Finding aid created by: Mary McSparran
Creator | Bogdanovich, Peter, 1939- |
Title: | Bogdanovich mss. |
Dates: | 1885-1994 |
Quantity: | 793 Linear Feet771 boxes, 11 oversize |
Abstract: | The Bogdanovich mss., 1885-1994, consists of the papers, scripts, correspondence, business records, production materials, and films of director, actor, screenwriter, producer, critic and author Peter Bogdanovich, 1939-. |
Language: | English |
Repository: | Lilly Library |
Bogdanovich was born on July 30, 1939, in Kingston, New York, the son of Serbian-Austrian Jewish immigrants who had fled Europe during the spread of Nazism. As a teenager he attended Stella Adler's Theatre Studio, going on to mount a successful Off-Broadway production of Clifford Odets' The Big Knife at the age of twenty. In 1964 Bogdanovich moved to California and turned his attention to filmmaking, starting as a second-unit director, location scout and editor for Roger Corman. Bogdanovich directed his first motion picture, the cult thriller Targets, starring Boris Karloff, in 1968.
His breakthrough film came three years later: The Last Picture Show (1971). Based on the novel by Larry McMurtry, the movie was a box-office hit and nominated for eight Academy Awards, winning two. A string of commercially successful and critically acclaimed films followed: the screwball farce What's Up Doc?, starring Barbra Streisand and Ryan O'Neal (1972); the Depression Era comedy- drama Paper Moon (1973), which won ten-year-old Tatum O'Neal an Oscar for Best Supporting Actress; and the seminal documentary Directed by John Ford (original release in 1971, rereleased with new footage in 2006). Other films directed by Bogdanovich include Daisy Miller (1974), At Long Last Love (1975), Nickelodeon (1976), Saint Jack (1979), They All Laughed (1981), Mask (1985), Texasville (1990), Noises Off (1992), The Thing Called Love (1993), and The Cat's Meow (2001). He is credited for writing or co-writing the screenplays for The Last Picture Show, its sequel Texasville, and many other movies.
Additionally, Bogdanovich has acted in several films and television series, most notably fifteen episodes of HBO's The Sopranos, and is a distinguished film scholar. His early-1960s monographs on Orson Welles, Alfred Hitchcock, and Howard Hawks were influential contributions toward the development of the auteur theory. He has written film criticism for Esquire, The New York Times, and Cahiers du Cinema, as well as numerous books on American film, including John Ford, The Cinema of Alfred Hitchcock, and This is Orson Welles. He also wrote The Killing of the Unicorn: Dorothy Stratten (1960-1980) based on his relationship with the Playboy centerfold who was murdered by her estranged husband. Bogdanovich is the owner/founder of several production companies, including Saticoy Productions, Inc., Copa de Oro Productions and Moon Pictures.
The Bogdanovich mss., 1885-1994, consist of the papers, scripts, correspondence, business records, production materials, and films of director, actor, screenwriter, producer, critic and author Peter Bogdanovich.
I. Office consists largely of correspondence relating to both Bogdanovich's business and personal affairs.
II. Films also includes correspondence, along with scripts, production materials, stills, artwork, press kits, posters and clippings pertaining to Bogdanovich's body of work. Of particular note in this series are materials for the film They All Laughed, including box office statements, exhibitor contracts, and distribution records.
III. Writings features drafts and tear sheets of his articles and books, as well as some related correspondence.
IV. Financial contains bank statements, tax papers, canceled checks, receipts and papers related to various businesses, including Saticoy Productions, Blue Moon, and Copa de Oro.
V. Borislav and Herma Bogdanovich contains the personal papers of Peter Bogdanovich's parents, Borislav and Herma Bogdanovich, who immigrated to the United States from Yugoslavia shortly before World War II, settling first in New York and later in Arizona. Boris, 1899-1970, was an artist by profession, and many papers relate to his exhibitions and the selling of his paintings. Much of their correspondence is with friends and family remaining in Yugoslavia. Also featured in this section are Peter's letters to his family and papers relating to his childhood and his early education at Collegiate School in New York.
VI. Printed consists primarily of magazine articles by and about Peter Bogdanovich.
VII. Mixed Media contains 16mm, 35mm and videotapes of some of Bogdanovich's movies, including most of the complete footage for They All Laughed and hundreds of outtakes and trims from the film. Other unique items in this series are "gag reels" and "behind-the-scenes" promotionals from What's Up Doc?, At Long Last Love, Nickelodeon, Saint Jack, Paper Moon, and Daisy Miller. Additionally, there are hundreds of audio cassettes of music used in his movies, along with reel-to-reel audiotapes of interviews conducted by Bogdanovich with (or about) prominent film directors. Some audio materials have been reformatted for use in the repository only. Also present are thousands of color slides, primarily publicity and production shots for several of his films. Of particular note are more than 300 color slides taken during the production of The Last Picture Show, which was filmed in black and white.
VIII. Additions includes additional film and television production materials; items related to film festivals and screenings; personal correspondence and records; teaching materials; writings; audio-visual media; and posters.
The collection is organized into the following series: I. Office; II. Films; III. Writings; IV. Financial; V. Borislav and Herma Bogdanovich; VI. Printed; VII. Mixed Media; VIII. Additions.
Conditions Governing Access: This collection is open for research.
Conditions Governing Use: Prior arrangements are not necessary before coming to the Library, however, patrons from out of town are encouraged to communicate with the Library in advance of their visits to ascertain availability of materials.Photocopying permitted only with permission of the Curator of Manuscripts, Lilly Library.
Persons
Bogdanovich, Borislav, 1899-1970.
Bogdanovich, Borislav, 1899-1970.
Bogdanovich, Herma.
Bogdanovich, Herma.
Bogdanovich, Peter, 1939-
Bogdanovich, Peter, 1939- --Correspondence.
Dwan, Allan, 1885-1981.
Ford, John.
Hawks, Howard, 1896-
Hitchcock, Alfred, 1899-
Shepherd, Cybill, 1950-
Stratten, Dorothy, 1960-1980.
Welles, Orson, 1915-
Subjects
Esquire
Motion picture actors and actresses.
Motion picture film
Motion picture industry --United States.
Motion picture plays.
Motion picture producers and directors --United States.
Preferred Citation
[Item], Bogdanovich mss., Lilly Library, Indiana University, Bloomington, Indiana.
Immediate Source of Acquisition
Acquired: 1995
Office
Films
Writings
Financial
Boris and Herma Bogdanovich 1885-1979
Printed
Mixed Media
Additions
Office | |||||||||||
Scope and Contents | |||||||||||
Personal and professional files, 1948-1993, containing mostly correspondence. Arranged by year or range of years, then alphabetically by folder label. Calendars/diaries, telephone logs and telephone books complete this section. | |||||||||||
box 1 | 1948-1969 | ||||||||||
box 1 | - miscellaneous 1948-1960's | ||||||||||
box 1 | - miscellaneous 1954-1964 | ||||||||||
General | |||||||||||
Includes: playbills of plays with PB as actor or director | |||||||||||
box 1 | - movie ideas 1964 | ||||||||||
box 1 | - studio outlines and synopsis 1966-1967 | ||||||||||
box 1 | - movie projects 1960's | ||||||||||
General | |||||||||||
(Marco, Go the full 9, Western, Times Square; stories) | |||||||||||
box 1 | - invitations 1964 | ||||||||||
box 1 | - contracts, letters of agreement 1967-1968 | ||||||||||
box 1 | - photocopy of inscription to PB from Jean Renoir 1968 | ||||||||||
box 1 | - correspondence 1969 | ||||||||||
box 1 | 1970 | ||||||||||
box 1 | Miscellaneous personal correspondence | ||||||||||
box 1 | Miscellaneous business correspondence | ||||||||||
box 1 | Miscellaneous agent's correspondence | ||||||||||
box 1 | Polly's [Platt] correspondence | ||||||||||
box 1 | Christmas cards | ||||||||||
box 1 | Adams, Ray & Rosenberg | ||||||||||
box 1 | American Film Institute (2 folders) | ||||||||||
box 1 | Buffalo Grass | ||||||||||
box 1 | Michael Caleri | ||||||||||
box 1 | Clippings | ||||||||||
box 1 | Ian Cameron | ||||||||||
General | |||||||||||
re: Dwan | |||||||||||
box 1 | Directors Guild | ||||||||||
box 1 | Allan Dwan | ||||||||||
box 1 | Esquire | ||||||||||
box 1 | Miscellaneous Household business | ||||||||||
box 1 | Grover Lewis | ||||||||||
box 1 | Larry McMurtry | ||||||||||
box 1 | Adrienne Mancia/Museum of Modern Art | ||||||||||
box 1 | Sue Mengers | ||||||||||
box 1 | Movies: Research | ||||||||||
box 1 | N.Y. Times/Sy Peck | ||||||||||
box 1 | Photographs | ||||||||||
box 1 | Miscellaneous requests | ||||||||||
box 1 | Jack Schwartzman | ||||||||||
box 1 | Mark Shivas | ||||||||||
box 1 | Submissions | ||||||||||
box 1 | Targets | ||||||||||
box 1 | - correspondence | ||||||||||
box 1 | - clippings | ||||||||||
box 1 | Luciano Vincenzoni | ||||||||||
box 1 | Actors | ||||||||||
box 1 | - children | ||||||||||
box 1 | - character (men and women) | ||||||||||
box 1 | - young men | ||||||||||
box 1 | - young women | ||||||||||
box 2 | A - P 1971 | ||||||||||
box 2 | A - miscellaneous | ||||||||||
box 2 | Academy [of Motion Picture Arts and Sciences] | ||||||||||
box 2 | Adams, Ray & Rosenberg | ||||||||||
box 2 | Ajax Rent-A-Car | ||||||||||
box 2 | American Film Institute | ||||||||||
box 2 | Avon Books | ||||||||||
box 2 | B - miscellaneous | ||||||||||
box 2 | Banking | ||||||||||
box 2 | BBS [Productions] | ||||||||||
box 2 | Buffalo Grass | ||||||||||
box 2 | Business | ||||||||||
box 2 | C - miscellaneous | ||||||||||
box 2 | Cameron, Ian | ||||||||||
box 2 | Charge accts - miscellaneous | ||||||||||
box 2 | Christmas cards | ||||||||||
box 2 | CMA [Creative Management Associates] | ||||||||||
box 2 | [Correspondence] Fan Mail | ||||||||||
box 2 | Costume Designers Guild | ||||||||||
box 2 | D - miscellaneous | ||||||||||
box 2 | Directors Guild of America | ||||||||||
box 2 | Dwan, Allan | ||||||||||
box 2 | E - miscellaneous | ||||||||||
box 2 | F - miscellaneous | ||||||||||
box 2 | G - miscellaneous | ||||||||||
box 2 | Gollob, Herman | ||||||||||
box 2 | H - miscellaneous | ||||||||||
box 2 | Household - Maria [Villanueva] & gardener | ||||||||||
box 2 | House re: purchase | ||||||||||
box 2 | I - miscellaneous | ||||||||||
box 2 | J - miscellaneous | ||||||||||
box 2 | K - miscellaneous | ||||||||||
box 2 | L - miscellaneous | ||||||||||
box 2 | Mc - miscellaneous | ||||||||||
box 2 | M - miscellaneous | ||||||||||
box 2 | Miscellaneous | ||||||||||
box 2 | Museum of Modern Art | ||||||||||
box 2 | N - miscellaneous | ||||||||||
box 2 | Name in Print Department | ||||||||||
box 2 | O -miscellaneous | ||||||||||
box 2 | P - miscellaneous | ||||||||||
box 2 | Personal, Miscellaneous | ||||||||||
box 2 | Personal Records | ||||||||||
box 2 | Platt, Polly | ||||||||||
box 2 | Polly's [Platt] correspondence | ||||||||||
box 3 | Q - Z 1971 | ||||||||||
box 3 | Q - miscellaneous | ||||||||||
box 3 | R - miscellaneous | ||||||||||
box 3 | S - miscellaneous | ||||||||||
box 3 | Saticoy Enterprises - Frame sales | ||||||||||
box 3 | Saticoy Productions | ||||||||||
box 3 | Schwartzmann, Jack | ||||||||||
box 3 | Siegel, Don | ||||||||||
box 3 | Stock Market | ||||||||||
box 3 | Submissions | ||||||||||
box 3 | Submissions, Invitations - No | ||||||||||
box 3 | T - miscellaneous | ||||||||||
box 3 | Targets | ||||||||||
box 3 | Telephone books 1970-1971 | ||||||||||
box 3 | Toni [Antonia Bogdanovich] | ||||||||||
box 3 | U - miscellaneous | ||||||||||
box 3 | V - miscellaneous | ||||||||||
box 3 | W - miscellaneous | ||||||||||
box 3 | Walsh, correspondence | ||||||||||
box 3 | Writers Guild | ||||||||||
box 3 | X,Y,Z - miscellaneous | ||||||||||
box 3 | Miscellaneous - 1971 | ||||||||||
box 3 | A - C 1972 | ||||||||||
box 3 | A - miscellaneous | ||||||||||
box 3 | Academy of Motion Picture Arts and Sciences | ||||||||||
box 3 | Academy Awards | ||||||||||
box 3 | American Film Institute | ||||||||||
box 3 | American Film Institute - Miscellaneous | ||||||||||
box 3 | Air Freight Receipts | ||||||||||
box 3 | APAPA [corporation for the development and exhibition of artistic products] | ||||||||||
box 3 | Archer, Eugene | ||||||||||
box 3 | Auto Insurance | ||||||||||
box 3 | Auto leasing | ||||||||||
box 3 | Auto - miscellaneous | ||||||||||
box 3 | Avon Books | ||||||||||
box 3 | B - miscellaneous | ||||||||||
box 3 | BBS | ||||||||||
box 3 | Bogdanovich exhibit & corres. | ||||||||||
General | |||||||||||
Re: Bogdanovich paintings | |||||||||||
box 3 | Book inventory | ||||||||||
box 3 | C - miscellaneous | ||||||||||
box 3 | Cameron, Ian | ||||||||||
box 3 | Charge accounts | ||||||||||
box 3 | Christmas cards | ||||||||||
box 3 | CMA [Creative Management Associates] | ||||||||||
box 3 | Columbia correspondence | ||||||||||
box 4 | D - R 1972 | ||||||||||
box 4 | D - miscellaneous | ||||||||||
box 4 | Daily notes | ||||||||||
box 4 | DGA [Directors Guild of America] | ||||||||||
box 4 | Dietrich, Marlene | ||||||||||
box 4 | The Director's Company | ||||||||||
box 4 | Donations | ||||||||||
box 4 | E - miscellaneous | ||||||||||
box 4 | Expenses - miscellaneous | ||||||||||
box 4 | F - miscellaneous | ||||||||||
box 4 | Film receipts | ||||||||||
box 4 | Francis, Bernie | ||||||||||
box 4 | Fuller, Sam | ||||||||||
box 4 | G - miscellaneous | ||||||||||
box 4 | Gollob, Herman | ||||||||||
box 4 | H - miscellaneous | ||||||||||
box 4 | Hayes, Harold | ||||||||||
box 4 | House | ||||||||||
box 4 | - Bel Air Patrol | ||||||||||
box 4 | - household charge accounts | ||||||||||
box 4 | - insurance | ||||||||||
box 4 | - Bob Lang | ||||||||||
box 4 | - loan | ||||||||||
box 4 | - Maurice Prince | ||||||||||
box 4 | - service contracts | ||||||||||
box 4 | - miscellaneous | ||||||||||
box 4 | I - miscellaneous | ||||||||||
box 4 | Insurance | ||||||||||
box 4 | - AFTRA [American Federation of Television and Radio Artists] | ||||||||||
box 4 | - DGA [Directors Guild of America] | ||||||||||
box 4 | - Jules Berlin, Bob Sattler | ||||||||||
box 4 | J - miscellaneous | ||||||||||
box 4 | Jones, Chuck | ||||||||||
box 4 | K - miscellaneous | ||||||||||
box 4 | L - miscellaneous | ||||||||||
box 4 | Lambert, Gavin - correspondence & location research | ||||||||||
box 4 | Last Picture Show | ||||||||||
box 4 | Last Picture Show, letters | ||||||||||
box 4 | Lease, deposits, insurance guarantees | ||||||||||
box 4 | Mc - miscellaneous | ||||||||||
box 4 | McBride, Joe | ||||||||||
box 4 | Paul McCluskey | ||||||||||
box 4 | Paul McCluskey book | ||||||||||
box 4 | McMurtry, Larry | ||||||||||
box 4 | M - miscellaneous | ||||||||||
box 4 | Miller, Bob | ||||||||||
box 4 | N - miscellaneous | ||||||||||
box 4 | O - miscellaneous | ||||||||||
box 4 | P - miscellaneous | ||||||||||
box 4 | Q - miscellaneous | ||||||||||
box 4 | R - miscellaneous | ||||||||||
box 4 | Renoir, Jean | ||||||||||
box 4 | Rogers, Ann | ||||||||||
box 5 | S - Z 1972 | ||||||||||
box 5 | S - miscellaneous | ||||||||||
box 5 | Saticoy [Productions] | ||||||||||
box 5 | Saticoy [Productions] - Minority Labor Pool | ||||||||||
box 5 | Schwartzman & Greenberg | ||||||||||
box 5 | Shephard, Mark | ||||||||||
box 5 | Stocks (2 folders) | ||||||||||
box 5 | Supply receipts | ||||||||||
box 5 | T - miscellaneous | ||||||||||
box 5 | Targets | ||||||||||
box 5 | Texas Girl | ||||||||||
box 5 | Texas locations | ||||||||||
box 5 | U - miscellaneous | ||||||||||
box 5 | USA film festival | ||||||||||
box 5 | V - miscellaneous | ||||||||||
box 5 | Vogue photos | ||||||||||
box 5 | W - miscellaneous | ||||||||||
box 5 | Warners Inner Office | ||||||||||
box 5 | W[arner] B[rothers] legal | ||||||||||
box 5 | Warners work authorizations | ||||||||||
box 5 | What's Up Doc - business | ||||||||||
box 5 | Writers Guild | ||||||||||
box 5 | X,Y,Z - miscellaneous | ||||||||||
box 5 | Miscellaneous 1972 | ||||||||||
box 5 | Autograph/photo requests | ||||||||||
box 5 | Crazy letters | ||||||||||
box 5 | Fan letters | ||||||||||
box 5 | Foreign language letters | ||||||||||
box 5 | Invitations | ||||||||||
box 5 | - personal accepted | ||||||||||
box 5 | - speaking, writing, interviews | ||||||||||
box 5 | Last Picture Show letters | ||||||||||
box 5 | What's Up Doc letters (2 folders) | ||||||||||
box 5 | Programs | ||||||||||
box 5 | Miscellaneous | ||||||||||
box 6 | Miscellaneous 1972 | ||||||||||
box 6 | Requests for career advice | ||||||||||
box 6 | Requests for jobs - acting (3 folders) | ||||||||||
box 6 | Requests for jobs - production | ||||||||||
box 6 | Submissions | ||||||||||
box 6 | - books | ||||||||||
box 6 | - ideas and treatments | ||||||||||
box 6 | - scripts | ||||||||||
box 6 | Woods, Mae - miscellaneous | ||||||||||
box 6 | Photos (2 folders) | ||||||||||
box 6 | Polly [Platt] | ||||||||||
box 6 | Toni [Antonia Bogdanovich] | ||||||||||
box 6 | Personal | ||||||||||
box 6 | Miscellaneous | ||||||||||
box 6 | A 1973 | ||||||||||
box 6 | A - miscellaneous | ||||||||||
box 6 | Adams, Ray & Rosenberg | ||||||||||
box 6 | Air Freight receipts | ||||||||||
box 6 | American Film Institute (2 folders) | ||||||||||
box 6 | APAPA | ||||||||||
box 6 | Arbor House | ||||||||||
box 6 | Avon Books [Publishing] | ||||||||||
box 7 | B - Mc 1973 | ||||||||||
box 7 | B - miscellaneous | ||||||||||
box 7 | Banking | ||||||||||
box 7 | C - miscellaneous | ||||||||||
box 7 | Chaplin, Charles | ||||||||||
box 7 | Christmas cards | ||||||||||
box 7 | CMA [Creative Management Associates] | ||||||||||
box 7 | D - miscellaneous | ||||||||||
box 7 | Daily notes | ||||||||||
box 7 | The Director's Company | ||||||||||
box 7 | DGA [Directors Guild of America] | ||||||||||
box 7 | Donations | ||||||||||
box 7 | E - miscellaneous | ||||||||||
box 7 | Esquire column letters | ||||||||||
box 7 | F - miscellaneous [Coppola, Capra letters] | ||||||||||
box 7 | Film receipts | ||||||||||
box 7 | Fuller, Sam | ||||||||||
box 7 | G - miscellaneous | ||||||||||
box 7 | H - miscellaneous | ||||||||||
box 7 | Hebrew Y [Young Men's & Young Women's Hebrew Association] | ||||||||||
box 7 | House loan | ||||||||||
box 7 | Household charge accounts | ||||||||||
box 7 | I - miscellaneous | ||||||||||
box 7 | Insurance | ||||||||||
box 7 | Insurance | ||||||||||
box 7 | - AFTRA [American Federation of Television and Radio Artists] | ||||||||||
box 7 | - DGA [Directors Guild of America] | ||||||||||
box 7 | J - miscellaneous | ||||||||||
box 7 | Jaffe, Steve | ||||||||||
box 7 | K - miscellaneous | ||||||||||
box 7 | L - miscellaneous | ||||||||||
box 7 | Lang, Bob | ||||||||||
box 7 | Last Picture Show | ||||||||||
box 7 | Last Picture Show | ||||||||||
box 7 | - letters | ||||||||||
box 7 | - mentions | ||||||||||
box 7 | McCluskey, Paul | ||||||||||
box 7 | McMurtry, Larry | ||||||||||
box 8 | M - W 1973 | ||||||||||
box 8 | M - miscellaneous | ||||||||||
box 8 | Miscellaneous | ||||||||||
box 8 | Model of the Year [Cybill Shepherd] | ||||||||||
box 8 | MPAA [Motion Picture Association of America] | ||||||||||
box 8 | N - miscellaneous | ||||||||||
box 8 | New York correspondence | ||||||||||
box 8 | O - miscellaneous | ||||||||||
box 8 | Office supply information | ||||||||||
box 8 | P - miscellaneous | ||||||||||
box 8 | Paper Moon | ||||||||||
box 8 | - expenses | ||||||||||
box 8 | - letters | ||||||||||
box 8 | Pieces of Time reviews | ||||||||||
box 8 | Q - miscellaneous | ||||||||||
box 8 | R - miscellaneous | ||||||||||
box 8 | Rogers, Ann | ||||||||||
box 8 | Rogers, Cowen & Brenner | ||||||||||
box 8 | S - miscellaneous | ||||||||||
box 8 | Schwartzman & Greenberg | ||||||||||
box 8 | Service contracts | ||||||||||
box 8 | Sony | ||||||||||
box 8 | Stocks | ||||||||||
box 8 | Supply receipts | ||||||||||
box 8 | T - miscellaneous | ||||||||||
box 8 | Targets letters | ||||||||||
box 8 | Targets - publicity | ||||||||||
box 8 | Texas Girl | ||||||||||
box 8 | Travel | ||||||||||
box 8 | U - miscellaneous | ||||||||||
box 8 | V - miscellaneous | ||||||||||
box 8 | Vidor, King | ||||||||||
box 8 | Vincenzoni, Luciano | ||||||||||
box 8 | W - miscellaneous | ||||||||||
box 8 | Wilson, Elizabeth | ||||||||||
box 8 | W[arner] B[rothers] | ||||||||||
box 8 | - Inter Office | ||||||||||
box 8 | - Memos re: studio changes | ||||||||||
box 8 | - work authorizations | ||||||||||
box 8 | What's Up Doc? | ||||||||||
box 8 | - statements | ||||||||||
box 8 | - letters | ||||||||||
box 8 | Woods, Mae | ||||||||||
box 9 | W (cont.) - Z 1973 | ||||||||||
box 9 | Writers Guild | ||||||||||
box 9 | X,Y,Z - miscellaneous | ||||||||||
box 9 | Yugoslav Contacts | ||||||||||
box 9 | Miscellaneous 1973 | ||||||||||
box 9 | Miscellaneous solicitations | ||||||||||
box 9 | Submissions | ||||||||||
box 9 | - books | ||||||||||
box 9 | - ideas/treatments | ||||||||||
box 9 | - scripts | ||||||||||
box 9 | Invitations - speaking, interviews, writing | ||||||||||
box 9 | Requests for jobs - acting | ||||||||||
box 9 | Requests for career advice | ||||||||||
box 9 | Requests for jobs - production | ||||||||||
box 9 | Invitations - Miscellaneous | ||||||||||
box 9 | Autograph/photo requests | ||||||||||
box 9 | Fan letters | ||||||||||
box 9 | Crazy letters | ||||||||||
box 9 | Photographs | ||||||||||
box 9 | Polly Platt | ||||||||||
box 9 | Toni [Antonia Bogdanovich] | ||||||||||
box 9 | Personal | ||||||||||
box 10 | A - D 1974 | ||||||||||
box 10 | A - miscellaneous | ||||||||||
box 10 | Academy of Motion Picture Arts and Sciences | ||||||||||
box 10 | Air freight receipts | ||||||||||
box 10 | American Film Institute | ||||||||||
box 10 | AFI [American Film Institute] - miscellaneous | ||||||||||
box 10 | APAPA | ||||||||||
box 10 | Allen & Unwin, Ltd. | ||||||||||
box 10 | Arbor House | ||||||||||
box 10 | Avon Books | ||||||||||
box 10 | B - miscellaneous | ||||||||||
box 10 | Banking | ||||||||||
box 10 | Jules Berlin Insurance | ||||||||||
box 10 | PB bio[graphical] | ||||||||||
box 10 | Book requests re: column | ||||||||||
box 10 | Book requests | ||||||||||
box 10 | C - miscellaneous | ||||||||||
box 10 | Christmas cards | ||||||||||
box 10 | Christmas cards [list] | ||||||||||
box 10 | C.I.C. [Cinema International Corporation] | ||||||||||
box 10 | Cybill Does It | ||||||||||
box 10 | Cybill publicity schedules | ||||||||||
box 10 | CMA [Creative Management Associates] | ||||||||||
box 10 | D - miscellaneous | ||||||||||
box 10 | Daisy Miller | ||||||||||
box 10 | DGA [Directors Guild of America] | ||||||||||
box 10 | The Director's Company | ||||||||||
box 10 | Donations | ||||||||||
box 11 | E - V 1974 | ||||||||||
box 11 | E - miscellaneous | ||||||||||
box 11 | Energy Fair - L.A. | ||||||||||
box 11 | Film receipts and freight | ||||||||||
box 11 | G - miscellaneous | ||||||||||
box 11 | H - miscellaneous | ||||||||||
box 11 | Hart, Lorenz | ||||||||||
box 11 | Household | ||||||||||
box 11 | Household charge accounts | ||||||||||
box 11 | I - miscellaneous | ||||||||||
box 11 | J - miscellaneous | ||||||||||
box 11 | Jaffe, Steve | ||||||||||
box 11 | K - miscellaneous | ||||||||||
box 11 | Lang, Bob | ||||||||||
box 11 | P - miscellaneous | ||||||||||
box 11 | Paper Moon | ||||||||||
box 11 | - business | ||||||||||
box 11 | - letters | ||||||||||
box 11 | Paramount publicity | ||||||||||
box 11 | Picture Palace | ||||||||||
box 11 | Pieces of Time reviews | ||||||||||
box 11 | Project X | ||||||||||
box 11 | Q - miscellaneous | ||||||||||
box 11 | R - miscellaneous | ||||||||||
box 11 | Rogers, Ann | ||||||||||
box 11 | Rogers, Cowan & Brenner | ||||||||||
box 11 | Rolls Royce | ||||||||||
box 11 | S - miscellaneous | ||||||||||
box 11 | Sachs, Chuck | ||||||||||
box 11 | Saticoy Productions | ||||||||||
box 11 | Schwartzman & Greenberg | ||||||||||
box 11 | Sereny, Eva | ||||||||||
box 11 | Service contracts | ||||||||||
box 11 | Stocks | ||||||||||
box 11 | Supply receipts | ||||||||||
box 11 | T - miscellaneous | ||||||||||
box 11 | Targets | ||||||||||
box 11 | Tonight Show | ||||||||||
box 11 | Travel | ||||||||||
box 11 | 20th Century Fox - interoffice correspondence | ||||||||||
box 11 | U - miscellaneous | ||||||||||
box 11 | U.S.A. | ||||||||||
box 11 | V - miscellaneous | ||||||||||
box 11 | Vincenzoni, Luciano | ||||||||||
box 12 | W - Z 1974 | ||||||||||
box 12 | W - miscellaneous | ||||||||||
box 12 | Warner Bros. interoffice | ||||||||||
box 12 | What's Up Doc? | ||||||||||
box 12 | - business | ||||||||||
box 12 | - letters | ||||||||||
box 12 | - mentions | ||||||||||
box 12 | Thornton Wilder Project | ||||||||||
box 12 | Woods, Mae | ||||||||||
box 12 | Writers Guild | ||||||||||
box 12 | X,Y,Z - miscellaneous | ||||||||||
box 12 | Miscellaneous 1974 | ||||||||||
box 12 | Charlie Gallagher, My Love! (2 folders) | ||||||||||
box 12 | Death on the Sixth Day | ||||||||||
box 12 | The Wicked Pavilion | ||||||||||
box 12 | Daily notes | ||||||||||
box 12 | Polly Platt | ||||||||||
box 12 | Toni [Antonia Bogdanovich] | ||||||||||
box 12 | Herma Bogdanovich | ||||||||||
box 12 | Cybill's laryngitis | ||||||||||
box 12 | Personal | ||||||||||
box 12 | Photos | ||||||||||
box 12 | Invitations | ||||||||||
box 12 | - accepted | ||||||||||
box 12 | - miscellaneous | ||||||||||
box 13 | Miscellaneous 1974 | ||||||||||
box 13 | Invitations - speaking, writing, interviews | ||||||||||
box 13 | Actors | ||||||||||
box 13 | Job requests | ||||||||||
box 13 | - actors | ||||||||||
box 13 | - production | ||||||||||
box 13 | Requests for career advice | ||||||||||
box 13 | Autograph/photo requests | ||||||||||
box 13 | Crazy letters | ||||||||||
box 13 | Daisy Miller, letters re: | ||||||||||
box 13 | Fan letters | ||||||||||
box 13 | Submissions | ||||||||||
box 13 | - books | ||||||||||
box 13 | - ideas & treatments | ||||||||||
box 13 | - scripts | ||||||||||
box 13 | Miscellaneous solicitations | ||||||||||
box 13 | Reader's reports | ||||||||||
box 13 | Miscellaneous | ||||||||||
box 13 | A- AFI 1975 | ||||||||||
box 13 | A - miscellaneous | ||||||||||
box 13 | Abracadabra | ||||||||||
box 13 | Academy [of Motion Picture Arts & Sciences] | ||||||||||
box 13 | AFTRA [American Federation of Television and Radio Artists] Copa de Oro Productions | ||||||||||
box 13 | Allen & Unwin | ||||||||||
box 13 | AFI [American Film Institute] | ||||||||||
box 14 | A (cont.) - I 1975 | ||||||||||
box 14 | APAPA | ||||||||||
box 14 | Arbor House | ||||||||||
box 14 | Avon Books | ||||||||||
box 14 | B - miscellaneous | ||||||||||
box 14 | Banking | ||||||||||
box 14 | Book donation | ||||||||||
box 14 | Book requests | ||||||||||
box 14 | Book rights | ||||||||||
box 14 | C - miscellaneous | ||||||||||
box 14 | Charge accounts | ||||||||||
box 14 | Christmas cards | ||||||||||
box 14 | C.I.C. | ||||||||||
box 14 | Columbia inter-office | ||||||||||
box 14 | Cybill | ||||||||||
box 14 | Cybill Does It | ||||||||||
box 14 | D - miscellaneous | ||||||||||
box 14 | D.W. Griffith Centennial celebration at MOMA | ||||||||||
box 14 | Daisy Miller (2 folders) | ||||||||||
box 14 | Dell Books | ||||||||||
box 14 | DGA [Directors Guild of America] | ||||||||||
box 14 | Donations | ||||||||||
box 14 | E - miscellaneous | ||||||||||
box 14 | F - miscellaneous | ||||||||||
box 14 | Film Festival (Yugoslavia) | ||||||||||
box 14 | Fox | ||||||||||
box 14 | Francis, Bernie | ||||||||||
box 14 | G - miscellaneous | ||||||||||
box 14 | H - miscellaneous | ||||||||||
box 14 | Household | ||||||||||
box 14 | I - miscellaneous | ||||||||||
box 14 | Insurance | ||||||||||
box 14 | Insurance | ||||||||||
box 14 | - AFTRA [American Federation of Television and Radio Artists] | ||||||||||
box 14 | - DGA [Directors Guild of America] | ||||||||||
box 15 | I (cont.) - T 1975 | ||||||||||
box 15 | Insurance | ||||||||||
box 15 | - Group | ||||||||||
box 15 | - House | ||||||||||
box 15 | J - miscellaneous | ||||||||||
box 15 | K - miscellaneous | ||||||||||
box 15 | L - miscellaneous | ||||||||||
box 15 | Lang, Bob | ||||||||||
box 15 | Last Picture Show | ||||||||||
box 15 | Mc - miscellaneous | ||||||||||
box 15 | McMurtry, Larry | ||||||||||
box 15 | M - miscellaneous | ||||||||||
box 15 | Messenger receipts | ||||||||||
box 15 | Museum of Modern Art | ||||||||||
box 15 | Music | ||||||||||
box 15 | N - miscellaneous | ||||||||||
box 15 | O - miscellaneous | ||||||||||
box 15 | Office | ||||||||||
box 15 | P - miscellaneous | ||||||||||
box 15 | Paper Moon | ||||||||||
box 15 | Polly Platt | ||||||||||
box 15 | The Poison Baton | ||||||||||
box 15 | R - miscellaneous | ||||||||||
box 15 | Ray, Nicholas | ||||||||||
box 15 | Rolls Royce - Bruce Kallenberg | ||||||||||
box 15 | S - miscellaneous | ||||||||||
box 15 | Schwartzman & Greenberg | ||||||||||
box 15 | Stocks | ||||||||||
box 15 | T - miscellaneous | ||||||||||
box 15 | Tabac Rhein | ||||||||||
box 15 | Targets | ||||||||||
box 15 | Taxi Driver | ||||||||||
box 15 | Tonight Show | ||||||||||
box 15 | Toni (Antonia Bogdanovich) | ||||||||||
box 15 | Travel - Salzburg Festival | ||||||||||
box 15 | Travel info | ||||||||||
box 16 | T (cont.) - Z 1975 | ||||||||||
box 16 | Travel | ||||||||||
box 16 | U - miscellaneous | ||||||||||
box 16 | V - miscellaneous | ||||||||||
box 16 | W - miscellaneous | ||||||||||
box 16 | Ted Weiner oil investment | ||||||||||
box 16 | What's Up Doc? | ||||||||||
box 16 | Writers Guild | ||||||||||
box 16 | X,Y,Z - miscellaneous | ||||||||||
box 16 | Yugoslav contacts | ||||||||||
box 16 | Miscellaneous 1975 | ||||||||||
box 16 | Daily notes | ||||||||||
box 16 | Personal | ||||||||||
box 16 | Fan photos | ||||||||||
box 16 | Invitations | ||||||||||
box 16 | - miscellaneous | ||||||||||
box 16 | - personal | ||||||||||
box 16 | - writing, speaking | ||||||||||
box 16 | Requests - autographs & photos | ||||||||||
box 17 | Miscellaneous 1975 | ||||||||||
box 17 | Actors photo file | ||||||||||
box 17 | Daisy Miller | ||||||||||
box 17 | Hollywood Story | ||||||||||
box 17 | King of the Gypsies | ||||||||||
box 17 | Paper Moon | ||||||||||
box 17 | Targets | ||||||||||
box 17 | What's Up Doc? | ||||||||||
box 17 | Interviews | ||||||||||
box 17 | PB mentions | ||||||||||
box 17 | Crazy letters | ||||||||||
box 17 | Fan letters | ||||||||||
box 17 | Foreign letters | ||||||||||
box 17 | Requests for career advice | ||||||||||
box 17 | Requests for production jobs | ||||||||||
box 17 | Letters | ||||||||||
box 17 | - re: acting | ||||||||||
box 17 | - re: books | ||||||||||
box 17 | - re: scripts | ||||||||||
box 17 | Treatments | ||||||||||
box 17 | Reader's reports | ||||||||||
box 17 | Miscellaneous (2 folders) | ||||||||||
box 18 | A - D 1976 | ||||||||||
box 18 | A - miscellaneous | ||||||||||
box 18 | Abracadabra | ||||||||||
box 18 | Academy [of Motion Picture Arts & Sciences] | ||||||||||
box 18 | Actors file - general | ||||||||||
box 18 | AFTRA [American Federation of Television and Radio Artists] | ||||||||||
box 18 | APAPA | ||||||||||
box 18 | At Long Last Love | ||||||||||
box 18 | Avon Books | ||||||||||
box 18 | B - miscellaneous | ||||||||||
box 18 | Bekins | ||||||||||
box 18 | The Big Red One | ||||||||||
box 18 | Bogdanovich, Herma | ||||||||||
box 18 | Bogdanovich children | ||||||||||
box 18 | Books - correspondence | ||||||||||
box 18 | British Lion | ||||||||||
box 18 | Bugsy | ||||||||||
box 18 | C - miscellaneous | ||||||||||
box 18 | A Change of Seasons | ||||||||||
box 18 | Christmas cards | ||||||||||
box 18 | Columbia Inter-office | ||||||||||
box 18 | D - miscellaneous | ||||||||||
box 18 | Daily notes | ||||||||||
box 18 | Daisy Miller | ||||||||||
box 18 | Director's Company (2 folders) | ||||||||||
box 19 | D (cont.) - Z 1976 | ||||||||||
box 19 | Directors Guild | ||||||||||
box 19 | E - miscellaneous | ||||||||||
box 19 | F - miscellaneous | ||||||||||
box 19 | Films (2 folders) | ||||||||||
box 19 | Filmography - Targets, LPS, WUD, PM | ||||||||||
box 19 | G - miscellaneous | ||||||||||
box 19 | Giacci, Vittorio | ||||||||||
box 19 | Instructions | ||||||||||
box 19 | L - miscellaneous | ||||||||||
box 19 | Last Picture Show | ||||||||||
box 19 | - business | ||||||||||
box 19 | - letters | ||||||||||
box 19 | Last Picture Show | ||||||||||
box 19 | M - miscellaneous | ||||||||||
box 19 | Mc - miscellaneous | ||||||||||
box 19 | McCluskey, Paul | ||||||||||
box 19 | McMurtry, Larry | ||||||||||
box 19 | N - miscellaneous | ||||||||||
box 19 | New York magazine | ||||||||||
box 19 | New York column, letters | ||||||||||
box 19 | O - miscellaneous | ||||||||||
box 19 | Reader's reports 1976-1977 | ||||||||||
box 19 | SAG | ||||||||||
box 19 | Warranties (2 folders) | ||||||||||
box 19 | Weiner, Ted | ||||||||||
box 19 | What's Up Doc? | ||||||||||
box 19 | Will | ||||||||||
box 19 | Writers Guild | ||||||||||
box 19 | X,Y,Z - miscellaneous | ||||||||||
box 19 | Yugoslavian correspondence | ||||||||||
box 19 | Zurich Show | ||||||||||
box 20 | Miscellaneous 1976 | ||||||||||
box 20 | Biography | ||||||||||
box 20 | Books | ||||||||||
box 20 | Career advice | ||||||||||
box 20 | Certificates, awards, etc. | ||||||||||
box 20 | Contracts | ||||||||||
box 20 | Crazy letters | ||||||||||
box 20 | Deal proposals, United Artists | ||||||||||
box 20 | Fan letters | ||||||||||
box 20 | Fund raising events | ||||||||||
box 20 | Identification papers – passports, birth certificate (Peter and Antonia) | ||||||||||
box 20 | Inventory | ||||||||||
box 20 | Invitations (3 folders) | ||||||||||
box 20 | Legal | ||||||||||
box 20 | Mentions | ||||||||||
box 20 | Personal (3 folders) | ||||||||||
box 20 | Phone book | ||||||||||
box 20 | Phone lists | ||||||||||
box 20 | Production jobs | ||||||||||
box 21 | Miscellaneous (cont.) 1976 | ||||||||||
box 21 | Requests - Interviews, writing, appearances | ||||||||||
box 21 | Requests for photos | ||||||||||
box 21 | Screenplays, correspondence | ||||||||||
box 21 | Special project requests | ||||||||||
box 21 | Solicitations - miscellaneous | ||||||||||
box 21 | Stories, ideas, etc. | ||||||||||
box 21 | Treatments | ||||||||||
box 21 | At Long Last Love | ||||||||||
box 21 | What's Up Doc? | ||||||||||
box 21 | A - C 1977-1978 | ||||||||||
box 21 | The Academy [of Motion Picture Arts & Sciences] | ||||||||||
box 21 | Adler, Stella | ||||||||||
box 21 | AFTRA [American Federation of Television and Radio Artists] | ||||||||||
box 21 | Alben, Ruth - speaking engagements | ||||||||||
box 21 | American Film Institute | ||||||||||
box 21 | American Film Institute seminar | ||||||||||
box 21 | Antonia's [Bogdanovich] stories | ||||||||||
box 21 | Big Red One | ||||||||||
box 21 | Books | ||||||||||
box 21 | Carey, Harry, Jr. | ||||||||||
box 21 | Christmas, birthday, Father's Day cards (2 folders) | ||||||||||
box 22 | C (cont.) - Z 1977-1978 | ||||||||||
box 22 | Copa de Oro/Ben Gazzara employment agreement | ||||||||||
box 22 | Correspondence | ||||||||||
box 22 | - personal | ||||||||||
box 22 | - books | ||||||||||
box 22 | - fan mail | ||||||||||
box 22 | - general | ||||||||||
box 22 | - screenplays | ||||||||||
box 22 | Donation requests | ||||||||||
box 22 | Film damage | ||||||||||
box 22 | Film vault | ||||||||||
box 22 | German film festival correspondence | ||||||||||
box 22 | Guttman & Pam correspondence | ||||||||||
box 22 | Heaven Can Wait | ||||||||||
box 22 | Household | ||||||||||
box 22 | ICM [International Creative Management] | ||||||||||
box 22 | Interview | ||||||||||
box 22 | Investments | ||||||||||
box 22 | Invitations | ||||||||||
box 22 | Kitchen floor repair | ||||||||||
box 22 | The Last Picture Show | ||||||||||
box 22 | Lefkowitz | ||||||||||
box 22 | Legal | ||||||||||
box 22 | Magazine articles, newspaper clippings, etc. | ||||||||||
box 22 | Music – miscellaneous | ||||||||||
box 22 | Museum of Modern Art | ||||||||||
box 22 | Passport | ||||||||||
box 22 | Pippiatt, Michael | ||||||||||
box 22 | Powsner, Robert | ||||||||||
box 22 | Publicity | ||||||||||
box 22 | Saticoy [Productions] | ||||||||||
box 22 | - versus Universal | ||||||||||
box 22 | - profit sharing | ||||||||||
box 22 | Schwartzman/Greenberg | ||||||||||
box 22 | Shot in the Dark | ||||||||||
box 22 | Special project requests | ||||||||||
box 22 | Ted Weiner oil | ||||||||||
box 22 | Writers Guild | ||||||||||
box 23 | A - B 1979-1985 | ||||||||||
box 23 | The Academy [of Motion Picture Arts & Sciences] (2 folders) | ||||||||||
box 23 | The Academy [of Motion Picture Arts & Sciences]... Allan Dwan tribute | ||||||||||
box 23 | Adams, Ray, Rosenberg, Inc. | ||||||||||
box 23 | Adler, Stella | ||||||||||
box 23 | AFI [American Film Institute] | ||||||||||
box 23 | AFTRA [American Federation of Television and Radio Artists] | ||||||||||
box 23 | Air France | ||||||||||
box 23 | All That Jazz | ||||||||||
box 23 | Amadeus | ||||||||||
box 23 | Angell, Frank | ||||||||||
box 23 | Anthology Film Archives | ||||||||||
box 23 | APA (Marty Klein) [Agency for the Performing Arts] | ||||||||||
box 23 | APAPA | ||||||||||
box 23 | At Long Last Love | ||||||||||
box 23 | Art & Music | ||||||||||
box 23 | Astrology (2 folders) | ||||||||||
box 23 | Automobile Club of Southern California | ||||||||||
box 23 | Aviation | ||||||||||
box 23 | Aznavour, Charles | ||||||||||
box 23 | Ball, Earl Poole | ||||||||||
box 23 | Barovick, Oniecky, Brawn, Schwartz & Ray | ||||||||||
box 23 | B.C. [British Columbia] property | ||||||||||
box 23 | Bell Air Association correspondence - informational | ||||||||||
box 23 | The Big Red One | ||||||||||
box 23 | Bios (2 folders) | ||||||||||
box 23 | The Birthday Book | ||||||||||
box 23 | Bizio, Silvia interview w/PB | ||||||||||
box 23 | Black Sox scandal | ||||||||||
box 23 | Blaine, Marc | ||||||||||
box 23 | Blithe Spirit | ||||||||||
box 23 | Bloom, John | ||||||||||
box 23 | BMI [Broadcast Music, Inc.] | ||||||||||
box 23 | Boetticher, Budd | ||||||||||
box 23 | Bingo [PB's dog] | ||||||||||
box 23 | Bogdanovich, Alexandra | ||||||||||
box 23 | Bogdanovich, Anna | ||||||||||
box 23 | Bogdanovich, Antonia | ||||||||||
box 23 | Bogdanovich, Antonia & Sashy, school | ||||||||||
box 23 | Bogdanovich, Herma estate | ||||||||||
box 23 | Bogdanovich vs. Universal | ||||||||||
box 23 | Bogdanovich Pictures Corp. prospectus | ||||||||||
box 24 | B (cont.) - C 1979-1985 | ||||||||||
box 24 | Books | ||||||||||
box 24 | Books | ||||||||||
box 24 | - catalogs | ||||||||||
box 24 | - general | ||||||||||
box 24 | - Limited Editions Club | ||||||||||
box 24 | The Boys from Syracuse | ||||||||||
box 24 | Brennan, Eileen | ||||||||||
box 24 | Brewster's Millions | ||||||||||
box 24 | Bridge of San Luis Rey (2 folders) | ||||||||||
box 24 | Buffalo Resources Corp. | ||||||||||
box 24 | Bugsy [Spiegal project] | ||||||||||
box 24 | Burgess, Anthony | ||||||||||
box 24 | Business brochures | ||||||||||
box 24 | Cahier du Cinema | ||||||||||
box 24 | Cal-Ranch | ||||||||||
box 24 | Camera | ||||||||||
box 24 | Camp, Colleen | ||||||||||
box 24 | Camp, Colleen - album | ||||||||||
box 24 | Camp, Colleen & Linda, Vogue (Paris) | ||||||||||
box 24 | Camp & Peiffer | ||||||||||
box 24 | Camp, William | ||||||||||
box 24 | Capra, Frank | ||||||||||
box 24 | Car rentals | ||||||||||
box 24 | Cassavettes, John | ||||||||||
box 24 | Chaplin[, Charles - regarding unauthorized use of film clips] | ||||||||||
box 24 | Chelsea House "Allan Dwan" "Fritz Lang" | ||||||||||
box 24 | Children | ||||||||||
box 24 | Children and the media | ||||||||||
box 24 | Christmas 1983 | ||||||||||
box 24 | Christmas cards (2 folders) | ||||||||||
box 25 | C (cont.) 1979-1985 | ||||||||||
box 25 | Cipes, Adrian | ||||||||||
box 25 | Cold Heaven | ||||||||||
box 25 | Collegiate School Alumni Association | ||||||||||
box 25 | Columbia College | ||||||||||
box 25 | Condolences Aug. 1980 | ||||||||||
box 25 | Confidentiality of information | ||||||||||
box 25 | Coolidge, Martha | ||||||||||
box 25 | Contacts - San Francisco, Europe, Hong Kong, NYC, Singapore, U.S.A. (6 folders) | ||||||||||
box 25 | Copa de Oro Productions | ||||||||||
box 25 | Copa de Oro Productions - by laws | ||||||||||
box 25 | Copa de Oro Road, Los Angeles, CA 90077 | ||||||||||
box 25 | Correspondence - special projects, requests, personal screenplays, general, outgoing, incoming, fan mail (11 folders) | ||||||||||
box 26 | C (cont.) 1979-1985 | ||||||||||
box 26 | Correspondence - personal, general, etc. divided by year 1981-1985 (17 folders) | ||||||||||
box 27 | C (cont.) - D 1979-1985 | ||||||||||
box 27 | Correspondence - personal, general, etc. divided by year (cont.) 1985 (6 folders) | ||||||||||
box 27 | Coward, Noel | ||||||||||
box 27 | Crist, Judith (PB interview for book) | ||||||||||
box 27 | Cullen, Brian | ||||||||||
box 27 | Current 1979 | ||||||||||
box 27 | Customs broker | ||||||||||
box 27 | Daily reports 1978-1984 (8 folders) | ||||||||||
box 27 | Daisy Miller | ||||||||||
box 27 | Denver Film Festival | ||||||||||
box 27 | Design for Living | ||||||||||
box 27 | Devore, Gary | ||||||||||
box 27 | Diener/Hauser/Bates | ||||||||||
box 27 | Dietrich, Marlene | ||||||||||
box 27 | Directors Guild of America (3 folders) | ||||||||||
box 28 | D (cont.) - H 1979-1985 | ||||||||||
box 28 | Divorce 1982 | ||||||||||
box 28 | Dodds, John | ||||||||||
box 28 | Dogs 1985 | ||||||||||
box 28 | Employment - resumes | ||||||||||
box 28 | Equinox, Ltd. | ||||||||||
box 28 | Esquire correspondence | ||||||||||
box 28 | Federal Express | ||||||||||
box 28 | Ferrer, Sean H. | ||||||||||
box 28 | Feydeau, Georges | ||||||||||
box 28 | Fields, Verna | ||||||||||
box 28 | Film processing | ||||||||||
box 28 | Film rental | ||||||||||
box 28 | Filmex 1983 | ||||||||||
box 28 | Final Cut 4/2/1985 | ||||||||||
box 28 | Fine Foods | ||||||||||
box 28 | First Los Angeles Bank | ||||||||||
box 28 | Fisch, Richard | ||||||||||
box 28 | Form letters | ||||||||||
box 28 | Frings, Kurt | ||||||||||
box 28 | Fuller, Sam | ||||||||||
box 28 | Galey inventory | ||||||||||
box 28 | Gazzara, Ben | ||||||||||
box 28 | German western | ||||||||||
box 28 | Ghost Town | ||||||||||
box 28 | Gilda Live 1980 | ||||||||||
box 28 | Goldstein | ||||||||||
box 28 | Good People | ||||||||||
box 28 | Goodbye Fidel | ||||||||||
box 28 | Grauer, Joanne | ||||||||||
box 28 | Graves, Robert | ||||||||||
box 28 | Griffith | ||||||||||
box 28 | Guarantees and instructions | ||||||||||
box 28 | Hardee, Borovick, Konecky, & Braun | ||||||||||
box 28 | Hawaiian trip | ||||||||||
box 28 | Hawks, Howard | ||||||||||
box 28 | Health | ||||||||||
box 28 | Hepburn, Audrey | ||||||||||
box 28 | Hollywood - Legend and Reality, Smithsonian exhibit, by Michael Webb | ||||||||||
box 28 | Hollywood, the Pioneers | ||||||||||
box 28 | Hollywood script letter | ||||||||||
box 28 | Holocaust Survivors Memorial Foundation | ||||||||||
box 28 | Hoogstraten, Darcy | ||||||||||
box 28 | Hoogstraten, Louise | ||||||||||
box 28 | Hoogstraten, Nellie (2 folders) | ||||||||||
box 28 | Hoogstraten, Nellie - custody agreement | ||||||||||
box 28 | Horses | ||||||||||
box 28 | House of Cash | ||||||||||
box 28 | House of Mirth | ||||||||||
box 29 | I - M 1979-1985 | ||||||||||
box 29 | ICM | ||||||||||
box 29 | ICM vs. Bogdanovich | ||||||||||
box 29 | Income reports | ||||||||||
box 29 | Independent Feature Project | ||||||||||
box 29 | Interpreters | ||||||||||
box 29 | Interview requests | ||||||||||
box 29 | Inventory - paintings, artwork | ||||||||||
box 29 | Inventory of paintings, Scottsdale house | ||||||||||
box 29 | Inventory (2 folders) | ||||||||||
box 29 | Invitations and requests (3 folders) | ||||||||||
box 29 | Israel | ||||||||||
box 29 | It Grows on Trees | ||||||||||
box 29 | Jacob, Jim | ||||||||||
box 29 | Jaglom, Henry | ||||||||||
box 29 | Job application forms | ||||||||||
box 29 | Jordan, William | ||||||||||
box 29 | Kabbalah (2 folders) | ||||||||||
box 29 | Kennedy Center honors 1981 | ||||||||||
box 29 | Killing of the Unicorn correspondence | ||||||||||
box 29 | King Jesus | ||||||||||
box 29 | Korda, Michael, review - Washington Post 1979 | ||||||||||
box 29 | Kroll, Jack | ||||||||||
box 29 | L.A.P.D. - re: Mon. (theft) 8/18/1980 | ||||||||||
box 29 | L.A. Theatre Magazine | ||||||||||
box 29 | Lancaster, Burt (Dallas tribute) | ||||||||||
box 29 | Last Picture Show | ||||||||||
box 29 | Lewis, Jerry | ||||||||||
box 29 | Locations | ||||||||||
box 29 | The Loser (2 folders) | ||||||||||
box 29 | Lubitsch | ||||||||||
box 29 | McDonald, Ed | ||||||||||
box 29 | McMurtry, Larry | ||||||||||
box 29 | Mailer, Norman - PB witness | ||||||||||
box 29 | Mammom & the Black Goddess | ||||||||||
box 29 | Medical | ||||||||||
box 29 | Mestres, Ricardo - projects | ||||||||||
box 29 | Miami Film Festival | ||||||||||
box 29 | Money | ||||||||||
box 29 | Monika [music composition: music by Eugenio Grandi, lyrics by PB and Ben Gazzara] | ||||||||||
box 29 | Montana | ||||||||||
box 29 | Moon Pictures (3 folders) | ||||||||||
box 29 | Moon Pictures | ||||||||||
box 29 | - music - Jo-el Sonnier | ||||||||||
box 29 | - personnel | ||||||||||
box 29 | - trademark | ||||||||||
box 29 | Morfogen, George | ||||||||||
box 29 | Motion Picture Association of America, Inc. | ||||||||||
box 30 | M (cont.) - P 1979-1985 | ||||||||||
box 30 | Motion Picture Association of America, Inc. - title registration | ||||||||||
box 30 | Motion Picture Association of America, Inc. | ||||||||||
box 30 | Movie theatre info. | ||||||||||
box 30 | Movie titles/release dates | ||||||||||
box 30 | Muller, Robby | ||||||||||
box 30 | Music (2 folders) | ||||||||||
box 30 | The Mythology of Movies 3/16/1983 (4 folders) | ||||||||||
box 30 | Nelly's D [Petronella (Hoogstraten) Eldridge's divorce] | ||||||||||
box 30 | New Projects | ||||||||||
box 30 | New York apartment | ||||||||||
box 30 | Nickelodeon (2 folders) | ||||||||||
box 30 | Novak, Blaine | ||||||||||
box 30 | Novak, Blaine (Ufland contracts) | ||||||||||
box 30 | Odets, Clifford | ||||||||||
box 30 | Nowosad, Janet C. | ||||||||||
box 30 | Odyssey | ||||||||||
box 30 | Odyssey - scripts | ||||||||||
box 30 | One Day Since Yesterday | ||||||||||
box 30 | O'Neal, Tatum | ||||||||||
box 30 | Paper Moon | ||||||||||
box 30 | Paramount/current address and statement | ||||||||||
box 30 | Past All Dishonor | ||||||||||
box 30 | 1981 | ||||||||||
box 30 | - correspondence & 1981 1982 | ||||||||||
box 30 | - agreements & 1981 1982 | ||||||||||
box 30 | Patty [clippings of ads with unidentified model] | ||||||||||
box 30 | Peck, Sy | ||||||||||
box 30 | Peppiatt, Michael | ||||||||||
box 31 | P (cont.) - S 1979-1985 | ||||||||||
box 31 | Photos (2 folders) | ||||||||||
box 31 | Photos | ||||||||||
box 31 | - [of] Peter, Bailey/Zito | ||||||||||
box 31 | - [of Peter and family] | ||||||||||
box 31 | Piano teachers | ||||||||||
box 31 | Picture Shows | ||||||||||
box 31 | Pieces of Time | ||||||||||
box 31 | Platt, Polly | ||||||||||
box 31 | The Plaza | ||||||||||
box 31 | PMK [public relations] (2 folders) | ||||||||||
box 31 | Poems | ||||||||||
box 31 | Pollock, Bloom & Dekom | ||||||||||
box 31 | Pool table | ||||||||||
box 31 | Powsner & Rubin | ||||||||||
box 31 | Powsner, Bob | ||||||||||
box 31 | Present Laughter | ||||||||||
box 31 | President's letter [re: pornography] 1985 | ||||||||||
box 31 | Presley, Elvis | ||||||||||
box 31 | Press conference 3/7/1985 | ||||||||||
box 31 | Public relations 1985 | ||||||||||
box 31 | Press screening info | ||||||||||
box 31 | Prints | ||||||||||
box 31 | Private Lives | ||||||||||
box 31 | Producers Guild | ||||||||||
box 31 | Publishing | ||||||||||
box 31 | Pullman Car Hiawatha | ||||||||||
box 31 | Quarto | ||||||||||
box 31 | Radio broadcasting - FCC | ||||||||||
box 31 | Receipts [i.e. recipes] | ||||||||||
box 31 | Record[ings] | ||||||||||
box 31 | Renoir, Jean | ||||||||||
box 31 | Ride, Boldly Ride | ||||||||||
box 31 | Ritter, John | ||||||||||
box 31 | Rosebud County | ||||||||||
box 31 | Roth, Patrick | ||||||||||
box 31 | Roy Export vs. CBS | ||||||||||
box 31 | Sackler, Howard | ||||||||||
box 31 | Saille Productions Inc. | ||||||||||
box 31 | Saint Jack | ||||||||||
box 31 | Saticoy [Productions] | ||||||||||
box 31 | Saticoy [Productions] | ||||||||||
box 31 | - (by-laws) | ||||||||||
box 31 | - (profit sharing) | ||||||||||
box 31 | Say It Ain't So, Joe | ||||||||||
box 31 | Screenings - contracts, miscellaneous 1977 | ||||||||||
box 31 | Script file 1982-1984 | ||||||||||
box 32 | S (cont.) - T 1979-1985 | ||||||||||
box 32 | Script reports, up to and including 1985 | ||||||||||
box 32 | Scripts, unsolicited | ||||||||||
box 32 | Schwartz, Russell | ||||||||||
box 32 | Security | ||||||||||
box 32 | Segal & Goldman 1979 | ||||||||||
box 32 | Selznick, Daniel 1980 | ||||||||||
box 32 | Shakespeare project | ||||||||||
box 32 | Shanley Oil | ||||||||||
box 32 | Silver Moon | ||||||||||
box 32 | Snider, Paul | ||||||||||
box 32 | Sonnier, Jo-El | ||||||||||
box 32 | Speaking engagements | ||||||||||
box 32 | Star 80 | ||||||||||
box 32 | - correspondence | ||||||||||
box 32 | - script | ||||||||||
box 32 | Starger, Martin | ||||||||||
box 32 | Stratten - Strangers Kiss, Novak | ||||||||||
box 32 | Stratten, Dorothy R. | ||||||||||
box 32 | Cosmopolitan March 1983 | ||||||||||
box 32 | - estate of 1985 | ||||||||||
box 32 | - correspondence | ||||||||||
box 32 | - estate v. Goldstein & MGM (2 folders) | ||||||||||
box 32 | - quitclaim | ||||||||||
box 32 | Streisand, Barbara | ||||||||||
box 32 | Strike & Hyde [aka Paradise Road] | ||||||||||
box 32 | Superwomen | ||||||||||
box 32 | Synopsis/script submitted | ||||||||||
box 32 | Talbot, Dan | ||||||||||
box 32 | Technical Services | ||||||||||
box 32 | Technicolor | ||||||||||
box 32 | Telephone book | ||||||||||
box 32 | Telephone numbers, old (2 folders) | ||||||||||
box 32 | Telephone system | ||||||||||
box 32 | TV info | ||||||||||
box 32 | Teller, Ira | ||||||||||
box 32 | Tennessee | ||||||||||
box 32 | That's All Folks | ||||||||||
box 32 | Title Registration | ||||||||||
box 32 | Tobacco | ||||||||||
box 32 | Trampoline | ||||||||||
box 32 | Travel arrangements, flight info, etc. | ||||||||||
box 32 | Trees | ||||||||||
box 32 | Triad Artists | ||||||||||
box 32 | Tri-Star | ||||||||||
box 32 | Typeface (list) | ||||||||||
box 33 | U - Z 1979-1985 | ||||||||||
box 33 | UC - Berkeley Film Festival | ||||||||||
box 33 | UCLA | ||||||||||
box 33 | Ufland Agency | ||||||||||
box 33 | Ulmer, Edgar (copyright) | ||||||||||
box 33 | Ulmer, Shirley | ||||||||||
box 33 | U.S.A. film festival - Dallas (3 folders) | ||||||||||
box 33 | U.S.A. trilogy | ||||||||||
box 33 | Valley National Bank | ||||||||||
box 33 | Video cassettes at Copa [de Oro] | ||||||||||
box 33 | Villanueva, Maria (housekeeper) | ||||||||||
box 33 | Vineacre properties | ||||||||||
box 33 | Walker Art Center (Minneapolis) 10/18/1985 | ||||||||||
box 33 | Warranties | ||||||||||
box 33 | WCJ Investigative Services v. Peter Bogdanovich | ||||||||||
box 33 | We Only Kill Each Other | ||||||||||
box 33 | Weissman, Eric | ||||||||||
box 33 | Weissman, Wolff, Bergman | ||||||||||
box 33 | Western Voices (3 folders) | ||||||||||
box 33 | Whereabouts, travel arrangements | ||||||||||
box 33 | Wicked Pavilion | ||||||||||
box 33 | Wilder, Thornton | ||||||||||
box 33 | Will, Peter B. (2 folders) | ||||||||||
box 33 | William Morris | ||||||||||
box 33 | Wilshire-Canon Ltd. partnership | ||||||||||
box 33 | Wilson, Larry | ||||||||||
box 33 | Winter's Song | ||||||||||
box 33 | W.K.R.P. (with Colleen Camp) | ||||||||||
box 33 | Women, status of | ||||||||||
box 33 | Writers Guild (2 folders) | ||||||||||
box 34 | Miscellaneous 1979-1985 | ||||||||||
box 34 | Anti-Pornography movement - Appeals; hearing Anti-pornography law, miscellaneous 3/26/1985 1985 (11 folders) | ||||||||||
box 34 | Daily reports - 1984-1985 (3 folders) | ||||||||||
box 34 | Dallas [move] - Bogdanovich film partners; Casavettes tribute, correspondence; names; press release, publicity; resumes 7/7/1982 9/11/1982 11/2/1982 12/6/1982 1/11/1983 2/11/1983 3/16/1983 4/30/1983 7/2/1982 (14 folders) | ||||||||||
box 35 | Miscellaneous 1979-1985 | ||||||||||
box 35 | Dallas [move] - miscellaneous (3 folders) | ||||||||||
box 35 | Miscellaneous (4 folders) | ||||||||||
box 35 | A 1986-1993 | ||||||||||
box 35 | Academy of Family Films | ||||||||||
box 35 | Academy of Motion Picture Arts & Sciences (2 folders) | ||||||||||
box 35 | Academy of Science Fiction, Fantasy & Horror Films | ||||||||||
box 35 | Actors files | ||||||||||
box 35 | Adler, Stella (3 folders) | ||||||||||
box 35 | Address change | ||||||||||
box 35 | Agents | ||||||||||
box 35 | Allred, Gloria | ||||||||||
box 35 | American Cinematheque | ||||||||||
box 35 | American Film Institute interview (on campus) 5/1986 | ||||||||||
box 35 | AFI [American Film Institute] | ||||||||||
box 35 | - Harold Lloyd Master Seminar (notebook) 3/4/1992 | ||||||||||
box 35 | - miscellaneous | ||||||||||
box 35 | American Film magazine | ||||||||||
box 36 | A (cont.) - B 1986-1993 | ||||||||||
box 36 | Announcements | ||||||||||
box 36 | Another You/reviews | ||||||||||
box 36 | Applications | ||||||||||
box 36 | Arden, Sherry | ||||||||||
box 36 | Armenian Project | ||||||||||
box 36 | Astroflash | ||||||||||
box 36 | Author list (Craig Nelson) | ||||||||||
box 36 | Authorization letters (film release) | ||||||||||
box 36 | Axelrod, Ted | ||||||||||
box 36 | Bacall/Bogart | ||||||||||
box 36 | Bankruptcy (2 folders) | ||||||||||
box 36 | Bantam paperback [Killing of the Unicorn] | ||||||||||
box 36 | Barcelona Film Festival (3 folders) | ||||||||||
box 36 | Barmak, Ira/The Cecco Group, Russia 1992 | ||||||||||
box 36 | Bel Air Patrol | ||||||||||
box 36 | Bell & Howell Records Management | ||||||||||
box 36 | Bellak, George | ||||||||||
box 36 | Best storage | ||||||||||
box 36 | La Biennale di Venezia 8/31-9/13, 1992 | ||||||||||
box 36 | Bio[graphies] (2 folders) | ||||||||||
box 36 | Biography | ||||||||||
box 36 | 1991 | ||||||||||
box 36 | 1992 | ||||||||||
box 36 | requests | ||||||||||
box 36 | Blane, Marc | ||||||||||
box 36 | Boetticher, Budd | ||||||||||
box 36 | Bogdanovich, Anna | ||||||||||
box 36 | Bogdanovich, Antonia | ||||||||||
box 36 | Bogdanovich, Louise (3 folders) | ||||||||||
box 36 | Bogdanovich, Louise's birthday party | ||||||||||
box 36 | Bogdanovich, Louise (immigration) | ||||||||||
box 36 | Bogdanovich, resume | ||||||||||
box 36 | Bogdanovich, Louise vs. Hefner 4/1985 | ||||||||||
box 36 | Bogdanovich, Sashy | ||||||||||
box 36 | Book catalogs | ||||||||||
box 36 | Book orders (3 folders) | ||||||||||
box 36 | Book reviews | ||||||||||
box 36 | Book, search | ||||||||||
box 36 | Books | ||||||||||
box 36 | Books on tape | ||||||||||
box 36 | Bridges, Jeff | ||||||||||
box 36 | Brown, Richard | ||||||||||
box 36 | Business cards | ||||||||||
box 37 | C 1986-1993 | ||||||||||
box 37 | Camera | ||||||||||
box 37 | Camp/Peiffer | ||||||||||
box 37 | correspondence 1987 | ||||||||||
box 37 | 1988-1990 (2 folders) | ||||||||||
box 37 | Carradine, Sandra, will | ||||||||||
box 37 | Cassavetes, John | ||||||||||
box 37 | Cassavetes, John - She's Delovely | ||||||||||
box 37 | CBS (14 folders) | ||||||||||
General | |||||||||||
- air checks; list and distributors; New tags for CBS News; News - memos; news shows compiled by Steve Foley; News - wardrobe; newspaper clippings; PB's photos; reading scripts; rewritews "This Land is Mine"; This Morning - Alexander MacKendrick; videotape to Michael Eisner; wraparounds - dates and distributors | |||||||||||
box 37 | Cellular phones | ||||||||||
box 37 | Center for Visual History | ||||||||||
box 37 | Chain letter | ||||||||||
box 37 | Colorization info | ||||||||||
box 37 | Columbia Pictures titles | ||||||||||
box 37 | Correspondence 1986-1987 (5 folders) | ||||||||||
General | |||||||||||
(includes personal, fan mail, and general) | |||||||||||
box 38 | C (cont.) 1986-1993 | ||||||||||
box 38 | Correspondence 1988-1991 (16 folders) | ||||||||||
General | |||||||||||
(includes general, personal, Christmas cards, family) | |||||||||||
box 39 | C (cont.) - D 1986-1993 | ||||||||||
box 39 | Correspondence 1991 (cont.)-1993 (13 folders) | ||||||||||
General | |||||||||||
(includes personal, general, birthday cards, Christmas cards, autograph requests) | |||||||||||
box 39 | Corman, Roger | ||||||||||
box 39 | Creative Arts Agency | ||||||||||
box 39 | Criterion Collection | ||||||||||
box 39 | Daily reports - | ||||||||||
box 39 | 1/1/1986 thru 4/30/1986 | ||||||||||
box 39 | 5/1/1986 thru 8/31/1986 | ||||||||||
box 39 | 9/1/1986 thru 12/11/1986 | ||||||||||
box 39 | 1987 | ||||||||||
box 40 | D (cont.) - F 1986-1993 | ||||||||||
box 40 | Daily reports - 1991-1993 (4 folders) | ||||||||||
box 40 | Dayne, Taylor | ||||||||||
box 40 | Dern, Laura | ||||||||||
box 40 | Detective City | ||||||||||
box 40 | Dietrich, Marlene | ||||||||||
box 40 | Directors Guild of America (9 folders) | ||||||||||
box 40 | Douglas, Reiko | ||||||||||
box 40 | Energenesis Institute | ||||||||||
box 40 | European comedians | ||||||||||
box 40 | Fadila, Natalija, Radulovic | ||||||||||
box 40 | Favorite [motion] pictures | ||||||||||
box 40 | Fax file (3 folders) | ||||||||||
box 40 | Fife, Graeme | ||||||||||
box 40 | Film festivals (2 folders) | ||||||||||
box 40 | Film Preservation Act | ||||||||||
box 41 | F (cont.) - L 1986-1993 | ||||||||||
box 41 | Fourteen Favorite Westerns [and fourteen favorite musicals] | ||||||||||
box 41 | Frangakis, Nick | ||||||||||
box 41 | Fuller, Samuel (2 folders) | ||||||||||
box 41 | Golden Book Awards | ||||||||||
box 41 | Golden Fleece - proposal | ||||||||||
box 41 | Goldstein, Mark vs. Bogdanovich | ||||||||||
box 41 | Grammy 1993 | ||||||||||
box 41 | Graves family correspondence | ||||||||||
box 41 | Harmony Pictures | ||||||||||
box 41 | Harris, Tom | ||||||||||
box 41 | Harvey, James | ||||||||||
box 41 | Hay fever | ||||||||||
box 41 | Health | ||||||||||
box 41 | Hepburn, Audrey (2 folders) | ||||||||||
box 41 | Hepburn, Katharine (2 folders) | ||||||||||
box 41 | Hickenlooper | ||||||||||
box 41 | Hitting Bottom, story by Robert Evans Feb. 18, 1992 | ||||||||||
box 41 | Hollywood book | ||||||||||
box 41 | Hollywood on Main Street 1988 | ||||||||||
box 41 | Horses, PB's | ||||||||||
box 41 | Huston, John | ||||||||||
box 41 | ICM | ||||||||||
box 41 | Instruction booklets | ||||||||||
box 41 | Interviews | ||||||||||
box 41 | Invitations 1988-1989 | ||||||||||
box 41 | Invitations and solicitations | ||||||||||
box 41 | Iron Mountain records | ||||||||||
box 41 | Itineraries (2 folders) | ||||||||||
box 41 | Jaglom, Henry, interview | ||||||||||
box 41 | James, Henry | ||||||||||
box 41 | Japanese Esquire | ||||||||||
box 41 | Japanese films | ||||||||||
box 41 | Karloff, Boris | ||||||||||
box 41 | Kodar, Oja | ||||||||||
box 41 | Krohn, Bill | ||||||||||
box 41 | Last Picture Show | ||||||||||
box 41 | 1989 | ||||||||||
box 41 | - correspondence | ||||||||||
box 41 | - publicity | ||||||||||
box 41 | Laser discs | ||||||||||
box 42 | L (cont.) - P 1986-1993 | ||||||||||
box 42 | Lennon, John | ||||||||||
box 42 | Los Angeles Historic Theatre | ||||||||||
box 42 | Lyrics | ||||||||||
box 42 | MCA - Home Video | ||||||||||
box 42 | McDowell, Roddy | ||||||||||
box 42 | McMurtry, James | ||||||||||
box 42 | McMurtry, Larry | ||||||||||
box 42 | Marriage - PB & Louise 1989 | ||||||||||
box 42 | Masters, Shelley (notebook) | ||||||||||
box 42 | Medical 1988 | ||||||||||
box 42 | Michelle [Hoogstraten] | ||||||||||
box 42 | Moonlighting | ||||||||||
box 42 | Morfogen, George | ||||||||||
box 42 | Movie rentals | ||||||||||
box 42 | MTV | ||||||||||
box 42 | Museum Associates | ||||||||||
box 42 | Nelson, Nancy (Cary Grant) | ||||||||||
box 42 | New York apartments | ||||||||||
box 42 | New Yorker films 1989-1991 | ||||||||||
box 42 | Northern Exposure 1993 | ||||||||||
box 42 | Notes (2 folders) | ||||||||||
box 42 | Oscars 1993 | ||||||||||
box 42 | Paramount Directors Signature Series | ||||||||||
box 42 | Parties (5 folders) | ||||||||||
box 42 | Pellicano, Anthony | ||||||||||
box 42 | The Perilous Mirror | ||||||||||
box 42 | Perlman, Rhea | ||||||||||
box 42 | Personal information | ||||||||||
box 42 | Pets (3 folders) | ||||||||||
box 42 | Phone system, new | ||||||||||
box 42 | Photos | ||||||||||
box 42 | Picture Shows[: A Director's Apprenticeship - book project] | ||||||||||
box 42 | Platt, Polly | ||||||||||
box 42 | Pornography (articles) | ||||||||||
box 42 | Powsner, Robert (6 folders) | ||||||||||
box 43 | P (cont.) - S 1986-1993 | ||||||||||
box 43 | Powsner, Robert (1 folder) | ||||||||||
box 43 | Premiere | ||||||||||
box 43 | Projects (3 folders) | ||||||||||
box 43 | Pryor, Richard | ||||||||||
box 43 | Publicity | ||||||||||
box 43 | RCA home video | ||||||||||
box 43 | Resumes | ||||||||||
box 43 | Return to Glenascaul | ||||||||||
box 43 | Richwood House | ||||||||||
box 43 | Riley, John | ||||||||||
box 43 | Ritter, John | ||||||||||
box 43 | Rivera, Geraldo | ||||||||||
box 43 | RKO video catalog | ||||||||||
box 43 | Robertson, Peggy | ||||||||||
box 43 | Rotterdam Film Festival | ||||||||||
box 43 | Ruff, Ray | ||||||||||
box 43 | Russia | ||||||||||
box 43 | Saint Jack | ||||||||||
box 43 | Schedules 11-12/l986 | ||||||||||
box 43 | Schlesinger, Michael | ||||||||||
box 43 | Scorsese, Martin - support of Last Temptation of Christ | ||||||||||
box 43 | Scrap notes - 8/23/1988-10/14/1988 | ||||||||||
box 43 | Screenings | ||||||||||
box 43 | Script control log | ||||||||||
box 43 | Script cover letters 1988 | ||||||||||
box 43 | Script log | ||||||||||
box 43 | Script reading requests | ||||||||||
box 43 | Script reports - 1986-1988 (7 folders) | ||||||||||
box 43 | Script submissions - incomplete | ||||||||||
box 43 | Script transactions | ||||||||||
box 43 | Scripts - correspondence | ||||||||||
box 44 | S (cont.) - V 1986-1993 | ||||||||||
box 44 | Scripts - correspondence (cont.) | ||||||||||
box 44 | Selznick, Daniel | ||||||||||
box 44 | Shepherd, Cybill | ||||||||||
box 44 | Sitges Film Festival 1988 | ||||||||||
box 44 | Solicitations (4 folders) | ||||||||||
box 44 | Soretic, Fedor | ||||||||||
box 44 | Speaking engagements | ||||||||||
box 44 | Springsteen, Bruce | ||||||||||
box 44 | Stanford Theatre | ||||||||||
box 44 | Stark, Ray | ||||||||||
box 44 | Stationary, Crescent Moon Productions | ||||||||||
box 44 | Stewart, Jimmy | ||||||||||
box 44 | Stoltz, Eric | ||||||||||
box 44 | Stratten Estates | ||||||||||
box 44 | Stratten scholarship | ||||||||||
box 44 | Sturges, Preston | ||||||||||
box 44 | Sturges, Tom | ||||||||||
box 44 | Sulmeyer, Kupetz, Baumann & Rothman | ||||||||||
box 44 | Synopses | ||||||||||
box 44 | Targets | ||||||||||
box 44 | Television | ||||||||||
box 44 | Texas Film Alliance November 8, 1991 | ||||||||||
box 44 | Thank You cards | ||||||||||
box 44 | They All Laughed | ||||||||||
box 44 | Title Registration | ||||||||||
box 44 | Total Health Connection | ||||||||||
box 44 | Travel | ||||||||||
box 44 | Tsuda | ||||||||||
box 44 | Twentieth Century Fox | ||||||||||
box 44 | The Two Sisters | ||||||||||
box 44 | Type styles | ||||||||||
box 44 | UCLA - Film and TV Archive (2 folders) | ||||||||||
box 44 | UCLA - Film and TV Archive "Columbia Pictures and the Social Film | ||||||||||
box 44 | UNICEF United Nations "Earth Summit" | ||||||||||
box 44 | U.S.I.A. - Bill Maguire | ||||||||||
box 44 | VH1 | ||||||||||
box 44 | Video tape inventory | ||||||||||
box 44 | Videos | ||||||||||
box 45 | V (cont.) - Z 1986-1993 | ||||||||||
box 45 | Videos (2 folders) | ||||||||||
box 45 | Villanueva, Maria - certification copy for alien labor | ||||||||||
box 45 | Voter's registration | ||||||||||
box 45 | Water birth | ||||||||||
box 45 | Who's Who in America | ||||||||||
box 45 | Whereabouts | ||||||||||
box 45 | Wm. Peiffer and Co. (6 folders) | ||||||||||
box 45 | Williams, Vanessa | ||||||||||
box 45 | Writers Guild of America | ||||||||||
box 45 | Yarborough, Jeff | ||||||||||
box 45 | Z Channel | ||||||||||
box 45 | Zachary - Ernst Pintoff | ||||||||||
box 45 | Clippings | ||||||||||
box 45 | Miscellaneous (2 folders) | ||||||||||
box 45 | undated | ||||||||||
box 45 | Notebooks | ||||||||||
box 45 | Roundtable discussion with Peter Bogdanovich | ||||||||||
box 45 | Script reports | ||||||||||
box 45 | Calendars/Diaries 1971-1974 | ||||||||||
box 45 | 1971-1974 (4) | ||||||||||
box 46 | Calendars/Diaries 1975-1991 | ||||||||||
box 46 | 1975-1976 (2) | ||||||||||
box 46 | 1977 (2) | ||||||||||
box 46 | 1978 | ||||||||||
box 46 | 1979 | ||||||||||
box 46 | 1981 | ||||||||||
box 46 | 1982-1985 (2 each) | ||||||||||
box 46 | 1986 1987 (2) | ||||||||||
box 46 | 1988 | ||||||||||
box 46 | 1989 | ||||||||||
box 46 | 1990 | ||||||||||
box 46 | 1991 | ||||||||||
box 47-48 | Telephone log books 1969-1992 | ||||||||||
box 47-48 | 1969-1992 (82) | ||||||||||
box 49 | Telephone books | ||||||||||
box 49 | (mostly undated) | ||||||||||
box 50 | Miscellaneous office and household files | ||||||||||
General | |||||||||||
Miscellaneous files. Found in the script files and elsewhere after initial sort. | |||||||||||
box 50 | ADR 1992 | ||||||||||
box 50 | APAPA 1976 | ||||||||||
box 50 | Bogdanovich, Louise - Miscellaneous undated | ||||||||||
box 50 | Cine-Source party 1991 | ||||||||||
box 50 | Correspondence, PB personal 1989 | ||||||||||
box 50 | Country Music Foundation, Nashville ca. 1981 | ||||||||||
box 50 | European Interviews 1990 | ||||||||||
box 50 | F - miscellaneous 1974 | ||||||||||
box 50 | Feature Film running time 1990 | ||||||||||
box 50 | Fictitious names - killed in action undated | ||||||||||
box 50 | I.A.T.S.E. Saticoy Productions 1971 | ||||||||||
box 50 | Moon Pictures | ||||||||||
box 50 | - brochure undated | ||||||||||
box 50 | - legal 1981-1982 | ||||||||||
box 50 | - logo 1982 | ||||||||||
box 50 | - Time/Life legal agreements 1981-1982 | ||||||||||
box 50 | - trademark 1981-1982 | ||||||||||
box 50 | - Westwood 1982 | ||||||||||
box 50 | PB bio | ||||||||||
box 50 | ca. 1983 | ||||||||||
box 50 | rev. Nov. 1994 | ||||||||||
box 50 | PB - photographs | ||||||||||
box 50 | PB & Cybill Shepherd - photographs | ||||||||||
box 50 | PB's projects 1981 | ||||||||||
box 50 | Powsner, Robert 1990 | ||||||||||
box 50 | Rules of the Game - commentary and treatment (2 folders) | ||||||||||
box 50 | Script submission - "You Send Me" by Rick Cleveland 1993 | ||||||||||
box 50 | Script submissions 1992 | ||||||||||
box 50 | Stocks - Stern, Frank, Meyer & Fox 1976 | ||||||||||
box 50 | Technicolor 1982-1984 | ||||||||||
box 50 | Telephone book ca. 1991 | ||||||||||
box 50 | Wallet contents - 1977-1982 | ||||||||||
General | |||||||||||
Includes: membership cards, charge cards, driver's license, photograph of Cybill Shepherd as a child | |||||||||||
box 50 | Miscellaneous 1990-1993 | ||||||||||
box 51 | Dorothy Stratten files | ||||||||||
box 51 | Job search | ||||||||||
box 51 | Legal papers (3 folders) | ||||||||||
box 51 | Photographs | ||||||||||
box 51 | School papers/assignments (7 folders) | ||||||||||
box 51 | School report cards | ||||||||||
General | |||||||||||
(includes some for John Hoogstraten) | |||||||||||
box 51 | Financial | ||||||||||
box 51 | Publicity | ||||||||||
box 51 | Clippings | ||||||||||
box 51 | Miscellaneous | ||||||||||
oversize 8 | Posters | ||||||||||
General | |||||||||||
- including "The films of Peter Bogdanovich, February 6-10..., Schofield Auditorium..."; "Conversation with Peter Bogdanovich, Feb. 9, Univ. Arena,..."; "Under the Yum Yum Tree," Phoenicia Playhouse, PB billed as artistic director; "The Big Knife," Seven Arts Playhouse, PB billed as director | |||||||||||
oversize 9 | Miscellaneous | ||||||||||
General | |||||||||||
- Includes scrapbook from trip to Australia | |||||||||||
oversize 10 | Miscellaneous | ||||||||||
General | |||||||||||
- Includes photographs of Cybill Shepherd; Interview magazine; three original drawings of PB by Sam Messer | |||||||||||
oversize 11 | Cybill Shepherd singing Cole Porter - 6 posters, one mechanical Mostra Internazionale del Cinema - one poster Special Delivery, starring Cybill Shepherd and Bo Svenson - poster |
Films | |||||||||||
Scope and Contents | |||||||||||
Includes scripts, correspondence, contracts, agreements, production materials, some financial papers (other related financial material may be found in IV. Financial). Arranged alphabetically by film title. (See also: VII. Mixed Media) | |||||||||||
Another You | |||||||||||
box 52 | call sheets | ||||||||||
box 52 | cast & crew list | ||||||||||
box 52 | contact list NY | ||||||||||
box 52 | correspondence | ||||||||||
box 52 | cost reports | ||||||||||
box 52 | deal memos | ||||||||||
box 52 | film editors report | ||||||||||
box 52 | locations | ||||||||||
box 52 | music | ||||||||||
box 52 | one liner reports | ||||||||||
box 52 | Peiffer, William | ||||||||||
box 52 | photography report | ||||||||||
box 52 | preliminary production information | ||||||||||
box 52 | production reports | ||||||||||
box 52 | proof sheets | ||||||||||
box 52 | publicity | ||||||||||
box 52 | rehearsal schedule | ||||||||||
box 52 | resumes | ||||||||||
box 52 | scene list | ||||||||||
box 52 | script notes | ||||||||||
box 52 | script supervisor's reports | ||||||||||
box 52 | scripts | ||||||||||
General | |||||||||||
(draft, rehearsal, revisions, endings, final, 8 folders) | |||||||||||
box 53 | second unit | ||||||||||
box 53 | shooting schedule | ||||||||||
box 53 | Steinberg, Ziggy | ||||||||||
box 53 | storyboards | ||||||||||
box 53 | travel | ||||||||||
box 53 | Gene Wilder | ||||||||||
Apple Tree | |||||||||||
box 53 | Lane Bradbury | ||||||||||
box 53 | location | ||||||||||
box 53 | radio show | ||||||||||
box 53 | miscellaneous (2 folders) | ||||||||||
box 53 | story | ||||||||||
box 53 | three scripts | ||||||||||
At Long Last Love | |||||||||||
box 53 | scripts and revisions (10 folders) | ||||||||||
box 54 | scripts and revisions (10 folders) | ||||||||||
box 54 | actor's deals | ||||||||||
box 54 | actors' deals-other players | ||||||||||
box 54 | ads | ||||||||||
box 54 | billing | ||||||||||
box 54 | breakdown | ||||||||||
box 54 | call sheets (2 folders) | ||||||||||
box 54 | cast & crew lists | ||||||||||
box 54 | casting | ||||||||||
box 54 | color notes | ||||||||||
box 54 | Fox correspondence | ||||||||||
box 54 | crew | ||||||||||
box 54 | distribution | ||||||||||
box 54 | Duilio del Prete | ||||||||||
box 54 | "earwick" | ||||||||||
box 54 | featurette | ||||||||||
box 54 | French subtitles | ||||||||||
box 54 | Guild correspondence | ||||||||||
box 54 | legal | ||||||||||
box 54 | location scout | ||||||||||
box 54 | London opening | ||||||||||
box 54 | Movietone News contents pages | ||||||||||
box 54 | music files (8 folders) | ||||||||||
box 55 | music files (4 folders) | ||||||||||
box 55 | notes-cutting-publicity | ||||||||||
box 55 | notes (2 folders) | ||||||||||
box 55 | opening | ||||||||||
box 55 | post-production schedules | ||||||||||
box 55 | press kits | ||||||||||
box 55 | production | ||||||||||
box 55 | production charts | ||||||||||
box 55 | production deals | ||||||||||
box 55 | production kits | ||||||||||
box 55 | production reports (2 folders) | ||||||||||
box 55 | programs | ||||||||||
box 55 | publicity bios | ||||||||||
box 55 | publicity correspondence | ||||||||||
box 55 | research | ||||||||||
box 55 | Rogers & Cowen | ||||||||||
box 55 | schedules - PB & Cybill (2 folders) | ||||||||||
box 55 | Schwartzman & Greenberg | ||||||||||
box 55 | screening | ||||||||||
box 55 | Shepherd, Cybill bio | ||||||||||
box 55 | shooting schedule (2 folders) | ||||||||||
box 55 | "Special Film Folio | ||||||||||
box 55 | Stanfill party | ||||||||||
box 55 | misc. | ||||||||||
box 55 | photographs/stills (4 folders) | ||||||||||
box 56 | photographs/stills | ||||||||||
General | |||||||||||
(large, 11x14 prints and contact sheets) | |||||||||||
box 57 | photographs/stills (7 folders) | ||||||||||
box 57 | photo approvals | ||||||||||
box 57 | clippings (14 folders) | ||||||||||
General | |||||||||||
(publicity, reviews) | |||||||||||
box 58 | financial (13 folders) | ||||||||||
General | |||||||||||
(budget, log accounts) | |||||||||||
oversize 1 | One poster and negative | ||||||||||
oversize 11 | Nine posters | ||||||||||
Big Red One | |||||||||||
box 58 | four scripts | ||||||||||
box 59 | script | ||||||||||
box 59 | correspondence | ||||||||||
box 59 | budget & revised pages | ||||||||||
box 59 | notebook-budget | ||||||||||
box 59 | cast & breakdown sheets | ||||||||||
City Girl | |||||||||||
box 59 | script | ||||||||||
box 59 | script notes | ||||||||||
box 59 | track logs | ||||||||||
box 59 | sound notes | ||||||||||
box 59 | script reports | ||||||||||
box 59 | budget | ||||||||||
box 59 | agreements (2) | ||||||||||
box 59 | legal files | ||||||||||
The Criminals | |||||||||||
box 59 | treatments | ||||||||||
box 60 | scripts and revisions (9 folders) | ||||||||||
Daisy Miller | |||||||||||
box 60 | book (3 folders) | ||||||||||
box 60 | research (2 folders) | ||||||||||
box 60 | screenplay by Henry James & Mike Powell | ||||||||||
box 60 | screenplay by Anthony Friedmann | ||||||||||
box 60 | screenplay by Frederic Raphael | ||||||||||
box 61 | screenplay by Frederic Raphael, plus additional copy | ||||||||||
box 61 | scripts and revisions (18 folders) | ||||||||||
box 62 | Scripts - Italian version, cutting continuity, editor's script, release dialogue script (4 folders) | ||||||||||
box 62 | actors | ||||||||||
box 62 | agreement | ||||||||||
box 62 | Barry Brown | ||||||||||
box 62 | budget | ||||||||||
box 62 | budget reports | ||||||||||
box 62 | call sheets (2 folders) | ||||||||||
box 62 | cast list | ||||||||||
box 62 | casting | ||||||||||
box 62 | clearances | ||||||||||
box 62 | correspondence (6 folders) | ||||||||||
box 62 | credits | ||||||||||
box 62 | crew list | ||||||||||
box 62 | design & logo | ||||||||||
box 62 | director's notes | ||||||||||
box 62 | expenses | ||||||||||
box 62 | legal research | ||||||||||
box 62 | location material (2 folders) | ||||||||||
box 62 | logo, original | ||||||||||
box 62 | logo patches | ||||||||||
box 62 | music clearances | ||||||||||
box 62 | music research | ||||||||||
box 62 | New York publicity trip | ||||||||||
box 62 | photographs, stills, contact sheets (10 folders) | ||||||||||
box 63 | photographs, stills, etc. (2 folders) | ||||||||||
box 63 | press kits | ||||||||||
box 63 | production | ||||||||||
box 63 | production reports (2 folders) | ||||||||||
box 63 | publicity correspondence | ||||||||||
box 63 | Frederic Raphael | ||||||||||
box 63 | Schwartzman & Greenberg | ||||||||||
box 63 | screenings | ||||||||||
box 63 | script arbitration correspondence | ||||||||||
box 63 | shooting schedule | ||||||||||
box 63 | script list | ||||||||||
box 63 | script timing | ||||||||||
box 63 | statements | ||||||||||
box 63 | miscellaneous | ||||||||||
box 63 | clippings, ads, reviews, interviews, etc. (10 folders) | ||||||||||
box 64 | clippings, ads,... (8 folders) | ||||||||||
oversize 2 | 13 mounted posters | ||||||||||
oversize 3 | 9 mounted posters | ||||||||||
oversize 3 | six mounted stills | ||||||||||
oversize 11 | one poster | ||||||||||
Dancing | |||||||||||
box 64 | synopsis | ||||||||||
box 64 | script and script drafts (11 folders) | ||||||||||
box 65 | scripts and script drafts (7 folders) | ||||||||||
box 65 | two notebooks | ||||||||||
Directed by John Ford | |||||||||||
box 65 | AFI | ||||||||||
box 65 | budget & receipts | ||||||||||
box 65 | clips | ||||||||||
box 65 | continuity scripts information | ||||||||||
box 65 | correspondence | ||||||||||
box 65 | director's notes | ||||||||||
box 65 | expenses | ||||||||||
box 65 | film festival brochures | ||||||||||
box 65 | interviews (5 folders) | ||||||||||
box 65 | notes | ||||||||||
box 65 | photos | ||||||||||
box 65 | prints | ||||||||||
box 65 | publicity | ||||||||||
box 65 | miscellaneous (2 folders) | ||||||||||
box 65 | clippings, magazines, etc. (5 folders) | ||||||||||
Down | |||||||||||
box 66 | nine scripts | ||||||||||
box 66 | rewrites (2 folders) | ||||||||||
box 66 | script notes | ||||||||||
box 66 | correspondence | ||||||||||
box 66 | financial | ||||||||||
box 66 | legal | ||||||||||
box 66 | phone numbers | ||||||||||
box 66 | production possibility | ||||||||||
box 66 | research | ||||||||||
Fool's Moon | |||||||||||
box 66 | four scripts | ||||||||||
box 67 | scripts and revised pages (18 folders) | ||||||||||
box 68 | scripts and revised pages (15 folders) | ||||||||||
box 69 | draft pages (5 folders) | ||||||||||
box 69 | notes | ||||||||||
box 69 | synopsis & beginning pages (5 folders) | ||||||||||
box 69 | budget | ||||||||||
box 69 | cast list | ||||||||||
box 69 | correspondence | ||||||||||
box 69 | Feydeau | ||||||||||
box 69 | Ralph's notes | ||||||||||
box 69 | Adam Shaw | ||||||||||
box 69 | Cybill Shepherd | ||||||||||
The Getaway | |||||||||||
box 69 | photocopy of book | ||||||||||
box 69 | two scripts | ||||||||||
box 69 | clippings | ||||||||||
Honky Tonk Sue | |||||||||||
box 69 | seven scripts | ||||||||||
box 69 | draft pages | ||||||||||
I'll Remember April | |||||||||||
box 70 | Synopsis & treatments (5 folders) | ||||||||||
box 70 | outlines (3 folders) | ||||||||||
box 70 | scripts, rewrites & draft pages (20 folders) | ||||||||||
box 70 | MacEwen's notes | ||||||||||
box 70 | budget | ||||||||||
box 70 | casting | ||||||||||
box 70 | correspondence | ||||||||||
box 70 | publicity | ||||||||||
box 70 | sequence of events | ||||||||||
Illegally Yours | |||||||||||
box 71 | treatment | ||||||||||
box 71 | scripts & revisions (21 folders) | ||||||||||
box 72 | scripts & revisions (23 folders) | ||||||||||
box 73 | scripts & revisions (17 folders) | ||||||||||
box 74 | script notes, breakdowns, revisions & scenes (24 folders) | ||||||||||
box 74 | arbitration | ||||||||||
box 74 | art | ||||||||||
box 74 | art department | ||||||||||
box 74 | budget (17 folders & envelope) | ||||||||||
box 75 | Budget (3 folders) | ||||||||||
box 75 | call sheets (3 folders) | ||||||||||
box 75 | Colleen Camp | ||||||||||
box 75 | cast and crew list | ||||||||||
box 75 | casting (3 folders) | ||||||||||
box 75 | casting deal | ||||||||||
box 75 | casting general (3 folders) | ||||||||||
box 75 | casting female (2 folders) | ||||||||||
box 75 | casting male | ||||||||||
box 75 | casting/artist deal flash & contracts | ||||||||||
box 75 | contacts (2 folders) | ||||||||||
box 75 | continuity | ||||||||||
box 75 | contracts | ||||||||||
box 75 | correspondence (4 folders) | ||||||||||
box 75 | costume | ||||||||||
box 75 | credits/main titles | ||||||||||
box 75 | crew (2 folders) | ||||||||||
box 75 | current actors | ||||||||||
box 75 | daily film code (2 folders) | ||||||||||
box 76 | daily film code | ||||||||||
box 76 | daily reports (3 folders) | ||||||||||
box 76 | day-out-of-days | ||||||||||
box 76 | Dino de Laurentis Entertainment Group (D.E.G.) | ||||||||||
box 76 | editing notes | ||||||||||
box 76 | editor's assembly sheet | ||||||||||
box 76 | expenditures/procedures | ||||||||||
box 76 | facility | ||||||||||
box 76 | film fiancés | ||||||||||
box 76 | final re-cuts | ||||||||||
box 76 | George's expenses | ||||||||||
box 76 | P.B.'s itinerary | ||||||||||
box 76 | legal | ||||||||||
box 76 | locations (5 folders) | ||||||||||
box 76 | memos and notes (7 folders) | ||||||||||
box 76 | miscellaneous | ||||||||||
box 76 | music (5 folders) | ||||||||||
box 76 | music schedule | ||||||||||
box 77 | narration (4 folders) | ||||||||||
box 77 | non-budget items authorizations | ||||||||||
box 77 | notes | ||||||||||
box 77 | per diem | ||||||||||
box 77 | Peter's schedule | ||||||||||
box 77 | petty cash reports (2 folders) | ||||||||||
box 77 | post-production | ||||||||||
box 77 | pre-production | ||||||||||
box 77 | press kits | ||||||||||
box 77 | print ad test | ||||||||||
box 77 | production | ||||||||||
box 77 | production procedure manual | ||||||||||
box 77 | production reports (3 folders) | ||||||||||
box 77 | props | ||||||||||
box 77 | publicity (8 folders) | ||||||||||
box 77 | purchase orders | ||||||||||
box 77 | rental order | ||||||||||
box 77 | resumes | ||||||||||
box 77 | room lists | ||||||||||
box 77 | St. Augustine | ||||||||||
box 77 | schedules | ||||||||||
box 77 | screening | ||||||||||
box 78 | script continuity | ||||||||||
box 78 | script distribution | ||||||||||
box 78 | second unit | ||||||||||
box 78 | sets (2 folders) | ||||||||||
box 78 | set designs & details of buildings | ||||||||||
box 78 | shooting schedules (5 folders) | ||||||||||
box 78 | sound schedule | ||||||||||
box 78 | stationery & blank forms | ||||||||||
box 78 | supervisor's notes | ||||||||||
box 78 | telephone directory | ||||||||||
box 78 | time cards (blank) | ||||||||||
box 78 | title suggestions | ||||||||||
box 78 | transportation | ||||||||||
box 78 | travel | ||||||||||
box 78 | travel memos | ||||||||||
box 78 | United Artists | ||||||||||
box 78 | wardrobe | ||||||||||
box 78 | welcome packet | ||||||||||
box 78 | Gareth Wigan | ||||||||||
box 78 | Wilmington, N.C. | ||||||||||
oversize 4 | ten story boards | ||||||||||
The Intimate Writings of Theodore Hammer | |||||||||||
box 78 | scripts (5 folders) | ||||||||||
box 79 | script | ||||||||||
box 79 | revised pages | ||||||||||
box 79 | casting | ||||||||||
box 79 | correspondence & synopsis | ||||||||||
King of the Gypsies | |||||||||||
box 79 | Book | ||||||||||
box 79 | photocopy of manuscript of book | ||||||||||
box 79 | agreement | ||||||||||
box 79 | Beautiful Mind clippings (2 folders) | ||||||||||
box 79 | correspondence | ||||||||||
box 79 | deal memo | ||||||||||
box 79 | excerpts for screenplay (2 folders) | ||||||||||
box 79 | Peter Maas | ||||||||||
box 79 | NY magazines (excerpts of book) | ||||||||||
box 79 | "not used" | ||||||||||
box 79 | treatment | ||||||||||
The Last Picture Show | |||||||||||
box 79 | scripts - drafts and revisions (8 folders) | ||||||||||
box 80 | scripts - drafts and revisions (16 folders) | ||||||||||
box 80 | Academy award nominations | ||||||||||
box 80 | ad campaign | ||||||||||
box 80 | article about LPS, by ? | ||||||||||
box 80 | Australia tour | ||||||||||
box 80 | cast and crew (2 folders) | ||||||||||
box 80 | casting (6 folders) | ||||||||||
box 81 | casting (26 folders) | ||||||||||
box 81 | clearances | ||||||||||
box 81 | Columbia Pictures (Lawrence Feldman) | ||||||||||
box 81 | continuity (3 folders) | ||||||||||
box 81 | correspondence (3 folders) | ||||||||||
box 81 | costume research material | ||||||||||
box 81 | deals | ||||||||||
box 81 | dubbing | ||||||||||
box 81 | expenses | ||||||||||
box 81 | film festivals (2 folders) | ||||||||||
box 81 | invitations | ||||||||||
box 81 | locations (3 folders) | ||||||||||
box 81 | looping | ||||||||||
box 81 | misc. | ||||||||||
box 81 | movie clips | ||||||||||
box 81 | notes | ||||||||||
box 81 | poster lists | ||||||||||
box 81 | posters & marquees used | ||||||||||
box 82 | Production | ||||||||||
box 82 | production expenses | ||||||||||
box 82 | production information (2 folders) | ||||||||||
box 82 | production -news stories | ||||||||||
box 82 | promotion trips | ||||||||||
box 82 | publicity (5 folders) | ||||||||||
box 82 | radio - research | ||||||||||
box 82 | record clearances | ||||||||||
box 82 | records - correspondence | ||||||||||
box 82 | record list (2 folders) | ||||||||||
box 82 | records - research | ||||||||||
box 82 | record selections | ||||||||||
box 82 | reference (2 folders) | ||||||||||
box 82 | requests | ||||||||||
box 82 | screen credits | ||||||||||
box 82 | screenings | ||||||||||
box 82 | shooting schedules (3 folders) | ||||||||||
box 82 | songs and clips (2 folders) | ||||||||||
box 82 | statements | ||||||||||
box 82 | stationary | ||||||||||
box 82 | step sheets | ||||||||||
box 82 | stills (memos and notes re) | ||||||||||
box 82 | television - changes, clearances, continuity, cutting notes, publicity, research, misc. | ||||||||||
box 82 | titles | ||||||||||
box 82 | travel information | ||||||||||
box 82 | wardrobe breakdown | ||||||||||
box 82 | clippings (4 folders) | ||||||||||
box 83 | clippings (22 folders) | ||||||||||
box 84 | clippings (5 folders) | ||||||||||
oversize 1 | mounted stills (3) | ||||||||||
The Looters | |||||||||||
box 84 | book (copy) | ||||||||||
box 84 | scripts and revisions (13 folders) | ||||||||||
box 85 | Bezzerides' notes | ||||||||||
box 85 | correspondence (2 folders) | ||||||||||
box 85 | inquiries | ||||||||||
box 85 | location information | ||||||||||
box 85 | notes (2 folders) | ||||||||||
box 85 | photographs and negatives (3 folders) | ||||||||||
box 85 | production expenses | ||||||||||
box 85 | publicity | ||||||||||
box 85 | rodeo information | ||||||||||
box 85 | step sheets | ||||||||||
box 85 | supplementary info - notes and dial. from script and novel | ||||||||||
Mask | |||||||||||
box 85 | scripts and revisions (13 folders) | ||||||||||
box 86 | scripts and revisions (7 folders) | ||||||||||
box 86 | scripts-French, German, Italian and Spanish translations (4 folders) | ||||||||||
box 86 | Academy consideration | ||||||||||
box 86 | Alston, Howard | ||||||||||
box 86 | American Film Institute | ||||||||||
box 86 | appointment schedule | ||||||||||
box 86 | awards | ||||||||||
box 86 | budget (3 folders) | ||||||||||
box 86 | Burch, Jackie | ||||||||||
box 86 | calendar | ||||||||||
box 86 | call sheets | ||||||||||
box 86 | Cannes Film Festival (2 folders) | ||||||||||
box 87 | cast breakdown | ||||||||||
box 87 | cast - contracts | ||||||||||
box 87 | casting (2 folders) | ||||||||||
box 87 | casting for crew | ||||||||||
box 87 | censorship protest letter | ||||||||||
box 87 | Cher | ||||||||||
box 87 | Chinich, Michael | ||||||||||
box 87 | chronological | ||||||||||
box 87 | correspondence (2 folders) | ||||||||||
box 87 | credits and titles (2 folders) | ||||||||||
box 87 | crew (2 folders) | ||||||||||
box 87 | editing equipment | ||||||||||
box 87 | editing | ||||||||||
box 87 | editing notes | ||||||||||
box 87 | foreign dubbing | ||||||||||
box 87 | Foundation for Junior Blind | ||||||||||
box 87 | legal, including files on P.B. vs. Universal (21 folders) | ||||||||||
box 88 | legal (4 folders) | ||||||||||
box 88 | location (3 folders) | ||||||||||
box 88 | Los Angeles Dodgers | ||||||||||
box 88 | makeup-Michael Westmore | ||||||||||
box 88 | Mason Dennis, Florence (Rusty) (2 folders) | ||||||||||
box 88 | MPAA | ||||||||||
box 88 | music (3 folders) | ||||||||||
box 88 | press kit (2 folders) | ||||||||||
box 88 | press release | ||||||||||
box 88 | pretiming | ||||||||||
box 88 | production - meetings, notes, reports, resumes (6 folders) | ||||||||||
box 88 | publicity (7 folders) | ||||||||||
box 88 | rehearsals | ||||||||||
box 88 | research | ||||||||||
box 88 | schedules | ||||||||||
box 88 | screenings | ||||||||||
box 88 | script supervisor notes | ||||||||||
box 88 | set design | ||||||||||
box 89 | shooting schedules | ||||||||||
box 89 | Starger, Martin | ||||||||||
box 89 | stills | ||||||||||
box 89 | Stoltz, Eric | ||||||||||
box 89 | Technicolor | ||||||||||
box 89 | Universal Studios-telephone | ||||||||||
box 89 | test 2/5/1984 | ||||||||||
box 89 | timing | ||||||||||
box 89 | title | ||||||||||
box 89 | Watkins, Bill (crew) | ||||||||||
box 89 | miscellaneous (2 folders) | ||||||||||
box 227 | contact sheets (9 packages) | ||||||||||
box 227 | front credits (1 package) | ||||||||||
Native Genius | |||||||||||
box 89 | scripts (5 folders) | ||||||||||
box 89 | revised pages | ||||||||||
box 89 | miscellaneous | ||||||||||
Nickelodeon | |||||||||||
box 89 | book (photocopy) | ||||||||||
box 89 | rough outline | ||||||||||
box 89 | scripts, drafts and rev. pages (5 folders) | ||||||||||
box 90 | scripts, drafts and rev. pages (19 folders) | ||||||||||
box 91 | scripts, drafts and rev. pages (27 folders) | ||||||||||
box 91 | Ballantine Books | ||||||||||
box 91 | Berlin Film Festival (2 folders) | ||||||||||
box 91 | book-adapted from screenplay (galley) | ||||||||||
box 91 | British Lion | ||||||||||
box 91 | budget | ||||||||||
box 91 | call sheets | ||||||||||
box 91 | cast list | ||||||||||
box 92 | casting (6 folders) | ||||||||||
box 92 | correspondence (4 folders) | ||||||||||
box 92 | screen credits | ||||||||||
box 92 | crew list | ||||||||||
box 92 | day out of days | ||||||||||
box 92 | deal memos (2 folders) | ||||||||||
box 92 | Allan Dwan material | ||||||||||
box 92 | expenses | ||||||||||
box 92 | inter-office: Columbia Execs. | ||||||||||
box 92 | festivals | ||||||||||
box 92 | legal | ||||||||||
box 92 | location (2 folders) | ||||||||||
box 92 | London opening | ||||||||||
box 92 | marketing manual | ||||||||||
box 92 | music (2 folders) | ||||||||||
box 92 | notes | ||||||||||
box 92 | photographs | ||||||||||
box 92 | photo kills | ||||||||||
box 92 | photo orders | ||||||||||
box 92 | post-production | ||||||||||
box 93 | press kit (4 folders) | ||||||||||
box 93 | previews | ||||||||||
box 93 | production | ||||||||||
box 93 | production reports | ||||||||||
box 93 | publicity (3 folders) | ||||||||||
box 93 | research (3 folders) | ||||||||||
box 93 | reviews and ads (2 folders) | ||||||||||
box 93 | Richter, W.D. | ||||||||||
box 93 | screenings | ||||||||||
box 93 | script notes | ||||||||||
box 93 | sets | ||||||||||
box 93 | shooting schedules (2 folders) | ||||||||||
box 93 | statements | ||||||||||
box 93 | Writers' Guild correspondence | ||||||||||
box 228 | sound censor sheets for TV version | ||||||||||
box 228 | contact sheets (3 packages) | ||||||||||
oversize 11 | poster | ||||||||||
Noises Off | |||||||||||
box 94 | scripts, drafts and revisions (14 folders) | ||||||||||
box 95 | scripts, drafts and revisions, including script notes, editorial notes, script for Nothing On (10 folders) | ||||||||||
box 95 | actors' appearances | ||||||||||
box 95 | art work title | ||||||||||
box 95 | audience surveys (8 folders) | ||||||||||
box 96 | audience surveys (1 folder) | ||||||||||
box 96 | billing | ||||||||||
box 96 | billing requirements | ||||||||||
box 96 | Blakemore, Michael | ||||||||||
box 96 | budget | ||||||||||
box 96 | Caine, Michael-narration/voice over (5 folders) | ||||||||||
box 96 | call sheets | ||||||||||
box 96 | Cameron, Liz | ||||||||||
box 96 | cast and crew photograph | ||||||||||
box 96 | casting (4 folders) | ||||||||||
box 96 | cast list/travel itinerary | ||||||||||
box 96 | continuity | ||||||||||
box 96 | correspondence (3 folders) | ||||||||||
box 96 | credits (2 folders) | ||||||||||
box 96 | crew list | ||||||||||
box 96 | daily production reports | ||||||||||
box 96 | Disney script notes | ||||||||||
box 96 | exit polls/grosses | ||||||||||
box 96 | foreign translations | ||||||||||
box 96 | Frayn, Michael (2 folders) | ||||||||||
box 96 | hair and make up | ||||||||||
box 96 | itinerary-flight arrangements | ||||||||||
box 96 | Kaplan, Marty-notes | ||||||||||
box 96 | location | ||||||||||
box 96 | louma crane | ||||||||||
box 96 | menu (P.B & L.B.) | ||||||||||
box 96 | music: continuity, spotting notes, sheet (3 folders) | ||||||||||
box 97 | one-line schedule | ||||||||||
box 97 | one sheets exhibition of film | ||||||||||
box 97 | payroll | ||||||||||
box 97 | permissions | ||||||||||
box 97 | post production schedule | ||||||||||
box 97 | press kit | ||||||||||
box 97 | press releases | ||||||||||
box 97 | preview cards | ||||||||||
box 97 | production (4 folders) | ||||||||||
box 97 | props | ||||||||||
box 97 | publicity | ||||||||||
box 97 | recruited screenings | ||||||||||
box 97 | research | ||||||||||
box 97 | resumes | ||||||||||
box 97 | reviews (5 folders) | ||||||||||
box 97 | screenings (2 folders) | ||||||||||
box 97 | script pre-timing | ||||||||||
box 97 | second unit | ||||||||||
box 97 | set | ||||||||||
box 97 | shooting schedule | ||||||||||
box 97 | shot list | ||||||||||
box 97 | stand-ins | ||||||||||
box 97 | Starbright Foundation | ||||||||||
box 97 | stationary | ||||||||||
box 97 | storyboard artist drawings | ||||||||||
box 97 | television coverage | ||||||||||
box 97 | television spots | ||||||||||
box 97 | titles | ||||||||||
box 97 | trades | ||||||||||
box 97 | voice coaching | ||||||||||
box 97 | wardrobe | ||||||||||
box 97 | William Peiffer & Co. | ||||||||||
box 97 | wrap instructions | ||||||||||
box 97 | miscellaneous | ||||||||||
box 228 | research? | ||||||||||
oversize 11 | three posters | ||||||||||
Paper Moon | |||||||||||
box 98 | book (annotated) | ||||||||||
box 98 | scripts, drafts and rev. pages (18 folders) | ||||||||||
box 98 | ad campaign | ||||||||||
box 98 | Air Way bills (2 folders) | ||||||||||
box 98 | audience surveys | ||||||||||
box 99 | audience surveys | ||||||||||
box 99 | Bart, Peter | ||||||||||
box 99 | budget (4 folders) | ||||||||||
box 99 | The Burbank Studios office tab runs | ||||||||||
box 99 | call sheets (2 folders) | ||||||||||
box 99 | Cameraman's Local 666 I.A.T.S.E. | ||||||||||
box 99 | cast list | ||||||||||
box 99 | casting (17 folders) | ||||||||||
box 100 | casting (8 folders) | ||||||||||
box 100 | cast-deal memo | ||||||||||
box 100 | cast insurance | ||||||||||
box 100 | certificates of insurance | ||||||||||
box 100 | Chasen, Gary W. - casting director | ||||||||||
box 100 | Cine-Tran Mobile Studio Systems | ||||||||||
box 100 | clearances | ||||||||||
box 100 | correspondence (3 folders) | ||||||||||
box 100 | credits | ||||||||||
box 100 | crew | ||||||||||
box 100 | day player contracts | ||||||||||
box 100 | day out of days | ||||||||||
box 100 | deal memos | ||||||||||
box 100 | design | ||||||||||
box 100 | director's notes | ||||||||||
box 100 | estimated cost to finish | ||||||||||
box 100 | expenses | ||||||||||
box 100 | film shipment information | ||||||||||
box 100 | Gillingham, Gary | ||||||||||
box 100 | Goodfried, Bob | ||||||||||
box 100 | Grooms, Max | ||||||||||
box 100 | Hartman, Charles | ||||||||||
box 100 | Hays Travel Agency | ||||||||||
box 100 | House of Props, Inc. | ||||||||||
box 100 | insurance coverage | ||||||||||
box 100 | insurance - Billie Scott | ||||||||||
box 100 | international campaign | ||||||||||
box 100 | Jaffe, Steve | ||||||||||
box 100 | legal research | ||||||||||
box 100 | Leo, Ralph | ||||||||||
box 100 | liquor inventory | ||||||||||
box 100 | location contracts (2 folders) | ||||||||||
box 100 | location correspondence | ||||||||||
box 100 | miscellaneous (2 folders) | ||||||||||
box 100 | music (5 folders) | ||||||||||
box 100 | Northwestern Typewriter Co., Inc. | ||||||||||
box 100 | Panavision Incorporated - rental equipment and contract (2 folders) | ||||||||||
box 100 | photographs/stills (4 folders) | ||||||||||
box 101 | photographs (3 folders) | ||||||||||
box 101 | picture cars | ||||||||||
box 101 | post-production | ||||||||||
box 101 | press kits | ||||||||||
box 101 | production manager's kit | ||||||||||
box 101 | production reports (2 folders) | ||||||||||
box 101 | promotional (2 folders) | ||||||||||
box 101 | publicity (2 folders) | ||||||||||
box 101 | radio research (3 folders) | ||||||||||
box 101 | radio shows | ||||||||||
box 101 | record research | ||||||||||
box 101 | research memo | ||||||||||
box 101 | reviews - radio & TV | ||||||||||
box 101 | Samuel Goldwyn Productions | ||||||||||
box 101 | San Sebastian Film Festival | ||||||||||
box 101 | Sargent, Alvin | ||||||||||
box 101 | Schwartzman & Greenberg | ||||||||||
box 101 | Screen Actors' Guild | ||||||||||
box 101 | screen credits | ||||||||||
box 102 | Screening lists | ||||||||||
box 102 | screenings - foreign | ||||||||||
box 102 | script list | ||||||||||
box 102 | script timing | ||||||||||
box 102 | shooting schedules | ||||||||||
box 102 | sound information | ||||||||||
box 102 | statements | ||||||||||
box 102 | transportation | ||||||||||
box 102 | Xerox Corp. | ||||||||||
box 102 | printed and clippings (17 folders) | ||||||||||
box 103 | printed and clippings (3 folders) | ||||||||||
box 229 | press books | ||||||||||
box 229 | small posters | ||||||||||
box 229 | poster mockup | ||||||||||
box 229 | autograph photo of Madeleine Kahn | ||||||||||
box 229 | scrapbook | ||||||||||
oversize 5 | 14 mounted posters | ||||||||||
oversize 5 | three mounted stills | ||||||||||
oversize 11 | 15 posters | ||||||||||
Paradise Road | |||||||||||
box 103 | scripts, drafts and revisions (15 folders) | ||||||||||
box 104 | scripts, drafts and revisions (4 folders) | ||||||||||
box 104 | book (photocopy) | ||||||||||
box 104 | legal (2 folders) | ||||||||||
box 104 | treatments (2 folders) | ||||||||||
box 104 | miscellaneous | ||||||||||
box 104 | printed | ||||||||||
Passion | |||||||||||
box 104 | scripts and drafts (8 folders) | ||||||||||
box 104 | correspondence | ||||||||||
Private Lives | |||||||||||
box 104 | scripts and drafts (3 folders) | ||||||||||
box 105 | scripts, drafts and revisions (12 folders) | ||||||||||
box 105 | budget | ||||||||||
box 105 | casting | ||||||||||
box 105 | correspondence | ||||||||||
box 105 | Douglas, Reiko | ||||||||||
box 105 | legal (2 folders) | ||||||||||
box 105 | Payne, Graham | ||||||||||
box 105 | play (3 folders) | ||||||||||
box 105 | playbill | ||||||||||
box 105 | Powsner, Douglas | ||||||||||
box 105 | reviews | ||||||||||
box 105 | Wyman, Robert | ||||||||||
Running Mates | |||||||||||
box 105 | scripts and drafts (4 folders) | ||||||||||
box 106 | scripts, drafts and revisions (5 folders) | ||||||||||
box 106 | breakdown | ||||||||||
box 106 | correspondence | ||||||||||
box 106 | notes | ||||||||||
box 106 | shooting schedule | ||||||||||
box 106 | writer's suggestions | ||||||||||
Saint Jack | |||||||||||
box 106 | scripts, drafts and revisions (13 folders) | ||||||||||
box 107 | scripts, drafts and revisions (14 folders) | ||||||||||
box 107 | ads | ||||||||||
box 107 | advertising campaign | ||||||||||
box 107 | advertising possibilities (drawings) | ||||||||||
box 107 | call sheets & schedules (2 folders) | ||||||||||
box 107 | Cannes Film Festival | ||||||||||
box 107 | cast | ||||||||||
box 107 | cast, crew and locations | ||||||||||
box 107 | Chicago opening | ||||||||||
box 107 | code book | ||||||||||
box 107 | combined continuity (2 folders) | ||||||||||
box 107 | contracts (2 folders) | ||||||||||
box 108 | Copa de Oro-Kendon Films deal | ||||||||||
box 108 | correspondence (5 folders) | ||||||||||
box 108 | credits | ||||||||||
box 108 | crew | ||||||||||
box 108 | daily production report | ||||||||||
box 108 | De Forest research | ||||||||||
box 108 | Director's Guild | ||||||||||
box 108 | distribution | ||||||||||
box 108 | editor's notes | ||||||||||
box 108 | exhibitors | ||||||||||
box 108 | expenses | ||||||||||
box 108 | film festivals | ||||||||||
box 108 | financial (2 folders) | ||||||||||
box 108 | foreign subtitles | ||||||||||
box 108 | interviews and itineraries | ||||||||||
box 108 | invoices | ||||||||||
box 108 | legal (4 folders) | ||||||||||
box 108 | location and characters | ||||||||||
box 108 | locations | ||||||||||
box 108 | log | ||||||||||
box 109 | log | ||||||||||
box 109 | miscellaneous (4 folders) | ||||||||||
box 109 | music | ||||||||||
box 109 | music research | ||||||||||
box 109 | music rights | ||||||||||
box 109 | negative reports | ||||||||||
box 109 | notes | ||||||||||
box 109 | out takes | ||||||||||
box 109 | photograph/stills (4 folders) | ||||||||||
box 109 | Playboy | ||||||||||
box 109 | post production (3 folders) | ||||||||||
box 109 | pre-production trips | ||||||||||
box 109 | press kits (2 folders) | ||||||||||
box 109 | production (2 folders) | ||||||||||
box 109 | publicity (2 folders) | ||||||||||
box 109 | purchase orders | ||||||||||
box 110 | radio notes | ||||||||||
box 110 | research | ||||||||||
box 110 | schedules | ||||||||||
box 110 | screening-NY | ||||||||||
box 110 | script reports (2 folders) | ||||||||||
box 110 | shooting schedule | ||||||||||
box 110 | sound reports (4 folders) | ||||||||||
box 110 | sound rolls | ||||||||||
box 110 | staff memos | ||||||||||
box 110 | statement to Straits Times Press | ||||||||||
box 110 | statements | ||||||||||
box 110 | stills lists | ||||||||||
box 110 | subtitles-French and Italian (2 folders) | ||||||||||
box 110 | synchronization licenses | ||||||||||
box 110 | telexes (3 folders) | ||||||||||
box 110 | television spot script | ||||||||||
box 110 | trailer | ||||||||||
box 110 | travel | ||||||||||
box 110 | treatment | ||||||||||
box 110 | Venice/Deauville | ||||||||||
box 110 | Writer's Guild arbitration | ||||||||||
box 111 | printed and clippings (14 folders) | ||||||||||
box 228 | location ground plans | ||||||||||
oversize 6 | ad mock-ups | ||||||||||
oversize 6 | original artwork for titles in English and Japanese | ||||||||||
Saturday, Sunday, Monday | |||||||||||
box 111 | scripts, drafts and revisions (3 folders) | ||||||||||
box 112 | scripts, drafts and revisions (7 folders) | ||||||||||
box 112 | play (2 folders) | ||||||||||
box 112 | correspondence | ||||||||||
box 112 | publicity | ||||||||||
September, September | |||||||||||
box 112 | scripts (5 folders) | ||||||||||
Streets of Laredo | |||||||||||
box 112 | scripts (3 folders) | ||||||||||
box 113 | scripts, drafts and revisions (8 folders) | ||||||||||
box 113 | budget | ||||||||||
box 113 | director's notes | ||||||||||
box 113 | music | ||||||||||
box 113 | script comments | ||||||||||
box 113 | clippings | ||||||||||
box 113 | miscellaneous | ||||||||||
Targets | |||||||||||
box 113 | scripts, drafts and revisions (10 folders) | ||||||||||
box 114 | scripts, drafts and revisions (6 folders) | ||||||||||
box 114 | camera reports | ||||||||||
box 114 | cast (3 folders) | ||||||||||
box 114 | correspondence (2 folders) | ||||||||||
box 114 | financial (6 folders) | ||||||||||
box 114 | insurance | ||||||||||
box 114 | outline | ||||||||||
box 115 | photographs/stills (2 folders) | ||||||||||
box 115 | photographs - captions | ||||||||||
box 115 | production/direction | ||||||||||
box 115 | publicity | ||||||||||
box 115 | rerecording logs (9 folders) | ||||||||||
box 115 | shooting schedules | ||||||||||
box 115 | miscellaneous | ||||||||||
box 115 | clippings and printed (7 folders) | ||||||||||
oversize 1 | three mounted stills | ||||||||||
Texasville | |||||||||||
box 116 | scripts, drafts and revisions (18 folders) | ||||||||||
box 117 | scripts, drafts and revisions (18 folders) | ||||||||||
box 118 | book-annotated for screenplay (10 folders) | ||||||||||
box 118 | books (PB's gifts) | ||||||||||
box 118 | Bottoms, Sam | ||||||||||
box 118 | branch summary reports | ||||||||||
box 118 | budget | ||||||||||
box 118 | call sheets | ||||||||||
box 118 | Camp & Peiffer correspondence | ||||||||||
box 118 | cast and crew | ||||||||||
box 118 | casting (2 folders) | ||||||||||
box 119 | change sheets (2 folders) | ||||||||||
box 119 | correspondence | ||||||||||
box 119 | costumers breakdown | ||||||||||
box 119 | credits (2 folders) | ||||||||||
box 119 | dailies (2 folders) | ||||||||||
box 119 | daily film code (7 folders) | ||||||||||
box 119 | daily log | ||||||||||
box 120 | daily script log | ||||||||||
box 120 | daily video log (3 folders) | ||||||||||
box 120 | daily production reports (2 folders) | ||||||||||
box 120 | day out of days | ||||||||||
box 120 | day/time breakdowns | ||||||||||
box 120 | dialogue notes (on set) | ||||||||||
box 120 | documentary | ||||||||||
box 120 | editing notes | ||||||||||
box 120 | end credits (2 folders) | ||||||||||
box 120 | exhibitor's letters | ||||||||||
box 120 | film clips | ||||||||||
box 120 | film festivals | ||||||||||
box 120 | film log (2 folders) | ||||||||||
box 120 | legal | ||||||||||
box 120 | locations | ||||||||||
box 120 | looping | ||||||||||
box 121 | medical | ||||||||||
box 121 | Mogambo optical | ||||||||||
box 121 | music | ||||||||||
box 121 | music continuity | ||||||||||
box 121 | music credits | ||||||||||
box 121 | music and sound notes (3 folders) | ||||||||||
box 121 | narration | ||||||||||
box 121 | Nelson entertainment | ||||||||||
box 121 | news excerpts | ||||||||||
box 121 | notes | ||||||||||
box 121 | photographs | ||||||||||
box 121 | post-production (2 folders) | ||||||||||
box 121 | posters | ||||||||||
box 121 | preliminary production information | ||||||||||
box 121 | press kit | ||||||||||
box 121 | production materials (7 folders) | ||||||||||
box 122 | production (2 folders) | ||||||||||
box 122 | production board | ||||||||||
box 122 | production resumes | ||||||||||
box 122 | production schedule (2 folders) | ||||||||||
box 122 | proposed post-production schedule | ||||||||||
box 122 | publicity (6 folders) | ||||||||||
box 122 | purchase orders (3 folders) | ||||||||||
box 122 | radio station permissions | ||||||||||
box 122 | receipts | ||||||||||
box 122 | rehearsal schedules | ||||||||||
box 122 | reviews | ||||||||||
box 123 | scene/shot list | ||||||||||
box 123 | screenings | ||||||||||
box 123 | scripts sent | ||||||||||
box 123 | shots owed | ||||||||||
box 123 | sound reports | ||||||||||
box 123 | sound transfer receipts | ||||||||||
box 123 | summary | ||||||||||
box 123 | trailer | ||||||||||
box 123 | Sundance Institute | ||||||||||
box 123 | tests | ||||||||||
box 123 | Texasville/Last Picture Show correspondence | ||||||||||
box 123 | yearbook (2 folders) | ||||||||||
box 123 | clippings | ||||||||||
box 123 | miscellaneous (2 folders) | ||||||||||
box 228 | numerous contact sheets | ||||||||||
oversize 1 | mounted ad for "Making Texasville" article for Sunday Times Record News (signed by Jeff Bridges, Cybill Shepherd, and Timothy Bottoms) | ||||||||||
oversize 1 | two matted photographs | ||||||||||
They All Laughed | |||||||||||
box 123 | scripts, drafts and revisions (8 folders) | ||||||||||
box 124 | scripts, drafts and revisions (16 folders) | ||||||||||
box 125 | scripts, drafts and revisions (13 folders) | ||||||||||
box 126 | scripts, drafts and revisions (2 folders) | ||||||||||
box 126 | ABC distribution | ||||||||||
box 126 | Academy award form | ||||||||||
box 126 | Academy campaign | ||||||||||
box 126 | accounting | ||||||||||
box 126 | accounts-foreign | ||||||||||
box 126 | ADR-London, N.Y., L.A. | ||||||||||
box 126 | advertising files (7 folders) | ||||||||||
box 126 | agreements | ||||||||||
box 126 | appointments | ||||||||||
box 126 | Art Institute of Chicago Film Center | ||||||||||
box 126 | assistant director breakdown | ||||||||||
box 126 | automated dialogue replacement (ADR) (3 folders) | ||||||||||
box 126 | bios (3 folders) | ||||||||||
box 126 | broadcast excerpt (Live at Five, WNBC-TV, NY 11/26/1981) | ||||||||||
box 126 | budget | ||||||||||
box 126 | cable TV | ||||||||||
box 126 | call sheets | ||||||||||
box 126 | cast breakdown (2 folders) | ||||||||||
box 126 | CBS distribution | ||||||||||
box 126 | changes | ||||||||||
box 126 | circuit heads-buyers-bookers-advertising heads (2 folders) | ||||||||||
box 126 | continuity sheets (2 folders) | ||||||||||
box 127 | contracts (2 folders) | ||||||||||
box 127 | correspondence (3 folders) | ||||||||||
box 127 | cost report | ||||||||||
box 127 | credits | ||||||||||
box 127 | crew list | ||||||||||
box 127 | cue sheets | ||||||||||
box 127 | cue and change sheets | ||||||||||
box 127 | daily box office statements | ||||||||||
box 127 | daily grosses | ||||||||||
box 127 | daily production report | ||||||||||
box 127 | dailies (2 folders) | ||||||||||
box 127 | day of days (2 folders) | ||||||||||
box 127 | Deluxe Labs | ||||||||||
box 127 | Dilg, Doug | ||||||||||
box 127 | distribution | ||||||||||
box 127 | distribution requests | ||||||||||
box 127 | Dorothy Stratten's poem | ||||||||||
box 127 | editing notes | ||||||||||
box 127 | exhibitor contracts | ||||||||||
box 127 | exhibitors | ||||||||||
box 127 | expense allocation | ||||||||||
box 127 | film festivals (3 folders) | ||||||||||
box 127 | film notes and reprints information | ||||||||||
box 127 | film packing list (2 folders) | ||||||||||
box 127 | Filmex screening | ||||||||||
box 127 | financial | ||||||||||
box 127 | foreign brochure | ||||||||||
box 127 | foreign distribution | ||||||||||
box 127 | Goldwyn distribution | ||||||||||
box 127 | grosses (4 folders) | ||||||||||
box 128 | Hepburn, Audrey - deal memo | ||||||||||
box 128 | legal (6 folders) | ||||||||||
box 128 | locations | ||||||||||
box 128 | logo | ||||||||||
box 128 | Magno Sound | ||||||||||
box 128 | MGM | ||||||||||
box 128 | MPAA, Inc. | ||||||||||
box 128 | Movietone clip | ||||||||||
box 128 | Mueller, Robby | ||||||||||
box 128 | music (4 folders) | ||||||||||
box 128 | mutual release | ||||||||||
box 128 | Navarro-Barton Casting Co. | ||||||||||
box 128 | NBC distribution | ||||||||||
box 128 | new notes | ||||||||||
box 128 | New York State film award | ||||||||||
box 128 | notes (6 folders) | ||||||||||
box 128 | novelization | ||||||||||
box 128 | openings (10 folders) | ||||||||||
box 128 | Paramount | ||||||||||
box 128 | photographs/stills (8 folders) | ||||||||||
box 129 | photographs/stills (3 folders) | ||||||||||
box 129 | post-production | ||||||||||
box 129 | press kit (4 folders) | ||||||||||
box 129 | press releases | ||||||||||
box 129 | prints | ||||||||||
box 129 | production (2 folders) | ||||||||||
box 129 | production credits | ||||||||||
box 129 | promotion | ||||||||||
box 129 | PSO | ||||||||||
box 129 | publicity (3 folders) | ||||||||||
box 129 | purchase orders | ||||||||||
box 129 | radio and television monitoring | ||||||||||
box 129 | release dates - domestic | ||||||||||
box 129 | release dates-foreign | ||||||||||
box 129 | release form between Sackler and Bogdanovich | ||||||||||
box 129 | repeat orders | ||||||||||
box 129 | reprints/codes | ||||||||||
box 129 | research | ||||||||||
box 129 | Sackler, Howard mutual release for TAL and Bugsy Siegel | ||||||||||
box 129 | scene outline (4 folders) | ||||||||||
box 129 | screen credits | ||||||||||
box 129 | screenings (2 folders) | ||||||||||
box 129 | screening notes | ||||||||||
box 129 | screenplay breakdown | ||||||||||
box 129 | script note forms | ||||||||||
box 129 | shooting schedule | ||||||||||
box 129 | sneak preview | ||||||||||
box 129 | songbook | ||||||||||
box 130 | soundtrack (7 folders) | ||||||||||
box 130 | statements | ||||||||||
box 130 | stationary | ||||||||||
box 130 | stills approved | ||||||||||
box 130 | synopsis (2 folders) | ||||||||||
box 130 | teasers/trailers | ||||||||||
box 130 | Telepictures | ||||||||||
box 130 | titles (2 folders) | ||||||||||
box 130 | treatment | ||||||||||
box 130 | TV Guide | ||||||||||
box 130 | typeface | ||||||||||
box 130 | UA Classics/MGM | ||||||||||
box 130 | Universal | ||||||||||
box 130 | Warner Bros. | ||||||||||
box 130 | wild track log | ||||||||||
box 130 | wrap film (synopsis) | ||||||||||
box 130 | miscellaneous (3 folders) | ||||||||||
box 130 | actors files (6 folders) | ||||||||||
box 131 | actors files (44 folders) | ||||||||||
box 131 | theatre files, includes clippings, exhibitor contracts, etc. (57 folders) | ||||||||||
Scope and Contents | |||||||||||
arranged alphabetically by state | |||||||||||
box 132 | theatre files,... (99 folders) | ||||||||||
box 133 | theatre files,... (51 folders) | ||||||||||
box 133 | clippings (26 folders) | ||||||||||
box 134 | clippings (68 folders) | ||||||||||
box 135 | change sheets | ||||||||||
box 135 | daily timing sheets | ||||||||||
box 135 | daily shooting reports | ||||||||||
box 135 | purchase orders (2 folders) | ||||||||||
box 135 | script supervisor daily reports | ||||||||||
box 135 | shipping receipts | ||||||||||
box 135 | sound report | ||||||||||
box 227 | contact sheets, posters/mockups | ||||||||||
box 227 | soundtrack - mockup of cover | ||||||||||
box 227 | lead sheets for Kentucky Nights and One Day Since Yesterday | ||||||||||
box 227 | ad copies | ||||||||||
box 227 | posters | ||||||||||
box 227 | scrapbook | ||||||||||
box 228 | three reel-to-reel tapes of Kentucky Nights | ||||||||||
oversize 7 | scrapbook | ||||||||||
oversize 7 | charts for Kentucky Nights and One Day Since Yesterday | ||||||||||
oversize 7 | print movements | ||||||||||
General | |||||||||||
[charts of where each print was shown] | |||||||||||
oversize 7 | poster negatives | ||||||||||
oversize 7 | mechanicals | ||||||||||
General | |||||||||||
[original art for newspaper ads, etc.] | |||||||||||
oversize 11 | blow-up of Newsweek article (with photo of Dorothy Stratten) Nov. 30, 1981 | ||||||||||
oversize 11 | mock-up of Daily Variety ad, inviting Academy members to a performance of songs by Colleen Camp | ||||||||||
oversize 11 | poster | ||||||||||
The Thing Called Love | |||||||||||
box 136 | scripts, drafts and revisions (18 folders) | ||||||||||
box 137 | scripts, drafts and revisions (9 folders) | ||||||||||
box 137 | art direction | ||||||||||
box 137 | audience surveys (2 folders) | ||||||||||
box 137 | Bluebird/Blue Moon dance auditions | ||||||||||
box 137 | budget | ||||||||||
box 137 | call sheets | ||||||||||
box 137 | cast list | ||||||||||
box 137 | cast resumes | ||||||||||
box 137 | casting correspondence | ||||||||||
box 137 | character dates | ||||||||||
box 137 | contacts | ||||||||||
box 137 | continuity | ||||||||||
box 137 | correspondence | ||||||||||
box 137 | crew resumes | ||||||||||
box 138 | daily notes | ||||||||||
box 138 | dance rehearsals | ||||||||||
box 138 | draft letter/rec. album | ||||||||||
box 138 | editing | ||||||||||
box 138 | editorial notes | ||||||||||
box 138 | festivals/events | ||||||||||
box 138 | Giant (soundtrack correspondence) | ||||||||||
box 138 | Giant records | ||||||||||
box 138 | Graceland | ||||||||||
box 138 | interviews | ||||||||||
box 138 | itinerary/press junket | ||||||||||
box 138 | location | ||||||||||
box 138 | logo | ||||||||||
box 138 | lyrics | ||||||||||
box 138 | marquee lyrics | ||||||||||
box 138 | Montreal World Film Festival | ||||||||||
box 138 | music - music, breakdown, correspondence, cue sheets, cues, spotting notes (6 folders) | ||||||||||
box 138 | Nashville technical credits | ||||||||||
box 138 | personal screenings | ||||||||||
box 138 | Phoenix, River | ||||||||||
box 138 | photographs | ||||||||||
box 138 | post-production schedule | ||||||||||
box 138 | pre-production photography | ||||||||||
box 138 | prerecords | ||||||||||
box 138 | press breaks | ||||||||||
box 138 | press kits/poster | ||||||||||
box 138 | press kit approvals | ||||||||||
box 138 | principal character breakdown | ||||||||||
box 138 | production reports | ||||||||||
box 138 | publicity - articles, correspondence, distribution (3 folders) | ||||||||||
box 138 | recording sessions | ||||||||||
box 138 | recruited screenings | ||||||||||
box 138 | reel breakdown | ||||||||||
box 138 | reviews | ||||||||||
box 138 | Robert Graves quote | ||||||||||
box 138 | rough cut release form | ||||||||||
box 138 | safety on the set | ||||||||||
box 138 | scene breakdown | ||||||||||
box 138 | scene description | ||||||||||
box 138 | scout correspondence | ||||||||||
box 138 | script notes | ||||||||||
box 138 | second unit | ||||||||||
box 138 | set in scenes | ||||||||||
box 138 | shooting schedules/one line | ||||||||||
box 138 | song descriptions for 3rd draft | ||||||||||
box 138 | songs for James | ||||||||||
box 138 | songwriters | ||||||||||
box 138 | storyboards | ||||||||||
box 138 | tapes, materials returned to P. Haggar | ||||||||||
box 138 | tapes sent to River | ||||||||||
box 138 | TV cover material | ||||||||||
box 138 | titles | ||||||||||
box 138 | travel | ||||||||||
box 138 | treatment | ||||||||||
box 138 | wardrobe | ||||||||||
box 138 | who sings what in which scene | ||||||||||
box 138 | writing credits | ||||||||||
box 138 | miscellaneous | ||||||||||
To Gillian on Her 37th Birthday | |||||||||||
box 139 | scripts, drafts and revisions (15 folders) | ||||||||||
box 139 | contact list | ||||||||||
box 139 | crew | ||||||||||
box 139 | legal | ||||||||||
box 139 | location | ||||||||||
box 139 | Morfogen, George | ||||||||||
box 139 | play | ||||||||||
box 139 | publicity | ||||||||||
box 139 | script notes | ||||||||||
box 139 | miscellaneous | ||||||||||
Voyage to the Planet of Prehistoric Women | |||||||||||
box 140 | scripts, shooting schedule, titles, etc. | ||||||||||
box 140 | financial | ||||||||||
box 140 | photographs | ||||||||||
Wait for Me | |||||||||||
box 140 | scripts, drafts and revisions (7 folders) | ||||||||||
What's Up Doc? | |||||||||||
box 140 | scripts, drafts and revisions (8 folders) | ||||||||||
box 141 | scripts, drafts and revisions (21 folders) | ||||||||||
box 142 | call sheets (2 folders) | ||||||||||
box 142 | cartoons | ||||||||||
box 142 | casting | ||||||||||
box 142 | characters | ||||||||||
box 142 | clearances | ||||||||||
box 142 | credits | ||||||||||
box 142 | crew | ||||||||||
box 142 | deals | ||||||||||
box 142 | director's notes | ||||||||||
box 142 | expenses | ||||||||||
box 142 | film festivals | ||||||||||
box 142 | Freedman, Jack | ||||||||||
box 142 | inter-office | ||||||||||
box 142 | location stills | ||||||||||
box 142 | location (2 folders) | ||||||||||
box 142 | music (2 folders) | ||||||||||
box 142 | photographs/stills (11 folders) | ||||||||||
box 143 | Platt, Polly | ||||||||||
box 143 | post-production | ||||||||||
box 143 | press kit | ||||||||||
box 143 | preview - Denver | ||||||||||
box 143 | preview cards - Denver (4 folders) | ||||||||||
box 143 | production reports (2 folders) | ||||||||||
box 143 | programs | ||||||||||
box 143 | progress reports | ||||||||||
box 143 | promotional tours | ||||||||||
box 143 | publicity | ||||||||||
box 143 | script-misc. research | ||||||||||
box 143 | Saland, Donny | ||||||||||
box 143 | screenings | ||||||||||
box 143 | shooting notes | ||||||||||
box 143 | shooting schedules | ||||||||||
box 143 | script timings | ||||||||||
box 143 | step sheet | ||||||||||
box 143 | Warners-miscellaneous | ||||||||||
box 143 | miscellaneous | ||||||||||
box 143 | clippings and printed (15 folders) | ||||||||||
box 144 | clippings and printed (10 folders) | ||||||||||
oversize 1 | ad mock-ups and posters | ||||||||||
oversize 1 | three mounted stills | ||||||||||
box 227 | two photographs | ||||||||||
box 227 | press book | ||||||||||
box 227 | five posters | ||||||||||
box 227 | artwork for ad or poster | ||||||||||
Whereabouts | |||||||||||
box 144 | scripts, drafts and revisions (3 folders) | ||||||||||
box 145 | scripts, drafts and revisions (14 folders) | ||||||||||
box 145 | budget | ||||||||||
box 145 | cast of characters | ||||||||||
box 145 | casting (2 folders) | ||||||||||
box 145 | correspondence | ||||||||||
box 145 | itinerary | ||||||||||
box 145 | legal | ||||||||||
box 146 | locations (8 folders) | ||||||||||
box 146 | music | ||||||||||
box 146 | outlines | ||||||||||
box 146 | publicity | ||||||||||
box 146 | title | ||||||||||
Wild About Harry | |||||||||||
box 146 | scripts, drafts and revisions (6 folders) | ||||||||||
box 147 | scripts, drafts and revisions (18 folders) | ||||||||||
box 148 | scripts, drafts and revisions (16 folders) | ||||||||||
box 148 | budgets | ||||||||||
box 148 | Carson films | ||||||||||
box 148 | cast breakdown | ||||||||||
box 148 | casting | ||||||||||
box 148 | correspondence | ||||||||||
box 148 | karate | ||||||||||
box 148 | legal | ||||||||||
box 148 | location breakdown | ||||||||||
box 148 | miscellaneous | ||||||||||
box 148 | music | ||||||||||
box 148 | notes | ||||||||||
box 149 | proposal for film financing (4 folders) | ||||||||||
box 149 | publicity | ||||||||||
box 149 | synopsis | ||||||||||
box 149 | tape notes script | ||||||||||
box 149 | Tristar | ||||||||||
The Wild Angels | |||||||||||
box 149 | scripts, drafts and revisions (3 folders) | ||||||||||
box 149 | shooting papers | ||||||||||
box 149 | miscellaneous | ||||||||||
Miscellaneous titles | |||||||||||
box 149 | Abracadabra by Lawrence Roman (2 folders) | ||||||||||
box 149 | Alive by John Patrick Stanley, book by Piers Paul Reed | ||||||||||
box 149 | The Bag Man (treatment only), by Samuel Fuller | ||||||||||
box 149 | Battle Royal by Samuel Fuller (2 folders) | ||||||||||
box 149 | Better Late Than Forever by Deborah Dean Davis (3 folders) | ||||||||||
box 149 | Blanc de Chine by Yves, Stavrides and Denys, Granier-Deferre | ||||||||||
box 150 | Brother Jon by Douglas Day Stewart (King Vidor film) | ||||||||||
box 150 | Bugsy by Howard Sackler (2 folders) | ||||||||||
box 150 | Cat and Mouse by Stanley Shapiro (2 folders) | ||||||||||
box 150 | Champaign by Luciano Vincenzoni (treatment only) | ||||||||||
box 150 | Could This Be Magic? by Deborah Dean Davis | ||||||||||
box 150 | The Crazy American Girl by David and Leslie Newman | ||||||||||
box 150 | The Deal Passes (treatment only) | ||||||||||
box 150 | Design for Living | ||||||||||
box 150 | Girl | ||||||||||
box 150 | A Glimpse of Tiger (3 folders) | ||||||||||
box 150 | Harry and Matilda by Donna J. Bennett | ||||||||||
box 150 | Hearts on the Highway by Howard Hirdler | ||||||||||
box 150 | Heaven Can Wait (2 folders) | ||||||||||
box 150 | Inca Star by Jason Klassi and Anna Thea Bogdanovich | ||||||||||
box 150 | Johnny and Johnny by Sergio Leone and Sergio Donati (2 folders) | ||||||||||
box 151 | Johnny and Johnny cont. (2 folders) | ||||||||||
box 151 | Jump at the Sun | ||||||||||
box 151 | The Klansman by Kathleen McGhee-Anderson | ||||||||||
box 151 | The Lady Killers by Gilbert Pearlman | ||||||||||
box 151 | The Last Desperado by R. Lance Hill | ||||||||||
box 151 | The Moon God by Gertrude Walker | ||||||||||
box 151 | The Myth of Always by Janette Lane Bradbury | ||||||||||
box 151 | Pullman Car Hiawatha | ||||||||||
box 151 | Riata by Samuel Fuller | ||||||||||
box 151 | Ridin' the Cage | ||||||||||
box 151 | Ruby Fruit Jungle by Rita Mae Brown (2 folders) | ||||||||||
box 151 | The Same Direction by John P. Rodgers | ||||||||||
box 151 | Someone is Killing the Great Chefs of Europe | ||||||||||
box 151 | Song of Joy by Preston Sturges | ||||||||||
box 151 | Starlight Parade | ||||||||||
box 151 | The Sweep | ||||||||||
box 152 | The Sweep (4 folders) | ||||||||||
box 152 | The Two Sisters by Ted Allan (2 folders) | ||||||||||
box 152 | Unless That Someone is You by John and Nick Cassavetes (2 folders) | ||||||||||
box 152 | Watch the North Wind Rise (treatment only) | ||||||||||
box 152 | What's in it for Harry | ||||||||||
box 152 | When, In Disgrace... | ||||||||||
box 152 | A Dime a Dance script, teleplay by Allan Scott, episode for television series Fallen Angels directed by PB | ||||||||||
box 152 | Rosebud script for episode of Northern Exposure | ||||||||||
box 152 | Stills from films directed by Frank Tashlin | ||||||||||
oversize 11 | Special Delivery starring Cybill Shepherd and Bo Svenson - one poster | ||||||||||
Oversize | |||||||||||
oversize 1 | At Long Last Love | ||||||||||
oversize 1 | The Last Picture Show | ||||||||||
oversize 1 | Targets | ||||||||||
oversize 1 | Texasville | ||||||||||
oversize 1 | What's Up Doc | ||||||||||
oversize 1 | Daisy Miller | ||||||||||
oversize 1 | Illegally Yours | ||||||||||
oversize 1 | Paper Moon | ||||||||||
oversize 1 | Saint Jack | ||||||||||
oversize 1 | They All Laughed | ||||||||||
oversize 1 | At Long Last Love | ||||||||||
oversize 1 | Daisy Miller | ||||||||||
oversize 1 | Nickelodeon | ||||||||||
oversize 1 | Noises Off | ||||||||||
oversize 1 | Paper Moon | ||||||||||
oversize 1 | They All Laughed |
Writings | |||||||||||
Scope and Contents | |||||||||||
Organized into articles, major works and writings by others. Contains correspondence, research, holograph copies, typescripts, galleys, tear sheets, and other related materials. | |||||||||||
Articles | |||||||||||
Scope and Contents | |||||||||||
Contains drafts, correspondence, tear sheets and other related materials. Arranged in alphabetical order by title of larger work. | |||||||||||
box 152 | American Film. A Short Golden Age March 1980 | ||||||||||
box 152 | Cinema. Marnie, by Alfred Hitchcock and various articles for PB's column: Point of View. 1964-1965 | ||||||||||
box 152 | Collegiate Journal. Various articles for PB's and Vladimir Lehowich column: As We See It. 1953-1957 | ||||||||||
box 152 | Columbia Records. Liner notes for various recordings. 1961-1962 | ||||||||||
box 152 | Esquire. | ||||||||||
box 152 | Talkies 1962, Aug. | ||||||||||
box 152 | Mr. Lewis is a Pussycat 1962, Nov. | ||||||||||
box 152 | Bogie in Excelsis 1964, Sept. | ||||||||||
box 152 | Go-Go and Hurry 1965, Feb. | ||||||||||
box 152 | Hollywood: Over the Hill 1972, Jan. | ||||||||||
box 152 | Hollywood: Leo McCarey 1972, Feb. | ||||||||||
box 152 | Hollywood: Chuck Jones 1972, Mar. | ||||||||||
box 152 | Hollywood: Cary Grant 1972, Apr. | ||||||||||
box 152 | Hollywood: John Wayne 1972, May. | ||||||||||
box 152 | Hollywood: Favorite films 1972, June. | ||||||||||
box 152 | Hollywood: James Cagney 1972, July. | ||||||||||
box 152 | Hollywood: Best movies 1972, Aug. | ||||||||||
box 152 | Hollywood: B-movies 1972, Sept. | ||||||||||
box 153 | Hollywood: Selznick & Capra 1972, Oct. | ||||||||||
box 153 | Hollywood: Ernst Lubitsch 1972, Nov. | ||||||||||
box 153 | Hollywood: Meeting the President 1972, Dec. | ||||||||||
box 153 | The Kane Mutiny 1972 | ||||||||||
box 153 | Hollywood: Marlene Dietrich 1973, Jan. | ||||||||||
box 153 | Hollywood: location 1973, Feb. | ||||||||||
box 153 | Hollywood: Preston Sturges 1973, Mar. | ||||||||||
box 153 | Hollywood: Zukor party 1973, Apr. | ||||||||||
box 153 | Hollywood: Being interviewed 1973, May. | ||||||||||
box 153 | Hollywood: Deep Throat, etc. 1973, June. | ||||||||||
box 153 | Hollywood: Henry Fonda 1973, July. | ||||||||||
box 153 | Hollywood: A Conspirator in Berlin 1977, Dec. | ||||||||||
box 153 | Hollywood: An Afternoon at the New Yorker 1978, Jan. | ||||||||||
box 153 | Sinatra and Company 1978, Feb. | ||||||||||
box 153 | Hollywood: Hula Hoops and Hopes 1978, Feb. | ||||||||||
box 153 | Hollywood: The Murder of Sal Mineo 1978, Mar. 1 | ||||||||||
box 153 | Hollywood: Mr. Carter Goes to Hollywood 1978, Mar. | ||||||||||
box 153 | Hollywood: Oscar at Fifty 1978, Apr. 11 | ||||||||||
box 153 | Cary Grant: Old Acquaintance [1989] (3 folders) | ||||||||||
box 153 | Miscellaneous | ||||||||||
box 153 | The Film. The Man Who Knew Too Much Summer 1960 | ||||||||||
box 153 | Film Culture. Frank Tashlin-An interview and an Appreciation, Tashlin!, Two Weeks in Another Town, Edgar G. Ulmer (September 17, 1900-September 30, 1972), The Birds, Review of Hatari 1962 1974 | ||||||||||
box 153 | Film Quarterly. An Interview with Sidney Lumet Winter 1960 | ||||||||||
box 153 | Frontier. Williams on the Screen, Crusade Forgotten, American Film Comedy: Brass Present and Golden Past, The Ninth Wave 1959-1960 | ||||||||||
box 153 | The Half-Moon. Various articles on film. 1954-1956 | ||||||||||
box 153 | Hatari News. Howard Hawks: A Name to Remember undated | ||||||||||
box 153 | Ivy. Various reviews for theatre and film. 1959-1960 | ||||||||||
box 153 | Kennedy Center Honors. Tribute to Cary Grant Dec. 6, 1981 | ||||||||||
box 153 | LA Times. Josef von Sternberg's Inner Eye Still Keeps Its Secrets, Allan Dwan, 1885-1981, Marlene's Passkey: Goddess, Woman, Artist Review of books about Marlene Dietrich Jan. 18, 1970 Dec. 27, 1981 1992 | ||||||||||
box 153 | Liberty. "Portrait of John Ford" undated | ||||||||||
box 154 | Movie. Columns: Letter from Hollywood and Small Talk-Hollywood; Encounters with Jose von Sternberg, Josef von Sternberg, Tashlin's Cartoons, Working Within the System: Interview with Donald Siegel. 1963-1970 | ||||||||||
box 154 | New York. The Director as Target, Taps for Mr. Ford, Ride, Boldly Ride, Period Piece, Paul Revere and the Trolley Tracks, Hitchcock High and Low, The Duke's Gone West, Two Beeg Green Eyes 1968 1973-1974 1979 | ||||||||||
box 154 | New York Film Bulletin. Various untitled articles. 1960 | ||||||||||
box 154 | New York Times. Is It True What They Say About Orson?Henry Fonda, Boris Karloff, 1887-1969, The Original Written-And-Directed-By Was Preston Sturges 1970 1966 1969 1992 | ||||||||||
box 154 | New Yorker. Various articles for Film Notes. 1960 | ||||||||||
box 154 | On Film. Peter Bogdanovich Interviews Otto Preminger undated | ||||||||||
box 154 | Saturday Evening Post. Sonny and Cher: They're What's Happening, Baby Apr. 23, 1966 | ||||||||||
box 154 | Variety. Hitchcock's Gallery Oct. 26, 1965 | ||||||||||
box 154 | Washington Post Book World. Simon Simonized Review of Private Screenings, by John Simon. Nov. 5, 1967 | ||||||||||
box 154 | Miscellaneous: | ||||||||||
box 154 | Two articles by Daniel Talbot, ghost written by PB. 1960 | ||||||||||
box 154 | Various articles written for CBS News. 1988-1989 | ||||||||||
box 154 | Various radio scripts | ||||||||||
box 154 | Unpublished articles (4 folders) | ||||||||||
box 154 | Lists of writings | ||||||||||
Major works | |||||||||||
General | |||||||||||
Arranged alphabetically by title. | |||||||||||
box 154 | Allan Dwan: The Last Pioneer | ||||||||||
box 154 | Correspondence: general; Tim Lyons, including his Ph.D. thesisThe Silent Partner ; Clark Wilkinson (4 folders) | ||||||||||
box 154 | Filmography: Information; National Film Catalog; notes; silent film records & synopses (4 folders) | ||||||||||
box 154 | Research: Letters to & news clippings about AD, some pictures; jottings, lyrics of AD; stills notes; notes (5 folders) | ||||||||||
box 155 | Interviews: transcripts and cuts (16 folders) | ||||||||||
box 155 | Drafts (4 folders) | ||||||||||
box 156 | Drafts (11 folders) | ||||||||||
box 156 | The Cinema of Alfred Hitchcock and other Hitchcock related writings | ||||||||||
Scope and Contents | |||||||||||
Includes interview transcripts and a longer proposed book based on this monograph with preliminary title: Directed by Alfred Hitchcock | |||||||||||
box 156 | Filmography - Television; Edited notes for each film in chronological order Film media releases; PB Notes, misc. [1922-1974] (7 folders) | ||||||||||
box 156 | Research - including photographs and stills (2 folders) | ||||||||||
box 156 | Interviews - transcripts and interviews 1963 1972 (7 folders) | ||||||||||
box 156 | Drafts (4 folders) | ||||||||||
box 157 | Drafts (9 folders) | ||||||||||
box 157 | Photocopy of The Cinema of Alfred Hitchcock | ||||||||||
box 157 | The Cinema of Howard Hawks and other Hawks related writings | ||||||||||
Scope and Contents | |||||||||||
Includes materials from class taught at UCLA by PB concerning Hawks, BBC Television broadcast The Great Professional: Howard Hawks and interview transcripts | |||||||||||
box 157 | Research | ||||||||||
box 157 | Notes and essays from PB's Theatre Art class on Howard Hawks at UCLA ca. 1969 (3 folders) | ||||||||||
box 157 | Photocopies of stills | ||||||||||
box 157 | Unpublished manuscript from Noel Howard, "Pharaohs I Have Known" ca. 1985 (2 folders) | ||||||||||
General | |||||||||||
[contains Hawks information] | |||||||||||
box 157 | Interview transcripts (5 folders) | ||||||||||
box 158 | Interview transcripts (5 folders) | ||||||||||
box 158 | Drafts (18 folders) | ||||||||||
box 159 | Drafts (20 folders) | ||||||||||
box 160 | Drafts (12 folders) | ||||||||||
box 160 | Photographs for book | ||||||||||
box 160 | Notes and filmography | ||||||||||
box 160 | Materials concerning Hawks tribute | ||||||||||
General | |||||||||||
including letters from Dean Martin, Lauren Bacall, Kirk Douglas and Edward G. Robinson | |||||||||||
box 160 | Materials concerning proposed book: Three Monographs: The Cinema of Howard Hawks, Alfred Hitchcock, Orson Welles | ||||||||||
box 160 | Miscellaneous materials for The Cinema of Howard Hawks (2 folders) | ||||||||||
box 160 | Interview and notes for BBC program "The Great Professional: Howard Hawks" | ||||||||||
box 160 | The Killing of the Unicorn | ||||||||||
box 161 | original manuscripts | ||||||||||
box 161 | original typed manuscript 11/5/1983 (2 folders) | ||||||||||
box 161 | proofs | ||||||||||
box 161 | master set | ||||||||||
box 161 | editor's copy (2 folders) | ||||||||||
box 161 | bound galleys | ||||||||||
box 161 | revisions for Brazilian edition | ||||||||||
box 161 | photos (3 folders) | ||||||||||
box 161 | jacket cover | ||||||||||
box 161 | permissions | ||||||||||
box 161 | information relating to the book | ||||||||||
box 161 | miscellaneous production materials | ||||||||||
box 161 | publicity trip Aug.-Sept. 1984 | ||||||||||
box 162 | research | ||||||||||
box 162 | correspondence (5 folders) | ||||||||||
box 162 | Maranes, Alan | ||||||||||
box 162 | legal: includes materials on suits and counter suits between Hugh Hefner and PB (8 folders) | ||||||||||
box 162 | California Magazine | ||||||||||
box 162 | Daily News (2 folders) | ||||||||||
box 162 | 1985 | ||||||||||
box 162 | ads | ||||||||||
box 162 | miscellaneous | ||||||||||
box 162 | clippings | ||||||||||
box 162 | Pieces of Time | ||||||||||
box 163 | Original draft; Draft (3 folders) | ||||||||||
box 163 | Second edition: | ||||||||||
box 163 | notes (2 folders) | ||||||||||
box 163 | edits | ||||||||||
box 163 | corrections and permissions | ||||||||||
box 163 | drafts and music permissions | ||||||||||
box 163 | revisions and index | ||||||||||
box 163 | galley proofs | ||||||||||
box 163 | photocopy of final copy (no index) | ||||||||||
box 163 | jacket | ||||||||||
box 163 | jacket | ||||||||||
box 163 | miscellaneous | ||||||||||
box 163 | This is Orson Welles and other Welles related writings | ||||||||||
box 163 | Correspondence: | ||||||||||
box 163 | Orson Welles book (2 folders) | ||||||||||
box 163 | PB as go between | ||||||||||
box 163 | letters concerning NY Times article | ||||||||||
box 163 | Sherry Arden | ||||||||||
box 163 | Herman Gollob 1970 | ||||||||||
box 163 | Herman Gollob/Harper's Magazine press | ||||||||||
box 163 | legal | ||||||||||
box 163 | Joe McBride | ||||||||||
box 163 | Ann Rogers | ||||||||||
box 163 | solicitations | ||||||||||
box 163 | Richard Wilson | ||||||||||
box 163 | projects: Christ, Don't Catch Me, Soldier, Smiler, Carmen, Jake | ||||||||||
box 163 | Miscellaneous files: | ||||||||||
box 163 | bibliography of writings on Orson Welles | ||||||||||
box 163 | clearances | ||||||||||
box 163 | quoted material | ||||||||||
box 163 | radio, concerning War of the Worlds | ||||||||||
box 163 | Rosenbaum, Jonathan - editor of book (4 folders) | ||||||||||
box 163 | William Peiffer & Co. | ||||||||||
box 164 | Research materials: | ||||||||||
box 164 | Orson Welles translations | ||||||||||
box 164 | Quotes to be inserted | ||||||||||
box 164 | Interviews & articles by Orson Welles | ||||||||||
box 164 | Orson Welles Letters [copies] | ||||||||||
box 164 | Questions, general notes | ||||||||||
box 164 | Stills | ||||||||||
box 164 | Discards, notes | ||||||||||
box 164 | Career (4 folders) | ||||||||||
box 164 | 1915-1943 | ||||||||||
General | |||||||||||
[rough] | |||||||||||
box 164 | 1915-1943 | ||||||||||
General | |||||||||||
[revised] | |||||||||||
box 164 | 1944-1970 | ||||||||||
General | |||||||||||
[rough] | |||||||||||
box 164 | 1944-1970 | ||||||||||
General | |||||||||||
[revised] | |||||||||||
box 164 | Career (3 folders) | ||||||||||
box 164 | Career index-discarded | ||||||||||
box 164 | Filmography (5 folders) | ||||||||||
box 164 | Note files concerning Orson Welles movies: | ||||||||||
box 164 | Ambersons | ||||||||||
box 164 | Catch 22 | ||||||||||
box 164 | Falstaff | ||||||||||
box 164 | Heart of Darkness | ||||||||||
box 164 | Hearts of Age | ||||||||||
box 164 | The Immortal Story | ||||||||||
box 164 | It's All True | ||||||||||
box 164 | Jane Eyre | ||||||||||
box 164 | Kane | ||||||||||
box 164 | The Lady from Shanghai | ||||||||||
box 164 | Macbeth | ||||||||||
box 164 | Othello | ||||||||||
box 164 | The Stranger | ||||||||||
box 164 | Touch of Evil | ||||||||||
box 164 | The Trial | ||||||||||
box 164 | Mae [Woods] to research | ||||||||||
box 165 | Chapter drafts: | ||||||||||
box 165 | Questions finished | ||||||||||
box 165 | First drafts - Going Hollywood | ||||||||||
box 165 | Flashback: The Mercury on Stage & Radio | ||||||||||
box 165 | Kane | ||||||||||
box 165 | Flashback: Grand Detour | ||||||||||
box 165 | Ambersons | ||||||||||
box 165 | The Great Scandal | ||||||||||
box 165 | Working Within the System | ||||||||||
box 165 | Digression: In Praise of Censorship, Innocence & the Marketplace | ||||||||||
box 165 | Macbeth | ||||||||||
box 165 | Europe, Korda & The Third Man | ||||||||||
box 165 | The Lady from Shanghai | ||||||||||
box 165 | Othello | ||||||||||
box 165 | Digression: The Angle of the Mirror | ||||||||||
box 165 | Mr. Arkadin & Before | ||||||||||
box 165 | Back to Hollywood & Touch of Evil | ||||||||||
box 165 | Qu'est que vous pensez de Mizoguchi? | ||||||||||
box 165 | The Trial | ||||||||||
box 165 | 19 Chimes at Midnight and Earlier Hours | ||||||||||
box 165 | The Immortal Story | ||||||||||
box 165 | In the Future: Quixote, Jake & The Deep | ||||||||||
box 165 | Draft rewrites: | ||||||||||
box 165 | 1. Going Hollywood | ||||||||||
box 165 | 2. Flashback: The Mercury on Stage & Radio | ||||||||||
box 165 | 3. Citizen Kane | ||||||||||
box 165 | 4. Flashback: Detour | ||||||||||
box 165 | 5. The Magnificent Ambersons (2 folders) | ||||||||||
box 165 | 6. The Great Scandal | ||||||||||
box 165 | 7. Flashback: Christ & Chaplin at RKO | ||||||||||
box 165 | 8. Working Within the System: Stanger & others | ||||||||||
box 165 | 9. The Lady from Shanghai | ||||||||||
box 165 | 10. Against the Times | ||||||||||
box 165 | 11. Macbeth | ||||||||||
box 165 | 12. Europe, Korda & The Third Man | ||||||||||
box 165 | 13. Othello | ||||||||||
box 165 | 14. Angle of the Mirror | ||||||||||
box 165 | 15. More Parts, More Projects & Mr. Arkadin | ||||||||||
box 165 | 16. Touch of Evil and the Return to Hollywood | ||||||||||
box 165 | 17. Qu'est que vous pensez de Mizogouchi? | ||||||||||
box 165 | 18. The Trial: Two Moons and Other Events | ||||||||||
box 165 | 19. We Heard the Chimes at Midnight… | ||||||||||
box 165 | 20. The Immortal Story | ||||||||||
box 165 | 21. In the Future | ||||||||||
box 165 | The World of OW - Rome (2 folders) | ||||||||||
box 165 | Guaymas (2 folders) | ||||||||||
box 166 | Chapter drafts: | ||||||||||
box 166 | New York (2 folders) | ||||||||||
box 166 | Van Nyes (2 folders) | ||||||||||
box 166 | Beverly Hills (2 folders) | ||||||||||
box 166 | Hollywood (2 folders) | ||||||||||
box 166 | Paris (2 folders) | ||||||||||
box 166 | Carefree (2 folders) | ||||||||||
box 166 | Second chapter drafts: | ||||||||||
box 166 | 1. Going Hollywood | ||||||||||
box 166 | 2. Flashback: The Mercury on Stage & Radio | ||||||||||
box 166 | 3. Citizen Kane | ||||||||||
box 166 | 4. Flashback: Detour | ||||||||||
box 166 | 5. Quixote - Notes | ||||||||||
box 166 | 6. The Magnificent Ambersons (2 folders) | ||||||||||
box 166 | 7. The Great Scandal (2 folders) | ||||||||||
box 166 | 8. Flashback: Christ & Chaplin at RKO | ||||||||||
box 166 | 9. The Lady from Shanghai | ||||||||||
box 166 | 10. Against the Times | ||||||||||
box 166 | 11. Macbeth | ||||||||||
box 166 | 12. Europe, Korda & The Third Man | ||||||||||
box 166 | 14. Angle of the Mirror | ||||||||||
box 166 | 15. More Parts, More Projects & Mr. Arkadin | ||||||||||
box 166 | 17. Qu'est que vous pensez de Mizogouchi? | ||||||||||
box 166 | 19. We Have Heard the Chimes at Midnight… | ||||||||||
box 166 | 20. The Immortal Story | ||||||||||
box 166 | 21. In the Future | ||||||||||
box 166 | Duplications & revisions | ||||||||||
box 166 | Insert & notes for 5-8 (4 folders) | ||||||||||
box 166 | Drafts of chapters 4, 5, 7, 9 | ||||||||||
box 167 | Drafts of chapters 10, 11, 12, 14, 15, 17, 19-21 (3 folders) | ||||||||||
box 167 | Cuts - miscellaneous (4 folders) | ||||||||||
box 167 | Cuts - Ambersons, Grand Detour, Journey & It's All True | ||||||||||
box 167 | Cuts - Digressions, misc., directors | ||||||||||
box 167 | Cuts - Europe, Korda, Othello, Arkadin | ||||||||||
box 167 | Cuts - Immortal, Deep, Quixote, Jake | ||||||||||
box 167 | Cuts - Kane & Before | ||||||||||
box 167 | Cuts - RKO Flashback, Working in System, Lady from Shanghai, Macbeth | ||||||||||
box 167 | Cuts - Touch, Trial, Chimes | ||||||||||
box 167 | notes for Orson Welles book (3 folders) | ||||||||||
box 167 | chapters, acknowledgments, foreword | ||||||||||
box 167 | draft of introduction | ||||||||||
box 167 | edits, miscellaneous (3 folders) | ||||||||||
box 167 | second drafts - Chapters 1, 2 (2 folders) | ||||||||||
box 168 | Second drafts - Chapters 2-3 (4 folders) | ||||||||||
box 168 | Draft [copy 1] (8 folders) | ||||||||||
box 168 | Draft [copy 2] (4 folders) | ||||||||||
box 168 | Draft pages (3 folders) | ||||||||||
box 168 | galley proofs (2 folders) | ||||||||||
box 169 | Edits from Iris Chester | ||||||||||
box 169 | photographs/stills for books (2 folders) | ||||||||||
box 169 | bound proof | ||||||||||
box 169 | jacket and jacket materials | ||||||||||
box 169 | correspondence related to book | ||||||||||
box 169 | publicity (3 folders) | ||||||||||
box 169 | reviews | ||||||||||
box 169 | audio recording of book (2 folders) | ||||||||||
box 169 | Other Welles-related writings by PB: | ||||||||||
box 169 | The Cinema of Orson Welles (MOMA monograph) (3 folders) | ||||||||||
box 169 | Articles: | ||||||||||
box 169 | Is It True What They Say About Orson? | ||||||||||
box 169 | The Kane Mutiny | ||||||||||
box 169 | A Question of Honor | ||||||||||
box 169 | Raising Kael (5 folders) | ||||||||||
box 169 | The Scorpion and the Frog (2 folders) | ||||||||||
box 169 | miscellaneous folder Articles and reviews by PB | ||||||||||
box 169 | Welles-related writings by others: | ||||||||||
box 169 | Andre Bazin - Orson Welles, A Critical View | ||||||||||
box 169 | George Bellak - Rosebud: A Play in Two Acts | ||||||||||
box 169 | Charles Higham - The Films of Orson Welles | ||||||||||
box 170 | Alva Johnson and Fred Smith - How to Raise a Child | ||||||||||
box 170 | Howard A. Rodman - The Western Manhattan Warehouse being an account of the final days of Orson Welles, his friends, and what he leaves behind | ||||||||||
box 170 | Orson Vels [Yugoslavian] | ||||||||||
box 170 | Miscellaneous: | ||||||||||
box 170 | NY tape | ||||||||||
box 170 | annotated script, script pages, and stills for Magnificent Ambersons (3 folders) | ||||||||||
box 170 | Marty Halperin tapes | ||||||||||
box 170 | reel-to-reel tapes | ||||||||||
box 170 | Unpublished story of Orson Welles surfaces at Swann Galleries - press kit from Swann Galleries | ||||||||||
box 170 | clippings (5 folders) | ||||||||||
box 170 | miscellaneous (3 folders) | ||||||||||
box 170 | Who the Devil Made It? | ||||||||||
box 170 | Notes & transcripts for each director: | ||||||||||
box 170 | Allan Dwan (1 folder) | ||||||||||
box 170 | Raoul Walsh (7 folders) | ||||||||||
box 171 | Raoul Walsh (4 folders) | ||||||||||
box 171 | Fritz Lang (3 folders) | ||||||||||
box 171 | Joseph von Sternberg (3 folders) | ||||||||||
box 171 | Howard Hawks (3 folders) | ||||||||||
box 171 | Leo McCarey (5 folders) | ||||||||||
box 171 | Edward G. Ulmer (2 folders) | ||||||||||
box 171 | Edward G. Ulmer (3 folders) | ||||||||||
box 171 | Otto Preminger (5 folders) | ||||||||||
box 171 | Joseph H. Lewis (6 folders) | ||||||||||
box 171 | Don Siegel (3 folders) | ||||||||||
box 171 | Frank Tashlin (3 folders) | ||||||||||
box 171 | Appendix | ||||||||||
box 171 | Index notes? | ||||||||||
box 171 | draft March 29, 1994 | ||||||||||
box 171 | notes, PB writings | ||||||||||
box 171 | draft, with edits (2 folders) | ||||||||||
box 171 | Drafts of foreword | ||||||||||
box 171 | Misc. drafts | ||||||||||
box 171 | A Year and A Day (calendar) | ||||||||||
box 173 | edition 1991 | ||||||||||
box 173 | Correspondence | ||||||||||
box 173 | early concept of calendar | ||||||||||
box 173 | miscellaneous materials and notes (5 folders) | ||||||||||
box 173 | drafts, mock-up, revisions (11 folders) | ||||||||||
box 173 | miscellaneous | ||||||||||
box 173 | working copies (6 vols.) | ||||||||||
box 174 | edition 1992 | ||||||||||
box 174 | Correspondence (3 folders) | ||||||||||
General | |||||||||||
includes "thank you notes" from Phyllis Diller, Jeff Bridges, Lesley Ann Warren and Oprah Winfrey | |||||||||||
box 174 | The birthday book | ||||||||||
box 174 | "Calendars sent to:" | ||||||||||
box 174 | captions | ||||||||||
box 174 | charts | ||||||||||
box 174 | dactyl numbers | ||||||||||
box 174 | The 5 Stations & 4 X-Quarter days | ||||||||||
box 174 | Mariya Gumbatas | ||||||||||
box 174 | holidays and additional dates (2 folders) | ||||||||||
box 174 | The lady and the unicorn | ||||||||||
box 174 | planets | ||||||||||
box 174 | tree months | ||||||||||
box 174 | weekly/monthly listings | ||||||||||
box 174 | zodiac information | ||||||||||
box 174 | miscellaneous notes | ||||||||||
box 174 | illustrations (2 folders) | ||||||||||
box 174 | drafts and revisions (5 folders) | ||||||||||
box 174 | galleys (3 folders) | ||||||||||
box 174 | cover | ||||||||||
box 174 | working copies (2 vols.) | ||||||||||
box 175 | edition 1993 | ||||||||||
box 175 | Correspondence (2 folders) | ||||||||||
box 175 | publicity | ||||||||||
box 175 | statistics | ||||||||||
box 175 | trapestries from India | ||||||||||
box 175 | corrections, drafts, mock-ups, galleys, etc. (7 folders) | ||||||||||
box 175 | working copy (1 vol.) | ||||||||||
box 175 | edition 1994 | ||||||||||
box 175 | Corrections, drafts, revisions, etc. (7 folders) | ||||||||||
box 175 | Writings by Others | ||||||||||
box 175 | Giacci, Vittorio. Cinema on Cinema According to Bogdanovich. (3 folders) | ||||||||||
General | |||||||||||
Manuscript, photocopy and printed volume | |||||||||||
box 175 | Schrader, Scott. Other Heroes. | ||||||||||
General | |||||||||||
Photocopy of manuscript | |||||||||||
box 175 | Sherman, Eric. A Discussion on the Art of Film, based on materials by Paul Weiss, with additional comments by Eric Sherman. | ||||||||||
General | |||||||||||
Letter from Sherman and carbon of manuscript | |||||||||||
box 176 | Sinclair, Andrew. John Ford. (4 folders) | ||||||||||
General | |||||||||||
Letter, photocopy of manuscript and uncorrected proof | |||||||||||
box 176 | Sturges, Preston. Preston Sturges. | ||||||||||
General | |||||||||||
Photocopy of book and letter | |||||||||||
box 176 | Yule, Andrew. Bogdanovich Through His Movies. | ||||||||||
General | |||||||||||
Postcard from Yule and copy of manuscript | |||||||||||
box 176 | author unknown. Marlene Dietrich book. (4 folders) | ||||||||||
General | |||||||||||
Corrected copy of manuscript |
Financial | |||||||||||
Scope and Contents | |||||||||||
Contains: bank statements, tax papers, cancelled checks, receipts and papers related to various businesses including: Saticoy Productions, Blue Moon and Copa de Oro. Contents are unarranged. | |||||||||||
box 177 | 1971-1972 | ||||||||||
box 178 | (including tax papers) 1971-1982 | ||||||||||
box 179 | 1970-1983 | ||||||||||
box 180 | Threshold 1972-1983 | ||||||||||
box 181 | Receipts 1973-1975 | ||||||||||
box 182 | 1974-1975 | ||||||||||
box 183 | 1974-1984 | ||||||||||
box 184 | 1975-1985 | ||||||||||
box 185 | 1975 | ||||||||||
box 186 | 1977-1983 | ||||||||||
box 187 | (mostly paid bills) 1976-1977 | ||||||||||
box 188 | Paid bills consolidated income statements 1978-1979 1985 | ||||||||||
box 189 | 1978-1983 | ||||||||||
box 190 | 1978-1980 | ||||||||||
box 191 | Saticoy, Copa de Oro, EDP data 1976-1979 | ||||||||||
box 192 | 1976 | ||||||||||
box 193 | Saticoy, Copa de Oro 1973-1979 | ||||||||||
box 194 | Accounting ledgers & bankbook balances; Saticoy Copa de Oro, Bank of America 1974 1975-1976 1978-1979 1979 | ||||||||||
box 195 | 1979, Jan. - Sept. | ||||||||||
box 196 | Copa de Oro 1979, Oct. - Dec. 1979, Jan.-July | ||||||||||
box 197 | Copa de Oro 1980 1979, Aug.-Dec. | ||||||||||
box 198 | 1960 1977-1981 | ||||||||||
box 199 | Wells Fargo statementsreceipts, check copies 1975 1981-1985 1981 | ||||||||||
box 200 | Wells Fargo Bank 1975, Aug.-Dec. | ||||||||||
box 201 | Cancelled checks - various dates | ||||||||||
box 202 | Cancelled checks 1969-1981 | ||||||||||
box 203 | receipts 1979-1982 1980 | ||||||||||
box 204 | Moon Pictures 1980s | ||||||||||
box 205 | 1975-1978 1981-1984 | ||||||||||
box 206-207 | Miscellaneous |
Boris and Herma Bogdanovich 1885-1979 | |||||||||||
Scope and Contents | |||||||||||
Consists of the papers of Peter Bogdanovich's parents, Borislav and Herma (Robinson) Bogdanovich. This series is organized into the following subseries: I. Correspondence; II. Subjects; III. Financial; IV. Miscellaneous; V. Diaries, notebooks and address books. | |||||||||||
Correspondence | |||||||||||
box 208 | 1885-1937, Sept. | ||||||||||
box 209 | 1937, Oct.-1945, June | ||||||||||
box 210 | 1945, July-1951 | ||||||||||
box 211 | 1952-1959, Mar. | ||||||||||
box 212 | 1959, Apr.-1964 | ||||||||||
box 213 | 1965-1972 | ||||||||||
box 214 | 1973-1979 | ||||||||||
box 214 | Peter's letters to family (6 folders) | ||||||||||
box 214 | family letters 1966 | ||||||||||
box 214 | undated (7 folders) | ||||||||||
Subjects | |||||||||||
box 214 | Biographical (3 folders) | ||||||||||
box 214 | art supplies 1968-1970 | ||||||||||
box 214 | Artists Equity Association 1947-1959 (4 folders) | ||||||||||
box 215 | Artists Equity Association undated | ||||||||||
box 215 | artwork - sale | ||||||||||
box 215 | Bimson | ||||||||||
box 215 | Bogdanovich vs. Streletski | ||||||||||
box 215 | Bogdanovich, Anna | ||||||||||
box 215 | Bogdanovich, Peter (mostly correspondence from and about PB) (2 folders) | ||||||||||
box 215 | car | ||||||||||
box 215 | car maintenance | ||||||||||
box 215 | Collegiate School (concerning PB) | ||||||||||
box 215 | Collegiate School vs. Bogdanovich | ||||||||||
box 215 | Columbia University (receipts for tuition for PB) | ||||||||||
box 215 | contributions and dues, including numerous membership cards (2 folders) | ||||||||||
box 215 | Curtis, Philip C. | ||||||||||
box 215 | drawings, both by Boris and children | ||||||||||
box 215 | exhibitions (5 folders) | ||||||||||
box 216 | Frames | ||||||||||
box 216 | freight; | ||||||||||
box 216 | graphics show 2/7-3/5, 1967 | ||||||||||
box 216 | Great Oaks Camp (2 folders) | ||||||||||
box 216 | house maintenance | ||||||||||
box 216 | house mortgage | ||||||||||
box 216 | immigration and naturalization | ||||||||||
box 216 | insurance (2 folders) | ||||||||||
box 216 | lectures | ||||||||||
box 216 | legal | ||||||||||
box 216 | legal-lawsuits | ||||||||||
box 216 | medical (2 folders) | ||||||||||
box 216 | music | ||||||||||
box 216 | Neugass | ||||||||||
box 216 | Polly Platt | ||||||||||
box 216 | photographs - artwork | ||||||||||
box 216 | photographs - family, friends, etc. | ||||||||||
box 216 | proposals [for art gallery and frame shop] | ||||||||||
box 216 | publicity | ||||||||||
box 216 | rental property | ||||||||||
box 216 | Robinson family | ||||||||||
box 217 | Scottsdale Fines Arts Commission (3 folders) | ||||||||||
box 217 | Soretić, Fedor | ||||||||||
box 217 | Trill Bill | ||||||||||
box 217 | Tabbat, Bernard/Tabchnick, Jacob | ||||||||||
box 217 | travel (6 folders) | ||||||||||
box 217 | United Nations International School (Anna) (3 folders) | ||||||||||
box 217 | Vagabonding with Vanderbilt 1962-1964 | ||||||||||
box 217 | World War II, including ration books and air warden materials | ||||||||||
box 217 | writings (2 folders) | ||||||||||
box 217 | Young & Rubicam, Inc. | ||||||||||
Financial (16 folders) | |||||||||||
General | |||||||||||
Includes tax papers, loan papers, Small Business Administration loan, receipts, etc. | |||||||||||
Miscellaneous (unsorted) | |||||||||||
box 218 | Unsorted papers. (4 folders) | ||||||||||
General | |||||||||||
Includes notes, lists of paintings, writings, printed items | |||||||||||
box 219 | Unsorted papers (cont.) (24 folders) | ||||||||||
Diaries, notebooks, address books | |||||||||||
box 220 | Unsorted, approximately 60 in number |
Printed | |||||||||||
box 221 | Esquire magazines, containing articles by PB: | ||||||||||
box 221 | 1962, Aug. 1962, Nov. | ||||||||||
box 221 | 1964, Apr. 1964, Sept. | ||||||||||
box 221 | 1965, Feb. | ||||||||||
box 221 | 1966, July | ||||||||||
box 221 | 1972, Jan.-Dec. | ||||||||||
box 221 | (40th anniversary issue) 1973, Jan.-June 1973, Oct. | ||||||||||
box 221 | 1977, Dec. | ||||||||||
box 221 | (dummy and final) 1978, Feb. 1978, Mar. 1 1978, Sept. 12 | ||||||||||
box 221 | (50th anniversary issue) 1983, Dec. | ||||||||||
box 221 | 1986, Jan. | ||||||||||
box 221 | (Cinema Odyssey, - Japanese edition) 1990, Apr. 1930-1990 | ||||||||||
box 221 | Bad News: The Best of Esquire Magazine's Dubious Achievements 1961-1984 | ||||||||||
box 222 | Magazines containing articles by PB (6 folders) | ||||||||||
box 222 | Magazines containing articles about PB (4 folders) | ||||||||||
box 222 | Magazines containing articles about actors and reviews of PB's films (5 folders) | ||||||||||
box 222 | Cuttings and magazines containing articles about Cybill Shepherd (5 folders) | ||||||||||
box 222 | Miscellaneous magazines (7 folders) | ||||||||||
box 222 | Miscellaneous magazines (14 folders) | ||||||||||
box 222 | Clippings (Unarranged and unlisted) | ||||||||||
box 222 | Newspapers (Unarranged and unlisted) |
Mixed Media | |||||||||||
Scope and Contents | |||||||||||
Includes: broadcast tapes (which may not be used in present format), VHS tapes, audio cassettes, reel-to-reel audio tapes, 45rpm recordings, color slides, and negatives. | |||||||||||
Does not include: photographs and stills filed in the I. Office or II. Films portion of inventory. | |||||||||||
Broadcast tapes | |||||||||||
General | |||||||||||
One tape for each title, unless otherwise indicated. | |||||||||||
box 230 | Anne & Joey (2 tapes) | ||||||||||
box 230 | At Long Last Love (2 tapes) | ||||||||||
box 230 | Daisy Miller (2 tapes) | ||||||||||
box 230 | Illegally Yours (2 tapes) | ||||||||||
box 230 | Last Picture Show (8 tapes) | ||||||||||
box 231 | Last Picture Show (4 tapes) | ||||||||||
box 231 | Mask | ||||||||||
box 231 | Nickelodeon (5 tapes) | ||||||||||
box 231 | Noises Off (1 tape) | ||||||||||
box 231 | Texasville (3 tapes) | ||||||||||
box 231 | Texasville (2 tapes) | ||||||||||
box 232 | Texasville (2 tapes) | ||||||||||
box 232 | They All Laughed (12 tapes) | ||||||||||
box 232 | The Thing Called Love (2 tapes) | ||||||||||
box 233 | The Thing Called Love (3 tapes) | ||||||||||
box 233 | What's Up Doc? | ||||||||||
box 233 | Hugh Hefner: Good Morning America, Apr. 2 and CBS Morning News, Apr. 2 | ||||||||||
box 233 | Judy Holliday: 6/23/1988 6/30/1988 7/7/1988… | ||||||||||
box 233 | The Movies: Howard Hawks 8/24/1981 | ||||||||||
box 233 | Peter Bogdanovich - The Movies 2/9/1977 | ||||||||||
box 233 | Test & P.B. direction, Sun. Apr. 3, Act 2, Sc. 2 | ||||||||||
box 233 | Joanne Carson Show 1/15/1973 | ||||||||||
box 233 | Dinah Shore, #43 (2 tapes) | ||||||||||
box 233 | Phil Donohue, PB guest star | ||||||||||
box 233 | Tonight Show - PB guest host (2 tapes) | ||||||||||
box 234 | Today Showsegment with Rona Barrett 3/8/1981 | ||||||||||
box 234 | Tomorrow Show | ||||||||||
box 234 | Mozart Requiem - Bohm | ||||||||||
box 234 | CBS News tapes (smaller format): (3 tapes) | ||||||||||
box 234 | King Vidor 6/1/1989 | ||||||||||
box 234 | Big Sleep & Renoir | ||||||||||
box 234 | PB on Cary Grant | ||||||||||
box 234 | [unidentified tape labeled: 4/29, 5/19, 5/26] | ||||||||||
VHS tapes | |||||||||||
General | |||||||||||
One tape for each title, unless otherwise indicated. | |||||||||||
box 234 | Illegally Yours (5 tapes) | ||||||||||
box 234 | Last Picture Show (5 tapes) | ||||||||||
box 234 | Noises Off (6 tapes) | ||||||||||
box 235 | Noises Off (6 tapes) | ||||||||||
box 235 | Texasville (31 tapes) | ||||||||||
box 236-237 | Texasville (66 tapes) | ||||||||||
box 238 | Texasville (3 tapes) | ||||||||||
box 238 | The Thing Called Love (27 tapes) | ||||||||||
box 238 | Bogart - old version | ||||||||||
box 238 | Best of Bogart *needs changes | ||||||||||
box 238 | Frank Capra - 1st cut | ||||||||||
box 238 | Chaplin - 1st cut | ||||||||||
box 238 | Cary Grant (I) - 1st cutNG./revised 11/28/1987 | ||||||||||
box 238 | Hitchcock biography with PB - A & E 5/21/1994 | ||||||||||
box 238 | Sal Mineo | ||||||||||
box 238 | Sturges - 1st cut | ||||||||||
box 238 | Best of Shirley Temple - 1st cut | ||||||||||
box 238 | Favorites of 1958 | ||||||||||
box 238 | Favorites of 1959 (2 tapes) | ||||||||||
box 239 | Oscar losers (II) CBS - 1st cut 4/11/1988 | ||||||||||
box 239 | Director's Signature Series - Paper Moon (2 tapes) | ||||||||||
box 239 | It's All True, Window dub 7/26/1993 | ||||||||||
box 239 | Sci-Fi channel - Roger Corman's Cult Classics - opens and bumpers | ||||||||||
box 239 | Ernst Lubitsch movies | ||||||||||
box 239 | Only Angels Have Wings | ||||||||||
box 239 | Bringing Up Baby | ||||||||||
box 239 | Flix special (2 tapes) | ||||||||||
box 239 | Aug. edition '90 | ||||||||||
box 239 | Sept. edition | ||||||||||
box 239 | Friend to Friend with Scratch Trak… 4/6/1989 | ||||||||||
box 239 | Dracula-Bela Lugosi - Interview with Rusty follows | ||||||||||
box 239 | Colorization - Channel 11 at 8, Channel 9 at 9, Channel 7 at 11 | ||||||||||
box 239 | Miscellaneous tapes - audition tapes and unidentified (23 tapes) | ||||||||||
Audio cassettes | |||||||||||
General | |||||||||||
One tape for each title, unless otherwise indicated. | |||||||||||
box 240 | At Long Last Love (3 cassettes) | ||||||||||
box 240 | City Girl (1 cassette) | ||||||||||
box 240 | Daisy Miller (1 cassette) | ||||||||||
box 240 | Dancing Detective (1 cassette) | ||||||||||
box 240 | Illegally Yours (9 cassettes) | ||||||||||
box 240 | Nickelodeon (1 cassette) | ||||||||||
box 240 | Noises Off (4 cassettes) | ||||||||||
box 240 | Paper Moon (1 cassette) | ||||||||||
box 240 | Paradise Road (1 cassette) | ||||||||||
box 240 | Saint Jack (3 cassettes) | ||||||||||
box 240 | Texasville (3 cassettes) | ||||||||||
box 240 | They All Laughed (12 cassettes) | ||||||||||
box 240 | The Thing Called Love (28 cassettes) | ||||||||||
box 240 | Welles, Orson (13 cassettes) | ||||||||||
box 240 | What's Up Doc? (4 cassettes) | ||||||||||
box 241 | At Long Last Love (72 cassettes) | ||||||||||
box 241 | Miscellaneous (34 cassettes) | ||||||||||
Reel-to-reel audio tapes | |||||||||||
box 228 | Miscellaneous (three 10½" tapes) | ||||||||||
box 242 | Bogdanovich, Peter - miscellaneous narration (7" tape) | ||||||||||
box 242 | Interviews with directors: | ||||||||||
box 242 | Cukor, George (three 5" tapes) | ||||||||||
box 242 | Dwan, Allan (four 7" tapes) | ||||||||||
box 242 | Ford, John (two 7" tapes) | ||||||||||
box 242 | Henry Fonda on Ford (one 7" tape) | ||||||||||
box 242 | George O'Brien on Ford (one 5" tape) | ||||||||||
box 242 | Jimmy Stewart on Ford (two 7" tapes) | ||||||||||
box 242 | John Wayne on Ford (one 7" tape) | ||||||||||
box 242 | Hawks, Howard (one 5" tape and seven 7" tapes) | ||||||||||
box 242 | Hitchcock, Alfred (fourteen 7" tapes, plus Lilly cassette copies) | ||||||||||
box 242 | Jones, Chuck (two 7" tapes) | ||||||||||
box 242 | Lang, Fritz (three 7" tapes) | ||||||||||
box 243 | Annie & Joey (17 7" tapes; one 5" tape) | ||||||||||
box 243 | At Long Last Love (one 7" tape; three 5" tapes) | ||||||||||
box 243 | Interviews with directors: | ||||||||||
box 243 | Lewis, Joseph H. (one 7" tape) | ||||||||||
box 243 | Lumet, Sidney (one 7" tape) | ||||||||||
box 243 | McCarey, Leo (two 7" tapes) | ||||||||||
box 243 | Preminger, Otto (two 7" tapes; one 5" tape) | ||||||||||
box 243 | Randall, Tony (one 7" tape) | ||||||||||
box 243 | Randall, Tony and Robert Morley (one 5" tape) | ||||||||||
box 243 | Siegal, Don (one 7" tape) | ||||||||||
box 243 | Ulmer, Edgar (two 5" tapes) | ||||||||||
box 243 | Walsh, Raoul (one 7" tape) | ||||||||||
box 243 | Welles, Orson (two 5" tapes) | ||||||||||
box 244 | At Long Last Love (33 5" tapes) | ||||||||||
box 244 | Gill Women (two 7" tapes) | ||||||||||
box 244 | Last Picture Show (three 5" tapes; six 7" tapes) | ||||||||||
box 244 | Nickelodeon (eight 7" tapes) | ||||||||||
box 244 | Paper Moon (eight 7" tapes; two 5" tapes) | ||||||||||
box 245 | Illegally Yours (one 7" tape) | ||||||||||
box 245 | The Looters (one 2" tape) | ||||||||||
box 245 | They All Laughed (ten 7" tapes; nineteen 5" tapes) | ||||||||||
box 245 | What's Up Doc? (two 5" tapes; one 7" tape) | ||||||||||
box 245 | Miscellaneous (one 3" tape; eleven 5" tapes; nine 7" tapes) | ||||||||||
box 246 | Miscellaneous (34 7" tapes; three 10" tapes) | ||||||||||
box 247 | They All Laughed (eleven 10½" tapes) | ||||||||||
box 247 | Miscellaneous (two 10½" tapes) | ||||||||||
45 rpm recordings | |||||||||||
General | |||||||||||
Various, including songs for They All Laughed | |||||||||||
Polaroids | |||||||||||
General | |||||||||||
Continuity shots for Illegally Yours, ca. 400 | |||||||||||
Color slides | |||||||||||
box 249 | Another You (6 slides) | ||||||||||
box 249 | At Long Last Love - Bruce McBroom "kills" (4048 slides) | ||||||||||
Color slides and negatives | |||||||||||
box 250 | At Long Last Love - Eva Sekeny "kills" (2040 slides) | ||||||||||
box 250 | Daisy Miller "kills" (ca. 420 slides, 1 sheet color negatives) | ||||||||||
box 250 | The Last Picture Show (ca. 320 color slides, 3 sheets of color negatives) | ||||||||||
box 250 | Saint Jack (ca. 240 color slides, 31 sheets of black and white negatives, 5 sheets of color negatives) | ||||||||||
box 250 | Texasville (ca. 400 color slides, 57 color transparencies) | ||||||||||
box 250 | Miscellaneous black and white negatives, color negatives, color slides | ||||||||||
box 250 | They All Laughed (ca. 3500 color slides, 114 sheets of black and white negatives, 1 color transparency) | ||||||||||
Film | |||||||||||
Arrangement | |||||||||||
Arranged alphabetically by film title. | |||||||||||
box 523 | [1974 Commercials: Sears Paint at Booker T. Washington home; Golden Start Armour Canned Ham, Sank Decaf Coffee] (35mm; 1 reel; 205 ft; color; sd) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 609 | Ann and Joey Mix (soundtrack) Reel 1 (35mm; 1 reel; 1130 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 281 | At Long Last Love (16mm print 1) Reel 1 of 4 (16mm; 1 reel; 1290 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 282 | At Long Last Love (16mm print 1) Reel 2 of 4 (16mm; 1 reel; 1240 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 282 | At Long Last Love (16mm print 1) Reel 3 of 4 (16mm; 1 reel; 1330 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 283 | At Long Last Love (16mm print 1) Reel 4 of 4 (16mm; 1 reel; 800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 288 | At Long Last Love (16mm print 1) Reel 4 of 4 (16mm; 1 reel; 630 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 286 | At Long Last Love (16mm print 2) Reel 1 of 4 (16mm; 1 reel; 1145 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 287 | At Long Last Love (16mm print 2) Reel 2 of 4 (16mm; 1 reel; 1120 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 287 | At Long Last Love (16mm print 2) Reel 3 of 4 (16mm; 1 reel; 1380 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 323 | At Long Last Love (35mm print 1) Reel 1 of 7 (35mm; 1 reel; 1400 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 324 | At Long Last Love (35mm print 1) Reel 2 of 7 (35mm; 1 reel; 1290 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 325 | At Long Last Love (35mm print 1) Reel 3 of 7 (35mm; 1 reel; 1260 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 326 | At Long Last Love (35mm print 1) Reel 4 of 7 (35mm; 1 reel; 1350 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 327 | At Long Last Love (35mm print 1) Reel 5 of 7 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 328 | At Long Last Love (35mm print 1) Reel 6 of 7 (35mm; 1 reel; 1500 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 329 | At Long Last Love (35mm print 1) Reel 7 of 7 (35mm; 1 reel; 1450 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 364 | At Long Last Love (35mm print 2) Reel 1 of 7 (35mm; 1 reel; 1400 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 365 | At Long Last Love (35mm print 2) Reel 2 of 7 (35mm; 1 reel; 1280 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 366 | At Long Last Love (35mm print 2) Reel 3 of 7 (35mm; 1 reel; 1260 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 367 | At Long Last Love (35mm print 2) Reel 4 of 7 (35mm; 1 reel; 1350 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 368 | At Long Last Love (35mm print 2) Reel 5 of 7 (35mm; 1 reel; 1710 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 369 | At Long Last Love (35mm print 2) Reel 6 of 7 (35mm; 1 reel; 1500 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 370 | At Long Last Love (35mm print 2) Reel 7 of 7 (35mm; 1 reel; 1440 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 632 | At Long Last Love (35mm print) Opening Credits only; M.T. only/ balance of reel removal (35mm; 1 reel; 365 ft; color) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 659 | At Long Last Love (35mm print) Reel 2 only; lifts (35mm; 1 reel; 1626 ft; color) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 606 | [At Long Last Love-- Behind the Scenes] (16mm; 1 reel; 538 ft; b&w; color) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 648 | At Long Last Love (dailies) Misc. Scenes (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 649 | At Long Last Love (dailies) Misc. Scenes (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 723 | At Long Last Love (negative) Gag Reel (35mm; 1 reel; 580 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 533 | At Long Last Love (outtakes) Behind the Scenes & Bogdanovich directing (35mm; 1 reel; 455 ft; color; sd) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 523 | At Long Last Love (picture trims) End credits revised (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 531 | At Long Last Love (picture trims) Scene 114A (35mm; 1 reel; 750 ft; color | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 723 | At Long Last Love (picture) Which/ lifts (35mm; 1 reel; 100 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 710 | At Long Last Love (picture) Gag Reel (35mm; 1 reel; 590 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 648 | At Long Last Love (picture) Promo #5; Bogdanovich directing (35mm; 1 reel; 60 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 648 | At Long Last Love (picture) Promo; Behind the Scenes with Bogdanovich (35mm; 1 reel; 375 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 530 | [At Long Last Love Promotional] (35mm print) (35mm; 1 reel; 240 ft; color; sd) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 531 | [At Long Last Love Promotional] (35mm print) (35mm; 1 reel; 240 ft; color; sd) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 649 | At Long Last Love (sound dailies) Misc. Scenes (35mm; 1 reel; 30 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 650 | At Long Last Love (sound dailies) Misc. Scenes (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 530 | At Long Last Love (sound trims) 52 (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 519 | At Long Last Love (sound trims) Gag Footage- 48 (A-14) (35mm; 1 reel; 60 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 518 | At Long Last Love (sound trims) Gag Footage- 50 (35mm; 1 reel; 80 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 532 | At Long Last Love (sound trims) Scene 114A (35mm; 1 reel; 260 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 723 | At Long Last Love (soundtrack) Which/ lifts (35mm; 1 reel; 100 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 715 | At Long Last Love (soundtrack) Gag Reel (35mm; 1 reel; 590 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 648 | At Long Last Love (soundtrack) Promo (35mm; 1 reel; 160 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 523 | [At Long Last Love-- teaser trailer -] (35mm; 1 reel; 110 ft; color; sd) | ||||||||||
General | |||||||||||
Teaser | |||||||||||
box 531 | [At Long Last Love trailer] (35mm; 1 reel; 330 ft; color; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 517 | At Long Last Love (trims) Gag Footage- 48 (A-14) (35mm; 1 reel; 60 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 517 | At Long Last Love (trims) Gag Footage- 50 (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 627 | At Long Last Love (trims) LIFTS (trims) (35mm; 1 reel; 1680 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 633 | [Behind the Scenes--At Long Last Love-- (soundtrack) Peter Bogdanovich on set] (35mm; 1 reel; 360 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 633 | [Behind the Scenes--At Long Last Love--] (picture) (35mm; 1 reel; 360 ft; color) | ||||||||||
General | |||||||||||
box 633 | [Behind the Scenes--At Long Last Love--] (soundtrack) (35mm; 1 reel; 360 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 633 | [Behind the Scenes--Daisy Miller--] (trims) (35mm; 1 reel; 360 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 633 | [Behind the Scenes--Daisy Miller] (trims) Peter at work (35mm; 1 reel; 420 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 481 | [Behind the Scenes--What's Up Doc?] copy 1; [Behind the Scenes--What's Up Doc?] copy 2 (16mm; 1 reel; 600 ft; color; sd) | ||||||||||
General | |||||||||||
box 531 | Birth of a Nation (35mm print) (Incomplete: 1 reel only) (Fine Grain master) (35mm; 1 reel; 960 ft; b&w) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 532 | Birth of a Nation (35mm print) (Incomplete: 1 reel only) (Fine Grain master) (35mm; 1 reel; 410 ft; b&w; tinted; si) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 529 | Birth of a Nation (35mm print) (Incomplete: 3 reels only) (Fine Grain master) Reel 1 (35mm; 1 reel; 900 ft; b&w) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 530 | Birth of a Nation (35mm print) (Incomplete: 3 reels only) (Fine Grain master) Reel 2 (35mm; 1 reel; 200 ft; b&w) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 530 | Birth of a Nation (35mm print) (Incomplete: 3 reels only) (Fine Grain master) Reel 3 (35mm; 1 reel; 725 ft; b&w) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 650 | Birth of a Nation (35mm print) (Incomplete: Reel 4 only) (Fine Grain master) (35mm; 1 reel; 960 ft; b&w) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 634 | Birth of a Nation (35mm print) (Segment only) (35mm; 1 reel; 250 ft; b&w) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 610 | Bogdanovich Photo Boy (soundtrack) (35mm; 1 reel; 260 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 479 | [Bogdanovich home movies-- family-- Antonia as a baby and toddler] Reel 1 of 3 (16mm; 1 reel; 1350 ft; color) | ||||||||||
General | |||||||||||
Home movies | |||||||||||
box 480 | [Bogdanovich home movies-- family-- Antonia as a baby and toddler] Reel 2 of 3 (16mm; 1 reel; 1600 ft; color) | ||||||||||
General | |||||||||||
Home movies | |||||||||||
box 479 | [Bogdanovich home movies-- family-- Antonia as a baby and toddler] Reel 3 of 3 (16mm; 1 reel; 1700 ft; color) | ||||||||||
General | |||||||||||
Home movies | |||||||||||
box 671 | [Chesterfield Cigarette Commercial] (incomplete) (16mm; 1 reel; 20 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 586 | [Citizen Kane trailer] (16mm; 1 reel; 260 ft; b&w; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 441 | City Girl (2 reels only) Reel 1 of 2 (35mm; 1 reel; 1645 ft; color) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 442 | City Girl (2 reels only) Reel 2 of 2 (35mm; 1 reel; 1645 ft; color) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 726 | City Girl (full coat magnetic soundtrack) Anne and Joey (16mm; 1 reel; 1600 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 726 | City Girl (full coat magnetic soundtrack) Anne and Joey (16mm; 1 reel; 1600 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 666 | City Girl (full coat magnetic soundtrack) Music (35mm; 1 reel; 365 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 729 | City Girl (picture) Reel 6; Scenes 94 PPA-T3D (35mm; 1 reel; 1330 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 725 | City Girl (soundtrack) Dogs; Strauros (35mm; 1 reel; 290 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 725 | City Girl (soundtrack) Reel 1; Anne and Joey; scenes 12-20 (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 724 | City Girl (soundtrack) Reel 5; Anne and Joey; slop mix (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 732 | City Girl (soundtrack) Unidentified Reel (35mm; 1 reel; 1130 ft; color) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 606 | Cops (16mm; 1 reel; 1260 ft; b&w) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 649 | [Cybill Shepherd commercials and modeling footage] (picture) Reel 5; labeled Verna Fields (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 649 | [Cybill Shepherd commercials and modeling footage] (soundtrack) Reel 5; labeled Verna Fields (35mm; 1 reel; 380 ft) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 533 | [Cybill Shepherd: Cover Girl] ca. 1970 (35mm; 1 reel; 580 ft; b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 530 | [Early Cybill Shepherd footage: Model of the Year Pageant]; [Commericials:Pepsi, Cheetos, Noxzema] (35mm; 1 reel; 400 ft; color & b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 445 | [Early Cybill Shepherd, screen test (?)] (35mm; 1 reel; 139 ft; b&w) | ||||||||||
General | |||||||||||
box 525 | [Early Cybill Shepherd: magazine covers, screen test (?); school and childhood photos, modeling and commericials] (35mm; 1 reel; 350 ft; color & b&w; si) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 525 | [Early Cybill Shepherd: magazine covers, screen test (?); school and childhood photos, modeling and commericials] Reel 1 of 3 (35mm; 1 reel; 1080 ft; color & b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 525 | [Early Cybill Shepherd: magazine covers, screen test (?); school and childhood photos, modeling and commericials] Reel 2 of 3 (35mm; 1 reel; 920 ft; color & b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 525 | [Early Cybill Shepherd: magazine covers, screen test (?); school and childhood photos, modeling and commericials] Reel 3 of 3 (35mm; 1 reel; 1080 ft; color & b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 347 | Daisy Miller (35mm print 1) Reel 1 of 5 (35mm; 1 reel; 1475 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 348 | Daisy Miller (35mm print 1) Reel 2 of 5 (35mm; 1 reel; 1500 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 349 | Daisy Miller (35mm print 1) Reel 3 of 5 (35mm; 1 reel; 1840 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 350 | Daisy Miller (35mm print 1) Reel 4 of 5 (35mm; 1 reel; 1800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 351 | Daisy Miller (35mm print 1) Reel 5 of 5 (35mm; 1 reel; 1790 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 533 | [Daisy Miller: Behind the Scenes: cast and crew] (35mm; 1 reel; 410 ft; color; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 647 | Daisy Miller (full coat magnetic soundtrack) Tonight 7/12 (35mm; 1 reel; 180 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 632 | Daisy Miller (picture trims) Reel 1 (Act. End; trailer material) (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 729 | Daisy Miller (picture) (35mm; 1 reel; 1025 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 671 | Daisy Miller (picture) Reel 1A; Trailer Material (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 710 | Daisy Miller (picture) Trailer material (35mm; 1 reel; 70 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 634 | Daisy Miller (sound trims) Misc. Scenes (35mm; 1 reel; 80 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 715 | Daisy Miller (soundtrack) Trailer material (35mm; 1 reel; 60 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 533 | [Daisy Miller - trailer] (35mm; 1 reel; 380 ft; color; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 715 | [Daisy Miller --trailer--] (35mm; 1 reel; 450 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 634 | Daisy Miller (trims) Misc. Scenes (35mm; 1 reel; 80 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 466 | Def-Con 4 (picture excerpts) (35mm; 1 reel; 910 ft; b&w; sd) | ||||||||||
General | |||||||||||
excerpt | |||||||||||
box 463 | Def-Con 4 (soundtrack and picture excerpts) (35mm; 1 reel; 910 ft; color; sd) | ||||||||||
General | |||||||||||
excerpt | |||||||||||
box 280 | Directed by John Ford (16mm print 1) Reel 1 of 3 (16mm; 1 reel; 1145 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 280 | Directed by John Ford (16mm print 1) Reel 2 of 3 (16mm; 1 reel; 1600 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 281 | Directed by John Ford (16mm print 1) Reel 3 of 3 (16mm; 1 reel; 1025 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 298 | Directed by John Ford (35mm print 1) Reel 1 of 6 (35mm; 1 reel; 1860 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 299 | Directed by John Ford (35mm print 1) Reel 2 of 6 (35mm; 1 reel; 1575 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 300 | Directed by John Ford (35mm print 1) Reel 3 of 6 (35mm; 1 reel; 1220 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 301 | Directed by John Ford (35mm print 1) Reel 4 of 6 (35mm; 1 reel; 1900 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 302 | Directed by John Ford (35mm print 1) Reel 5 of 6 (35mm; 1 reel; 1050 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 303 | Directed by John Ford (35mm print 1) Reel 6 of 6 (35mm; 1 reel; 1430 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 532 | Directed by John Ford (picture trims) End Credits (35mm; 1 reel; 285 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 658 | [Ford Automobile Commercial (incomplete)] (35mm; 1 reel; 30 ft; color) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 604 | The Hearts of Age (16mm; 1 reel; 200 ft; b&w) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 377 | Illegally Yours (35mm print 1) Reel 1 of 5 (incomplete; missing reel 3) (35mm; 1 reel; 1900 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 378 | Illegally Yours (35mm print 1) Reel 2 of 5 (incomplete; missing reel 3) (35mm; 1 reel; 1960 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 379 | Illegally Yours (35mm print 1) Reel 4 of 5 (incomplete; missing reel 3) (35mm; 1 reel; 1940 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 380 | Illegally Yours (35mm print 1) Reel 5 of 5 (incomplete; missing reel 3) (35mm; 1 reel; 1630 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 545 | Illegally Yours (B&W dupe) Reel 4; (6-3-87) (35mm; 1 reel; 970 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 600 | Illegally Yours (High contrast negative) Unidentified Reel (35mm; 1 reel; 50 ft; b&w) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 288 | Last Picture Show (16mm print 1) Reel 1 of 3 (16mm; 1 reel; 1680 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 289 | Last Picture Show (16mm print 1) Reel 2 of 3 (16mm; 1 reel; 1565 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 289 | Last Picture Show (16mm print 1) Reel 3 of 3 (16mm; 1 reel; 1440 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 292 | The Last Picture Show (35mm print 1) Reel 1 of 6 (35mm; 1 reel; 2150 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 293 | The Last Picture Show (35mm print 1) Reel 2 of 6 (35mm; 1 reel; 2100 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 294 | The Last Picture Show (35mm print 1) Reel 3 of 6 (35mm; 1 reel; 2030 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 295 | The Last Picture Show (35mm print 1) Reel 4 of 6 (35mm; 1 reel; 2100 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 296 | The Last Picture Show (35mm print 1) Reel 5 of 6 (35mm; 1 reel; 1750 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 297 | The Last Picture Show (35mm print 1) Reel 6 of 6 (35mm; 1 reel; 2030 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 330 | The Last Picture Show (35mm print 2) Reel 1 of 6 (35mm; 1 reel; 1970 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 331 | The Last Picture Show (35mm print 2) Reel 2 of 6 (35mm; 1 reel; 1900 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 332 | The Last Picture Show (35mm print 2) Reel 3 of 6 (35mm; 1 reel; 1830 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 333 | The Last Picture Show (35mm print 2) Reel 4 of 6 (35mm; 1 reel; 1900 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 334 | The Last Picture Show (35mm print 2) Reel 5 of 6 (35mm; 1 reel; 1600 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 335 | The Last Picture Show (35mm print 2) Reel 6 of 6 (35mm; 1 reel; 1800 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 524 | The Last Picture Show (35mm print) (Incomplete; Reel 1 only) (35mm; 1 reel; 1965 ft; b&w; sd) | ||||||||||
General | |||||||||||
35mm print | |||||||||||
box 531 | The Last Picture Show (picture trims) Cybill shepherd in pool; Cybill Sheperd with Jeff Bridges in motel (35mm; 1 reel; 80 ft; b&w) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 532 | The Last Picture Show (sound trims) Cybill shepherd in pool; Cybill Sheperd with Jeff Bridges in motel (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 518 | [The Last Picture Show-- trailer--] (35mm; 1 reel; 140 ft; color) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 522 | [The Last Picture Show-- trailer--] (35mm; 1 reel; 260 ft; b&w; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 688 | A Legend in my Time (soundtrack) 54M2 (35mm; 1 reel; 190 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 606 | [Macleans Toothpaste Commercial with Cybill Shepherd] (16mm; 1 reel; 25 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 649 | "Marshall music" (soundtrack) Saticoy Prod; Orig. Syb. Song (35mm; 1 reel; 1130 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 598 | Mask (dailies) Reel 2; (Make up test II); (3-28-84) (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 424 | Mask (sound trims) Reel #15 (35mm; 1 reel; 160 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 427 | Mask (trims) Reel #15 (35mm; 1 reel; 230 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 533 | [Model of the Year] (soundtrack) (35mm; 1 reel; 260 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 358 | Nickolodeon (35mm print 1) Reel 1 of 6 (35mm; 1 reel; 1800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 359 | Nickolodeon (35mm print 1) Reel 2 of 6 (35mm; 1 reel; 1960 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 360 | Nickolodeon (35mm print 1) Reel 3 of 6 (35mm; 1 reel; 1760 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 361 | Nickolodeon (35mm print 1) Reel 4 of 6 (35mm; 1 reel; 1760 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 362 | Nickolodeon (35mm print 1) Reel 5 of 6 (35mm; 1 reel; 1900 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 363 | Nickolodeon (35mm print 1) Reel 6 of 6 (35mm; 1 reel; 1950 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 634 | [Nickolodeon --candid rehearsing--] (picture) (5-19-76; Candid 5) (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 634 | [Nickolodeon --candid rehearsing--] (soundtrack) (5-19-76; Candid 5) (35mm; 1 reel; 560 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 481 | Nickolodeon (excerpts) Gag reel (16mm; 1 reel; 300 ft; color; sd) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 532 | Nickolodeon (picture trims) Misc. Scenes (35mm; 1 reel; 110 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 543 | Nickolodeon (sound trims) Wild Lines: Brian Keith (2-11-81) ADR (35mm; 1 reel; 320 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 543 | Nickolodeon (sound trims) Wild Lines (35mm; 1 reel; 560 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 518 | Nickolodeon (sound trims) Candid Scenes (5-2 a/c +c/c) 66 (35mm; 1 reel; 260 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 633 | [Nickolodeon trailer--] (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 519 | Nickolodeon (trims) Candid Scenes (1-1 c/c/2-1 a/c +c/c) 3-1 c/c (35mm; 1 reel; 815 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 518 | Nickolodeon (trims) Candid Scenes (5-2 a/c +c/c)66 (35mm; 1 reel; 260 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 643 | [Night Crossing trailer--] (35mm; 1 reel; 150 ft; color; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 759 | Original master list of Los Angeles CBS Morning News: Bogdanovich Series | ||||||||||
box 285 | Paper Moon (16mm print 1) Reel 1 of 3 (16mm; 1 reel; 1230 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 285 | Paper Moon (16mm print 1) Reel 2 of 3 (16mm; 1 reel; 1400 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 286 | Paper Moon (16mm print 1) Reel 3 of 3 (16mm; 1 reel; 1200 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 304 | Paper Moon (35mm print 1) Reel 1 of 6 (35mm; 1 reel; 1600 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 305 | Paper Moon (35mm print 1) Reel 2 of 6 (35mm; 1 reel; 1600 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 306 | Paper Moon (35mm print 1) Reel 3 of 6 (35mm; 1 reel; 1750 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 307 | Paper Moon (35mm print 1) Reel 4 of 6 (35mm; 1 reel; 1960 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 308 | Paper Moon (35mm print 1) Reel 5 of 6 (35mm; 1 reel; 1750 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 309 | Paper Moon (35mm print 1) Reel 6 of 6 (35mm; 1 reel; 1330 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 310 | Paper Moon (35mm print 2) Reel 1 of 6 (35mm; 1 reel; 1500 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 311 | Paper Moon (35mm print 2) Reel 2 of 6 (35mm; 1 reel; 1500 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 312 | Paper Moon (35mm print 2) Reel 3 of 6 (35mm; 1 reel; 1700 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 313 | Paper Moon (35mm print 2) Reel 4 of 6 (35mm; 1 reel; 1750 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 314 | Paper Moon (35mm print 2) Reel 5 of 6 (35mm; 1 reel; 1700 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 315 | Paper Moon (35mm print 2) Reel 6 of 6 (35mm; 1 reel; 1250 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 336 | Paper Moon (35mm print 3) Reel 1 of 6 (35mm; 1 reel; 1500 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 337 | Paper Moon (35mm print 3) Reel 2 of 6 (35mm; 1 reel; 1450 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 338 | Paper Moon (35mm print 3) Reel 3 of 6 (35mm; 1 reel; 1500 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 339 | Paper Moon (35mm print 3) Reel 4 of 6 (35mm; 1 reel; 1770 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 340 | Paper Moon (35mm print 3) Reel 5 of 6 (35mm; 1 reel; 1650 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 341 | Paper Moon (35mm print 3) Reel 6 of 6 (35mm; 1 reel; 1240 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 523 | Paper Moon (excerpt) Café Scene (35mm; 1 reel; 440 ft; b&w; sd) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 606 | [Paper Moon-- gag reel] copy 1; [What's Up Doc?-- gag reel] (16mm; 1 reel; 900 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 606 | [Paper Moon-- gag reel] copy 2 (16mm; 1 reel; 350 ft; b&w; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 521 | [Paper Moon-- Location Scout, 7/1972--] (16mm; 1 reel; 830 ft; color) | ||||||||||
General | |||||||||||
16mm print | |||||||||||
box 519 | [Paper Moon-- trailer--] (35mm; 1 reel; 370 ft; b&w; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 710 | [Paper Moon --trailer--] (35mm; 1 reel; 380 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 606 | [Peter Bogdanovich and Cybill Shepherd at a recording studio] (16mm; 1 reel; 365 ft; b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 400 | [Projection Room] (35mm; 1 reel; 1200 ft; b&w; si) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 371 | Saint Jack (35mm print 1) Reel 1 of 6 (35mm; 1 reel; 1830 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 372 | Saint Jack (35mm print 1) Reel 2 of 6 (35mm; 1 reel; 1850 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 373 | Saint Jack (35mm print 1) Reel 3 of 6 (35mm; 1 reel; 1820 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 374 | Saint Jack (35mm print 1) Reel 4 of 6 (35mm; 1 reel; 1560 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 375 | Saint Jack (35mm print 1) Reel 5 of 6 (35mm; 1 reel; 1790 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 376 | Saint Jack (35mm print 1) Reel 6 of 6 (35mm; 1 reel; 1650 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 577 | Saint Jack (35mm print 2) Reel 1 of 6 (35mm; 1 reel; 1800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 578 | Saint Jack (35mm print 2) Reel 2 of 6 (35mm; 1 reel; 1850 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 579 | Saint Jack (35mm print 2) Reel 3 of 6 (35mm; 1 reel; 1825 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 580 | Saint Jack (35mm print 2) Reel 4 of 6 (35mm; 1 reel; 1520 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 581 | Saint Jack (35mm print 2) Reel 5 of 6 (35mm; 1 reel; 1780 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 582 | Saint Jack (35mm print 2) Reel 6 of 6 (35mm; 1 reel; 1620 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 587 | Saint Jack (35mm print 3) incomplete Reel 1 of 6 (missing reel 5) (35mm; 1 reel; 1830 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 588 | Saint Jack (35mm print 3) incomplete Reel 2 of 6 (missing reel 5) (35mm; 1 reel; 1855 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 589 | Saint Jack (35mm print 3) incomplete Reel 3 of 6 (missing reel 5) (35mm; 1 reel; 1825 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 590 | Saint Jack (35mm print 3) incomplete Reel 4 of 6 (missing reel 5) (35mm; 1 reel; 1540 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 591 | Saint Jack (35mm print 3) incomplete Reel 6 of 6 (missing reel 5) (35mm; 1 reel; 1615 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 449 | Saint Jack (excerpt) Reel 6 (3B) (35mm; 1 reel; 890 ft; color; sd) | ||||||||||
General | |||||||||||
excerpt | |||||||||||
box 448 | Saint Jack (excerpt) Reel 6B (Jelly Roll sequence) (35mm; 1 reel; 850 ft; color; sd) | ||||||||||
General | |||||||||||
excerpt | |||||||||||
box 463 | Saint Jack (sound trims) (35mm; 1 reel; 435 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 449 | Saint Jack (sound trims) Effects (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 449 | Saint Jack (sound trims) Effects (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 462 | Saint Jack (sound trims) Effects (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 449 | Saint Jack (sound trims) Effects (9/78) (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 462 | Saint Jack (sound trims) Reel 1; temp dub; sections (9/20/78) (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 463 | Saint Jack (sound trims) Reel 12x; (composite trims) (2/8/78) (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 462 | Saint Jack (sound trims) Reel 1x; (composite trims) (2/8/78) (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 462 | Saint Jack (sound trims) Reel 4&5 (composite trims) (35mm; 1 reel; 650 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 448 | Saint Jack (test reel) Reel 4 (2B (35mm; 1 reel; 1020 ft; color; sd) | ||||||||||
General | |||||||||||
test reel | |||||||||||
box 279 | Saint Jack CB1, CB3, CB4, CB5 (picture trims) (35mm; 1 reel; 358 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 381 | Saint Jack CB1, CB3, CB4, CB5 (soundtrack/ trims) (35mm; 1 reel; 209 ft; color) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 279 | Saint Jack SC.21 (picture trims) (35mm; 1 reel; 815 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 279 | Saint Jack SC.21 (picture trims) (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 279 | Saint Jack SC.21 (soundtrack/ trims) (35mm; 1 reel; 396 ft; color) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 553 | Saint Jack (1st answer print) Reel 6AB; (Jelly-bullet version, no credits) (35mm; 1 reel; 1650 ft; color) | ||||||||||
General | |||||||||||
Answer Print | |||||||||||
box 554 | Saint Jack (2nd answer print) Reel 1AB; (with credits) (35mm; 1 reel; 1800 ft; color) | ||||||||||
General | |||||||||||
Answer Print | |||||||||||
box 555 | Saint Jack (B&W dupe trims) (35mm; 1 reel; 230 ft; b&w) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 701 | Saint Jack (B&W dupe) Reel 1 (35mm; 1 reel; 890 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 657 | Saint Jack (B&W dupe) Reel 10 (35mm; 1 reel; 890 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 657 | Saint Jack (B&W dupe) Reel 11 (35mm; 1 reel; 920 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 657 | Saint Jack (B&W dupe) Reel 12 (35mm; 1 reel; 750 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 701 | Saint Jack (B&W dupe) Reel 12 (35mm; 1 reel; 775 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 656 | Saint Jack (B&W dupe) Reel 4 (35mm; 1 reel; 990 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 656 | Saint Jack (B&W dupe) Reel 5 (35mm; 1 reel; 940 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 656 | Saint Jack (B&W dupe) Reel 6 (35mm; 1 reel; 930 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 657 | Saint Jack (B&W dupe) Reel 7 (35mm; 1 reel; 815 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 656 | Saint Jack (B&W dupe) Reel 8 (35mm; 1 reel; 790 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 657 | Saint Jack (B&W dupe) Reel 9 (35mm; 1 reel; 990 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 539 | Saint Jack (dailies) Roll No. 041; Scene 42 (35mm; 1 reel; 160 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 715 | Saint Jack (dailies) Roll No. 50; (5-2-78) (35mm; 1 reel; 900 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 262 | Saint Jack (outtakes) 101-3g117-3 (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 262 | Saint Jack (outtakes) 103-1g105E-3 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 262 | Saint Jack (outtakes) 106-2g107C-2 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 698 | Saint Jack (outtakes) 114-17g114D-16 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 699 | Saint Jack (outtakes) 114-7g114D-16 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 699 | Saint Jack (outtakes) 114E-3g115H-4 (35mm; 1 reel; 920 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 699 | Saint Jack (outtakes) 116-2g120D-5 (35mm; 1 reel; 860 ft) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 697 | Saint Jack (outtakes) 11-7g13A-4 (35mm; 1 reel; 950 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 700 | Saint Jack (outtakes) 122-3g123A-4 (35mm; 1 reel; 1085 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 264 | Saint Jack (outtakes) 124-2g130A-1 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 264 | Saint Jack (outtakes) 130C-2g131-8 (35mm; 1 reel; 1027 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 264 | Saint Jack (outtakes) 132C-2g135CC-1 (35mm; 1 reel; 945 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 264 | Saint Jack (outtakes) 135CC-3g139B-1 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 266 | Saint Jack (outtakes) 139B-2g140G-1 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 267 | Saint Jack (outtakes) 140G-3g144-7 (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 696 | Saint Jack (outtakes) 14-1gR15C-3 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 266 | Saint Jack (outtakes) 145-2gR145B-7 (35mm; 1 reel; 889 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 266 | Saint Jack (outtakes) 145DD-5g145FF-1 (35mm; 1 reel; 889 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 708 | Saint Jack (outtakes) 145FF-2gA147-6 (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 708 | Saint Jack (outtakes) 149B-3g155-4 (35mm; 1 reel; 824 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 708 | Saint Jack (outtakes) 155A-4g157-13 (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 707 | Saint Jack (outtakes) 157-14g158-8 (35mm; 1 reel; 520 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 707 | Saint Jack (outtakes) 158-10g158-11 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 696 | Saint Jack (outtakes) 16-1g16D-7 (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 696 | Saint Jack (outtakes) 17-1g17-4 (35mm; 1 reel; 450 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 695 | Saint Jack (outtakes) 18E-2g18M-18 (35mm; 1 reel; 1020 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 695 | Saint Jack (outtakes) 18N-3gR18P-9 (35mm; 1 reel; 885 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 691 | Saint Jack (outtakes) 19-1g19C-5 (35mm; 1 reel; 840 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 691 | Saint Jack (outtakes) 19D-1g19E-19 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 684 | Saint Jack (outtakes) 20-1g20B-6 (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 684 | Saint Jack (outtakes) 21A-5g21F-24 (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 684 | Saint Jack (outtakes) 21H-2g21J-12 (35mm; 1 reel; 300 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 683 | Saint Jack (outtakes) 22-4g22-8 (35mm; 1 reel; 300 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 682 | Saint Jack (outtakes) 23-1g23P-2 (35mm; 1 reel; 890 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 275 | Saint Jack (outtakes) 24-4g24D-3 (35mm; 1 reel; 365 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 274 | Saint Jack (outtakes) 25-7g25D-19 (35mm; 1 reel; 703 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 274 | Saint Jack (outtakes) 26-5g26C-3 (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 273 | Saint Jack (outtakes) 27-2g29-22 (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 262 | Saint Jack (outtakes) 28-12g28C-8 (35mm; 1 reel; 221 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 273 | Saint Jack (outtakes) 28-3g28-7 (35mm; 1 reel; 221 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 275 | Saint Jack (outtakes) 28-6g28-7 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 254 | Saint Jack (outtakes) 31-1g31F-2 (35mm; 1 reel; 703 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 254 | Saint Jack (outtakes) 32-7g32-14 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 254 | Saint Jack (outtakes) 33-2g33H-7 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 254 | Saint Jack (outtakes) 34-1g35A-22 (35mm; 1 reel; 1084 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 448 | Saint Jack (outtakes) 36A-23g37B-16 (35mm; 1 reel; 1000 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 448 | Saint Jack (outtakes) 37B-17g37D-7 (35mm; 1 reel; 1120 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 448 | Saint Jack (outtakes) 37D-8g39-2 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 447 | Saint Jack (outtakes) 40-1g40J-2 (35mm; 1 reel; 775 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 447 | Saint Jack (outtakes) 41-1g41x-3 (35mm; 1 reel; 365 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 266 | Saint Jack (outtakes) 42-3g43-9 (35mm; 1 reel; 562 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 265 | Saint Jack (outtakes) 44B-7g44D-2 (35mm; 1 reel; 654 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 265 | Saint Jack (outtakes) 45-3g47-4 (35mm; 1 reel; 804 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 265 | Saint Jack (outtakes) 48-10g49-7 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 272 | Saint Jack (outtakes) 50-2g56-4 (35mm; 1 reel; 945 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 272 | Saint Jack (outtakes) 56A-1g57I-1 (35mm; 1 reel; 321 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 273 | Saint Jack (outtakes) 57I-6g58-9 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 273 | Saint Jack (outtakes) 59-2g63A-1 (35mm; 1 reel; 703 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 399 | Saint Jack (outtakes) 6-2g7A-12 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 273 | Saint Jack (outtakes) 63A-3g68-3 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 263 | Saint Jack (outtakes) 68-5g69-12 (35mm; 1 reel; 714 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 263 | Saint Jack (outtakes) 70-3g74-4 (35mm; 1 reel; 812 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 263 | Saint Jack (outtakes) 73-21g73-30 (35mm; 1 reel; 714 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 263 | Saint Jack (outtakes) 73-5g73-11 (35mm; 1 reel; 849 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 264 | Saint Jack (outtakes) 74-8g76A-12 (35mm; 1 reel; 1004 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 252 | Saint Jack (outtakes) 76A-13g76B-6 (35mm; 1 reel; 714 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 252 | Saint Jack (outtakes) 76-Bg77C-2 (35mm; 1 reel; 578 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 252 | Saint Jack (outtakes) 77-3g77C-2 (35mm; 1 reel; 536 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 706 | Saint Jack (outtakes) 78-15g78x-2 (35mm; 1 reel; 715 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 252 | Saint Jack (outtakes) 78-3g78-6 (35mm; 1 reel; 536 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 252 | Saint Jack (outtakes) 78-8g78-13 (35mm; 1 reel; 812 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 707 | Saint Jack (outtakes) 79-4g79A-13 (35mm; 1 reel; 885 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 706 | Saint Jack (outtakes) 79A-18g80E-9 (35mm; 1 reel; 580 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 399 | Saint Jack (outtakes) 7A-14g8C-5 (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 706 | Saint Jack (outtakes) 81-4g83-5 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 706 | Saint Jack (outtakes) 83-6g84-13 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 263 | Saint Jack (outtakes) 84-15g84-24 (35mm; 1 reel; 714 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 262 | Saint Jack (outtakes) 84-25g84-29 (35mm; 1 reel; 443 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 697 | Saint Jack (outtakes) 8D-1g11-4 (35mm; 1 reel; 810 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 266 | Saint Jack (outtakes) R145B-8g145DD-4 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 695 | Saint Jack (outtakes) RR18A-3g18D-8 (35mm; 1 reel; 1100 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 400 | Saint Jack (outtakes) T1-2gT3-7 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 400 | Saint Jack (outtakes) T4-2gRT5-5 (35mm; 1 reel; 703 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 400 | Saint Jack (outtakes) Title-1gTitle-2 (35mm; 1 reel; 381 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 671 | Saint Jack (picture trims) Dissolves (35mm; 1 reel; 620 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 675 | Saint Jack (picture trims) Trailer; T.V. spot (35mm; 1 reel; 76 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 267 | Saint Jack (picture trims) AA1, AA2, AA3, AA4 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 267 | Saint Jack (picture trims) AA6, AA7, AA8, AA9 (35mm; 1 reel; 1024 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 277 | Saint Jack (picture trims) AB0, AB1 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 662 | Saint Jack (picture trims) AB2,AB3 (35mm; 1 reel; 1036 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 268 | Saint Jack (picture trims) BA0, BA1 (35mm; 1 reel; 443 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 275 | Saint Jack (picture trims) BB1, BB2, BB3, BB4, BB5 (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 276 | Saint Jack (picture trims) BB6, BB7, BB8, BB9 (35mm; 1 reel; 967 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 526 | Saint Jack (picture trims) CA0,CA81,CA2,CA3,CA4, CA5 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 525 | Saint Jack (picture trims) CA9,CA8,CA7,CA6,CA5 (35mm; 1 reel; 850 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 276 | Saint Jack (picture trims) CB0, JA2, JA3, JA4, JA5, JA6, JA7, JA8, JA9 (35mm; 1 reel; 967 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 269 | Saint Jack (picture trims) EA1, EA2, EA3, EA4, EA5 (35mm; 1 reel; 683 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 269 | Saint Jack (picture trims) EA6, EA7, EA8, EA9, EA10 (35mm; 1 reel; 1083 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 519 | Saint Jack (picture trims) End titles (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 655 | Saint Jack (picture trims) FA1,FA2,FA3,FA4 (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 656 | Saint Jack (picture trims) FA5, FA6, FA7, FA8, FA9, GA0 (35mm; 1 reel; 920 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 494 | Saint Jack (picture trims) GA2 (35mm; 1 reel; 882 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 494 | Saint Jack (picture trims) GA3 (35mm; 1 reel; 365 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 493 | Saint Jack (picture trims) GA4,GA5,GA6,GA7,GA8 (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 493 | Saint Jack (picture trims) GA9, HA0 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 518 | Saint Jack (picture trims) Gag Footage 1 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 269 | Saint Jack (picture trims) HA1, HA2, HA3, HA4 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 268 | Saint Jack (picture trims) JA1, JA0, HA9, HA8, HA7, HA5 (35mm; 1 reel; 396 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 520 | Saint Jack (picture trims) Main titles (35mm; 1 reel; 218 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 650 | Saint Jack (picture trims) Misc. Scenes (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 651 | Saint Jack (picture trims) Reel 3; Reel 9; Reel 12 (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 658 | Saint Jack (picture trims) Scenes 8,16,18 (35mm; 1 reel; 90 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 520 | Saint Jack (picture trims) Trailer Reel - T.V. Spot (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 520 | Saint Jack (picture trims) Trailer Reel - T.V. Spot (35mm; 1 reel; 625 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 605 | Saint Jack (picture) Reel 1 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 604 | Saint Jack (picture) Reel 10 (35mm; 1 reel; 920 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 606 | Saint Jack (picture) Reel 11 (35mm; 1 reel; 1024 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 603 | Saint Jack (picture) Reel 12; (Recut 5-8-79) (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 604 | Saint Jack (picture) Reel 2 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 605 | Saint Jack (picture) Reel 3 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 605 | Saint Jack (picture) Reel 4 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 605 | Saint Jack (picture) Reel 5 (35mm; 1 reel; 1030 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 605 | Saint Jack (picture) Reel 6 (3-16-79) (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 604 | Saint Jack (picture) Reel 7 (35mm; 1 reel; 850 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 604 | Saint Jack (picture) Reel 8; (Recut 5-2-79) (35mm; 1 reel; 850 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 603 | Saint Jack (picture) Reel 9 (35mm; 1 reel; 1030 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 698 | Saint Jack (sound outtakes) 114-17g114D-16 (35mm; 1 reel; 910 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 699 | Saint Jack (sound outtakes) 114-7g114D-16 (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 699 | Saint Jack (sound outtakes) 114E-3g115H-4 (35mm; 1 reel; 860 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 700 | Saint Jack (sound outtakes) 116-2g120D-5 (35mm; 1 reel; 860 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 697 | Saint Jack (sound outtakes) 11-7g13A-4 (35mm; 1 reel; 830 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 700 | Saint Jack (sound outtakes) 122-3g123-4 (35mm; 1 reel; 910 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 696 | Saint Jack (sound outtakes) 14-1gR15C-3 (35mm; 1 reel; 685 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 709 | Saint Jack (sound outtakes) 145FF-2gA147-6 (35mm; 1 reel; 533 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 708 | Saint Jack (sound outtakes) 155A-4g157-13 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 708 | Saint Jack (sound outtakes) 157-14g158-8 (35mm; 1 reel; 475 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 707 | Saint Jack (sound outtakes) 158-10g158-11 (35mm; 1 reel; 700 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 696 | Saint Jack (sound outtakes) 17-1g17-4 (35mm; 1 reel; 435 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 695 | Saint Jack (sound outtakes) 18E-2g18M-18 (35mm; 1 reel; 1030 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 691 | Saint Jack (sound outtakes) 19-1g19C-5 (35mm; 1 reel; 480 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 685 | Saint Jack (sound outtakes) 20-1g20B-6 (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 684 | Saint Jack (sound outtakes) 21H-2g21J-12 (35mm; 1 reel; 290 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 684 | Saint Jack (sound outtakes) 22-4g22-8 (35mm; 1 reel; 275 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 682 | Saint Jack (sound outtakes) 23-1g23P-2 (35mm; 1 reel; 730 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 275 | Saint Jack (sound outtakes) 24-4g24D-3 (35mm; 1 reel; 343 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 274 | Saint Jack (sound outtakes) 25-7g25D-19 (35mm; 1 reel; 321 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 274 | Saint Jack (sound outtakes) 26-5g26C-3 (35mm; 1 reel; 221 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 254 | Saint Jack (sound outtakes) 31-1g31F-2 (35mm; 1 reel; 608 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 265 | Saint Jack (sound outtakes) 44B-7g44D-2 (35mm; 1 reel; 653 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 399 | Saint Jack (sound outtakes) 6-2g7A-12 (35mm; 1 reel; 312 ft; color) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 707 | Saint Jack (sound outtakes) 78-15g78x-2 (35mm; 1 reel; 560 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 697 | Saint Jack (sound outtakes) 8D-1g11-4 (35mm; 1 reel; 780 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 695 | Saint Jack (sound outtakes) RR18A-3g18D-8 (35mm; 1 reel; 1030 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 712 | Saint Jack (sound trims) BA2,BA3,BA4 (35mm; 1 reel; 953 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 712 | Saint Jack (sound trims) BA5,BA6 (35mm; 1 reel; 600 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 712 | Saint Jack (sound trims) BA7, BA8,BA9 (35mm; 1 reel; 870 ft) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 526 | Saint Jack (sound trims) CA0,CA81,CA2,CA3,CA4, CA5 (35mm; 1 reel; 940 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 526 | Saint Jack (sound trims) CA9,CA8,CA7,CA6,CA5 (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 721 | Saint Jack (sound trims) DA0,DA1,DA2,DA3,DA4,DA5 (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 721 | Saint Jack (sound trims) DA5,DA6,DA7,DA8 (35mm; 1 reel; 620 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 655 | Saint Jack (sound trims) FA1,FA2,FA3,FA4 (35mm; 1 reel; 920 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 655 | Saint Jack (sound trims) FA5, FA6, FA7, FA8, FA9, GA0 (35mm; 1 reel; 900 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 523 | Saint Jack (sound trims) Gag Footage (1) (35mm; 1 reel; 160 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 539 | Saint Jack (sound trims) misc Scenes & Scene 42 (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 539 | Saint Jack (sound trims) misc. Scenes (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 650 | Saint Jack (sound trims) Misc. Scenes (35mm; 1 reel; 1024 ft; color) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 538 | Saint Jack (sound trims) Reel 1; temp dub; Background (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 538 | Saint Jack (sound trims) Reel 1; temp dub; music (35mm; 1 reel; 815 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 538 | Saint Jack (sound trims) Reel 10; temp dub; Background (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 538 | Saint Jack (sound trims) Reel 10; temp dub; music (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 537 | Saint Jack (sound trims) Reel 2; temp dub; FX (35mm; 1 reel; 1030 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 651 | Saint Jack (sound trims) Reel 3; Reel 9; Reel 12 (35mm; 1 reel; 290 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 538 | Saint Jack (sound trims) Reel 6; temp dub; Background (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 537 | Saint Jack (sound trims) Reel 6; temp dub; music (35mm; 1 reel; 1280 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 537 | Saint Jack (sound trims) Reel 7; temp dub; Background (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 537 | Saint Jack (sound trims) Reel 8; temp dub; music (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 537 | Saint Jack (sound trims) Reel 9; temp dub; music (35mm; 1 reel; 920 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 539 | Saint Jack (sound trims) Reel 9; temp dub; Background (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 658 | Saint Jack (sound trims) Scenes 8,16,18 (35mm; 1 reel; 60 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 520 | Saint Jack (sound trims) Trailer Reel - T.V. Spot (35mm; 1 reel; 770 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 520 | Saint Jack (sound trims) Trailer Reel - T.V. Spot (35mm; 1 reel; 730 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 519 | Saint Jack (sound trims) trailer--T.V. Spot (35mm; 1 reel; 1140 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 723 | Saint Jack (sound trims) trailer--T.V. Spot (35mm; 1 reel; 65 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 10 (35mm; 1 reel; 910 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 11 (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 12 (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 481 | Saint Jack (soundtrack temp dub) Reel 3 (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 481 | Saint Jack (soundtrack temp dub) Reel 4 (35mm; 1 reel; 1140 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 481 | Saint Jack (soundtrack temp dub) Reel 5 (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 6 (35mm; 1 reel; 930 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 7 (35mm; 1 reel; 910 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 8 (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 482 | Saint Jack (soundtrack temp dub) Reel 9 (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 660 | Saint Jack (soundtrack) Reel 1; Dub of dialogue (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 701 | Saint Jack (soundtrack) Reel 10; temp dub 1-1; (12-19-78) (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 701 | Saint Jack (soundtrack) Reel 11; temp dub 1-1; (12-19-78) (35mm; 1 reel; 930 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 669 | Saint Jack (soundtrack) Reel 12; (9-20-78) (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 670 | Saint Jack (soundtrack) Reel 12; work track; (12-22-78) (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 712 | Saint Jack (soundtrack) Reel 13; dial unit (10-13-80) (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 702 | Saint Jack (soundtrack) Reel 1A; temp dub 1-1; (12-18-78) (35mm; 1 reel; 890 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 670 | Saint Jack (soundtrack) Reel 2; work track (35mm; 1 reel; 980 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 702 | Saint Jack (soundtrack) Reel 2; temp dub (35mm; 1 reel; 980 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 700 | Saint Jack (soundtrack) Reel 3; temp dub 1-1; (12-18-78) (35mm; 1 reel; 924 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 670 | Saint Jack (soundtrack) Reel 4; work track; (12-22-78) (35mm; 1 reel; 980 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 700 | Saint Jack (soundtrack) Reel 5; temp dub 1-1; (12-18-78) (35mm; 1 reel; 940 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 711 | Saint Jack (soundtrack) Reel 6 (35mm; 1 reel; 1750 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 670 | Saint Jack (soundtrack) Reel 6; work track (35mm; 1 reel; 940 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 670 | Saint Jack (soundtrack) Reel 7; work track (35mm; 1 reel; 810 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 669 | Saint Jack (soundtrack) Reel 8; work track; (12-22-78) (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 669 | Saint Jack (soundtrack) Reel 9; work track (35mm; 1 reel; 980 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 709 | Saint Jack (soundtrack) temp dub; Reel 2 (35mm; 1 reel; 1050 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 709 | Saint Jack (soundtrack) temp dub; Reel 3 (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 710 | Saint Jack (soundtrack) temp dub; Reel 4 (35mm; 1 reel; 1024ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 709 | Saint Jack (soundtrack) temp dub; Reel 5 (35mm; 1 reel; 1050 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 710 | Saint Jack (soundtrack) temp dub; Reel 6 (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 709 | Saint Jack (soundtrack) temp dub; Reel 9 (35mm; 1 reel; 1025 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 669 | Saint Jack (soundtrack) Unidentified Reel (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 276 | Saint Jack (soundtrack/ trims) AB0, AB1 (35mm; 1 reel; 435 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 276 | Saint Jack (soundtrack/ trims) BB6, BB7, BB8, BB9 (35mm; 1 reel; 857 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 268 | Saint Jack (soundtrack/ trims) JA1, JA0, HA9, HA8, HA7, HA5 (35mm; 1 reel; 435 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 267 | Saint Jack (soundtrack/ trims) AA1, AA2, AA3, AA4 (35mm; 1 reel; 804 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 267 | Saint Jack (soundtrack/ trims) AA6, AA7, AA8, AA9 (35mm; 1 reel; 713 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 268 | Saint Jack (soundtrack/ trims) BA0, BA1 (35mm; 1 reel; 518 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 275 | Saint Jack (soundtrack/ trims) BB1, BB2, BB3, BB4, BB5 (35mm; 1 reel; 889 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 276 | Saint Jack (soundtrack/ trims) CB0, JA2, JA3, JA4, JA5, JA6, JA7, JA8, JA9 (35mm; 1 reel; 922 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 269 | Saint Jack (soundtrack/ trims) EA1, EA2, EA3, EA4, EA5 (35mm; 1 reel; 626 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 769 | Saint Jack (soundtrack/ trims) EA6, EA7, EA8, EA9, EA10 (35mm; 1 reel; 501 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 494 | Saint Jack (soundtrack/ trims) GA2 (35mm; 1 reel; 120 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 494 | Saint Jack (soundtrack/ trims) GA3 (35mm; 1 reel; 350 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 493 | Saint Jack (soundtrack/ trims) GA4,GA5,GA6,GA7,GA8 (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 494 | Saint Jack (soundtrack/ trims) GA9, HA0 (35mm; 1 reel; 365 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 268 | Saint Jack (soundtrack/ trims) HA1, HA2, HA3, HA4 (35mm; 1 reel; 476 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 688 | [Saint Jack --trailer--] (35mm; 1 reel; 280 ft; color; sd) | ||||||||||
General | |||||||||||
Trailer | |||||||||||
box 712 | Saint Jack (trims) BA2,BA3,BA4 (35mm; 1 reel; 980 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 714 | Saint Jack (trims) BA5,BA6,BA7 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 714 | Saint Jack (trims) BA8,BA9 (35mm; 1 reel; 425 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 721 | Saint Jack (trims) DA0,DA1,DA2,DA3,DA4,DA5 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 721 | Saint Jack (trims) DA5,DA6,DA7,DA8 (35mm; 1 reel; 520 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 539 | Saint Jack (trims) misc Scenes (35mm; 1 reel; 192 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 480 | [Screen tests: unidentified individual silent head shots] (16mm; 1 reel; 700 ft; b&w) | ||||||||||
General | |||||||||||
box 724 | "S. London" (B&W dupe) (35mm; 1 reel; 910 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 632 | "S. London" (B&W dupe) Reel 3; (TV Special) (35mm; 1 reel; 530 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 290 | Targets (16mm print 1) Reel 1 of 3 (16mm; 1 reel; 700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 290 | Targets (16mm print 1) Reel 2 of 3 (16mm; 1 reel; 1500 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 291 | Targets (16mm print 1) Reel 3 of 3 (16mm; 1 reel; 1200 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 255 | Texasville (35mm print 1) Reel 1 of 7 (35mm; 1 reel; 1830 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 256 | Texasville (35mm print 1) Reel 2 of 7 (35mm; 1 reel; 1840 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 257 | Texasville (35mm print 1) Reel 3of 7 (35mm; 1 reel; 1820 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 258 | Texasville (35mm print 1) Reel 4of 7 (35mm; 1 reel; 1665 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 259 | Texasville (35mm print 1) Reel 5 of 7 (35mm; 1 reel; 1295 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 260 | Texasville (35mm print 1) Reel 6 of 7 (35mm; 1 reel; 1300 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 261 | Texasville (35mm print 1) Reel 7 of 7 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 316 | Texasville (35mm print 2) Reel 1 of 7 (35mm; 1 reel; 1850 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 317 | Texasville (35mm print 2) Reel 2 of 7 (35mm; 1 reel; 1850 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 318 | Texasville (35mm print 2) Reel 3 of 7 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 319 | Texasville (35mm print 2) Reel 4 of 7 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 320 | Texasville (35mm print 2) Reel 5 of 7 (35mm; 1 reel; 1300 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 321 | Texasville (35mm print 2) Reel 6 of 7 (35mm; 1 reel; 1320 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 322 | Texasville (35mm print 2) Reel 7 of 7 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 645 | Texasville (dailies) End Credits (35mm; 1 reel; 486 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 647 | Texasville (dupe) Reel 8A; FX dupe (3/17) (35mm; 1 reel; 60 ft; color) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 528 | Texasville (full-coat magnetic soundtrack) 11-18-89 (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 522 | Texasville (full-coat magnetic soundtrack) Camera Roll #A27 (8-22-89) (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 521 | Texasville (full-coat magnetic soundtrack) Unidentified Camera Roll (35mm; 1 reel; 1020 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 522 | Texasville (full-coat magnetic soundtrack) Unidentified Camera Roll (35mm; 1 reel; 920 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 536 | Texasville (master soundtrack) Gloria 90 P3 (35mm; 1 reel; 1140 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 521 | Texasville (picture trims) Misc Scenes (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 521 | Texasville (picture trims) Scene 6-53,56 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 536 | Texasville (picture) Reel 13 (master positive) (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 536 | Texasville (picture) Reel 4 (master positive) (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 536 | Texasville (picture) Reel 7 (master positive) (35mm; 1 reel; 1150 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 647 | Texasville (picture) Scene 27; lift (35mm; 1 reel; 270 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 517 | Texasville (sound trims) 102-122 (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 516 | Texasville (sound trims) 138-157 (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 521 | Texasville (sound trims) Misc Scenes (35mm; 1 reel; 510 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 534 | Texasville (soundtrack) Reel 1; 5-24-90 (composite master/HD) (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 535 | Texasville (soundtrack) Reel 10; 5-25-90 (composite master/HD) (35mm; 1 reel; 520 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 675 | Texasville (soundtrack) Reel 11; (5-25-90) (35mm; 1 reel; 820 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 675 | Texasville (soundtrack) Reel 12 (35mm; 1 reel; 685 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 535 | Texasville (soundtrack) Reel 13; 5-25-90 (composite master/HD) (35mm; 1 reel; 600 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 676 | Texasville (soundtrack) Reel 14 (35mm; 1 reel; 1020 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 534 | Texasville (soundtrack) Reel 2; 6-26-90 (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 675 | Texasville (soundtrack) Reel 3; (7-9-90) (35mm; 1 reel; 715 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 534 | Texasville (soundtrack) Reel 4; 5-24-90 (composite master/HD) (35mm; 1 reel; 1180 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 676 | Texasville (soundtrack) Reel 5; (5-24-90); 1:1 (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 676 | Texasville (soundtrack) Reel 6; (Recut 6-28-90); 1:1 (35mm; 1 reel; 920 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 534 | Texasville (soundtrack) Reel 7; 5-24-90 (composite master/HD) (35mm; 1 reel; 1180 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 675 | Texasville (soundtrack) Reel 8; (5-25-90) (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 676 | Texasville (soundtrack) Reel 9; (5-25-90) (35mm; 1 reel; 840 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 535 | Texasville (soundtrack) Unidentified reel (35mm; 1 reel; 600 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 535 | Texasville (trims picture) Reel 10 (master positive) (35mm; 1 reel; 510 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 535 | Texasville (trims picture) Reel 3 (master positive) (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 516 | Texasville (trims) 102-122 (35mm; 1 reel; 160 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 516 | Texasville (trims) 138-157 (35mm; 1 reel; 230 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 676 | Texasville (work picture) Reel 1; with opening credits; (9-30-90) (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 678 | Texasville (work picture) Reel 11 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 677 | Texasville (work picture) Reel 12 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 678 | Texasville (work picture) Reel 14 (35mm; 1 reel; 1120 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 677 | Texasville (work picture) Reel 2; (6-26-90) (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 677 | Texasville (work picture) Reel 5 (35mm; 1 reel; 1070 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 678 | Texasville (work picture) Reel 6 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 677 | Texasville (work picture) Reel 8 (35mm; 1 reel; 775 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 677 | Texasville (work picture) Reel 9 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 352 | They All Laughed (35mm print 1) Reel 1 of 6 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 353 | They All Laughed (35mm print 1) Reel 2 of 6 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 354 | They All Laughed (35mm print 1) Reel 3 of 6 (35mm; 1 reel; 1870 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 355 | They All Laughed (35mm print 1) Reel 4 of 6 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 356 | They All Laughed (35mm print 1) Reel 5 of 6 (35mm; 1 reel; 1600 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 357 | They All Laughed (35mm print 1) Reel 6 of 6 (35mm; 1 reel; 1830 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 546 | They All Laughed (35mm print 2) (Incomplete; missing reel 5&6) Reel 1 of 7 (35mm; 1 reel; 1700 ft; color) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 547 | They All Laughed (35mm print 2) (Incomplete; missing reel 5&6) Reel 2 of 7 (35mm; 1 reel; 1800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 548 | They All Laughed (35mm print 2) (Incomplete; missing reel 5&6) Reel 3 of 7 (35mm; 1 reel; 1720 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 549 | They All Laughed (35mm print 2) (Incomplete; missing reel 5&6) Reel 4 of 7 (35mm; 1 reel; 1400 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 550 | They All Laughed (35mm print 2) (Incomplete; missing reel 5&6) Reel 7 of 7 (35mm; 1 reel; 2000 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 558 | They All Laughed (35mm print 3) Reel 1 of 6 (35mm; 1 reel; 1560 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 559 | They All Laughed (35mm print 3) Reel 2 of 6 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 560 | They All Laughed (35mm print 3) Reel 3 of 6 (35mm; 1 reel; 1945 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 561 | They All Laughed (35mm print 3) Reel 4 of 6 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 562 | They All Laughed (35mm print 3) Reel 5 of 6 (35mm; 1 reel; 1610 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 563 | They All Laughed (35mm print 3) Reel 6 of 6 (35mm; 1 reel; 1800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 564 | They All Laughed (35mm print 4) Reel 1 of 6 (35mm; 1 reel; 1550 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 565 | They All Laughed (35mm print 4) Reel 2 of 6 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 566 | They All Laughed (35mm print 4) Reel 3 of 6 (35mm; 1 reel; 1945 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 567 | They All Laughed (35mm print 4) Reel 4 of 6 (35mm; 1 reel; 1750 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 568 | They All Laughed (35mm print 4) Reel 5 of 6 (35mm; 1 reel; 1610 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 569 | They All Laughed (35mm print 4) Reel 6 of 6 (35mm; 1 reel; 1800 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 660 | They All Laughed (B&W dupe) (35mm; 1 reel; 500 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 618 | They All Laughed (B&W dupe) (35mm; 1 reel; 400 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 660 | They All Laughed (B&W dupe) Reel 1 (35mm; 1 reel; 700 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 660 | They All Laughed (B&W dupe) Reel 1 (35mm; 1 reel; 290 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 653 | They All Laughed (B&W dupe) Reel 1 (ADR; conformed 10-13) (35mm; 1 reel; 775 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 660 | They All Laughed (B&W dupe) Reel 1; music (35mm; 1 reel; 365 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 652 | They All Laughed (B&W dupe) Reel 12 (ADR) (35mm; 1 reel; 600 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 653 | They All Laughed (B&W dupe) Reel 13 (ADR; 12-15-80) (35mm; 1 reel; 920 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 607 | They All Laughed (B&W dupe) Reel 3 (35mm; 1 reel; 910 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 617 | They All Laughed (B&W dupe) Reel 3; Promo (35mm; 1 reel; 945 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 607 | They All Laughed (B&W dupe) Reel 4 (35mm; 1 reel; 900 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 654 | They All Laughed (B&W dupe) Reel 4 (ADR) (35mm; 1 reel; 920 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 607 | They All Laughed (B&W dupe) Reel 5 (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 653 | They All Laughed (B&W dupe) Reel 5 (ADR) (35mm; 1 reel; 1024 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 652 | They All Laughed (B&W dupe) Reel 9 (35mm; 1 reel; 890 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 556 | They All Laughed (B&W positive dupe) N.G.; Reel 2 ( conformed 10/13); ADR (35mm; 1 reel; 970 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 552 | They All Laughed (B&W positive dupe) N.G.; Reel 6 (35mm; 1 reel; 850 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 555 | They All Laughed (B&W positive dupe) N.G.; Reel 6 (35mm; 1 reel; 800 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 555 | They All Laughed (B&W positive dupe) N.G.; Reel 7 Dirty dupe (35mm; 1 reel; 900 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 557 | They All Laughed (B&W positive dupe) Reel 1 (35mm; 1 reel; 800 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 556 | They All Laughed (B&W positive dupe) Reel 1 ( conformed 12/9/80); ADR (35mm; 1 reel; 800 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 552 | They All Laughed (B&W positive dupe) Reel 11 (35mm; 1 reel; 560 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 556 | They All Laughed (B&W positive dupe) Reel 12 (35mm; 1 reel; 600 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 557 | They All Laughed (B&W positive dupe) Reel 13 (35mm; 1 reel; 970 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 556 | They All Laughed (B&W positive dupe) Reel 14 (35mm; 1 reel; 970 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 552 | They All Laughed (B&W positive dupe) Reel 5 (35mm; 1 reel; 1024 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 555 | They All Laughed (B&W positive dupe) Reel 7 (35mm; 1 reel; 850 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 555 | They All Laughed (B&W positive dupe) Reel 9; Promo dupe (35mm; 1 reel; 850 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 253 | They All Laughed (cut work pix) 945+0 (1/31/81) (35mm; 1 reel; 1143 ft; color) | ||||||||||
General | |||||||||||
Work Print | |||||||||||
box 410 | They All Laughed (dailies) AA 0012-0754 Reel #10 (35mm; 1 reel; 615 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 415 | They All Laughed (dailies) AA 2012-2515 Reel #2 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 411 | They All Laughed (dailies) AA 3012-3584 Reel #3 (35mm; 1 reel; 260 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 411 | They All Laughed (dailies) AA 4012-4824 Reel #4 (35mm; 1 reel; 545 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 412 | They All Laughed (dailies) AA 5012-5724 Reel #5 (35mm; 1 reel; 500 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 416 | They All Laughed (dailies) AA 6012-6647 Reel #6 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 416 | They All Laughed (dailies) AA 7012-7456 Reel #7 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 409 | They All Laughed (dailies) AA 8012-8732 Reel #8 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 410 | They All Laughed (dailies) AA 9012-9472 Reel #9 (35mm; 1 reel; 390 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 381 | They All Laughed (dailies) AB 0012-0622 Reel #20 (35mm; 1 reel; 411 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 414 | They All Laughed (dailies) AB 1012-1588 Reel #11 (35mm; 1 reel; 580 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 426 | They All Laughed (dailies) AB 2012-2576 Reel #12 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 419 | They All Laughed (dailies) AB 3012-3762 Reel #13 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 426 | They All Laughed (dailies) AB 4012-4906 Reel #14 (35mm; 1 reel; 580 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 423 | They All Laughed (dailies) AB 5012-5785 Reel #15 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 421 | They All Laughed (dailies) AB 6013-6570 Reel #16 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 423 | They All Laughed (dailies) AB 7012-7760 Reel #17 (35mm; 1 reel; 515 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 387 | They All Laughed (dailies) AB 8012-8712; Reel #18 (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 387 | They All Laughed (dailies) AB 9012-9838; Reel #19 (35mm; 1 reel; 451 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 431 | They All Laughed (dailies) AC 0012-0782 Reel #30 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 386 | They All Laughed (dailies) AC 1012-1385; Reel #21 (35mm; 1 reel; 221 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 386 | They All Laughed (dailies) AC 2012-2860; Reel #22 (35mm; 1 reel; 580 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 456 | They All Laughed (dailies) AC 3012-3555 Reel #23 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 456 | They All Laughed (dailies) AC 4012-4812 Reel #24 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 455 | They All Laughed (dailies) AC 5012-3629 Reel #25 (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 455 | They All Laughed (dailies) AC 6012-6883 Reel #26 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 461 | They All Laughed (dailies) AC 7016-7473; Reel #27 (35mm; 1 reel; 525 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 454 | They All Laughed (dailies) AC 8012-8680 Reel #28 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 430 | They All Laughed (dailies) AC 9012-9787 Reel #29 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 422 | They All Laughed (dailies) AD 0012-0221 Reel #40 (35mm; 1 reel; 190 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 431 | They All Laughed (dailies) AD 1000-1657 Reel #31 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 435 | They All Laughed (dailies) AD 2012-2880 Reel #32 (35mm; 1 reel; 525 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 406 | They All Laughed (dailies) AD 3012-3802 Reel #33 (35mm; 1 reel; 345 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 405 | They All Laughed (dailies) AD 4012-4750 Reel #34 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 423 | They All Laughed (dailies) AD 5012-5781 Reel #35 (35mm; 1 reel; 290 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 421 | They All Laughed (dailies) AD 6012-6892 Reel #36 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 417 | They All Laughed (dailies) AD 7012-7558 Reel #37 (35mm; 1 reel; 40 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 421 | They All Laughed (dailies) AD 8012-8584 Reel #38 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 421 | They All Laughed (dailies) AD 9000-9882 Reel #39 (35mm; 1 reel; 200 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 496 | They All Laughed (dailies) AE 1012-1828; Reel #41 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 496 | They All Laughed (dailies) AE 2012-2615; Reel #42 (35mm; 1 reel; 40 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 495 | They All Laughed (dailies) AE 3000-3409; Reel #43 (35mm; 1 reel; 190 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 495 | They All Laughed (dailies) AE 4000-4657; Reel #44 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 496 | They All Laughed (dailies) AE 5012-5695; Reel #45 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 497 | They All Laughed (dailies) AE 6012-6785; Reel #46 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 461 | They All Laughed (dailies) AF 0000-0759; Reel #60 (35mm; 1 reel; 525 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 383 | They All Laughed (dailies) AF 3000-3785; Reel #53 (35mm; 1 reel; 321 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 384 | They All Laughed (dailies) AF 4012-4499; Reel #54 (35mm; 1 reel; 396 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 384 | They All Laughed (dailies) AF 5012-5549; Reel #55 (35mm; 1 reel; 358 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 385 | They All Laughed (dailies) AF 6012-6736; Reel #56 (35mm; 1 reel; 134 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 385 | They All Laughed (dailies) AF 7012-7832; Reel #57 (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 385 | They All Laughed (dailies) AF 8000-8920; Reel #58 (35mm; 1 reel; 532 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 462 | They All Laughed (dailies) AF 9000-9367; Reel #59 (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 460 | They All Laughed (dailies) AG 1012-1464; Reel #61 (35mm; 1 reel; 225 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 460 | They All Laughed (dailies) AG 2012-2856; Reel #62 (35mm; 1 reel; 525 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 460 | They All Laughed (dailies) AG 3012-3960; Reel #63 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 459 | They All Laughed (dailies) AG 4012-4605; Reel #64 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 551 | They All Laughed (dailies) AH 0012-0790; Reel #80 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 465 | They All Laughed (dailies) AH 1012-1600 Reel #71 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 465 | They All Laughed (dailies) AH 2012-2442 Reel #72 (35mm; 1 reel; 145 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 464 | They All Laughed (dailies) AH 3012-3557 Reel #73 (35mm; 1 reel; 285 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 466 | They All Laughed (dailies) AH 4012-4598 Reel #74 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 464 | They All Laughed (dailies) AH 5012-5390 Reel #75 (35mm; 1 reel; 340 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 464 | They All Laughed (dailies) AH 6012-6733 Reel #76 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 551 | They All Laughed (dailies) AH 7012-7552; Reel #77 (35mm; 1 reel; 135 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 545 | They All Laughed (dailies) AH 8012-8796; Reel #78 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 545 | They All Laughed (dailies) AJ 1012-1431; Reel #81 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 545 | They All Laughed (dailies) AJ 2012-2582; Reel #82 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 405 | They All Laughed (dailies) AJ 3012-3731 Reel #83 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 404 | They All Laughed (dailies) AJ 4012-4463 Reel #84 (35mm; 1 reel; 445 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 404 | They All Laughed (dailies) AJ 5012-5903 Reel #85 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 404 | They All Laughed (dailies) AJ 6012-6733 Reel #86 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 403 | They All Laughed (dailies) AJ 7012-7661 Reel #87 (35mm; 1 reel; 608 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 403 | They All Laughed (dailies) AJ 8012-8540 Reel #88 (35mm; 1 reel; 500 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 444 | They All Laughed (dailies) AK 0012-0954 Reel #100 (35mm; 1 reel; 450 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 552 | They All Laughed (dailies) AK 9012-9809; Reel #99 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 445 | They All Laughed (dailies) AKA 8012-8804 Reel #98A (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 445 | They All Laughed (dailies) AKB 8012-8804 Reel #98B (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 445 | They All Laughed (dailies) AL 1012-1913 Reel #101 (35mm; 1 reel; 135 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 411 | They All Laughed (dailies) AL 2012-2831 Reel #102 (35mm; 1 reel; 650 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 412 | They All Laughed (dailies) AL 8012-8774 Reel #108 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 471 | They All Laughed (dailies) AM 2012-2863; Reel #112 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 470 | They All Laughed (dailies) AM 3012-3730; Reel #113 (35mm; 1 reel; 500 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 470 | They All Laughed (dailies) AM 4012-4809; Reel #114 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 470 | They All Laughed (dailies) AM 5012-5831; Reel #115 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 469 | They All Laughed (dailies) AM 6012-6622; Reel #116 (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 466 | They All Laughed (dailies) AM Reel #117 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 412 | They All Laughed (dailies) AM Reel #118 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 414 | They All Laughed (dailies) AM Reel #119 (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 413 | They All Laughed (dailies) AM Reel #120 (35mm; 1 reel; 650 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 413 | They All Laughed (dailies) AN 1012-1992 Reel #121 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 413 | They All Laughed (dailies) AN 2012-2995 Reel #122 (35mm; 1 reel; 515 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 414 | They All Laughed (dailies) AN 3012-3992 Reel #123 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 406 | They All Laughed (dailies) AN 4012-4845 Reel #124 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 439 | They All Laughed (dailies) AN 5012-5776 Reel #125 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 439 | They All Laughed (dailies) AN 6012-6661 Reel #126 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 439 | They All Laughed (dailies) AN 7012-7677 Reel #127 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 437 | They All Laughed (dailies) AN 8012-8816 Reel #128 (35mm; 1 reel; 650 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 517 | They All Laughed (dailies) AN 9012-9791; Reel #129 (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 490 | They All Laughed (dailies) AP 0012-0452; Reel #140 (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 493 | They All Laughed (dailies) AP 6012-6951; Reel #136 (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 492 | They All Laughed (dailies) AP 7012-7777; Reel #137 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 492 | They All Laughed (dailies) AP 8012-8814; Reel #138 (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 491 | They All Laughed (dailies) AP 9012-9825; Reel #139 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 438 | They All Laughed (dailies) AQ 0013-0794 Reel #150 (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 491 | They All Laughed (dailies) AQ 1012-1740; Reel #141 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 437 | They All Laughed (dailies) AQ 8012-8957 Reel #148 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 438 | They All Laughed (dailies) AQ 9012-9918 Reel #149 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 436 | They All Laughed (dailies) AR 1012-1981 Reel #151 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 438 | They All Laughed (dailies) AR 2012-2922 Reel #152 (35mm; 1 reel; 500 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 646 | They All Laughed (dailies) Lens test at Rockefeller Center (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 278 | They All Laughed (dailies) Reel #106; AL 6112-6660 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 277 | They All Laughed (dailies) Reel #107; AL 7012-7783 (35mm; 1 reel; 518 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 279 | They All Laughed (dailies) Reel #109; AL 9012-9638 (35mm; 1 reel; 476 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 277 | They All Laughed (dailies) Reel #110; AL 0012- (35mm; 1 reel; 358 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 278 | They All Laughed (dailies) Reel #111; AM 1012-1988 (35mm; 1 reel; 501 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 272 | They All Laughed (dailies) Reel #130; AN 0012-0726 (35mm; 1 reel; 227 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 271 | They All Laughed (dailies) Reel #131; AO 1012-1870 (35mm; 1 reel; 411 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 271 | They All Laughed (dailies) Reel #132; AP 2012-2962 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 271 | They All Laughed (dailies) Reel #133; AP 3012-3534 (35mm; 1 reel; 286 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 270 | They All Laughed (dailies) Reel #134; AP 4012-4680 (35mm; 1 reel; 476 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 270 | They All Laughed (dailies) Reel #135; AP 5012-5943 (35mm; 1 reel; 626 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 253 | They All Laughed (dailies) Reel #142; AQ 2012-2358 (35mm; 1 reel; 253 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 253 | They All Laughed (dailies) Reel #144; AQ 4012-4620 (35mm; 1 reel; 321 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 253 | They All Laughed (dailies) Reel #145; AQ 5012-5820 (35mm; 1 reel; 167 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 719 | They All Laughed (dailies) Reel #47; AE 7000-7869 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 718 | They All Laughed (dailies) Reel #48; AE 8000-8897 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 713 | They All Laughed (dailies) Reel #49; AE 9000-96488 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 718 | They All Laughed (dailies) Reel #50; AE 0012-0948 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 712 | They All Laughed (dailies) Reel #51; AF 1000-1689 (35mm; 1 reel; 285 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 713 | They All Laughed (dailies) Reel #52; AF 2000-2658 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 611 | They All Laughed (dailies) Reel #65; AG 5012-5452 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 611 | They All Laughed (dailies) Reel #66; AG 6012-6767 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 611 | They All Laughed (dailies) Reel #67; AG 7012-7438 (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 612 | They All Laughed (dailies) Reel #68; AG 8012-8659 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 612 | They All Laughed (dailies) Reel #69; AG 9012-9332 (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 613 | They All Laughed (dailies) Reel #70; AG 0012-0722 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 602 | They All Laughed (dailies) Reel #89; AJ 9012-9424 (35mm; 1 reel; 510 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 602 | They All Laughed (dailies) Reel #90; AJ 0012-0738 (35mm; 1 reel; 545 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 602 | They All Laughed (dailies) Reel #91; AK 1012-1316 (35mm; 1 reel; 280 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 601 | They All Laughed (dailies) Reel #92; AK 2012-2820 (35mm; 1 reel; 365 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 601 | They All Laughed (dailies) Reel #93; AK 3012-3816 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 600 | They All Laughed (dailies) Reel #94; AK 4012-4961 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 593 | They All Laughed (dailies) Reel #95; AK 5012-5861 (35mm; 1 reel; 510 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 594 | They All Laughed (dailies) Reel #96A; AKA 6012-6964 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 593 | They All Laughed (dailies) Reel #96B; AKB 6012-6964 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 592 | They All Laughed (dailies) Reel #96C; AKC 6012-6964 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 592 | They All Laughed (dailies) Reel #97A; AKA 7012-7614 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 592 | They All Laughed (dailies) Reel #97B; AKB 7012-7614 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 635 | They All Laughed (dailies) Reel #97C; AKC 7012-7320 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 600 | They All Laughed (dailies) Roll 150; Scene 31 (5-29-80) (35mm; 1 reel; 770 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 600 | They All Laughed (dailies) Roll 54; Scene 62 (4-18-80) (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 599 | They All Laughed (dailies) Scene 84,87 & various Scenes (5-30-80) (35mm; 1 reel; 770 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 443 | They All Laughed (dailies) Scenes 27-28; (n.g. prints) (35mm; 1 reel; 320 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 443 | They All Laughed (dailies) Scenes 39-40 (n.g. print) (35mm; 1 reel; 225 ft; color) | ||||||||||
General | |||||||||||
N.G. Pix | |||||||||||
box 646 | They All Laughed (dailies) Shoe Store Scene (35mm; 1 reel; 410 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 653 | They All Laughed (dupe) Reel 2 (ADR) (35mm; 1 reel; 950 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 654 | They All Laughed (dupe) Reel 3 (ADR; 12-15-80) (35mm; 1 reel; 1024 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 653 | They All Laughed (dupe) Reel 4 (ADR) (35mm; 1 reel; 910 ft; b&w) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 706 | They All Laughed (excerpt) Audrey Hepburn in Toy Store (35mm; 1 reel; 50 ft; color; sd) | ||||||||||
General | |||||||||||
Excerpt | |||||||||||
box 272 | They All Laughed (excerpts) Credits; Scene 1042A-3; Audrey saying 'John' (35mm; 1 reel; 500 ft; color; sd) | ||||||||||
General | |||||||||||
excerpt | |||||||||||
box 433 | They All Laughed (final sound dub) 3:1; 12-12-80; R8 (35mm; 1 reel; 770 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 433 | They All Laughed (final sound dub) 3:1; 12-12-80; R9 (35mm; 1 reel; 900 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 603 | They All Laughed (full coat magnetic soundtrack) teaser (10-24-81) (35mm; 1 reel; 170 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 674 | They All Laughed (full coat magnetic soundtrack) voice tests (35mm; 1 reel; 500 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 490 | They All Laughed (full coat magnetic soundtrack) FX (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 597 | They All Laughed (full coat magnetic soundtrack) Reel 10 (1-28-81) (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 693 | They All Laughed (full coat magnetic soundtrack) Reel 11+12; final master (3-17-81) (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 694 | They All Laughed (full coat magnetic soundtrack) Reel 3+4; final master (3-17-81) (35mm; 1 reel; 1905 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 624 | They All Laughed (full coat magnetic soundtrack) Reel 4 (3-10-81); No master reel; see R4- D16 (35mm; 1 reel; 1060 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 692 | They All Laughed (full coat magnetic soundtrack) Reel 5+6; 3 Ch master (10-10-81) (35mm; 1 reel; 2060 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 691 | They All Laughed (full coat magnetic soundtrack) Reel 5+6; final master (3-17-81) (35mm; 1 reel; 1750 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 265 | They All Laughed (full coat magnetic soundtrack) Reel 6; 3 trk master (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 490 | They All Laughed (full coat magnetic soundtrack) Reel 8 (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 718 | They All Laughed (full coat magnetic soundtrack) Reel 8; D-15; pull up cut; (3-12-81) (35mm; 1 reel; 900 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 597 | They All Laughed (full coat magnetic soundtrack) Reel 9 & Reel 10 (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 685 | They All Laughed (full coat magnetic soundtrack) Reel 9; not a master (3-26-81); not in sync (35mm; 1 reel; 890 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 720 | They All Laughed (full coat magnetic soundtrack) Teaser trailer; (2-9-82) (35mm; 1 reel; 230 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 658 | They All Laughed (full coat magnetic soundtrack) Unidentified Reel (35mm; 1 reel; 220 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 544 | They All Laughed (full-coat magnetic soundtrack) Reel 1; D-1 (1-28-81) old version (35mm; 1 reel; 960 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 545 | They All Laughed (full-coat magnetic soundtrack) Reel 10; TODD A-O (35mm; 1 reel; 1030 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 534 | They All Laughed (full-coat magnetic soundtrack) Reel 4;Reel 9 (35mm; 1 reel; 350 ft) | ||||||||||
General | |||||||||||
Full coat magnetic soundtrack | |||||||||||
box 544 | They All Laughed (full-coat magnetic soundtrack) unidentified Scenes (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 436 | They All Laughed (Gag reel- soundtrack) July 20, 1980 (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Outtakes | |||||||||||
box 435 | They All Laughed (Gag reel) July 20, 1980 (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 557 | They All Laughed (music dupe) N.G.; Reel 2 ( conformed 10/10) (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Music Dupe | |||||||||||
box 556 | They All Laughed (music dupe) Reel 1 ( conformed 12/9/80) (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Music Dupe | |||||||||||
box 619 | They All Laughed (music dupe) Reel 1; (new dupe 12-12-80) (35mm; 1 reel; 560 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 620 | They All Laughed (music dupe) Reel 10; (conformed 12-8-80); sync (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 620 | They All Laughed (music dupe) Reel 11; (conformed 11-25-80) (35mm; 1 reel; 560 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 620 | They All Laughed (music dupe) Reel 12; (conformed 11-18-80) (35mm; 1 reel; 630 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 619 | They All Laughed (music dupe) Reel 2; (new dupe 12-9-80) (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 618 | They All Laughed (music dupe) Reel 3; (conformed 12-12-80) (35mm; 1 reel; 870 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 619 | They All Laughed (music dupe) Reel 4; (conformed 11-11-80) (35mm; 1 reel; 320 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 619 | They All Laughed (music dupe) Reel 5; (conformed 11-10-80) (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 619 | They All Laughed (music dupe) Reel 6; (conformed 12-12-80) (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 621 | They All Laughed (music dupe) Reel 7; (conformed 12-1-80) (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 654 | They All Laughed (music dupe) Reel 8 (conformed 11/18/80) (35mm; 1 reel; 680 ft) | ||||||||||
General | |||||||||||
Music Dupe | |||||||||||
box 620 | They All Laughed (music dupe) Reel 8; (conformed 12-8-80) (35mm; 1 reel; 640 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 620 | They All Laughed (music dupe) Reel 9; (conformed 12-8-80) (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Dupe | |||||||||||
box 527 | They All Laughed (music soundtrack) Scenes 78-87; Reel 10; music 'A' (35mm; 1 reel; 910 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 608 | They All Laughed (music trims) Bill's music trims (35mm; 1 reel; 770 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 608 | They All Laughed (music trims) Sing, Sing, Sing (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 477 | They All Laughed (music trims) AKR 6647-6964 ( Kentucky Nights) Scene 21; tk 6 (35mm; 1 reel; 100 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 477 | They All Laughed (music trims) AKR 7321-7614 ( Kentucky Nights) Scene 77-5 (35mm; 1 reel; 350 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 477 | They All Laughed (music trims) AKS 6648-6971 ( Kentucky Nights) Scene 21; tk 6; music mix; tk 3 (35mm; 1 reel; 190 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 476 | They All Laughed (music trims) AKT 6649-7028 ( Kentucky Nights) Scene 21 tk. 6, music mix trk 4 (35mm; 1 reel; 145 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 484 | They All Laughed (music trims) JA 0000-0600 Honky Tonk Heroes; Old 5 and Dimers (35mm; 1 reel; 690 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 484 | They All Laughed (music trims) JA 1000-1490 Omaha; We Had It All (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 484 | They All Laughed (music trims) JA 2000-2650 Amigo; Everything Happens to Me (35mm; 1 reel; 690 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 484 | They All Laughed (music trims) JA 2000-2940 Where are You; What is This Thing Called Love; All the Things You Are (35mm; 1 reel; 1020 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 483 | They All Laughed (music trims) JA 3000-3508 East of the Sun (35mm; 1 reel; 435 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 484 | They All Laughed (music trims) JA 4000-4575 Sometimes I'm Happy (35mm; 1 reel; 625 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 483 | They All Laughed (music trims) JA 5000-5650 My Foolish Heart; We'll Be Together Again (35mm; 1 reel; 700 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 485 | They All Laughed (music trims) JA 6000-6775 Equinox (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 485 | They All Laughed (music trims) JA 7000-7960 Chinese music (35mm; 1 reel; 815 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 485 | They All Laughed (music trims) JA 8000-8905 I'll Be Seeing You; Wrap Your Troubles in Dreams; Thanks for the Memory (35mm; 1 reel; 900 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 485 | They All Laughed (music trims) JA 9000-9980 I'm Falling in Love with Love; The Shadow of your Smile (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 485 | They All Laughed (music trims) JB 0000-1019 The Nearness of You; My Foolish Heart (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 476 | They All Laughed (music trims) JB 3000-3735 My romance (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 476 | They All Laughed (music trims) JB 4000-4740 The nearness of you; Nancy (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 475 | They All Laughed (music trims) JB 5000-5870 I don't think I could take you back again; Just one day since yesterday; I would like to see you again (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 475 | They All Laughed (music trims) JB 6000-6275 That's the wasy it is (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 475 | They All Laughed (music trims) JB 6300-6530 It comes and goes (35mm; 1 reel; 475 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 475 | They All Laughed (music trims) JB 7000-7880 Hey! Look at me now; Sugar; More than you know (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 475 | They All Laughed (music trims) JB 8000-8240 Just one day since yesterday (35mm; 1 reel; 40 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 474 | They All Laughed (music trims) JB 8300-8800 They All Laughed; I don't think that I can take you back again (35mm; 1 reel; 475 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 474 | They All Laughed (music trims) JB 9000-9340 Vivaldi concerto in 'C' Major (35mm; 1 reel; 365 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 474 | They All Laughed (music trims) JC 1000-1850 My foolish heart; I'll be seeing you (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 474 | They All Laughed (music trims) JC 2000-3210 Mozart's Piano Concerto #27 in 'B' Flat Major (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 472 | They All Laughed (music trims) JJ 6647-6970 Kentucky Nights (2x) sync tk-4; sc. 21 (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 486 | They All Laughed (music trims) JJ 7321-7614 Scene 77-5 sync (35mm; 1 reel; 50 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 401 | They All Laughed (music trims) MA 0002-0327 More than you know (35mm; 1 reel; 286 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 402 | They All Laughed (music trims) MA 1000-2013 the seasons (35mm; 1 reel; 967 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 473 | They All Laughed (music trims) MA 1002-1805 Sing, sing, sing (35mm; 1 reel; 475 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 474 | They All Laughed (music trims) MA 2002-2583 My one and only love (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 473 | They All Laughed (music trims) MA 2584-2854 They All Laughed (35mm; 1 reel; 60 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 473 | They All Laughed (music trims) MA 3002-3275 My own kind of hat (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 473 | They All Laughed (music trims) MA 3276-3507 Back in the country (35mm; 1 reel; 80 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 473 | They All Laughed (music trims) MA 3508-3825 Now and then, there's a fool such as I (35mm; 1 reel; 220 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 472 | They All Laughed (music trims) MA 4002-4403 You and me (35mm; 1 reel; 110 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 472 | They All Laughed (music trims) MA 4404-4730 Leaving Louisiana in the broad day light (35mm; 1 reel; 230 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 472 | They All Laughed (music trims) MA 5002-5362 Kentucky Nights (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 472 | They All Laughed (music trims) MA 5363-5707 Amigo (35mm; 1 reel; 80 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 471 | They All Laughed (music trims) MA 6002-6285 I would like to see you again (35mm; 1 reel; 130 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 471 | They All Laughed (music trims) MA 6287-6570 That's the way it is (35mm; 1 reel; 225 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 402 | They All Laughed (music trims) MA 6571-6790 Back in the country (RE-xfer) (35mm; 1 reel; 286 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 402 | They All Laughed (music trims) MA 7002-7248 I would like to see you again (35mm; 1 reel; 253 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 402 | They All Laughed (music trims) MA 7249-7488 That's the way it is (35mm; 1 reel; 253 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 402 | They All Laughed (music trims) MA 8002-8262 Just one day since yesterday (35mm; 1 reel; 286 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 400 | They All Laughed (music trims) MA 8263-8579 I don't think I can take you back again (35mm; 1 reel; 286 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 401 | They All Laughed (music trims) MA 8520-8733 Back in the country (35mm; 1 reel; 253 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 401 | They All Laughed (music trims) MA 9002-9266 The song is you (35mm; 1 reel; 321 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 401 | They All Laughed (music trims) MA 9267-9573 I had the craziest dream (35mm; 1 reel; 321 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 401 | They All Laughed (music trims) MA 9574-9942 It had to be you (35mm; 1 reel; 396 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 529 | They All Laughed (music trims) MB 2050-2405 These Foolish Things Remind Me of You (35mm; 1 reel; 365 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 529 | They All Laughed (music trims) MB 3000-3247 Let's Face the music (35mm; 1 reel; 260 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 529 | They All Laughed (music trims) MB 6002-6225 I Would Like to See You Again (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 529 | They All Laughed (music trims) MB 6226-6438 I Would Like to See You Again (35mm; 1 reel; 250 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 528 | They All Laughed (music trims) MB 6439-6631 I Don't Think That I Can Take You Back Again (35mm; 1 reel; 220 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 528 | They All Laughed (music trims) MB 6632-6862 Just One Day Since Yesterday (35mm; 1 reel; 220 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 527 | They All Laughed (music trims) MB 7002-7260 "That's the Way It Is" (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 528 | They All Laughed (music trims) MB 8002-8275 Kentucky Nights 7-8-80 (35mm; 1 reel; 290 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 527 | They All Laughed (music trims) MB 9002-9403 "Kentucky Nights"; 7-8-80 (35mm; 1 reel; 440 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 607 | They All Laughed (music trims) Misc. Scenes (35mm; 1 reel; 475 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 608 | They All Laughed (music trims) Misc. Scenes (35mm; 1 reel; 410 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 608 | They All Laughed (music trims) Misc. Scenes (35mm; 1 reel; 625 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 608 | They All Laughed (music trims) Misc. Scenes (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 609 | They All Laughed (music trims) Misc. Scenes (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 663 | They All Laughed (music trims) Mix trim Scene 87 + That's All; MB 5002-5358; The Seasons; MB1000-2013 (35mm; 1 reel; 115 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 444 | They All Laughed (music trims) New music D; Reel 11 (3x) (35mm; 1 reel; 910 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 489 | They All Laughed (music trims) Reel 1; Scene 5 (35mm; 1 reel; 625 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 489 | They All Laughed (music trims) Reel 12; music B (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 500 | They All Laughed (music trims) Reel 13; music dupe (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 500 | They All Laughed (music trims) Reel 14 (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 489 | They All Laughed (music trims) Reel 8; Back in the Country; 'C' Audience (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 489 | They All Laughed (music trims) Reel 8; Back in the Country; Mix E- full coat (35mm; 1 reel; 1130 ft) | ||||||||||
General | |||||||||||
Music trims | |||||||||||
box 476 | They All Laughed (music trims) WT 7000-7958 Reel #7 (Plaza music) (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Trims | |||||||||||
box 440 | They All Laughed (N.G. pix) 4-3-80; Reel #7 (too light) (35mm; 1 reel; 525 ft; color) | ||||||||||
General | |||||||||||
N.G. Pix | |||||||||||
box 443 | They All Laughed (N.G. pix) Reel #77 (too dark) (35mm; 1 reel; 573 ft; color) | ||||||||||
General | |||||||||||
N.G. Pix | |||||||||||
box 540 | They All Laughed (Optical trims) Title tests and end titles (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 398 | They All Laughed (original negative 5247); Camera Roll #154,155; Can #45 (35mm; 1 reel; 269 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 444 | They All Laughed (original negative) (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 388 | They All Laughed (original negative) (selected takes); Can #42 (35mm; 1 reel; 795 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 388 | They All Laughed (original negative) (selected takes); Can #71 (35mm; 1 reel; 576 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 680 | They All Laughed (original negative) Outtakes; (35mm; 1 reel; 530 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 681 | They All Laughed (original negative) Outtakes; Camera roll #107-108 (35mm; 1 reel; 540 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 680 | They All Laughed (original negative) Outtakes; Camera roll #201 (35mm; 1 reel; 890 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 680 | They All Laughed (original negative) Outtakes; Camera roll #269A, 270A, 271A (35mm; 1 reel; 920 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 681 | They All Laughed (original negative) Outtakes; Camera roll 206,207,208 (35mm; 1 reel; 300 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 681 | They All Laughed (original negative) Outtakes; Camera roll 53-54 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 671 | They All Laughed (original negative) teaser trailer; (1/29/82) (35mm; 1 reel; 290 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 672 | They All Laughed (original negative) 7 scenes (35mm; 1 reel; 1090 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 383 | They All Laughed (original negative) Cam- C199-201; Can #103 (35mm; 1 reel; 840 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 514 | They All Laughed (original negative) Camera Roll # 118,119,120 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 731 | They All Laughed (original negative) Camera Roll # 156, 157 (35mm; 1 reel; 1040 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 724 | They All Laughed (original negative) Camera Roll # 169B, 172B; Can #112 (35mm; 1 reel; 828 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 724 | They All Laughed (original negative) Camera Roll # 43,44,45; Can #75 (35mm; 1 reel; 760 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 503 | They All Laughed (original negative) Camera Roll # 86-87; reel 2 (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 503 | They All Laughed (original negative) Camera Roll # 97-98; Can #1 (35mm; 1 reel; 675 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 509 | They All Laughed (original negative) Camera Roll #124-125 (35mm; 1 reel; 1200 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 389 | They All Laughed (original negative) Camera Roll #146-147 (35mm; 1 reel; 820 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 389 | They All Laughed (original negative) Camera Roll #148; Can #20 (35mm; 1 reel; 329 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 509 | They All Laughed (original negative) Camera Roll #161,162,163; Can #14 (35mm; 1 reel; 1130 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 486 | They All Laughed (original negative) Camera Roll #170 C + 173C; Can 131 (35mm; 1 reel; 1520 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 680 | They All Laughed (original negative) Camera roll #196 (35mm; 1 reel; 620 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 468 | They All Laughed (original negative) Camera Roll #198-204 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 681 | They All Laughed (original negative) Camera roll #202 (35mm; 1 reel; 920 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 468 | They All Laughed (original negative) Camera Roll #214-211; Can 97 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 469 | They All Laughed (original negative) Camera Roll #219,220,221; Can #96 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 389 | They All Laughed (original negative) Camera Roll #261-262-263; (35mm; 1 reel; 562 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 390 | They All Laughed (original negative) Camera Roll #261-262-263; Can #128 (35mm; 1 reel; 698 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 488 | They All Laughed (original negative) Camera Roll #46 (35mm; 1 reel; 80 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 488 | They All Laughed (original negative) Camera Roll #73-74 (35mm; 1 reel; 190 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 468 | They All Laughed (original negative) Camera Roll #83; Can 62 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 514 | They All Laughed (original negative) Camera Roll #88,89,90; Can #8 (35mm; 1 reel; 870 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 509 | They All Laughed (original negative) Camera Roll #88,89,90; Can #9 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 506 | They All Laughed (original negative) Camera Roll #T-6; Test (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 418 | They All Laughed (original negative) Camera Roll 100-104; Can #10 (35mm; 1 reel; 860 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 399 | They All Laughed (original negative) Camera Roll 107-108; Can #5 (35mm; 1 reel; 796 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 505 | They All Laughed (original negative) Camera Roll 132 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 731 | They All Laughed (original negative) Camera Roll 132; Can #3 (35mm; 1 reel; 972 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 383 | They All Laughed (original negative) Camera Roll 191B; Can #19 (35mm; 1 reel; 751 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 682 | They All Laughed (original negative) Camera roll 195 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 681 | They All Laughed (original negative) Camera roll 200 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Negative/ Outtakes | |||||||||||
box 731 | They All Laughed (original negative) Camera Roll 222-224; Can #98 (35mm; 1 reel; 927 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 732 | They All Laughed (original negative) Camera Roll 277; Can #702 (35mm; 1 reel; 768 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 731 | They All Laughed (original negative) Camera Roll 278; Can #124 (35mm; 1 reel; 798 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 732 | They All Laughed (original negative) Camera Roll 91,92,93; Can #6 (35mm; 1 reel; 815 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 731 | They All Laughed (original negative) Camera Roll 94-95; Can #12 (35mm; 1 reel; 885 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 506 | They All Laughed (original negative) Camera Roll no. 168 & 171; Can #132; reel no. 5 (35mm; 1 reel; 640 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 505 | They All Laughed (original negative) Camera Roll no. 175B & 178B; Can #114; reel no. 4 (35mm; 1 reel; 830 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 506 | They All Laughed (original negative) Camera Roll no. test 15 (35mm; 1 reel; 135 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 505 | They All Laughed (original negative) Camera Roll test #13 (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 505 | They All Laughed (original negative) Can #114 (35mm; 1 reel; 625 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 488 | They All Laughed (original negative) Can #200 (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 506 | They All Laughed (original negative) Can #99 (35mm; 1 reel; 1020 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 683 | They All Laughed (original negative) F2x 89; Neg for recut (35mm; 1 reel; 415 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 507 | They All Laughed (original negative) From cans 7,104,86,128,88 (35mm; 1 reel; 1450 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 508 | They All Laughed (original negative) Lense test (35mm; 1 reel; 240 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 645 | They All Laughed (original negative) Misc. Scenes (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 431 | They All Laughed (original negative) neg. stk. 5249 (35mm; 1 reel; 365 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 646 | They All Laughed (original negative) Optical FX (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 388 | They All Laughed (original negative) R1; Camera Roll #1&2; Can #44 (35mm; 1 reel; 325 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 389 | They All Laughed (original negative) R1; Camera Roll #5913; Can #67 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 388 | They All Laughed (original negative) R4; Camera Roll #6; Can #48 (35mm; 1 reel; 1071 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 388 | They All Laughed (original negative) Reel #2; Camera roll #60 + 61; Can #73 (35mm; 1 reel; 980 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 674 | They All Laughed (original negative) Reel 1 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 390 | They All Laughed (original negative) Reel 1; Camera Roll 62-63; Can #59 (35mm; 1 reel; 483 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 389 | They All Laughed (original negative) Reel 10/1; Camera Roll #37&38; Can #90 (35mm; 1 reel; 780 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 679 | They All Laughed (original negative) Reel 12, Reel 14 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 508 | They All Laughed (original negative) Reel 2; Camera Roll #236A; Can 130 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 506 | They All Laughed (original negative) Reel 2; Camera Roll #279,280,281; Can 127 (35mm; 1 reel; 1020 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 390 | They All Laughed (original negative) Reel 2; Camera Roll 64-65; Can #61 (35mm; 1 reel; 334 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 644 | They All Laughed (original negative) Reel 3 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 468 | They All Laughed (original negative) Scene 75, Take 1 (35mm; 1 reel; 285 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 468 | They All Laughed (original negative) Shoe store Scene; Girl with knife Scene (35mm; 1 reel; 615 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 397 | They All Laughed (original negative); Camera Roll #11-12; Can #51 (35mm; 1 reel; 785 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 397 | They All Laughed (original negative); Camera Roll #121-122-123; Can #35 (35mm; 1 reel; 823 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 398 | They All Laughed (original negative); Camera Roll #128,129,130,131 (35mm; 1 reel; 878 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 392 | They All Laughed (original negative); Camera Roll #138-139; Can #40 (35mm; 1 reel; 679 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 397 | They All Laughed (original negative); Camera Roll #159-160; Can #21 (35mm; 1 reel; 1166 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 398 | They All Laughed (original negative); Camera Roll #206-207,208-209-210; Can #100 (35mm; 1 reel; 892 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 396 | They All Laughed (original negative); Camera Roll #225,226,227; Can #93 (35mm; 1 reel; 1087 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 391 | They All Laughed (original negative); Camera Roll #72; Can #58 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 397 | They All Laughed (original negative); Camera Roll #77-78-79; Can #89 (35mm; 1 reel; 811 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 392 | They All Laughed (original negative); Can #94 (35mm; 1 reel; 790 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 393 | They All Laughed (original negative); reel #1; Camera Roll #192A, 193A; Can #27 (35mm; 1 reel; 843 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 398 | They All Laughed (original negative); Reel #1; Camera Roll #23,24; Can #54 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 391 | They All Laughed (original negative); Reel #2; Camera Roll #126-127; Can #37 (35mm; 1 reel; 1049 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 397 | They All Laughed (original negative); reel #2; Camera Roll #166-167; Can #22 (35mm; 1 reel; 790 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 392 | They All Laughed (original negative); Reel #2; Camera Roll #21-22; Can #53 (35mm; 1 reel; 898 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 396 | They All Laughed (original negative); reel #2; Camera Roll #28-29; Can #57 (35mm; 1 reel; 1002 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 392 | They All Laughed (original negative); reel #6; Camera Roll #A174, A177; Can #133 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Negative | |||||||||||
box 469 | They All Laughed (original picture & negative) Camera Roll #197-203; Can 88 (35mm; 1 reel; 540 ft; color) | ||||||||||
General | |||||||||||
Picture & Negative | |||||||||||
box 468 | They All Laughed (original picture) Camera Roll #216-217 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 390 | They All Laughed (original positive) Camera Roll 105-106; Can #4 (35mm; 1 reel; 836 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 390 | They All Laughed (original positive) Can #15 (35mm; 1 reel; 1056 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 632 | They All Laughed (original positive) N.G.; Reel 3A (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 393 | They All Laughed (original positive); Camera Roll #109-110,111-112; Can #31 (35mm; 1 reel; 915 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 393 | They All Laughed (original positive); Camera Roll #272A,273A; Can #113 (35mm; 1 reel; 1071 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 391 | They All Laughed (original positive); Camera Roll #96; Can #2 (35mm; 1 reel; 928 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 398 | They All Laughed (original positive); Reel #1; Camera Roll #88,89,90; Can #7 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 392 | They All Laughed (original positive); Reel #2; Camera Roll #143,144-145; Can #82 (35mm; 1 reel; 900 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 391 | They All Laughed (original positive); Reel #2; Camera Roll #190B; Can #16 (35mm; 1 reel; 627 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 391 | They All Laughed (original positive); Reel #2; Camera Roll #53-54; Can #66 (35mm; 1 reel; 605 ft; color) | ||||||||||
General | |||||||||||
Positive | |||||||||||
box 527 | They All Laughed (original soundtrack) 1:1 Dub; Reel 14 (35mm; 1 reel; 1024 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 527 | They All Laughed (original soundtrack) Dub 3:1; Reel 12; Scene 88-93 (N.G.) (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 526 | They All Laughed (original soundtrack) Dub 3:1; Reel 13; Scene 91-99 (N.G.) (35mm; 1 reel; 990 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 526 | They All Laughed (original soundtrack) Final Dub 3:1; Reel 11; 12-4-80 & 12-12-80 (35mm; 1 reel; 970 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 503 | They All Laughed (outtakes- picture & negative) Can #119; Camera Roll #282-283 (35mm; 1 reel; 960 ft; color) | ||||||||||
General | |||||||||||
Outakes: negatives & picture | |||||||||||
box 393 | They All Laughed (outtakes) (35mm; 1 reel; 911 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 393 | They All Laughed (outtakes) (35mm; 1 reel; 753 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 396 | They All Laughed (outtakes) (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 515 | They All Laughed (outtakes) Camera Roll # 105-106 (35mm; 1 reel; 650 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 729 | They All Laughed (outtakes) Camera Roll # 133-134 (35mm; 1 reel; 1024 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 722 | They All Laughed (outtakes) Camera Roll # 148 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 514 | They All Laughed (outtakes) Camera Roll # 153,154,155 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 722 | They All Laughed (outtakes) Camera Roll # 156,157 (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 728 | They All Laughed (outtakes) Camera Roll # 164-165, 166-167 (35mm; 1 reel; 1890 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 722 | They All Laughed (outtakes) Camera Roll # 180,181 (35mm; 1 reel; 160 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 724 | They All Laughed (outtakes) Camera Roll # 184B, 185B (35mm; 1 reel; 1100 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 730 | They All Laughed (outtakes) Camera Roll # 206 (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 510 | They All Laughed (outtakes) Camera Roll # 211,212,213,214,215 (35mm; 1 reel; 1450 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 515 | They All Laughed (outtakes) Camera Roll # 216,217,218 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 722 | They All Laughed (outtakes) Camera Roll # 225,226,227 (35mm; 1 reel; 980 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 516 | They All Laughed (outtakes) Camera Roll # 231,232,233,234 (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 515 | They All Laughed (outtakes) Camera Roll # 243,244,247 (35mm; 1 reel; 545 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 723 | They All Laughed (outtakes) Camera Roll # 264 (35mm; 1 reel; 70 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 730 | They All Laughed (outtakes) Camera Roll # 272A, 273A (35mm; 1 reel; 530 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 514 | They All Laughed (outtakes) Camera Roll # 274,276 (35mm; 1 reel; 410 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 730 | They All Laughed (outtakes) Camera Roll # 290-291 (35mm; 1 reel; 520 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 729 | They All Laughed (outtakes) Camera Roll # 35-36 (35mm; 1 reel; 500 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 515 | They All Laughed (outtakes) Camera Roll # 37,38 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 514 | They All Laughed (outtakes) Camera Roll # 43,44,45 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 516 | They All Laughed (outtakes) Camera Roll # 51,52,54 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 394 | They All Laughed (outtakes) Camera Roll # 55-56, 57-58 (35mm; 1 reel; 753 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 515 | They All Laughed (outtakes) Camera Roll # 62,66,70 (35mm; 1 reel; 440 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 730 | They All Laughed (outtakes) Camera Roll # 70 (35mm; 1 reel; 825 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 730 | They All Laughed (outtakes) Camera Roll # 71 (35mm; 1 reel; 730 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 725 | They All Laughed (outtakes) Camera Roll # 96-99 (35mm; 1 reel; 620 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 722 | They All Laughed (outtakes) Camera Roll # 97-98 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 487 | They All Laughed (outtakes) Camera Roll #100-101; 102-103 (35mm; 1 reel; 1520 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 503 | They All Laughed (outtakes) Camera Roll #117-118 (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 394 | They All Laughed (outtakes) Camera Roll #148-150 (35mm; 1 reel; 967 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 502 | They All Laughed (outtakes) Camera Roll #151-152 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 467 | They All Laughed (outtakes) Camera Roll #18 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 394 | They All Laughed (outtakes) Camera Roll #186-187 (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 508 | They All Laughed (outtakes) Camera Roll #188A,189A,190B (35mm; 1 reel; 510 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 467 | They All Laughed (outtakes) Camera Roll #19-20 (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 508 | They All Laughed (outtakes) Camera Roll #197,198,199,204-205 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 511 | They All Laughed (outtakes) Camera Roll #207,208,209,210 (35mm; 1 reel; 510 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 467 | They All Laughed (outtakes) Camera Roll #21-22 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 509 | They All Laughed (outtakes) Camera Roll #219,220,221 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 508 | They All Laughed (outtakes) Camera Roll #222-223 (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 467 | They All Laughed (outtakes) Camera Roll #23,24,25,26 (35mm; 1 reel; 1200 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 395 | They All Laughed (outtakes) Camera Roll #235A-236A,237A,238B (35mm; 1 reel; 321 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 466 | They All Laughed (outtakes) Camera Roll #239-240; 241-242 (35mm; 1 reel; 1020 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 394 | They All Laughed (outtakes) Camera Roll #250-251,252,253,254 (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 396 | They All Laughed (outtakes) Camera Roll #256-258;259-260 (35mm; 1 reel; 346 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 396 | They All Laughed (outtakes) Camera Roll #265-266 (35mm; 1 reel; 312 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 427 | They All Laughed (outtakes) Camera Roll #277 (35mm; 1 reel; 70 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 395 | They All Laughed (outtakes) Camera Roll #282-283 (35mm; 1 reel; 134 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 513 | They All Laughed (outtakes) Camera Roll #34-42 (35mm; 1 reel; 1600 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 512 | They All Laughed (outtakes) Camera Roll #6,7,8,9 (35mm; 1 reel; 1450 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 395 | They All Laughed (outtakes) Camera Roll #62-68 (35mm; 1 reel; 145 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 486 | They All Laughed (outtakes) Camera Roll #75-76 (35mm; 1 reel; 650 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 467 | They All Laughed (outtakes) Camera Roll #77,78,79 (35mm; 1 reel; 945 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 395 | They All Laughed (outtakes) Camera Roll #84,85,86,87 (35mm; 1 reel; 1143 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 394 | They All Laughed (outtakes) Camera Roll #88,89,90 (35mm; 1 reel; 967 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 395 | They All Laughed (outtakes) Camera Roll #91,92,93 (35mm; 1 reel; 753 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 486 | They All Laughed (outtakes) Camera Roll #B30-B31, B32 (35mm; 1 reel; 1450 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 727 | They All Laughed (outtakes) lab order no. E69467, movielab vault location DA-997-81 (35mm; 1 reel; 1950 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 504 | They All Laughed (outtakes) Reel 5&6; Camera Roll #A168, A171, A174, A177 (35mm; 1 reel; 1970 ft; color) | ||||||||||
General | |||||||||||
Outtakes | |||||||||||
box 509 | They All Laughed (outtakes) Reels 8-14 (35mm; 1 reel; 1180 ft; color) | ||||||||||
General | |||||||||||
Outakes | |||||||||||
box 443 | They All Laughed (picture trims) (35mm; 1 reel; 500 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 463 | They All Laughed (picture trims) (35mm; 1 reel; 615 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 477 | They All Laughed (picture trims) (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 478 | They All Laughed (picture trims) (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 478 | They All Laughed (picture trims) (12-5-80) (35mm; 1 reel; 160 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 478 | They All Laughed (picture trims) (trims from 12-5-80) (Reel 1 credits) (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 436 | They All Laughed (picture trims) 10/29/80 (35mm; 1 reel; 340 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 477 | They All Laughed (picture trims) 1st print 12-2-80 (35mm; 1 reel; 560 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 673 | They All Laughed (picture trims) 27-8, 88B-4, 94WWA-2, 885.1, 88DA-4, 106D-3, 104X-1, 77C-2, 77G-1, TS10-3, 103C-1, T107CA-5 (35mm; 1 reel; 890 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 673 | They All Laughed (picture trims) 35BG-19, 94D-2, 77A-1, 94AA-3, 870-2, 94A-2-9, 94GG-3, 35R-3, 30P-6, 72A-2, 71F-2 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 673 | They All Laughed (picture trims) 38v-3,4,5, 13A-7,8, 38T-5, 45A-3, 27D-1, 41-6, 30N-1, 25U-1, 38V-1, 77D-1 (35mm; 1 reel; 775 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 673 | They All Laughed (picture trims) 77B-7, 48-3, 13A-7,78CB-1, 50A-4, 23-19, R22-8, 3B-2, 28-4, 210-4, 78BTA-2, 94VVA-2, 78C-14 (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 673 | They All Laughed (picture trims) 82-3,31FA-1, 88T-2, 88A-5, 5B-1, 205-10, 38V-2, 24D3, 12MA-4, 12P-5, 25B-5, 78B3-4, 37D-3, 94C-7, 94Q-1 (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 476 | They All Laughed (picture trims) Dorothy dedication (35mm; 1 reel; 40 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 683 | They All Laughed (picture trims) End Credits Part II (35mm; 1 reel; 1280 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 500 | They All Laughed (picture trims) Helicopter Scene (35mm; 1 reel; 120 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 683 | They All Laughed (picture trims) Main title revised (35mm; 1 reel; 1200 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 655 | They All Laughed (picture trims) N.G. End titles; Revolving Door (35mm; 1 reel; 420 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 528 | They All Laughed (picture trims) Reel 11 (LIFT sc. 148) (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 652 | They All Laughed (picture trims) Reel 2; Kids Walk; Reel 4; Reel 9; Ben and Audrey Walk (35mm; 1 reel; 715 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 443 | They All Laughed (picture trims) Reel 6 (n.g. pix- too light) (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
N.G. Pix | |||||||||||
box 682 | They All Laughed (picture trims) Revised End Credits Part I &II (35mm; 1 reel; 1330 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 683 | They All Laughed (picture trims) Revised main title; title three days later (35mm; 1 reel; 1050 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 440 | They All Laughed (picture trims) Scene 104AA-3; Scene 21B-17; Scene T3-1 (35mm; 1 reel; 80 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 488 | They All Laughed (picture trims) Scene 81 (35mm; 1 reel; 690 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 501 | They All Laughed (picture trims) unidentified Scenes (35mm; 1 reel; 220 ft; color) | ||||||||||
General | |||||||||||
Trims | |||||||||||
box 617 | They All Laughed (picture) Excess Pix (35mm; 1 reel; 770 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 648 | They All Laughed (picture) credits (35mm; 1 reel; 190 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 664 | They All Laughed (picture) camera + lens tests (4/1/80),(4/9/80),(4/19/80),(4/24/80) (35mm; 1 reel; 813 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 664 | They All Laughed (picture) camera tests (4/18/80),(5/30/80);zoom tests (35mm; 1 reel; 700 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 725 | They All Laughed (picture) Can #64 (35mm; 1 reel; 680 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 663 | They All Laughed (picture) N.G.; Reel 90 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 664 | They All Laughed (picture) N.G.; Reel 91 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 688 | They All Laughed (picture) opening credits (35mm; 1 reel; 300 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 618 | They All Laughed (picture) Reel 1 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 595 | They All Laughed (picture) Reel 10 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 615 | They All Laughed (picture) Reel 10 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 595 | They All Laughed (picture) Reel 10 (3-27-81) (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 614 | They All Laughed (picture) Reel 11 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 644 | They All Laughed (picture) Reel 11; Scenes 91-99 cut work pix; (940 + 7; 1/31/81; 716 + 5; 2/17/81) (35mm; 1 reel; 900 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 618 | They All Laughed (picture) Reel 2 (35mm; 1 reel; 670 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 716 | They All Laughed (picture) Reel 2 (35mm; 1 reel; 990 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 644 | They All Laughed (picture) Reel 3 (35mm; 1 reel; 920 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 714 | They All Laughed (picture) Reel 3 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 644 | They All Laughed (picture) Reel 4 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 717 | They All Laughed (picture) Reel 4 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 713 | They All Laughed (picture) Reel 5 (35mm; 1 reel; 1080 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 635 | They All Laughed (picture) Reel 5; sc. 125-144; Dialog-added (35mm; 1 reel; 825 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 644 | They All Laughed (picture) Reel 6 (35mm; 1 reel; 1160 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 717 | They All Laughed (picture) Reel 7 (35mm; 1 reel; 1000 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 595 | They All Laughed (picture) Reel 8 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 717 | They All Laughed (picture) Reel 8 (35mm; 1 reel; 970 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 613 | They All Laughed (picture) Reel 9 (35mm; 1 reel; 850 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 615 | They All Laughed (picture) Reel 9 (35mm; 1 reel; 910 ft; color) | ||||||||||
General | |||||||||||
Picture | |||||||||||
box 435 | They All Laughed (Pull up cut) Reel 3; D-3; Reel 3 (35mm; 1 reel; 900 ft) | ||||||||||
General | |||||||||||
Pull Up | |||||||||||
box 435 | They All Laughed (Pull up cut) Reel 7; D-7; Reel 7 (35mm; 1 reel; 890 ft) | ||||||||||
General | |||||||||||
Pull Up | |||||||||||
box 570 | They All Laughed (Reels of 35mm print) incomplete print Reel 1 (35mm; 1 reel; 1570 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 571 | They All Laughed (Reels of 35mm print) incomplete print Reel 3 (35mm; 1 reel; 1900 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 572 | They All Laughed (Reels of 35mm print) incomplete print Reel 3 (35mm; 1 reel; 860 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 573 | They All Laughed (Reels of 35mm print) incomplete print Reel 4 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 574 | They All Laughed (Reels of 35mm print) incomplete print Reel 4 (35mm; 1 reel; 1700 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 575 | They All Laughed (Reels of 35mm print) incomplete print Reel 5 of 7 (35mm; 1 reel; 1600 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 576 | They All Laughed (Reels of 35mm print) incomplete print Reel 5 of 7 (35mm; 1 reel; 1600 ft; color; sd) | ||||||||||
General | |||||||||||
Release Print | |||||||||||
box 381 | They All Laughed (select pix) R1of2; Scene 1 + A2 (R1) (35mm; 1 reel; 878 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 497 | They All Laughed (select pix) R1of2; Scenes 55-56; Reel 40 (35mm; 1 reel; 770 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 498 | They All Laughed (select pix) R1of3; Scenes 53-54; Reel 37 (35mm; 1 reel; 815 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 383 | They All Laughed (select pix) R1of3; Scenes 5-8 (Reel 6) (35mm; 1 reel; 857 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 382 | They All Laughed (select pix) R2of2; Scene 1 + A2 (Reel 2) (35mm; 1 reel; 655 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 382 | They All Laughed (select pix) R2of3; Scenes 2-4 (R4) (35mm; 1 reel; 773 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 499 | They All Laughed (select pix) R2of3; Scenes 53-54; Reel 38 (35mm; 1 reel; 630 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 383 | They All Laughed (select pix) R3of3; Scenes 2-4 (Reel 5) (35mm; 1 reel; 665 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 498 | They All Laughed (select pix) R3of3; Scenes 53-54; Reel 39 (35mm; 1 reel; 750 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 583 | They All Laughed (select pix) Reel 13; Scene 15-16 (35mm; 1 reel; 770 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 583 | They All Laughed (select pix) Reel 14; Scene 17 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 583 | They All Laughed (select pix) Reel 15; Scene 18 (35mm; 1 reel; 350 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 583 | They All Laughed (select pix) Reel 16; Scene 19-20 (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 583 | They All Laughed (select pix) Reel 17; Scene 21 (35mm; 1 reel; 1024 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 637 | They All Laughed (select pix) Reel 41; Scenes 55-56; Reel 2 of 2 (35mm; 1 reel; 360 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 637 | They All Laughed (select pix) Reel 42; Scene 59 (35mm; 1 reel; 380 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 637 | They All Laughed (select pix) Reel 43; Scenes 62-64 (35mm; 1 reel; 1190 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 636 | They All Laughed (select pix) Reel 44; Scenes 65-67 (35mm; 1 reel; 780 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 638 | They All Laughed (select pix) Reel 45; Scenes 69-72 (35mm; 1 reel; 800 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 636 | They All Laughed (select pix) Reel 46; Scenes 74-75 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 679 | They All Laughed (select pix) Reel 55; scenes 84-85 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 678 | They All Laughed (select pix) Reel 56; scene 86 (35mm; 1 reel; 435 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 459 | They All Laughed (select pix) Reel 7 (35mm; 1 reel; 950 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 452 | They All Laughed (select pix) Reel 74; R1of2; End credits (35mm; 1 reel; 545 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 652 | They All Laughed (select pix) Reel 75; R 2of 2; End Credits (35mm; 1 reel; 475 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 651 | They All Laughed (select pix) Reel 76; Audry End Credits (35mm; 1 reel; 1140 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 651 | They All Laughed (select pix) Reel 77; Audry End Credits (35mm; 1 reel; 1120 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 651 | They All Laughed (select pix) Reel 78; Audry End Credits (35mm; 1 reel; 600 ft; color) | ||||||||||
General | |||||||||||
Select Picture | |||||||||||
box 458 | They All Laughed (select pix) Scene 10-11; Reel 9 (35mm; 1 reel; 560 ft; color) | ||||||||||
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box 449 | They All Laughed (select pix) Scene 103; Reel 68 (35mm; 1 reel; 400 ft; color) | ||||||||||
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box 454 | They All Laughed (select pix) Scene 104; Reel 69; R1of3 (35mm; 1 reel; 800 ft; color) | ||||||||||
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box 454 | They All Laughed (select pix) Scene 104; Reel 70; R2of3 (35mm; 1 reel; 750 ft; color) | ||||||||||
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box 453 | They All Laughed (select pix) Scene 104; Reel 71; R3of3 (35mm; 1 reel; 850 ft; color) | ||||||||||
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box 453 | They All Laughed (select pix) Scene 105; Reel 72 (35mm; 1 reel; 320 ft; color) | ||||||||||
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box 452 | They All Laughed (select pix) Scene 106; Reel 73 (35mm; 1 reel; 800 ft; color) | ||||||||||
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box 457 | They All Laughed (select pix) Scene 12-13; Reel 10; R1of2 (35mm; 1 reel; 680 ft; color) | ||||||||||
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box 457 | They All Laughed (select pix) Scene 12-13; Reel 11; R2of2 (35mm; 1 reel; 600 ft; color) | ||||||||||
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box 457 | They All Laughed (select pix) Scene 14; Reel 12 (35mm; 1 reel; 900 ft; color) | ||||||||||
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box 432 | They All Laughed (select pix) Scene 21; Reel 17A; R3of3; song ('A' Cam) (35mm; 1 reel; 500 ft; color) | ||||||||||
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Dailies | |||||||||||
box 432 | They All Laughed (select pix) Scene 21; Reel 17B; R1of3; song ('B' Cam) (35mm; 1 reel; 400 ft; color) | ||||||||||
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box 432 | They All Laughed (select pix) Scene 21; Reel 17C; R2of3; song ('C' Cam) (35mm; 1 reel; 400 ft; color) | ||||||||||
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box 417 | They All Laughed (select pix) Scene 22; Reel 18 (35mm; 1 reel; 475 ft; color) | ||||||||||
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box 440 | They All Laughed (select pix) Scene 22-sel (35mm; 1 reel; 680 ft; color) | ||||||||||
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box 416 | They All Laughed (select pix) Scene 23; Reel 19 (35mm; 1 reel; 435 ft; color) | ||||||||||
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box 417 | They All Laughed (select pix) Scene 24; Reel 20 (35mm; 1 reel; 435 ft; color) | ||||||||||
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Dailies | |||||||||||
box 424 | They All Laughed (select pix) Scene 25; Reel 21; R1of3 (35mm; 1 reel; 850 ft; color) | ||||||||||
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box 424 | They All Laughed (select pix) Scene 25; Reel 22; R2of3 (35mm; 1 reel; 990 ft; color) | ||||||||||
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box 408 | They All Laughed (select pix) Scene 25; Reel 23; R3of3 (35mm; 1 reel; 350 ft; color) | ||||||||||
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box 407 | They All Laughed (select pix) Scene 26; Reel 24 (35mm; 1 reel; 60 ft; color) | ||||||||||
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box 408 | They All Laughed (select pix) Scene 30; Reel 26 (35mm; 1 reel; 965 ft; color) | ||||||||||
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box 434 | They All Laughed (select pix) Scene 37; Reel 29 (35mm; 1 reel; 320 ft; color) | ||||||||||
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box 434 | They All Laughed (select pix) Scene 38; Reel 30; R1of2 (35mm; 1 reel; 750 ft; color) | ||||||||||
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box 433 | They All Laughed (select pix) Scene 38; Reel 31; R2of2 (35mm; 1 reel; 320 ft; color) | ||||||||||
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box 433 | They All Laughed (select pix) Scene 45-46; Reel 33; R1of2 (35mm; 1 reel; 475 ft; color) | ||||||||||
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Dailies | |||||||||||
box 499 | They All Laughed (select pix) Scene 47; Reel 35 (35mm; 1 reel; 1180 ft; color) | ||||||||||
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box 500 | They All Laughed (select pix) Scene 48-52; Reel 36 (35mm; 1 reel; 950 ft; color) | ||||||||||
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box 458 | They All Laughed (select pix) Scene 5-8; Reel 8; R3of3 (35mm; 1 reel; 560 ft; color) | ||||||||||
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Dailies | |||||||||||
box 425 | They All Laughed (select pix) Scene 76; Reel 47 (35mm; 1 reel; 135 ft; color) | ||||||||||
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Dailies | |||||||||||
box 422 | They All Laughed (select pix) Scene 77; Reel 48 (35mm; 1 reel; 475 ft; color) | ||||||||||
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box 425 | They All Laughed (select pix) Scene 77; Reel 49A; R1of3; (cam 'A') song (35mm; 1 reel; 380 ft; color) | ||||||||||
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Dailies | |||||||||||
box 428 | They All Laughed (select pix) Scene 77; Reel 49B; R2of3; song; CAM 'B' (35mm; 1 reel; 380 ft; color) | ||||||||||
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box 420 | They All Laughed (select pix) Scene 77; Reel 49C; (cam 'C'); song; R3of3 (35mm; 1 reel; 380 ft; color) | ||||||||||
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box 420 | They All Laughed (select pix) Scene 78; Reel 51 (35mm; 1 reel; 870 ft; color) | ||||||||||
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box 415 | They All Laughed (select pix) Scene 78; Reel 52; R3of3 (35mm; 1 reel; 560 ft; color) | ||||||||||
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Dailies | |||||||||||
box 407 | They All Laughed (select pix) Scene 81; Reel 53 (35mm; 1 reel; 625 ft; color) | ||||||||||
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Dailies | |||||||||||
box 419 | They All Laughed (select pix) Scene 82-83; Reel 54 (35mm; 1 reel; 260 ft; color) | ||||||||||
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Dailies | |||||||||||
box 432 | They All Laughed (select pix) Scene 88; Reel 58; R2of2 (35mm; 1 reel; 680 ft; color) | ||||||||||
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box 427 | They All Laughed (select pix) Scene 94; Reel 60; R1of5 (35mm; 1 reel; 380 ft; color) | ||||||||||
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Dailies | |||||||||||
box 427 | They All Laughed (select pix) Scene 94; Reel 61; R2of5 (35mm; 1 reel; 655 ft; color) | ||||||||||
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Dailies | |||||||||||
box 430 | They All Laughed (select pix) Scene 94; Reel 62; R3of4 (35mm; 1 reel; 400 ft; color) | ||||||||||
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Dailies | |||||||||||
box 430 | They All Laughed (select pix) Scene 94; Reel 63; R4of5 (35mm; 1 reel; 500 ft; color) | ||||||||||
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Dailies | |||||||||||
box 451 | They All Laughed (select pix) Scene 94; Reel 64; R5of5 (35mm; 1 reel; 650 ft; color) | ||||||||||
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Dailies | |||||||||||
box 450 | They All Laughed (select pix) Scene 94; Reel 65A; 'A' Cam; song (35mm; 1 reel; 615 ft; color)) | ||||||||||
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Dailies | |||||||||||
box 451 | They All Laughed (select pix) Scene 94; Reel 65B; 'B' Cam; song (35mm; 1 reel; 650 ft; color) | ||||||||||
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Dailies | |||||||||||
box 451 | They All Laughed (select pix) Scene 94; Reel 65C; 'C' Cam; song (35mm; 1 reel; 615 ft; color) | ||||||||||
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Dailies | |||||||||||
box 407 | They All Laughed (select pix) Scenes 27-29; Reel 25 (35mm; 1 reel; 1140 ft; color) | ||||||||||
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Dailies | |||||||||||
box 408 | They All Laughed (select pix) Scenes 33-35; Reel 28 (35mm; 1 reel; 1080 ft; color) | ||||||||||
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Dailies | |||||||||||
box 429 | They All Laughed (select pix) Scenes 39-42; Reel 32 (35mm; 1 reel; 910 ft; color) | ||||||||||
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Dailies | |||||||||||
box 429 | They All Laughed (select pix) Scenes 45-46; Reel 34; Box 2of2 (35mm; 1 reel; 400 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 459 | They All Laughed (select pix) Scenes 5-8 + Drive by; Reel 7; R2of3 (35mm; 1 reel; 1020 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 428 | They All Laughed (select pix) Scenes 89-93; Reel 59 (35mm; 1 reel; 650 ft; color) | ||||||||||
General | |||||||||||
Dailies | |||||||||||
box 450 | They All Laughed (select pix) Scenes 95-96; Reel 66 (35mm; 1 reel; 285 ft; color) | ||||||||||
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Dailies | |||||||||||
box 450 | They All Laughed (select pix) Scenes 97-100; Reel 67 (35mm; 1 reel; 850 ft; color) | ||||||||||
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Dailies | |||||||||||
box 381 | They All Laughed (select trk) R1of2; Scene 1 + A2 (R1) (35mm; 1 reel; 857 ft) | ||||||||||
General | |||||||||||
Select Soundtrack | |||||||||||
box 497 | They All Laughed (select trk) R1of2; Scenes 55-56; Reel 40 (35mm; 1 reel; 700 ft) | ||||||||||
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Soundtrack/ Dailies | |||||||||||
box 382 | They All Laughed (select trk) R1of3; Scenes 2-4 (Reel 3) (35mm; 1 reel; 655 ft) | ||||||||||
General | |||||||||||
Select Soundtrack | |||||||||||
box 498 | They All Laughed (select trk) R1of3; Scenes 53-54; Reel 37 (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 382 | They All Laughed (select trk) R2of2; Scene 1 + A2 (Reel 2) (35mm; 1 reel; 608 ft) | ||||||||||
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Select Soundtrack | |||||||||||
box 381 | They All Laughed (select trk) R2of3; Scene 2-4 (R4) (35mm; 1 reel; 703 ft) | ||||||||||
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Select Soundtrack | |||||||||||
box 498 | They All Laughed (select trk) R2of3; Scenes 53-54; Reel 38 (35mm; 1 reel; 550 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 498 | They All Laughed (select trk) R3of3; Scenes 53-54; Reel 39 (35mm; 1 reel; 690 ft) | ||||||||||
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Soundtrack/ Dailies | |||||||||||
box 584 | They All Laughed (select trk) Reel 16; Scenes 19-20 (35mm; 1 reel; 560 ft) | ||||||||||
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Soundtrack/ Dailies | |||||||||||
box 584 | They All Laughed (select trk) Reel 17; Scene 21 (35mm; 1 reel; 970 ft) | ||||||||||
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box 584 | They All Laughed (select trk) Reel 17D; Scene 21; B trk song; (35mm; 1 reel; 320 ft) | ||||||||||
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Soundtrack/ Dailies | |||||||||||
box 638 | They All Laughed (select trk) Reel 41; Scenes 55-56; Reel 2 of 2 (35mm; 1 reel; 800 ft) | ||||||||||
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Soundtrack | |||||||||||
box 637 | They All Laughed (select trk) Reel 42; Scene 59 (35mm; 1 reel; 350 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 637 | They All Laughed (select trk) Reel 43; Scenes 62-64 (35mm; 1 reel; 1080 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 636 | They All Laughed (select trk) Reel 44; Scenes 65-67 (35mm; 1 reel; 730 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 638 | They All Laughed (select trk) Reel 45; Scenes 69-72 (35mm; 1 reel; 715 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 636 | They All Laughed (select trk) Reel 46; Scenes 74-75 (35mm; 1 reel; 365 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 678 | They All Laughed (select trk) Reel 54; scenes 82-83 (35mm; 1 reel; 250 ft; color) | ||||||||||
General | |||||||||||
Select Soundtrack | |||||||||||
box 679 | They All Laughed (select trk) Reel 55; scenes 84-85 (35mm; 1 reel; 360 ft; color) | ||||||||||
General | |||||||||||
Select Soundtrack | |||||||||||
box 452 | They All Laughed (select trk) Reel 74; R1of2; End credits (35mm; 1 reel; 500 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 652 | They All Laughed (select trk) Reel 75; R 2of 2; End Credits (35mm; 1 reel; 365 ft) | ||||||||||
General | |||||||||||
Soundtrack | |||||||||||
box 450 | They All Laughed (select trk) Scene 103; Reel 68 (35mm; 1 reel; 350 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 454 | They All Laughed (select trk) Scene 104; Reel 69; R1of3 (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 453 | They All Laughed (select trk) Scene 104; Reel 70; R2of3 (35mm; 1 reel; 655 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 453 | They All Laughed (select trk) Scene 104; Reel 71; R3of3 (35mm; 1 reel; 800 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 453 | They All Laughed (select trk) Scene 105; Reel 72; Reel 1 (35mm; 1 reel; 285 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 452 | They All Laughed (select trk) Scene 106; Reel 73 (35mm; 1 reel; 750 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 457 | They All Laughed (select trk) Scene 14; Reel 12 (35mm; 1 reel; 850 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 431 | They All Laughed (select trk) Scene 22; Reel 18 (35mm; 1 reel; 430 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 417 | They All Laughed (select trk) Scene 23; Reel 19 (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 418 | They All Laughed (select trk) Scene 24; Reel 20 (35mm; 1 reel; 400 ft) | ||||||||||
General | |||||||||||
Soundtrack/ Dailies | |||||||||||
box 424 | They All Laughed (select trk) Scene 25; Reel 21; R1of3 ( |