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The Maugham mss., 1904-1973, consist of the contracts and correspondence about those contracts for works by William Somerset Maugham, 1874-1965, English novelist and playwright.

The Binkley, Raglind mss., ca. 1450-1842, consist of medieval fragments collected by Thomas and Raglind Binkley.

The Luis Antonio Ramirez Collection consists of the works and ephemera of the composer Luis Antonio Ramirez.

William Lowe Bryan was an Indiana University alumnus, professor, and president. This collection includes correspondence, genealogical information, notes, a single journal from 1886, and published and unpublished writings and speeches. Correspondents include family and friends as well as numerous well-known political figures such as Winston Churchill, U.S. Senator Homer Capehart and Eleanor Roosevelt. Frequent correspondents include brother Enoch Albert Bryan, Frank and Sara S. Elliott, Evangeline Lewis, Ruth McNutt, and Herman B Wells.

The Reggie Workman Collection documents the musical career, personal life, and community involvement of composer, arranger, double-bassist, and educator, Reggie Workman. The collection's materials include printed and recorded music, documentary films, correspondence, biographical materials, photographs, and many documents collected by Workman to document jazz artists, the jazz music business, and community life in New York, the broader United States, and globally.

This project is a compilation of interviews of subjects with strong ties to and memories of Indiana University, primarily at the Bloomington campus. The interviewees include former students, faculty, and staff, among others. The information contained in the interviews generally spans a little more than the first half of the twentieth century and often deals with the administrations under presidents William Lowe Bryan and Herman B Wells. The project is a survey of Indiana University's history as a whole including information about various academic departments, athletics, student organizations, campus growth, university development, living conditions, segregation and the treatment of African-Americans, the administration, and the importance of jazz at Indiana University. In addition, the impact of specific events, such as the Great Depression, World War I, World War II, the Vietnam War, and water shortages, is detailed in many of the interviews in this project.

The Michael McAlpin Collection consists primarily of print materials used in the production of the PBS television documentary Record Row: the Cradle of Rhythm and Blues. Included are production materials and interview transcripts created during Dr. Portia Maultsby's collaboration on the project as AAAMC director as well as VHS tapes of the rough cut, final broadcast version, and local coverage of the documentary.

Manuscript and printed scores, photographs, biographical material, and recordings by Black composers active from 1950 to present.

The International Federation of Film Archives (French: Federation international des archives du film), commonly abbreviated as FIAF, is a professional organization of moving image heritage institutions and workers. FIAF affiliates represent dozens of institutions from all over the world. FIAF holds an annual Congress comprised of three parts: a meeting of the executive committee, a symposium of conference presentations, and a general assembly for conducting formal business of the organization. The historic recordings in this collection document the proceedings of FIAF Congresses and Executive Committee meetings dating from 1975-2007.

WSJV is a television station licensed to Elkhart, Indiana and serving the Michiana region, including Elkhart, South Bend, Mishawaka, St. Joseph, and La Porte. This collection consists of descriptive shot logs associated with videotapes from WSJV's news archive and covering local, regional, and national news stories.

The pregnancy and childbirth comprises 50 years of educational media from the personal collections of two midwives, Vivian Euzent (b. 1952) and Harriet J. Palmer (1933-2021).

The "Century of 16mm" was a series of events hosted by the IU Libraries Moving Image Archive to mark the centennial of 16mm motion picture film as a format in 2023. The year-long celebration included a physical exhibition of 16mm cameras and technology at University Collections at McCalla, a traveling archival roadshow programmed by IU Cinema Founding Director Jon Vickers and Jenn Vickers, seventeen commissioned 16mm films, a series of 16mm Bolex filmmaking workshops, and an academic conference held in Bloomington in September 2023.

Robert Berry (born 1940) is an actor, playwright, and teacher. While a student in the Theater Department at Indiana University Bloomington in the summer of 1962, he wrote, directed, produced, and starred in a feature-length psychological horror film, "House of Dreams". The film, which was shot entirely without professional help with a budget of $10,000, is perhaps the first feature-length film created primarily by Indiana University students. The film was shot in Decker and Vincennes, Indiana and utilized the historic Sam Jordan House as the haunting centerpiece of the story. "House of Dreams" premiered in Vincennes on September 11, 1963. Given the involvement by local citizens and representation of small Southern Indiana towns, it was heralded locally as a distinctly "Hoosier" film.

The Date was an Indiana University student-published editorial circulated in late 1940s that documented campus culture in a light and humorous way. This small collection consists of issues spanning 1946-1947.

Daniel J. Crowley was a folklorist with research and ethnographic interests in African and African diaspora communities. This collection consists of collected folktales Crowley had planned to use to create a tale-type index.

Published from 1923 until 1931, primarily as a bi-monthly publication with some interruption, The vagabond featured the poetry, visual art, essays, criticism, short stories and humor which targeted not only Indiana University's undergraduates, but also its alumni and prominent members of the faculty.

The Great Lakes-Ohio Valley Ethnohistory Collection, 1953-1966, is a unique assemblage of primary and secondary resources pertaining to the Native American occupancy of the region. These items were assembled to support the Great Lakes-Ohio Valley Ethnohistory Project. This U.S. Department of Justice funded research activity was responsible for the preparation of in-depth reports concerning American Indian land use and tenure. These reports were intended to be used in the government's defense against cases involving alleged treaty inequities and which were brought before the Indian Claims Commission, a body and a process authorized by federal legislation signed into law on August 13, 1946.

The Black Student Voice was a newsletter published by the "Office of Afro-American Affairs" at Indiana University in Bloomington, Indiana. This group was established by Black student activists in the spring of 1968 as a means of advocating for the creation of a formal university office to oversee the academic, social, and financial wellbeing of Black students, faculty, and staff, as well as an academic program in Black Studies. The collection contains four issues of The Black Student Voice newsletter, which the Office published weekly throughout the month of July 1968.

Joseph A. Franklin began as a student at Indiana University in 1922. Following his 1927 graduation with a degree in finance, Franklin remained an employee of the University's fiscal offices for the entirety of his professional career during which he was appointed University treasurer (1946-1971), vice president (1948-1971), and Fiscal Counsel to the President (1971-1975). Franklin was active in various professional, community, and service organizations including Acacia Fraternity, Church of Christ, Lions Club, Myasthenia Gravis Foundation, Riley Memorial Association, and the United Fund. This collection primarily holds papers relating to Franklin's service activities and includes correspondence, invitations, financial records, publications, and minutes.