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The Indiana University Folklore Institute is an active center of folklore scholarship and has a long history of collecting oral literature and arts. This collection consists of papers written on a variety of topics by students taking courses in the Folklore Institute. These papers are dated roughly between 1967 through the early 2010s.

The Josef Gugler collection consists of promotional materials for films produced in or directed by filmmakers from Africa and the Middle East. Over 500 unique films by approximately 350 film directors are represented. Formats include film posters, pressbooks, chirashi flyers, lobby and storefront cards, handbills, photographs, slides, and audiovisual recordings.

The Alice and Hans Tischler Collection of Israeli and Jewish Composers, 1929-2008, consists of printed and recorded music written by Jewish and Israeli composers and collected by music librarian Alice Tischler and musicology professor Hans Tischler as well as the Tischers' research notes and other personal effects.

Production materials documenting Smithsonian's thirteen-part program on the role of radio in transforming the African American community in the twentieth century. The program was produced in 1996 by Jacquie Gales Webb for Smithsonian Productions, with assistance from the AAAMC. The collection contains over 400 hours of interviews and historical aircheck tapes in addition to articles, research files, program scripts, and transcripts. The audio interviews feature conversations with over 150 well-known disc jockeys, radio professionals, record company executives, journalists, and scholars. The historical airchecks include station identifications and jingles, radio interviews with prominent Black figures, coverage of historical events, and programs highlighting or influenced by the contributions of Black performers, disc jockeys, and other important persons in radio.

The Phyl Garland Collection consists primarily of personal papers, including original typescripts for Garland's columns in Ebony and Stereo Review, and related research and photographs. Also included are 41 original audiocassette recordings of interviews conducted by Garland (except as noted) primarily with various African American musicians, artists, and filmmakers. Topics include African American composers and musicians as well as various genres of music including, but not limited to, jazz, R&B, soul, rock, classical, and blues. Record company publicity materials include publicity photos and press releases for over 900 artists.

Music manuscripts composed and arranged by Phil Moore including scores and parts for full orchestra, small ensembles, vocalist with keyboard accompaniment, lead sheets, and initial sketches. Moore composed in a wide range of genres, but works in various jazz styles popular during the early 1940s through the 1960s are particularly well represented. His musical manuscripts include arrangements for night club acts, musicals, and studio recordings; soundtrack material for films, television productions, cartoons, and commercials; and various forms of Western art music. When known, the name of the artist a specific arrangement was made for has been provided.

This is an artificially created collection that contains recordings and promotional materials for interviews and events created as part of the Indiana University Black Film Center & Archive's ongoing in-house research and outreach initatives.

The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.

This collection, which was donated as part of the Mary Perry Smith Black Filmmakers Hall of Fame Archives Collection, contains the personal papers and artifacts, business and financial records, photographs, audiovisual recordings, and musical manuscripts of composer, arranger, performer, and talent coach Phil Moore.

The Bridgett Davis Naked Acts collection focuses on Davis's activities as a filmmaker from 1994 through 2009. The collection comprises production materials, film elements, promotional materials, and press coverage related to the film and Davis's role in its creation.

This series contains audiovisual recordings of events hosted by the Black Filmmakers Hall of Fame including the annual Oscar Micheaux Awards Ceremony, Independent Film, Video & Screenplay Competition awards ceremony, Film and Lecture Series, annual symposium, and Black Filmworks film festival, as well as various workshops, lectures, interviews, and miscellaneous smaller events.

The Adomeit mss., 2000 BCE - 1995 CE, consists of miniature manuscripts collected by Ruth Elizabeth Adomeit, 1910-1996.

The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.

This collection consists of documentation and one-on-one interviews from the AAAMC's two-day conference on Black rock hosted on the Indiana University-Bloomington campus on November 13-14, 2009. The conference and related activities were open to local and regional musicians, scholars, students, and brought together Black rock musicians from different generations and regions with music critics and scholars to discuss the socio-political history, musical developments, and the future of Black rock.

The collection includes Burnim's dissertation research on African American religious music conducted primarily in Indiana between 1976-1979 with an emphasis on gospel music performance and practice; and post-dissertation research on African and African American religious music conducted between 1980-1996 in the U.S., Cuba, Liberia, and Malawi. Also included is documentation of the 1984 Smithsonian American Folklife Festival and gospel sheet music. The collection was primarily recorded on analog audio formats and includes audiocassettes, open reel tapes, videocassettes, open reel video, slides, sheet music, song texts, and additional documentation.

The Taylor, F. mss., 1932-1984, consist of the correspondence, papers, business files and memorabilia of publisher and film producer Frank Eugene Taylor, 1916-1999.

Robert H. Shaffer was affiliated with Indiana University for nearly 40 years. He served as Dean of Students from 1955 to 1969 before returning to faculty work full-time. This collection encompasses Robert and Marge Shaffer's personal collection of scrapbooks, with many of them containing newspaper clippings from his time as Dean and photographs from his travels across the world.

The American literature mss., 1789-2000, consists of an ongoing collection of individual items related to American literature.