

The collection consists primarily of interviews conducted by AAAMC Project Manager Jason Housley for the 2005-2006 Indiana Historical Society Exhibit, "Soul and Funk: The Naptown Sound," as well as related production materials and photographs.

This collection consists primarily of interviews conducted by AAAMC assistant director Stephanie Shonekan and director Portia K. Maultsby for the exhibit, Something in the Water : The Sweet Flavor of Dayton Funk, hosted by the National Afro-American Museum and Cultural Center in Wilberforce, Ohio. The exhibit was organized by NAAMCC curator Michael Sampson and Portia K. Maultsby with consultation by Ricky Vincent and was on display from October 3, 1998 through February through February 1999.

Press materials, itinerary, promotional materials, and media recordings from Rowena Stewart's 2001 lecture at Indiana University, "Music: An Interpretative Voice in the Extraordinary World of Museums."

Interviews with key figures in southern hip hop music and related secondary source materials including articles, press clippings, press releases and photographs.

The Ronald Lewis collection contains press releases, article clippings, concert flyers, posters, advertisements, sound recordings and video documenting Lewis' career as a musician, record label owner, and producer in Louisville, KY.

Bob Marovich is a gospel music historian, author, and radio host. This collection consists of one series made up of recordings and transcripts of interviews that Marovich conducted with a variety of gospel music pioneers while writing A City Called Heaven: Chicago and the Birth of Gospel Music. The interviews discuss the musicians' lives and careers, as well as spirituality and the gospel genre as a whole.

This collection consists of documentation and one-on-one interviews from the AAAMC's two-day conference on Black rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009. The conference and related activities were open to local and regional musicians, scholars, students, and brought together Black rock musicians from different generations and regions with music critics and scholars to discuss the socio-political history, musical developments, and the future of Black rock.

Research on the Black gospel quartet tradition including recorded interviews, transcripts, programs, sheet music, hymnals, subject files, sound recordings and videos.

A collection of Prince commemorative publications assembled by the AAAMC following the artist's death on April 21, 2016.

The Phyl Garland Collection consists primarily of personal papers, including original typescripts for Garland's columns in Ebony and Stereo Review, and related research and photographs. Also included are 41 original audiocassette recordings of interviews conducted by Garland (except as noted) primarily with various African American musicians, artists, and filmmakers. Topics include African American composers and musicians as well as various genres of music including, but not limited to, jazz, R&B, soul, rock, classical, and blues. Record company publicity materials include publicity photos and press releases for over 900 artists.

The collection consists primarily of materials collected during research for Nelson George's book Where Did Our Love Go?: The Rise and Fall of the Motown Sound (St. Martin's Press, 1985). This includes interviews (audiocassettes and transcripts), photographs, newspaper clippings, magazines, photocopies of legal documents, manuscripts, and correspondence.

Magazines and articles collected by Murray Forman during research for his book, The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop (Wesleyan University, 2002).

This collection consists of books, papers, sheet music, posters, photographs, CDs, and DVDRs documenting the artistic life of Mike Johnson, "Country Music's No. 1 Black Yodeler."

Papers, photographs, music manuscripts of original jazz and classical compositions, sound recordings and videos documenting the career of jazz pianist Mickey Tucker.

Programs, press releases, audio recordings, and manuscript charts for jazz compositions composed by Hamilton College music professor Michael "Doc" Woods.

The Michael Nixon collection is comprised of papers relating to his entertainment company, various collected magazines with subjects pertaining to hip hop, RnB, and black culture. The collection also has photographs depicting his life and career as a management executive.

Collection includes audiocassette recordings of interviews about Ray Charles for Lydon's book Ray Charles : Man and Music (2004), a radio series about Ray Charles based on Lydon's book, complete or partial transcripts for many of the interviews organized loosely into book chapters, interviews with and about other African American musicians, class lectures given by Lydon at Indiana University and related publicity materials, and original music performed by Lydon.

A collection of Michael Jackson commemorative publications assembled by staff.

The collection consists primarily of programs, newspaper and magazine clippings, photographs, scrapbooks, awards, correspondence, memorabilia, posters, clothing, audio recordings and video related to Marietta Simpson's career.

The collection spans the years 1955-2020; The earliest materials are LPs released between 1955 and 1974, while the papers are dated from 2012. Materials consist primarily of records, radio interviews, and magazines discussing the Pastor Maceo L. Woods, as well the Charles Harrison Mason Historical Society.

The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.

The collection of music industry professional Logan H. Westbrooks contains professional and personal papers, photographs, sound recordings, video recordings, digital files, posters, books, memorabilia, artifacts and other material documenting his life and work from the 1930s through the 2010s. Professional papers pertain to his employment at Capitol Records, Mercury Records, CBS Records, CBS International, Soul Train Records, Source Records, and his management firm Ascent Music Inc. Personal papers pertain to his upbringing in Memphis, TN, the Church of God in Christ, lectures at California State University and Indiana University, philanthropic activities, and civic service. Topics include African American music industry executives; record labels; recording industry in United States, Africa, and Jamaica; African American musicians; black churches; rhythm and blues, soul, jazz, and funk music; radio and African American disc jockeys.

Approximately 800 radio aircheck tapes of radio programs of black popular music (live and prerecorded), hosted by Johnny Otis, and featuring live interviews with blues and rhythm & blues artists from the 1940s, 1950s, and 1960s. Artists interviewed include Little Esther Phillips, Al Frazier, Mary Wells, Zola Taylor, the Coasters, Horace Silver, the Robins, Etta James, Big Jay McNeely, Bobby Day, Bumps Blackwell, Pee Wee Crayton, Jimmy McCracklin, and Joe Liggins. Also included are photographs, memorabilia, books, and compact discs.

The collection includes 47 audiocassettes and partial transcripts of interviews conducted by Jackson primarily for his book, A House On Fire: The Rise and Fall of Philadelphia Soul, as well as related articles and book drafts.

Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.

Collection consists of casting, production, and promotional materials used by James Spooner in the production of his film White Lies, Black Sheep and materials associated with the film Afro-Punk including interview footage, promotional materials, film festival awards, and periodicals in which the film and/or Spooner was highlighted.

This collection documents the week surrounding the death of James Brown and the proceeding funeral ceremony. It also consists of documentation highlighting Brown's performance on the Indiana University, Bloomington campus a few months prior to his death.

Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper's Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mello Yello."

This collection consists primarily of audio and video files of interviews with alumni of the IU Soul Revue and African American Arts Institute at Indiana University, including students, administrators, and directors of performing ensembles. The majority of the interviews were conducted with individuals who were members of the IU Soul Revue during its first ten years, under the direction of Dr. Portia K. Maultsby.

Collection documenting the AAAMC's 2014 panel discussion and exhibit, Hot Buttered Soul: The Role of Foodways & Musicmaking in Building and Sustaining African American Communities, which explored the intersections between sacred and secular music genres and traditional foodways as signifiers of African American life and culture. Featured panelists include Dr. Psyche Williams-Forson, Dr. Tyron Cooper, Dr. Alisha Lola Jones, and Dr. Mellonee Burnim. Includes audio, video, image, and research files.

The collection consists primarily of interviews regarding ska music and musicians conducted by Heather Augustyn. Also included in the collection are interview summaries, research files and ephemera, published books and recordings, and photographic prints and slides.

Collection includes articles, magazines, transcripts, lectures and interviews. Time-based media content primary pertains to his Indiana University lectures in 1998, sponsored by Archives of African American Music and Culture.

The papers of Gertrude Rivers Robinson contain music manuscripts and sketches, correspondence, press clippings, class notes and coursework, lecture materials, audio recordings, photographs, slides, films and videos documenting her life and career as a composer, ethnomusicologist and pedagogue, including her research on the Balinese gamelan tradition.

Extensions of the Tradition is an annual event featuring a concert of music by black composers with related exhibits and programs, co-sponsored by Indiana University's African American Arts Institute, the AAAMC, and the Jacobs School of Music. The event is documented through program booklets, flyers, photographs, and video and audio recordings.

Every Voice and Sing: The Choral Music Legacy of the Historically Black Colleges and Universities is a 5-part series on Black choral music that explores the social/political context of the Civil War/Reconstruction era that brought about the formation of these Historically Black Colleges and Universities and their amazing Singing Groups. The project is collaborative production of EVT Educational Productions, Inc. and JAZZ88.3FM WBGO Radio of Newark, New Jersey. The series was broadcast by over 240 public radio stations.

This collection spans the active career (1964-) of Evelyn Simpson-Curenton as well as holds materials highlighting the renowned Singing Simpsons, and Evelyn's sister, Joy Simpson. It consists of CDRs, LPs, DVDs, and home-video tapes; along with several concert programs, photographs, personal letters and more.

Includes the personal papers of Edith Casteleyn, founder and director of Dutch community gospel choirs in the Netherlands, as well as scrapbooks, recordings, videos, clippings, programs, publicity materials, and photographs documenting the Soesterberg Gospel Choir, Friendship Gospel Choir, Life Line Gospel Choir, Alive! Gospel Choir, Rainbow Gospel Singers, and other choirs directed by Casteleyn.

Eddie Gilreath was one of the first African American music industry professionals to hold executive level marketing and sales positions with major record labels including Motown, Warner Bros., Elektra Entertainment, Geffen, and MCA/Universal Distribution, promoting major artists across multiple genres. Included are personal papers and correspondence, marketing reports, press clippings, photographs, certified gold and platinum album plaques, clothing, and time-based media in both published and unpublished audio and video formats.

Materials documenting audiovisual exhibits produced by Donna Lawrence Productions.

A collection of recorded interviews and transcripts, photographs, press clippings, posters, and research materials related to Detroit techno music. The bulk of the collection materials span the years 2007-2011 and include audio and written interviews with notable Detroit techno artists such as Derrick May, Juan Atkins, Carl Craig, Mike Banks, Anthony Shakir. Also included are video footage from Movement Festival and photographs from Dalphond's dissertation research.

The Deborah Smith Pollard collection includes more than 200 gospel music magazines and other publications from the 1980s to 2000s. The collection also includes Pollard's gospel music television specials, over 50 interviews she conducted with gospel artists and industry figures, airchecks of Pollard's radio program "Strong Inspirations" and radio programs hosted by other announcers.

This collection consists of commercial gospel music videocassettes, commercial audio recordings, paper documents, schedules, promotional materials, photographs, and other ephemeral material related to Debbie May's career as a music producer.

The collection consists of articles, clippings, and interviews compiled during research for Seymour's book, Luther: The Life and Longing of Luther Vandross (2004), and subsequent research on topics related to R&B musicians, black music genres, the black gay community and gay musicians. Also included are audiocassettes containing interviews conducted by Seymour with Luther Vandross, various R&B musicians and record company personnel, as well as a large collection of mixtapes and commercial CDs.

Research on the Motown Record Corp., including photographs, Motown-related videos and television programs, and audio and video interviews with vocalists, instrumentalists, arrangers, songwriters, producers, technical staff, management, and consumers. Interviews include Thomas "Beans" Bowles (saxophonist and first road manager of the Motor Town Revue), Maxwell Powell (image specialist at Motown's Division of Artist Development), Bobby Rogers and Ronald White (vocalists with the Miracles), Sylvia Moy (songwriter), and Michael McLean (audio technician).

Materials documenting the period Charles Connor, known as "Little Richard's original drummer," spent on the road with Little Richard, Sam Cooke, Dee Clark, Larry Williams, Chuck Willis, and others. Included are more recent articles, interviews, and audio recordings of Connor and an unpublished book manuscript.