Collections

The Elkin Mathews, Ltd. mss., ca. 1919-1987, consists of the correspondence and business papers of Elkin Mathews, firm, booksellers, as well as the personal papers of Percival Horace Muir, 1894-1979, bookseller and author.

World War I and World War II necessitated the expansion not only of the combat forces of the U.S. military but also of its medical services. To help meet this need, medical schools and the American Red Cross sponsored the creation of hospital units. The Indianapolis medical community followed this trend during both wars. In 1917, the Indianapolis Chapter of the American Red Cross established the unit eventually designated Base Hospital 32. Almost all of the doctors, nurses, and enlisted men originally assigned to the unit came from Indianapolis or central Indiana. In 1942, the Indiana University Medical Center set up the 32nd General Hospital. Named in honor of its World War I predecessor, this unit drew most of its original medical and nursing staffs from the IU Medical Center. Both units served in Europe. The records consist of photocopies of unit files of the 32nd General Hospital; unit histories, scrapbooks, and personal reminiscences compiled after the wars; records relating to reunions held by members of the 32nd General Hospital, photographs, an 8mm film of the 32nd General Hospital and two videotape copies of the film.

The Pound mss. IV consist of articles, poems, plays, and other writings by various authors that were sent to Ezra or Dorothy Pound by those authors.

Consists primarily of the correspondence and papers of Claude Renoir, 1901-1969, film producer, together with some papers of his better-known filmmaker brother, Jean Renoir, 1894-1979. The correspondence includes letters between the brothers regarding both family and film matters, as well as other business correspondence relating to the various film projects in which Claude and Jean were involved from Nana in 1926 to Opera-Musette in 1942. There are also film scripts and synopses by Claude and by Jean Renoir, financial documents, a film distribution notebook, a notebook of Claude's notes for "Cezanne," and photographs of Claude and Jean Renoir from 1914-1968.

The Woodburn mss. II, ca. 1911-1974, consist of letters and papers of the Woodburn family. The majority of the collection belongs to James Albert Woodburn, 1856-1943, and his son, James Gelston Woodburn, 1894-1980.

The Cooper mss. II, ca. 1905-1985, consists of the papers of newspaperman Kent Cooper, 1880-1965, and of his wife, Sarah A. Gibbs Cooper, mostly dating from after Kent Cooper's death. Most of the collection concerns his work as a journalist, but some of it relates to his work as a composer.

The Cycling mss., ca. 1879-1978, consists of materials pertaining to the growth of bicycling and the bicycling industry in the late-19th and early-20th century.

This is a collection of several hundred ridiculous rhymes in imitation of known authors and their works. It includes parodies of Thomas Moore, Rudyard Kipling, Henry Wadsworth Longfellow, Edgar Allan Poe, Alfred Tennyson and William Shakespeare, among others.

The McFarland, Demas Lindley mss., ca. 1812-1849, consist of correspondence concerning the experiences and conduct of Demas Lindley McFarland during the War of 1812, as well as with the Jacksonian controversy over the Second Bank of the United States.

The Wensinger, Arthur S. mss., 1798-2007, consists of the papers of translator and academic Arthur S. Wensinger, 1926- .

Consists of individual items acquired separately either as a gift or purchased from a variety of sources, relating to or by French literary figures. Additions continue to be made.

The Johnson, J. mss., ca. 1740-1759, consists of materials devised by Jane (Russell) Johnson primarily for the instruction of her son, George William Johnson. The materials consist of 438 items and are arranged in 24 groups. Included are alphabet cards, religious and secular lesson cards, all hand-made. Some contain colored illustrations and are decorated with multi-colored Dutch paper.

The Lindenbaum, Peter mss., ca. 1590-2008, consist of the papers of Dr. Peter Lindenbaum (1938-2010), a former English Professor at Indiana University.

The collection consists of a group of 28 hornbooks. Also included are two auction catalogs for sales where some of the hornbooks were sold and a description of a hornbook in brass from dealer Patrick King's list no. 11, 1986.

The Gottfried mss. consists of Latin manuscripts and a working translation of Giovanni Della Casa's Rime by Rudolf B. Gottfried, 1909-1986, professor emeritus of English, Indiana University.

The Gill, Jemima mss., c. 1849, consist of a manuscript notebook of lace knitting patterns, with original samples stitched in.

Collection consists of casting, production, and promotional materials used by James Spooner in the production of his film White Lies, Black Sheep and materials associated with the film Afro-Punk including interview footage, promotional materials, film festival awards, and periodicals in which the film and/or Spooner was highlighted.

This series contains audiovisual recordings of events hosted by the Black Filmmakers Hall of Fame including the annual Oscar Micheaux Awards Ceremony, Independent Film, Video & Screenplay Competition awards ceremony, Film and Lecture Series, annual symposium, and Black Filmworks film festival, as well as various workshops, lectures, interviews, and miscellaneous smaller events.

This series contains administrative documents generated by the Black Filmmakers Hall of Fame in the process of planning and producing the annual Oscar Micheaux Awards Ceremony and the Celebrity Dinner and Dance Gala from 1974-1993. Also included are a handful of documents related to planning a 23rd, 24th, 30th, and 35th awards ceremony between 1995 and 2008, although these ceremonies ultimately were never hosted.

This collection contains a wide array of materials documenting the history and activities of the Black Filmmakers Hall of Fame (BFHFI). The materials were collected and/or created by Mary Perry Smith from the time immediately predating the BFHFI's first Black History Month celebration in 1974 to the efforts of its remaining supporters to revitalize the organization following its final film festival in 2003. Highlights include event publicity and souvenirs; celebrity memorabilia; moving image and screenplay submissions to the BFHFI's annual competition; Phil Moore's personal papers, arrangements, lyric sheets, recordings, and photographs; video recordings of BFHFI events; correspondence; and administrative, board, and planning documents.