Early 20th century opera librettos and complete/partial performance programs donated to the Cook Music Library by Cary Herz in 2006. Includes 42 librettos (some including pages from performance programs) and one full performance program from the Vienna Opera.
The Brochmann, Elisabeth mss., circa 1910-1917, consist of letters and related material addressed to Norwegian literary translator Elisabeth Brochmann (1858-1915), best known for her translations of Sir Arthur Conan Doyle.
The Frederick, Robert A. mss., 1880-1993, consist of photographs, clippings, scrapbooks, and research materials gathered and written by historian Robert A. Frederick about conservationist Richard Lieber.
Frank de Caro and Rosan Jordan are both folklorists who worked at Louisiana State University. They co-authored several books together. This collection includes drafts and correspondence pertaining to published works, de Caro's family history, as well as some of Jordan's teaching materials and research on Day of the Dead. Included in the collection are an extensive amount of postcards that were collected from various travels.
Class scraps at Indiana University were a series of violent events in which the students of opposing classes competed in physical challenges such as capture the flag or general brawls or fist fights. This collection includes broadsides, often mocking and vulgar, printed in advance of the competitions.
Clarence Flaten (1910-1974) was Supervisor of Photography at the Indiana University Audio-Visual Center from 1949-1974 and a faculty member in the IU School of Education from 1958-1974. This collection documents Clarence Flaten's family life, professional career at Indiana University, and military service during World War II through photographs, film, correspondence, course materials, publications, military personnel files, and other materials.
Lockridge mss. III, circa 1837-2000, consists of the correspondence, unpublished manuscripts, photos, papers, and audio tapes pertaining to the life and work of author Ross Lockridge, Jr., 1914-1948, and the Lockridge family.
Materials collected from the composition studio of Leonard Bernstein, a conductor, composer, and musician active during the mid-20th century. The collection includes recordings, books, scores, awards, artwork, clothing, furniture, and other artifacts pertaining to his professional and personal life.
The Cookery mss., circa 1660–circa 1918, consists of bound and individual writings, often on the topic of cookery, of persons involved with cooking by practice or trade.
The Elkin Mathews, Ltd. mss., ca. 1919-1987, consists of the correspondence and business papers of Elkin Mathews, firm, booksellers, as well as the personal papers of Percival Horace Muir, 1894-1979, bookseller and author.
Consists primarily of the correspondence and papers of Claude Renoir, 1901-1969, film producer, together with some papers of his better-known filmmaker brother, Jean Renoir, 1894-1979. The correspondence includes letters between the brothers regarding both family and film matters, as well as other business correspondence relating to the various film projects in which Claude and Jean were involved from Nana in 1926 to Opera-Musette in 1942. There are also film scripts and synopses by Claude and by Jean Renoir, financial documents, a film distribution notebook, a notebook of Claude's notes for "Cezanne," and photographs of Claude and Jean Renoir from 1914-1968.
The Woodburn mss. II, ca. 1911-1974, consist of letters and papers of the Woodburn family. The majority of the collection belongs to James Albert Woodburn, 1856-1943, and his son, James Gelston Woodburn, 1894-1980.
The Cooper mss. II, ca. 1905-1985, consists of the papers of newspaperman Kent Cooper, 1880-1965, and of his wife, Sarah A. Gibbs Cooper, mostly dating from after Kent Cooper's death. Most of the collection concerns his work as a journalist, but some of it relates to his work as a composer.
The Cycling mss., ca. 1879-1978, consists of materials pertaining to the growth of bicycling and the bicycling industry in the late-19th and early-20th century.
This is a collection of several hundred ridiculous rhymes in imitation of known authors and their works. It includes parodies of Thomas Moore, Rudyard Kipling, Henry Wadsworth Longfellow, Edgar Allan Poe, Alfred Tennyson and William Shakespeare, among others.
Consists of individual items acquired separately either as a gift or purchased from a variety of sources, relating to or by French literary figures. Additions continue to be made.