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The Hustad, Thomas mss., 1976-2014, consists of the correspondence, Product Development and Management Association (PDMA) conference proceedings and notes, proceedings and reports of PDMA activities and journals.

The McNutt mss. II consists of two portrait photographs of Paul V. McNutt, 1891-1955, and Mary Higgins.

The Verdi mss. consists of a portrait of composer Giuseppe Verdi painted on a wooden panel.

The Calder mss., dates unknown, consist of a typescript of publisher John Calder's autobiography.

Daniel W. Biddle (1870-1954) was a student at Indiana University from September 1893 through Spring 1895. This collection consists of letters that Daniel W. Biddle wrote to his parents and his friend Janie Bartee during his attendance at Indiana University in Bloomington, Indiana from 1893-1895. The letters document Biddle's social and academic life at IU through details on his interactions with his roommates, classmates, and professors; his studies and laboratory work; and events on campus and in the Bloomington community, including an 1895 student protest supporting the removal of IU to Indianapolis.

John C. Wilson was a student at Indiana University from 1857-1858. The diary recounts life as a student as well as a few details about life in Bloomington.

The Columbia Conserve Co. Mss. II, 1932, consist of newsletters and council minutes from the Columbia Conserve Company of Indianapolis, IN.

The Kock mss., May 1868, consists of a bound manuscript draft of French novelist Charles Paul de Kock's Madame Tapin.

The Coronavirus Days: Archive Your Story is a collaborative effort between the Department of History and University Archives. The project contains 38 submissions that consist of written works, photographs, videos, and physical creations, all contributed by Indiana residents and Indiana University affiliates.

The Armageddon News was a Federal Bureau of Investigation (FBI)-planted, one-page throwaway publication for countering 'New Left' activity on college campuses, in particular at Indiana University Bloomington. The collection consists of two issues from 1969.

The Black Student Voice was a newsletter published by the "Office of Afro-American Affairs" at Indiana University in Bloomington, Indiana. This group was established by Black student activists in the spring of 1968 as a means of advocating for the creation of a formal university office to oversee the academic, social, and financial wellbeing of Black students, faculty, and staff, as well as an academic program in Black Studies. The collection contains four issues of The Black Student Voice newsletter, which the Office published weekly throughout the month of July 1968.

This collection consists of broadsheets, ephemera, "fast literature," magazines, and newspapers chiefly from the Sadleir collection.

Early 20th century opera librettos and complete/partial performance programs donated to the Cook Music Library by Cary Herz in 2006. Includes 42 librettos (some including pages from performance programs) and one full performance program from the Vienna Opera.

The Brochmann, Elisabeth mss., circa 1910-1917, consist of letters and related material addressed to Norwegian literary translator Elisabeth Brochmann (1858-1915), best known for her translations of Sir Arthur Conan Doyle.

The Schab, William H. mss, dates unknown, consist of auction and dealer catalog clippings, mainly focusing on German-speaking cities and works from the 15th and 16th centuries.

The Mackenzie, A. mss. consist of correspondence by nurse Anna Mackenzie, as well as research materials and transcriptions gathered by author Larita Killian.

The Maxey, Betty mss., dates unknown, consist of the artwork and papers of illustrator Doris Elizabeth "Betty" Maxey.

The Obscure Publications mss., dates unknown, consist of the correspondence and business files of Obscure Publications, primarily involving editor/publisher Paul Rosheim.

The Frederick, Robert A. mss., 1880-1993, consist of photographs, clippings, scrapbooks, and research materials gathered and written by historian Robert A. Frederick about conservationist Richard Lieber.

The collection consists primarily of CD-R copies of the radio series "Lessons in Jazz," produced by Kevin Anderson for MD Illegal Rap Radio. The series began airing in 2002 on Hampton University's student radio station WHOV 88.1 FM. Co-hosts of the series are Marcel "Big Cel" Canady and Montez "The Wiz" Martin.

Young, David mss., circa. 1980s-1990s, consist of the papers of American poet and literary translator David Young 1936-.

Original video masters for thirteen Johnny Otis Show television programs, taped in a Los Angeles studio by Griffiths circa 1975 and featuring such guest artists as Delmar "Mighty Mouth" Evans, Marie Adams & the Three Tons of Joy, Joe Turner, Shuggie Otis, Pee Wee Crayton, and Eddie "Cleanhead" Vinson. Also included are five hours of unedited footage from Johnny Otis's Oldies But Goodies musical revue, a live show in L.A. that featured popular artists of the rock & roll era lip-synching to their hit recordings. Taped by Griffith from 1975-1977, over 100 songs are performed by artists such as Emma James, Richard Berry, the Penguins, the Coasters, Shirley & Lee, Ted Taylor, Bobby Day, and the Medallions.

The Eoyang mss., ca. 1974-1980, consist primarily of the correspondence and papers of Indiana University Professor of Comparative Literature, Eugene Chen Eoyang, relating to his translations from Chinese into English.

Wayne County, Indiana resident Pauline Montgomery spent most of her life as a Latin and English teacher. The Indiana University alumna was also a local historian and author of one book, Indiana Coverlet Weavers and Their Coverlets. This collection consists of Montgomery's approximately sixteen-hundred photos and negatives of Indiana tombstones and the accompanying ledgers documenting their appearance, locations, and placement dates.

Photographs of Pookie Hudson and the Spaniels, including the Original Spaniels (whose members were from Gary, Indiana), the post-1956 Spaniels, and various later groups performing under the name Spaniels.

Six photographs from the 1950s, representing the Regals as well as the new Orioles group formed in 1955 by the merger of the Regals with the original Orioles, and featuring Al "Diz" Russell who remained with the group until 2016.

Materials documenting the period Charles Connor, known as "Little Richard's original drummer," spent on the road with Little Richard, Sam Cooke, Dee Clark, Larry Williams, Chuck Willis, and others. Included are more recent articles, interviews, and audio recordings of Connor and an unpublished book manuscript.

A small collection of photographs from the 1950s-1960s. The bulk of the photographs feature Jackie Wilson. Also included is early Motown recording artist Gino Parks.

A collection of 26 photos copied from the personal collection of Michael Graham for use by Portia K. Maultsby and the Smithsonian Institution for the 1986 symposium and accompanying booklet and exhibition, Rhythm and Blues, 1945-1955.

A collection of 13 photos copied from the personal collection of David "Panama" Francis for use by Portia K. Maultsby and the Smithsonian Institution for the 1986 symposium and accompanying booklet and exhibition, Rhythm and Blues, 1945-1955. Francis participated as a panelist. The original photographs may now be in the possession of the Smithsonian Institution.

This collection includes clippings, sheet music, and one photograph related to gospel musician Rosetta Tharpe.

In 1895, Ulysses G. Weatherly joined the Indiana University faculty, where he remained until his retirement in 1935. Throughout his teaching career, he taught courses in many disciplines, including history, sociology, and economics. This collection consists entirely of his Social Progress manuscript, which includes not only his typescripts but also his handwritten drafts and notes.

Production materials documenting Smithsonian's thirteen-part program on the role of radio in transforming the African American community in the twentieth century. The program was produced in 1996 by Jacquie Gales Webb for Smithsonian Productions, with assistance from the AAAMC. The collection contains over 400 hours of interviews and historical aircheck tapes in addition to articles, research files, program scripts, and transcripts. The audio interviews feature conversations with over 150 well-known disc jockeys, radio professionals, record company executives, journalists, and scholars. The historical airchecks include station identifications and jingles, radio interviews with prominent Black figures, coverage of historical events, and programs highlighting or influenced by the contributions of Black performers, disc jockeys, and other important persons in radio.

Frank de Caro and Rosan Jordan are both folklorists who worked at Louisiana State University. They co-authored several books together. This collection includes drafts and correspondence pertaining to published works, de Caro's family history, as well as some of Jordan's teaching materials and research on Day of the Dead. Included in the collection are an extensive amount of postcards that were collected from various travels.

Class scraps at Indiana University were a series of violent events in which the students of opposing classes competed in physical challenges such as capture the flag or general brawls or fist fights. This collection includes broadsides, often mocking and vulgar, printed in advance of the competitions.

Clarence Flaten (1910-1974) was Supervisor of Photography at the Indiana University Audio-Visual Center from 1949-1974 and a faculty member in the IU School of Education from 1958-1974. This collection documents Clarence Flaten's family life, professional career at Indiana University, and military service during World War II through photographs, film, correspondence, course materials, publications, military personnel files, and other materials.

Lockridge mss. III, circa 1837-2000, consists of the correspondence, unpublished manuscripts, photos, papers, and audio tapes pertaining to the life and work of author Ross Lockridge, Jr., 1914-1948, and the Lockridge family.

Materials collected from the composition studio of Leonard Bernstein, a conductor, composer, and musician active during the mid-20th century. The collection includes recordings, books, scores, awards, artwork, clothing, furniture, and other artifacts pertaining to his professional and personal life.

The Cookery mss., circa 1660–circa 1918, consists of bound and individual writings, often on the topic of cookery, of persons involved with cooking by practice or trade.

The Winston mss., ca. 1998 - 2011, consist of drafts of German literature translations by Krishna Winston, a professor in the German Studies Department at Wesleyan University.

The Landers mss., ca. 1990s-2008, consist of the manuscripts and papers of Clifford E. Landers, Professor Emeritus of Political Science.

The Wing mss., ca. 1984-2010, consist of materials pertaining to the literary translations of Elizabeth Nelson Wing.

The Catbird Press mss., ca. 1983-2003, consists primarily of the files of small, independent book publisher Catbird Press.

The Carver, V. mss., ca. 1981-1988, consist of letters from Raymond Carver to his son, Vance Carver.

The Cott mss., ca. 1977-1985, consists of correspondence and other materials relating to Jonathan Cott's book Pipers at the Gates of Dawn: the Wisdom of Children's Literature (Random House, 1983).

The Thielman mss. II, ca. 1974-1993, consist of the correspondence of fine bindings collector James L. Thielman, primarily with book binders and usually commissioning a fine binding by each of them.

Norman Gary Lane was a geology and paleontology professor at IU from 1973-1995. The Lane collection consists of media materials and research notes relating to his work spanning the period from 1973 to 1995.

The Ferguson, A. Claude mss., ca. 1970–2009, consist of the correspondence, collected subject files, writings and legal records of Claude Ferguson, a career employee of the U.S. Forest Service who was instrumental in the creation of the Charles C. Deam Wilderness area, Indiana's only Federal Wilderness area, in the Hoosier National Forest.

The O'Brian mss., ca. 1970-1994, consists primarily of notes and full-text manuscripts of author Patrick O'Brian's historical sea novels. Autograph manuscripts for eighteen of the twenty published novels are present.

The Thom, James Alexander mss., 1966-2013, consists primarily of writings and correspondence related to Indiana novelist James Alexander Thom's publications.

Consists of the correspondence and papers of Indiana University Distinguished Professor Emeritus Scott Sanders (b. 1945), who taught at IU from 1971-2009.

The Lilly Library Photograph Files mss. consists of photographic prints and negatives depicting materials in the Lilly Library, principally arranged by call number of the materials depicted.

The Vint mss., ca. 1960, consists of the manuscript and proof-copy material for China Court by Rumer Godden, published by Viking Press in 1961.

Donald E. Hattin served as a professor of geology at Indiana University from 1954 to 1995. His collection consists primarily of materials relating to his research, published works, and teaching files.

Carver, Maryann mss., ca. 1955-1988, consist primarily of correspondence, photos, and memorabilia between Maryann Carver and her first husband, writer Raymond Carver.

The Cameron mss., ca. 1955-1965 consists primarily of original art, writings and book design materials for six children's books written and illustrated by Polly Cameron. Includes also children's fan letters, art and cards sent to Cameron.

The Ngũgĩ mss. (ca. 1950s-2014) consist of the papers of Kenyan author, playwright, essayist, educator, and activist Ngũgĩ wa Thiong'o.

The Indiana University Press mss. II, ca. 1950-1969, consists of the office and correspondence files of the press from its establishment in 1950.

The Parrish, Robert mss., ca. 1943-1979 contains correspondence, photographs, articles, and book-related notes.

The James, C.L.R. mss., ca. 1942-1974, consist of correspondence and writings of West Indian writer and political activist Cyril Lionel Robert James, 1901-1989.

The Curry, J.S. mss., ca. 1941, consists of those watercolors of John Steuart Curry, 1897-1946, illustrator, which he prepared for illustrating the Limited Editions Club volume of The Literary Works of Abraham Lincoln.

Alan Stanley Horowitz was curator of paleontology and part time professor of geology at Indiana University from 1966-1996. His collection consists of materials relating to his research interests and position at IU, including geological and paleontological research, publications, and records relating to professional organizations with which he was involved.

The Ferrell mss, ca. 1940-1999, consist of the papers, writings and correspondence of Indiana University Prof. Emeritus Robert H. Ferrell.

The Kael mss., ca. 1939-2001, consists of the papers and correspondence of film critic and author Pauline Kael, 1919-2001.

The National Federation of Music Clubs mss., ca. 1935-2007, consist of scrapbooks, files, minutes, correspondence, periodicals, photographs, and newspaper clippings documenting the work of the organization.

The Pound mss., VI, consist of those items by and relating to poet Ezra Loomis Pound, 1885-1972.

The Leiber, F. mss. II, ca. 1932-1970, consist of correspondence, writings, drawings, and photographs of science fiction writer Fritz Leiber, 1910-1992.

The Farano mss. II, ca. 1931-1972, consist of correspondence and writings of poet Michel Farano of West New York, New Jersey. Also present are files relating to Farano's close friend, poet Jean Starr Untermeyer.

The Preston, Robert mss., ca. 1930s-1990s, consist of correspondence, photographs, and memorabilia of stage and screen actor Robert Preston.

The Castle Films mss. consists of 7 8mm films released by home video distributor Castle Films. These films are believed to have been released in the 1930s.

The Wright B. mss., ca. 1930-2009, consists of the papers of translator Barbara Wright relating to her English translations of French authors.

The Sullivan, Mark X. mss., ca. 1930-1952, consist of 16mm. reels of film featuring actress Miriam Hopkins (1902-1972).

The Bradley M. mss. ca. 1929-2002 consists of the papers of sculptor, art restorer, Morton Clark Bradley, 1912-2004.

The Pyle mss. VI, ca. 1923–1954, consist of papers concerning journalist Ernest Taylor Pyle, 1900–1945, Clarence E. Edmondson and Edna Hatfield Edmondson.

The Masaryk, T.G. mss., ca. 1923-1934, consist of 5x7 black and white photographs of or relating to Tomas Garrigue Masaryk, 1850-1937, president of the Czechoslovak Republic, 1918-1935.

The Elkin Mathews, Ltd. mss., ca. 1919-1987, consists of the correspondence and business papers of Elkin Mathews, firm, booksellers, as well as the personal papers of Percival Horace Muir, 1894-1979, bookseller and author.

The Pound mss. IV consist of articles, poems, plays, and other writings by various authors that were sent to Ezra or Dorothy Pound by those authors.

Consists primarily of the correspondence and papers of Claude Renoir, 1901-1969, film producer, together with some papers of his better-known filmmaker brother, Jean Renoir, 1894-1979. The correspondence includes letters between the brothers regarding both family and film matters, as well as other business correspondence relating to the various film projects in which Claude and Jean were involved from Nana in 1926 to Opera-Musette in 1942. There are also film scripts and synopses by Claude and by Jean Renoir, financial documents, a film distribution notebook, a notebook of Claude's notes for "Cezanne," and photographs of Claude and Jean Renoir from 1914-1968.

The Woodburn mss. II, ca. 1911-1974, consist of letters and papers of the Woodburn family. The majority of the collection belongs to James Albert Woodburn, 1856-1943, and his son, James Gelston Woodburn, 1894-1980.

The Cooper mss. II, ca. 1905-1985, consists of the papers of newspaperman Kent Cooper, 1880-1965, and of his wife, Sarah A. Gibbs Cooper, mostly dating from after Kent Cooper's death. Most of the collection concerns his work as a journalist, but some of it relates to his work as a composer.

The Cycling mss., ca. 1879-1978, consists of materials pertaining to the growth of bicycling and the bicycling industry in the late-19th and early-20th century.

This is a collection of several hundred ridiculous rhymes in imitation of known authors and their works. It includes parodies of Thomas Moore, Rudyard Kipling, Henry Wadsworth Longfellow, Edgar Allan Poe, Alfred Tennyson and William Shakespeare, among others.

The McFarland, Demas Lindley mss., ca. 1812-1849, consist of correspondence concerning the experiences and conduct of Demas Lindley McFarland during the War of 1812, as well as with the Jacksonian controversy over the Second Bank of the United States.

The Wensinger, Arthur S. mss., 1798-2007, consists of the papers of translator and academic Arthur S. Wensinger, 1926- .

Consists of individual items acquired separately either as a gift or purchased from a variety of sources, relating to or by French literary figures. Additions continue to be made.

The Johnson, J. mss., ca. 1740-1759, consists of materials devised by Jane (Russell) Johnson primarily for the instruction of her son, George William Johnson. The materials consist of 438 items and are arranged in 24 groups. Included are alphabet cards, religious and secular lesson cards, all hand-made. Some contain colored illustrations and are decorated with multi-colored Dutch paper.

The Lindenbaum, Peter mss., ca. 1590-2008, consist of the papers of Dr. Peter Lindenbaum (1938-2010), a former English Professor at Indiana University.

The collection consists of a group of 28 hornbooks. Also included are two auction catalogs for sales where some of the hornbooks were sold and a description of a hornbook in brass from dealer Patrick King's list no. 11, 1986.

The Gottfried mss. consists of Latin manuscripts and a working translation of Giovanni Della Casa's Rime by Rudolf B. Gottfried, 1909-1986, professor emeritus of English, Indiana University.

The Gill, Jemima mss., c. 1849, consist of a manuscript notebook of lace knitting patterns, with original samples stitched in.

Collection consists of casting, production, and promotional materials used by James Spooner in the production of his film White Lies, Black Sheep and materials associated with the film Afro-Punk including interview footage, promotional materials, film festival awards, and periodicals in which the film and/or Spooner was highlighted.

This series contains audiovisual recordings of events hosted by the Black Filmmakers Hall of Fame including the annual Oscar Micheaux Awards Ceremony, Independent Film, Video & Screenplay Competition awards ceremony, Film and Lecture Series, annual symposium, and Black Filmworks film festival, as well as various workshops, lectures, interviews, and miscellaneous smaller events.

This series contains administrative documents generated by the Black Filmmakers Hall of Fame in the process of planning and producing the annual Oscar Micheaux Awards Ceremony and the Celebrity Dinner and Dance Gala from 1974-1993. Also included are a handful of documents related to planning a 23rd, 24th, 30th, and 35th awards ceremony between 1995 and 2008, although these ceremonies ultimately were never hosted.

This collection contains a wide array of materials documenting the history and activities of the Black Filmmakers Hall of Fame (BFHFI). The materials were collected and/or created by Mary Perry Smith from the time immediately predating the BFHFI's first Black History Month celebration in 1974 to the efforts of its remaining supporters to revitalize the organization following its final film festival in 2003. Highlights include event publicity and souvenirs; celebrity memorabilia; moving image and screenplay submissions to the BFHFI's annual competition; Phil Moore's personal papers, arrangements, lyric sheets, recordings, and photographs; video recordings of BFHFI events; correspondence; and administrative, board, and planning documents.

The Belva Davis and William Moore Black Filmmakers Hall of Fame Archives collection contains audiovisual recordings of BFHFI events hosted between 1978 and 1993 as well as text-based documents generated during the production of the 2nd and 18th annual BFHFI Black History Month Celebration in 1975 and 1991.

The Kathe Sandler Collection contains 16mm film and sound outtakes, original negatives, other film and pre-production elements, and transcripts from A Question of Color and Remembering Thelma.

This series contains documents and artifacts that do not fit within the other series of the collection or whose fit within the collection cannot be determined. Included are roughly three dozen U-matic videocassettes of the 1989 Black Choreographers conference and production cassettes for a project on Black soldiers.

Photographs documenting the career of Houston deejay Skipper Lee Frazier, copied from his personal collection. Additional photo descriptions with biographical information transcribed from an interview with Frazier are available in accession folder. The collection consists of 12 b&w photographs with negatives primarily documenting Skipper Lee Frazier's activities in connection with KCOH in Houston during the 1970s and '80s.

This series contains documents stemming from Mary Perry Smith's activities outside of the Black Filmmakers Hall of Fame and a few of her personal papers.