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Consists of the correspondence and papers of Indiana University Distinguished Professor Emeritus Scott Sanders (b. 1945), who taught at IU from 1971-2009.

The Lilly Library Photograph Files mss. consists of photographic prints and negatives depicting materials in the Lilly Library, principally arranged by call number of the materials depicted.

The Vint mss., ca. 1960, consists of the manuscript and proof-copy material for China Court by Rumer Godden, published by Viking Press in 1961.

Donald E. Hattin served as a professor of geology at Indiana University from 1954 to 1995. His collection consists primarily of materials relating to his research, published works, and teaching files.

Carver, Maryann mss., ca. 1955-1988, consist primarily of correspondence, photos, and memorabilia between Maryann Carver and her first husband, writer Raymond Carver.

The Cameron mss., ca. 1955-1965 consists primarily of original art, writings and book design materials for six children's books written and illustrated by Polly Cameron. Includes also children's fan letters, art and cards sent to Cameron.

The Ngũgĩ mss. (ca. 1950s-2014) consist of the papers of Kenyan author, playwright, essayist, educator, and activist Ngũgĩ wa Thiong'o.

The Indiana University Press mss. II, ca. 1950-1969, consists of the office and correspondence files of the press from its establishment in 1950.

The Parrish, Robert mss., ca. 1943-1979 contains correspondence, photographs, articles, and book-related notes.

The James, C.L.R. mss., ca. 1942-1974, consist of correspondence and writings of West Indian writer and political activist Cyril Lionel Robert James, 1901-1989.

The Curry, J.S. mss., ca. 1941, consists of those watercolors of John Steuart Curry, 1897-1946, illustrator, which he prepared for illustrating the Limited Editions Club volume of The Literary Works of Abraham Lincoln.

Alan Stanley Horowitz was curator of paleontology and part time professor of geology at Indiana University from 1966-1996. His collection consists of materials relating to his research interests and position at IU, including geological and paleontological research, publications, and records relating to professional organizations with which he was involved.

The Ferrell mss, ca. 1940-1999, consist of the papers, writings and correspondence of Indiana University Prof. Emeritus Robert H. Ferrell.

The Kael mss., ca. 1939-2001, consists of the papers and correspondence of film critic and author Pauline Kael, 1919-2001.

The National Federation of Music Clubs mss., ca. 1935-2007, consist of scrapbooks, files, minutes, correspondence, periodicals, photographs, and newspaper clippings documenting the work of the organization.

The Pound mss., VI, consist of those items by and relating to poet Ezra Loomis Pound, 1885-1972.

The Leiber, F. mss. II, ca. 1932-1970, consist of correspondence, writings, drawings, and photographs of science fiction writer Fritz Leiber, 1910-1992.

The Farano mss. II, ca. 1931-1972, consist of correspondence and writings of poet Michel Farano of West New York, New Jersey. Also present are files relating to Farano's close friend, poet Jean Starr Untermeyer.

The Preston, Robert mss., ca. 1930s-1990s, consist of correspondence, photographs, and memorabilia of stage and screen actor Robert Preston.

The Castle Films mss. consists of 7 8mm films released by home video distributor Castle Films. These films are believed to have been released in the 1930s.

The Wright B. mss., ca. 1930-2009, consists of the papers of translator Barbara Wright relating to her English translations of French authors.

The Sullivan, Mark X. mss., ca. 1930-1952, consist of 16mm. reels of film featuring actress Miriam Hopkins (1902-1972).

The Bradley M. mss. ca. 1929-2002 consists of the papers of sculptor, art restorer, Morton Clark Bradley, 1912-2004.

The Pyle mss. VI, ca. 1923–1954, consist of papers concerning journalist Ernest Taylor Pyle, 1900–1945, Clarence E. Edmondson and Edna Hatfield Edmondson.

The Masaryk, T.G. mss., ca. 1923-1934, consist of 5x7 black and white photographs of or relating to Tomas Garrigue Masaryk, 1850-1937, president of the Czechoslovak Republic, 1918-1935.

The Elkin Mathews, Ltd. mss., ca. 1919-1987, consists of the correspondence and business papers of Elkin Mathews, firm, booksellers, as well as the personal papers of Percival Horace Muir, 1894-1979, bookseller and author.

The Pound mss. IV consist of articles, poems, plays, and other writings by various authors that were sent to Ezra or Dorothy Pound by those authors.

Consists primarily of the correspondence and papers of Claude Renoir, 1901-1969, film producer, together with some papers of his better-known filmmaker brother, Jean Renoir, 1894-1979. The correspondence includes letters between the brothers regarding both family and film matters, as well as other business correspondence relating to the various film projects in which Claude and Jean were involved from Nana in 1926 to Opera-Musette in 1942. There are also film scripts and synopses by Claude and by Jean Renoir, financial documents, a film distribution notebook, a notebook of Claude's notes for "Cezanne," and photographs of Claude and Jean Renoir from 1914-1968.

The Woodburn mss. II, ca. 1911-1974, consist of letters and papers of the Woodburn family. The majority of the collection belongs to James Albert Woodburn, 1856-1943, and his son, James Gelston Woodburn, 1894-1980.

The Cooper mss. II, ca. 1905-1985, consists of the papers of newspaperman Kent Cooper, 1880-1965, and of his wife, Sarah A. Gibbs Cooper, mostly dating from after Kent Cooper's death. Most of the collection concerns his work as a journalist, but some of it relates to his work as a composer.

The Cycling mss., ca. 1879-1978, consists of materials pertaining to the growth of bicycling and the bicycling industry in the late-19th and early-20th century.

This is a collection of several hundred ridiculous rhymes in imitation of known authors and their works. It includes parodies of Thomas Moore, Rudyard Kipling, Henry Wadsworth Longfellow, Edgar Allan Poe, Alfred Tennyson and William Shakespeare, among others.

The McFarland, Demas Lindley mss., ca. 1812-1849, consist of correspondence concerning the experiences and conduct of Demas Lindley McFarland during the War of 1812, as well as with the Jacksonian controversy over the Second Bank of the United States.

The Wensinger, Arthur S. mss., 1798-2007, consists of the papers of translator and academic Arthur S. Wensinger, 1926- .

Consists of individual items acquired separately either as a gift or purchased from a variety of sources, relating to or by French literary figures. Additions continue to be made.

The Johnson, J. mss., ca. 1740-1759, consists of materials devised by Jane (Russell) Johnson primarily for the instruction of her son, George William Johnson. The materials consist of 438 items and are arranged in 24 groups. Included are alphabet cards, religious and secular lesson cards, all hand-made. Some contain colored illustrations and are decorated with multi-colored Dutch paper.

The Lindenbaum, Peter mss., ca. 1590-2008, consist of the papers of Dr. Peter Lindenbaum (1938-2010), a former English Professor at Indiana University.

The collection consists of a group of 28 hornbooks. Also included are two auction catalogs for sales where some of the hornbooks were sold and a description of a hornbook in brass from dealer Patrick King's list no. 11, 1986.

The Gottfried mss. consists of Latin manuscripts and a working translation of Giovanni Della Casa's Rime by Rudolf B. Gottfried, 1909-1986, professor emeritus of English, Indiana University.

The Gill, Jemima mss., c. 1849, consist of a manuscript notebook of lace knitting patterns, with original samples stitched in.

Collection consists of casting, production, and promotional materials used by James Spooner in the production of his film White Lies, Black Sheep and materials associated with the film Afro-Punk including interview footage, promotional materials, film festival awards, and periodicals in which the film and/or Spooner was highlighted.

This series contains audiovisual recordings of events hosted by the Black Filmmakers Hall of Fame including the annual Oscar Micheaux Awards Ceremony, Independent Film, Video & Screenplay Competition awards ceremony, Film and Lecture Series, annual symposium, and Black Filmworks film festival, as well as various workshops, lectures, interviews, and miscellaneous smaller events.

This series contains administrative documents generated by the Black Filmmakers Hall of Fame in the process of planning and producing the annual Oscar Micheaux Awards Ceremony and the Celebrity Dinner and Dance Gala from 1974-1993. Also included are a handful of documents related to planning a 23rd, 24th, 30th, and 35th awards ceremony between 1995 and 2008, although these ceremonies ultimately were never hosted.

This collection contains a wide array of materials documenting the history and activities of the Black Filmmakers Hall of Fame (BFHFI). The materials were collected and/or created by Mary Perry Smith from the time immediately predating the BFHFI's first Black History Month celebration in 1974 to the efforts of its remaining supporters to revitalize the organization following its final film festival in 2003. Highlights include event publicity and souvenirs; celebrity memorabilia; moving image and screenplay submissions to the BFHFI's annual competition; Phil Moore's personal papers, arrangements, lyric sheets, recordings, and photographs; video recordings of BFHFI events; correspondence; and administrative, board, and planning documents.

The Belva Davis and William Moore Black Filmmakers Hall of Fame Archives collection contains audiovisual recordings of BFHFI events hosted between 1978 and 1993 as well as text-based documents generated during the production of the 2nd and 18th annual BFHFI Black History Month Celebration in 1975 and 1991.

The Kathe Sandler Collection contains 16mm film and sound outtakes, original negatives, other film and pre-production elements, and transcripts from A Question of Color and Remembering Thelma.

This series contains documents and artifacts that do not fit within the other series of the collection or whose fit within the collection cannot be determined. Included are roughly three dozen U-matic videocassettes of the 1989 Black Choreographers conference and production cassettes for a project on Black soldiers.

Photographs documenting the career of Houston deejay Skipper Lee Frazier, copied from his personal collection. Additional photo descriptions with biographical information transcribed from an interview with Frazier are available in accession folder. The collection consists of 12 b&w photographs with negatives primarily documenting Skipper Lee Frazier's activities in connection with KCOH in Houston during the 1970s and '80s.

This series contains documents stemming from Mary Perry Smith's activities outside of the Black Filmmakers Hall of Fame and a few of her personal papers.

Black radio photograph collection documenting events and personnel, including photos with rhythm and blues musicians, at Houston station KCOH in the 1960s and 1970s. Photographs were copied from the personal collection of Gardner. Accompanied by a transcription of an interview with Gardner which includes descriptions of each photograph.