| Creator: | Ford, John, 1895-1973 |
| Title: | Ford, J. mss. |
| Collection No.: | LMC 1378 |
| Dates: | 1906-1976 |
| Quantity: |
Quantity: 66 Boxes Quantity: 34 standard, 32 custom |
| Quantity: | Quantity: 16 bound |
| Abstract: | Consists of the correspondence, papers, and memorabilia of motion picture director John Ford, 1895-1973. |
| Location: | Lilly - Stacks; Lilly - Vault 1 (Oscars); ALF (Auxiliary Library Facility) (Box 43-58) |
| Language: | Materials are in English |
| Repository: | Lilly Library 1200 E. Seventh St. Bloomington, Indiana 47405-5500 Business Number: 812-855-2452 liblilly@indiana.edu URL: https://libraries.indiana.edu/lilly-library |
Ford was christened Sean Aloysius Feeney but changed his name after joining his older brother Francis, who had taken the name Ford, in Hollywood in 1913. John Ford began his motion picture career as an actor, stunt man, and prop man. In 1917 he became a director on the film The Tornado and directed over 130 films during his lifetime. Ford married Mary McBryde Smith in 1920 and they had two children: Patrick Roper born in 1921 and Barbara Nugent born in 1922.
Ford's first great success, The Iron Horse in 1924, came after directing about fifty other films, chiefly Westerns. From 1927 to 1939 Ford directed more than thirty films, only one of which was a Western. He won his first Academy Award during this period for The Informer (1935), a film about the 1922 Irish rebellion. His next Academy Awards were for The Grapes of Wrath (1940) and How Green Was My Valley (1941). Two documentaries that he directed during World War II, The Battle of Midway and December 7th , also received Oscars. His last Academy Award was for another of his Irish films The Quiet Man (1952).
An enthusiastic member of the Naval Reserve, Ford formed the Naval Field Photographic Reserve in early 1940. This unit was assigned to the Office of Strategic Services and Ford was ordered to report to Washington on September 11, 1941, just after completing How Green Was My Valley . He spent the war years doing documentary work in the Pacific, North Africa, Europe and India.
In February 1945 Ford took a leave of absence from the Navy to film They Were Expendable . He used his salary received from that picture to create the Field Photo Home, a club for the veterans of the Field Photographic Unit. He ended his naval duties on September 28, 1945.
The following March Ford and producer Merian C. Cooper formed Argosy Productions. This company produced eight pictures, seven of which were directed by Ford. Among these were three of Ford's most famous and commercially successful films--the trilogy of Cavalry stories: Fort Apache , She Wore a Yellow Ribbon , and Rio Grande. Ford continued making films throughout the 1950s and early 1960s. His last film was 7 Women in 1966. Two documentaries about Ford and his work were made in 1971: The American West of John Ford and Peter Bogdanovich's Directed by John Ford. The former was co-produced by Ford's grandson Daniel Sargent Ford. A few months before his death Ford received the American Film Institute's First Annual Life Achievement Award. He died on August 31, 1973.
There are ca. 2500 items in the correspondence files, 1906-1976, which are arranged chronologically. Most of the material dates from the late 1930s through the 1960s. The correspondence is chiefly to or from Ford and concerns both his personal and his professional lives.
The scripts and production materials, 1915-1971, include items from the early silent movies, television programs, virtually all of Ford's films since 1940, and the documentary The American West of John Ford . Typical of the materials found in these files are scripts and script changes, cast and staff lists, production reports, shooting schedules, background materials, budgets, statements of accounting, publicity, etc.
The legal materials, 1917-1974, are divided into two categories. First are the general materials, filed chronologically, which include studio contracts, materials about the formation and operation of production companies, and non-film matters. Second are files relating to individual films, arranged chronologically by production date rather than by the date of the item.
The miscellaneous section contains materials concerning the Academy of Motion Picture Arts & Sciences; addresses; the Bel Air Association; the Field Photo Home; financial materials, both corporate and personal; membership cards and awards; Navy materials; passport information; clippings and articles; sheet music; transcripts and summaries of interviews conducted by Dan Ford in preparation for his biography of John Ford, Pappy: The Life of John Ford (Englewood Cliffs, N.J.: Prentice-Hall, Inc., 1979); writings by other people; the Young Men's Temperance and Social Purity Association and Emerald Bay Yacht Club correspondence, 1936-1957; and an index to the collection prepared by Dan Ford and the notebook pages from which manuscripts were removed. The latter frequently contain notes by Dan Ford.
There are about 3,500 photographs and movie stills in the collection. Over forty-five of Ford's films are represented by photographs, including several silents. There are also stills from other people's movies; photographs of family members and friends; Ford's 1932 trip to Asia; military photographs; photos from World War II; portraits of John Ford and of other people; pictures of boats, the Field Photo Home and of Ward Bond's funeral at the Home; and other miscellaneous photographs.
Tape recordings in the collection are of interviews conducted by Dan Ford with John Ford, as well as family, friends, and associates of John Ford.
The films in the collection are The Lost Patrol (1934), The Informer (1935), Stagecoach (1939), The Long Voyage Home (1940), How Green Was My Valley (1941), The Battle of Midway (1942), In Memoriam: Manuel Quezon (ca. 1945), The Fugitive (1947), She Wore a Yellow Ribbon (1949), Wagon Master (1950), The Sun Shines Bright (1953), and an undated home movie. The home movie may not be used in its present format.
Additions continue many series in the original collection. They include correspondence from John Ford, Daryl Zanuck, members of the Ford family, and letters of condolence regarding John Ford's death; screenplays for What Price Glory and Sergeant Rutledge; original drafts and reviews of Dan Ford's biography of his grandfather, Pappy: The Life of John Ford; Mary Ford's Canteen Book, with signatures of celebrities and other friends of the Ford family; a Memorial Tribute Register, also with signatures; John Ford's original Employee's Starting Card identifying him as a Hollywood director; and John Ford's FBI file and Official Navy Records.
Note on Indexing Term - "Voyages and travels": Included in the collection are some naval materials. In 1945 Ford made They Were Expendable, a film about PT boats in the Pacific during WWII. Included in the collection are some notes about the film and PT boat maneuvers.
The collection is organized into the following series: Correspondence; Scripts and Production Materials; Legal Materials; Miscellaneous; Photographs and Stills; Oversize; Tapes; Bound Volumes; Films; and Additions.
This collection is open for research.
Many collections are housed offsite; retrieval requires advance notice. Please make an appointment a minimum of one week in advance of your visit.
Photography and digitization may be restricted for some collections. Copyright restrictions may apply. Before publishing, researchers are responsible for securing permission from all applicable rights holders, then filling out the Permission to Publish form.
Some audio materials have been reformatted for use in the repository only.
[Item], Ford, J. mss., Lilly Library, Indiana University, Bloomington, Indiana.
Acquired: 1982, 1983, 1986, 1989, 1994
Processed by Lilly Library staff.
Completed in 1982
Arrangement: Files are arranged chronologically, but a partial list of correspondents arranged alphabetically is provided below.
General:
General:
General:
General:
General:
General:
Scope and Contents: Contains materials for films and television programs, 1915-1971, directed by Ford, unless otherwise indicated.
Arrangement: Arranged chronologically.
Scope and Contents: Continuity and subtitles; synopsis, list of locations
General: [not directed by Ford]
Scope and Contents: Synopsis
General: [not produced?]
General: [not produced?]
Scope and Contents: Synopsis
General: [not produced?]
Scope and Contents: Sets; notes concerning sets
General: [directed by Francis Ford]
Scope and Contents: Continuity and subtitles
Scope and Contents: Continuity and subtitles; list of locations
Scope and Contents: Continuity and subtitles (2); list of locations
Scope and Contents: Continuity and subtitles; list of locations
Scope and Contents: Printed story and synopsis
Scope and Contents: Continuity and subtitles; list of locations
Scope and Contents: Story
Scope and Contents: Continuity and subtitles; list of locations
Scope and Contents: Memo, with synopsis
Scope and Contents: Subtitles
Scope and Contents: Synopsis
Scope and Contents: Synopsis
Scope and Contents: Location newsletters
Scope and Contents: Titles; publicity
Scope and Contents: Miscellaneous comments by W.R. Sheehan; title suggestions; notes in Ford's hand
Scope and Contents: Scenario
Scope and Contents: Script, pp. 48-60 only; continuity; cast list
Scope and Contents: Notes in JF's hand
Scope and Contents: Script
Scope and Contents: Script
Scope and Contents: Suggestions for cast; summary of earnings
Scope and Contents: Screenplays (2)
Scope and Contents: Script; partial script; summary of earnings; accounting of earnings
Scope and Contents: Cast list
Scope and Contents: Script
Scope and Contents: Script
Scope and Contents: Script
Scope and Contents: Script
Scope and Contents: Script
Scope and Contents: Script; cast and staff lists
Scope and Contents: Script; cast and staff lists; budget estimates; statements of accounting
Scope and Contents: Scripts (3)
Scope and Contents: Script; cast and staff lists
Scope and Contents: Staff and cast lists
Scope and Contents: Script changes; foreword and epilogue; set list; crew list; musical score
Scope and Contents: Script; script changes
Scope and Contents: Script
Scope and Contents: Dialogue; continuity
Scope and Contents: (presented by the U.S. Naval Radio and Signal School) Cast list; continuity
Scope and Contents: Notes and PT maneuvers
General: See also: Oversize 2
Scope and Contents: Story conference
Scope and Contents: Shooting schedule; cutting changes; credits; earnings; statement of production costs
Scope and Contents: Synopsis; background material; scripts (6)
Scope and Contents: Treatment
Scope and Contents: Script (lacks 2 pp.); printed story "Massacre"; notes; music lyrics; script changes; shooting schedule; wardrobe plot; staff and crew lists; continuity; budget; earnings
Scope and Contents: Scripts (4); notes; crew list; travel schedule; budget notes; publicity
Scope and Contents: Staff sheet; summary of earnings
Scope and Contents: Scripts (3); printed stories (2); script notes; background materials; staff and cast list; music notes; credits; budget; film earnings
Scope and Contents: Script; staff list
Scope and Contents: Shooting schedule; list of retakes and added scenes
Scope and Contents: Treatment; lyrics and music notes; shooting schedule; staff and cast lists; daily production reports; publicity; budget estimates; earnings
Scope and Contents: Scripts; story; cast and crew lists; daily production report; background notes; shooting schedule; accounting statement; film earnings
Scope and Contents: Scripts (4); cutting continuity; cameraman's dope sheets; notes; publicity; sales report
Scope and Contents: Script for play; filmscript story conference; cast list; itinerary for play; daily production report; JF notes; memo re: music; publicity for play
Scope and Contents: Script notes; dialogue; narration; background material; lyrics and music notes; continuity (for the fight scene); credits; staff list; travel and shooting schedules; casting notes; accounting statements
Scope and Contents: Screenplay suggestions
Scope and Contents: Treatment; script; story notes; shooting schedule; script changes; cast list; budget estimate
Scope and Contents: Partial script; shooting schedules; wardrobe plots; cast and crew lists; pre-filming survey; inoculations information
Scope and Contents: Story notes; story continuity; story line; continuity outlines (2); script
Scope and Contents: Script changes; background material; breakdown; schedule; casting interviews list; statement of accounting
Scope and Contents: Script; script changes; treatment; script notes; daily production reports
Scope and Contents: Scripts (4)
Scope and Contents: Cast list; production budget
Scope and Contents: Scripts (2); synopsis; background material; story and production notes; cast list; credits; shooting schedule; daily production reports; statements of accounting
Scope and Contents: Script; schedule; assistant director's reports; preview report; publicity
Scope and Contents: Script (for The Rising of the Moon segment only); film treatment (for The Rising of the Moon segment only); suggested treatment of continuity; schedule; publicity; statements of accounting
Scope and Contents: Script; incomplete script (pp. 125-225 only); synopsis; script notes; cast list; budget; shooting schedule; assistant director's daily reports; statements of accounting; invoices; accounting reports.
General: See also: Bound volume 1
Scope and Contents: Cast and crew list; cost of production; statements of accounting
Scope and Contents: Scripts (2 - "action outlines"); background material; press release
Scope and Contents: Script; dialogue notes; background materials; crew lists; cast and credits; shooting schedule; budget; news releases; statements of accounting
Scope and Contents: Screenplay by Ted Sherdeman; memo from Sherdeman to Sylvan Simon
Scope and Contents: Script; script breakdown
Scope and Contents: Script; script breakdown
Scope and Contents: Scripts (2); staff and cast list; daily production reports
Scope and Contents: Script
Scope and Contents: Scripts (2)
Scope and Contents: Scripts (2); revisions; synopsis; treatment (incomplete); call to travel to location; budget; statement of accounting audits
Scope and Contents: Scripts (2); dialogue continuity; staff and crew list; estimated cost; shooting schedule; projection budget; cast list; billing; preview report; foreign prospects reports; statements of accounting
Scope and Contents: Scripts (2); adaptation
Scope and Contents: Scripts - segments 1-3, segment 3, segment 4, segment 5 (2); cast and staff lists; schedule
Scope and Contents: Story
Scope and Contents: Script; script fragments; background material; shooting schedule; projection costs; statement of accounting; audits; publicity campaign
General: See also: Bound volume 2
Scope and Contents: Script; incomplete script; script and production notes; location information; shooting schedule; budget changes; daily production reports; statements of accounts; audits
Scope and Contents: Main titles; script notes; shooting schedule
Scope and Contents: Scripts (2); script changes; story; daily progress reports; cast list; staff list; schedule; music work order; production budget; petty cash records; synopsis; preview report; statement of accounts
General: See also: Oversize 3
Scope and Contents: Treatment
Scope and Contents: Script
Scope and Contents: Scripts (2); shooting schedule
Scope and Contents: Schedule; budget; expense receipts
Scope and Contents: Story
Scope and Contents: Notes
Scope and Contents: Story
Scope and Contents: Outline of project
Scope and Contents: Treatment
Scope and Contents: Scenario
Scope and Contents: These are divided into: 1) General legal materials, which include studio contracts, materials about the formation and operation of production companies, and non-film matters, arranged chronologically, 2) Individual films, arranged chronologically by production date, not by item date.
Scope and Contents: Includes correspondence, minutes of meetings, financial statements and audits, addresses, newsletters, insurance policies, tax materials, etc.
Scope and Contents: Includes tax forms, expense receipts and records, audits, etc., both corporate and personal
General: See also: Bound volumes 5-15
General: See also: Oversize 5
Scope and Contents: Includes personnel materials, orders, equipment lists, etc.
General: See also: Oversize 6
Scope and Contents: Rate book, telephone numbers
General: See also: Oversize 8
Scope and Contents: Includes Elizabeth Allen , Mark Armistead , James Warner Bellah , Bea Benjamin , Katherine Cliffton Bryant ; Harry Carey, Jr. , Olive Carey , William Clothier , Ken Curtis , Cecil de Prita , Joanne Dru , Philip Dunne , Allan Dwan , Josephine Feeney , Henry Fonda , John Ford , Mary Ford , Phil Ford , and Ben Goetz
Scope and Contents: Includes Chuck Hayward , Katharine Hepburn , Winton Hoch , Frank Hotaling , Ace Holmes , Lefty Hough , Ben Johnson , Nunnally Johnson , Anna Lee , John Lee Mahin , Roddy McDowall , Lee Marvin , George O'Brien , Robert Parrish , Wingate Smith , James Stewart , John Wayne , Albert Wedemeyer , Terry Wilson
Scope and Contents: Simms, Jay . Either End of the Gun
Welch, Patrick . The Gombeen Man; A play by Patrick Welch
Scope and Contents: Index of collection prepared by Dan Ford; notebook pages from which manuscripts were removed
Scope and Contents: Boxes 16 - 24 contain photographs and stills from John Ford films and television programs, arranged by production date, followed by the number of stills.
Boxes 25 - 27 contain stills from non-Ford films and personal photographs.
Physical Description: (34)
Physical Description: (1)
Physical Description: (5)
Physical Description: (2)
Physical Description: (1)
Physical Description: (44)
Physical Description: (6)
Physical Description: (3)
Physical Description: (2)
Physical Description: (1)
Physical Description: (7)
Physical Description: (8)
Physical Description: (8)
Physical Description: (1)
Physical Description: (3)
Physical Description: (8)
Physical Description: (12)
Physical Description: (30)
Physical Description: (12)
Physical Description: (131)
Physical Description: (160)
Physical Description: (31)
Physical Description: (15)
Physical Description: (55)
Physical Description: (58)
Physical Description: (12)
Physical Description: (12)
Physical Description: (75)
Physical Description: (75)
Physical Description: (26)
Physical Description: (386)
Physical Description: (1)
Physical Description: (188)
Physical Description: (37)
Physical Description: (89)
Physical Description: (117)
Physical Description: (21)
Physical Description: (151)
Physical Description: (22)
Physical Description: (101)
Physical Description: (264)
Physical Description: (75)
Physical Description: (31)
Physical Description: (45)
Physical Description: (34)
Physical Description: (76)
Scope and Contents: See also: Oversize 9
General: See also: Oversize 10
General: See also: Oversize 11
General: See also: Oversize 12
General: See also: Oversize 13
General: See also: Oversize 14, Bound volume 17
Scope and Contents: Mr. & Mrs. Edward Small to John and Mary Ford. n.d. (card)
Scope and Contents: They Were Expendable --Story board, 11 items
Scope and Contents: 7 Women --Accounts
Scope and Contents: Field Photo Home--Zoning map
Scope and Contents: Membership cards and awards--American Legion citation
Scope and Contents: Printed--Clippings
Scope and Contents: Printed--Articles
Scope and Contents: Studio materials--Telephone numbers
Scope and Contents: Family and friends
Scope and Contents: Portraits--John Ford
Scope and Contents: Portraits--Other people
Scope and Contents: Boats
Scope and Contents: Field Photo Home
Scope and Contents: Miscellaneous
Scope and Contents: Audio tapes of interviews conducted by Dan Ford. Names of interviewees and some of the topics discussed are listed after the tape numbers.
Scope and Contents: side 1: Gossip, social
Scope and Contents: side 2: Mr. Roberts
Scope and Contents: side 2: Hurricane , Tobacco Road , Wee Willie Winkee
Scope and Contents: side 1: Portland, Early years
Scope and Contents: side 2: Early years
Scope and Contents: side 1: How Green Was My Valley , Merian C. Cooper
Scope and Contents: side 2: Stagecoach , Wanger
Scope and Contents: side 1: Stagecoach , She Wore a Yellow Ribbon
Scope and Contents: side 2: Rio Bravo , The Searchers , Last Hurrah , Maureen O'Hara
Scope and Contents: side 1: Harry Cohn , Mayer , Navy , Grotsky
Scope and Contents: side 2: Navy, Europe, Midway
Scope and Contents: side 1: Westerns, She Wore a Yellow Ribbon
Scope and Contents: side 2: Westerns, Ft. Apache , She Wore a Yellow Ribbon
Scope and Contents: side 1: Monument Valley, Men without Women , Nichols , Lost Patrol
Scope and Contents: side 2: Nichols , O'Neill , The Long Voyage Home
Scope and Contents: side 1: Early years, John Wayne, Lincoln, 3 Bad Men, Quiet Man
Scope and Contents: side 2: Quiet Man , Yates , How Green Was My Valley, Grapes of Wrath, Young Mr. Lincoln, Zanuck
Scope and Contents: side 1: Frank Nugent , Stagecoach , Ft. Apache
Scope and Contents: side 2: Ft. Apache
Scope and Contents: Iron Horse
Scope and Contents: side 1: Directing, Goldwyn , acting
Scope and Contents: side 2: Acting
Scope and Contents: side 1: Midway , Burma , Stillwell
Scope and Contents: side 2: They Were Expendable, My Darling Clementine
Scope and Contents: side 1:Early years, Portland, Planned Parenthood, The Informer, directing debut
Scope and Contents: side 2: Q & A Early years
Scope and Contents: side 1: Ward Bond , The Informer
Scope and Contents: side 2: The Informer , The Rising of the Moon , The Grapes of Wrath
Scope and Contents: Iron Horse
Scope and Contents: They Were Expendable
Scope and Contents: side 1: Ward Bond
Scope and Contents: side 2: Ward Bond , Cheyenne Autumn
Scope and Contents: Alamo, Horse Soldiers, Korea
Scope and Contents: side 1: John Wayne
Scope and Contents: side 2: John Wayne , acting
Scope and Contents: Mogambo , Gable , directors, They Were Expendable , Valentino
Scope and Contents: side 2: Tom Mix
Scope and Contents: side 1: Araner
Scope and Contents: side 2: Araner, war years
Scope and Contents: War years
Scope and Contents: side 1: First contact with Ford in the 1920's
Scope and Contents: side 2: Stagecoach , use of Republic Writers' Quiet Man , problem at Republic
Scope and Contents: side 1: Bringing Ford to Republic, Merian C. Cooper, Victor McLaglen, Bolton
Scope and Contents: side 2: Ford on the Araner, Emerald Bay Yacht Club, WWII's effect on Ford, war experiences, They Were Expendable, Jim McGuinness, Another Republic Deal
Scope and Contents: Ford's post-war politics, Ward Bond
Scope and Contents: side 1: Tobacco Road , Ward Bond , Bolton Mallard, Pedro Armendariz
Scope and Contents: side 2: Ford's social circle in Mexico and on the Araner, early friendship, They Were Expendable , Ward Bond , Robert Montgomery, Gene Markey
Scope and Contents: side 1: They Were Expendable , Spig Wead , Ford with actors vs. Hawks, Hathaway, Wellman, Huston
Scope and Contents: side 2: Working relations with Ford on later films, Man Who Shot Liberty Valance , Stagecoach
Scope and Contents: side 1: Later years, Merian C. Cooper , Jack Pennick , She Wore a Yellow Ribbon , Maureen O'Hara
Scope and Contents: side 2: The Alamo , sentiments on contemporary America
Scope and Contents: The Last Hurrah : Accounts - General Ledger
Scope and Contents: Donovan's Reef : Accounts - General Ledger
Scope and Contents: Field Photo Home: Financial Materials
Scope and Contents: Financial materials
Scope and Contents: Yacht log: The Araner, 1934-1948
Scope and Contents: Miscellaneous: Brazil, l943-l944
Conditions Governing Access: The films may not be used in present format
Physical Description: (1 reel)
Physical Description: (3 reels)
Physical Description: (3 reels)
General: Ford pesonal print
Physical Description: 16mm and DVD
Physical Description: (2 reels)
General: Mr. Ford
Physical Description: (3 reels)
Physical Description: (2 reels)
General: Skipper Ford's print
Physical Description: (3 reels)
Physical Description: (3 reels)
Physical Description: (3 reels)
Physical Description: (3 reels)
General: Ford personal print
Physical Description: 16 mm
Physical Description: 16 mm
Physical Description: (3 reels)
Arrangement: These additions reflect as closely as possible the arrangement of series in the original collection.
Physical Description: (multiple copies)
Physical Description: (4 folders)
Scope and Contents: Final shooting script
Scope and Contents: Final script
Scope and Contents: Final shooting script
Scope and Contents: First draft
Scope and Contents: Final script
Scope and Contents: Final draft
Physical Description: (autographed)
Physical Description: (autographed)
Physical Description: (copy)
Language: ( Spanish )
Language: ( French )
Physical Description: Corrected draft
Scope and Contents: Newsclips and magazine
Scope and Contents: Biography and index
Scope and Contents: (Vol. I and II)
Physical Description: (copy 2)
Scope and Contents: Draft
Physical Description: (hard-bound)
Scope and Contents: Publicity
Scope and Contents: Reviews (United States)
Scope and Contents: Reviews (England)
Physical Description: (hard-bound)
Scope and Contents: Signed by Henry Fonda, Jack Lemmon, William Powell, Tiger Andrews, "Dobe" (Harry Carey Jr.), "Ken" (Ken Curtis), and "Danny" (Danny Borzage), as well as Admiral John Dale Price, Naval Liaison officer to the film company
Scope and Contents: Typescript, various pages
Scope and Contents: Typescript, pp. 1-350
Scope and Contents: 1st draft, pp. 1-389
Scope and Contents: Original typescript, pp. 1-306, 486-621
Scope and Contents: Corrected proof, pp. 1-389
Scope and Contents: Drafts and production materials
Physical Description: DVD
Physical Description: DVD
Physical Description: DVD
Physical Description: DVD
Physical Description: DVD
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: ¾ Videocassette
Physical Description: Audiotape, 3 reels, 3 ¾ ips
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: 2 videocassettes
Physical Description: Videocassette
Physical Description: Videocassette
Physical Description: Videocassettes with corresponding digitized DVDs
Quantity: 16 Reels
Quantity: 16 Reels
Quantity: 14 Reels
Quantity: 23 Reels
Quantity: 2 envelopes
Scope and Contents: Clubs and organizations include studio passes, golf and yachting clubs, and veterans organizations.
Scope and Contents: