Founded in 1981, the Black Film Center & Archive (BFCA) is a repository of films and related materials made by, about, and featuring African Americans, the people of Africa, and the African diaspora. Holdings date from 1895 to the present and include films, personal papers, posters, photographs, press kits, pressbooks, and interviews with filmmakers and actors.
Consists of distribution records, correspondence, film publicity, posters, photographs, censorship materials, and fiscal statements of film producer and distributor Richard Edward Norman.
The African American Contribution to Film Collection contains advertising materials, photographs, pressbooks, press kits, and Japanese programs for films and several television series dating from 1934 to 2003 featuring African Americans.
The Josef Gugler collection consists of promotional materials for films produced in or directed by filmmakers from Africa and the Middle East. Over 500 unique films by approximately 350 film directors are represented. Formats include film posters, pressbooks, chirashi flyers, lobby and storefront cards, handbills, photographs, slides, and audiovisual recordings.
The Josef Gugler collection consists of promotional materials for films produced in or directed by filmmakers from Africa and the Middle East. Over 500 unique films by approximately 350 film directors are represented. Formats include film posters, pressbooks, chirashi flyers, lobby and storefront cards, handbills, photographs, slides, and audiovisual recordings.
The Josef Gugler collection consists of promotional materials for films produced in or directed by filmmakers from Africa and the Middle East. Over 500 unique films by approximately 350 film directors are represented. Formats include film posters, pressbooks, chirashi flyers, lobby and storefront cards, handbills, photographs, slides, and audiovisual recordings.
This series contains human resource files and miscellaneous files generated by the BFHFI's staff members and volunteers that are not clearly related to one of the other series (e.g., reports on BFHFI supported conference trips, BFHFI-related grant applications, personal files, etc.).
Papers and films of independent female African American filmmaker Jessie Maple. The collection includes seven of her films, articles and a book Maple wrote, grant proposals, materials documenting discrimination lawsuits she filed in order to work as a cameraperson along with other material.
This series contains publicity materials used to promote the Black Filmmakers Hall of Fame's events including souvenir programs, flyers, event announcements, invitations, posters, and tickets.
This series contains correspondence sent and received by the Black Filmmakers Hall of Fame since its inception in 1974 until the effective end of operations in 2007.
This series contains financial documents generated by the Black Filmmakers Hall of Fame's operations and activities as well as a small number of legal documents.
This is an artificially created collection that contains recordings and promotional materials for interviews and events created as part of the Indiana University Black Film Center & Archive's ongoing in-house research and outreach initatives.
This series contains papers, application packets, and audiovisual materials related to the Black Filmmakers Hall of Fame's 1993 Sidney Poitier Fellowship competition. Applications to the program include written film proposals, scripts, sample works on videocassette, and other materials submitted by film and video makers competing for fellowship awards.
This subseries contains papers, application packets, and audiovisual materials related to the Black Filmmakers Hall of Fame's Black Filmworks film festival and annual Independent Film, Video & Screenplay Competition.
The Bridgett Davis Naked Acts collection focuses on Davis's activities as a filmmaker from 1994 through 2009. The collection comprises production materials, film elements, promotional materials, and press coverage related to the film and Davis's role in its creation.
Papers and related materials of writer, researcher, and professor J. Ronald Green. The collection contains research, drafts, and correspondence pertaining to the publication of Green's books Straight Lick: The Cinema of Oscar Micheaux (2000) and With a Crooked Stick—The Films of Oscar Micheaux (2004), as well as a number of his scholarly articles.
This collection, which was donated as part of the Mary Perry Smith Black Filmmakers Hall of Fame Archives Collection, contains the personal papers and artifacts, business and financial records, photographs, audiovisual recordings, and musical manuscripts of composer, arranger, performer, and talent coach Phil Moore.
Music manuscripts composed and arranged by Phil Moore including scores and parts for full orchestra, small ensembles, vocalist with keyboard accompaniment, lead sheets, and initial sketches. Moore composed in a wide range of genres, but works in various jazz styles popular during the early 1940s through the 1960s are particularly well represented. His musical manuscripts include arrangements for night club acts, musicals, and studio recordings; soundtrack material for films, television productions, cartoons, and commercials; and various forms of Western art music. When known, the name of the artist a specific arrangement was made for has been provided.
This series contains memorabilia related to the Black Filmmakers Hall of Fame including inductee plaques and handprints, signed books and programs, offical government proclamations and commendations, costumes and clothing, and an assortment of additional three-dimensional and print artifacts.
The Josef Gugler collection consists of promotional materials for films produced in or directed by filmmakers from Africa and the Middle East. Over 500 unique films by approximately 350 film directors are represented. Formats include film posters, pressbooks, chirashi flyers, lobby and storefront cards, handbills, photographs, slides, and audiovisual recordings.
This series contains documents stemming from Mary Perry Smith's activities outside of the Black Filmmakers Hall of Fame and a few of her personal papers.
This series contains documents and artifacts that do not fit within the other series of the collection or whose fit within the collection cannot be determined. Included are roughly three dozen U-matic videocassettes of the 1989 Black Choreographers conference and production cassettes for a project on Black soldiers.
The Kathe Sandler Collection contains 16mm film and sound outtakes, original negatives, other film and pre-production elements, and transcripts from A Question of Color and Remembering Thelma.
The Belva Davis and William Moore Black Filmmakers Hall of Fame Archives collection contains audiovisual recordings of BFHFI events hosted between 1978 and 1993 as well as text-based documents generated during the production of the 2nd and 18th annual BFHFI Black History Month Celebration in 1975 and 1991.
This collection contains a wide array of materials documenting the history and activities of the Black Filmmakers Hall of Fame (BFHFI). The materials were collected and/or created by Mary Perry Smith from the time immediately predating the BFHFI's first Black History Month celebration in 1974 to the efforts of its remaining supporters to revitalize the organization following its final film festival in 2003. Highlights include event publicity and souvenirs; celebrity memorabilia; moving image and screenplay submissions to the BFHFI's annual competition; Phil Moore's personal papers, arrangements, lyric sheets, recordings, and photographs; video recordings of BFHFI events; correspondence; and administrative, board, and planning documents.
This series contains administrative documents generated by the Black Filmmakers Hall of Fame in the process of planning and producing the annual Oscar Micheaux Awards Ceremony and the Celebrity Dinner and Dance Gala from 1974-1993. Also included are a handful of documents related to planning a 23rd, 24th, 30th, and 35th awards ceremony between 1995 and 2008, although these ceremonies ultimately were never hosted.
This series contains audiovisual recordings of events hosted by the Black Filmmakers Hall of Fame including the annual Oscar Micheaux Awards Ceremony, Independent Film, Video & Screenplay Competition awards ceremony, Film and Lecture Series, annual symposium, and Black Filmworks film festival, as well as various workshops, lectures, interviews, and miscellaneous smaller events.