Finding aid created by: Alyssa Mertka
Creator | Lish, Gordon. |
Title: | Lish mss. |
Dates: | 1951-2017 |
Quantity: | 184.25 Linear Feet133 boxes, 9 oversize |
Abstract: | The Lish mss., 1951-2017, consists of the correspondence, manuscripts, and papers of editor, writer, and teacher Gordon Lish, 1934- . |
Language: | Materials are in English. |
Repository: | Lilly Library |
Gordon Lish, 1934- , is an American literary editor and writer. He was born and raised in Hewlett, New York, and graduated from the University of Arizona. He became founder and editor of the avant-garde literary magazine Genesis West, and went on to serve as editor for Esquire from 1969-1977 and Alfred A. Knopf from 1977-1995. Known as Captain Fiction, Lish mentored and championed several of the most prominent American authors of the second half of the 20th century, including Raymond Carver, Don DeLillo, Cynthia Ozick, Barry Hannah, Richard Ford, Amy Hempel, and T. Coraghessan Boyle. Lish is the author of Dear Mr. Capote, Peru, What I Know So Far, and other literary works. He is renowned for his writing seminars, held at many universities across the country as well as the Center for Fiction in New York City.
Correspondence is divided into Individual, General, Additional, Personal, and Esquire. Writings are divided into Other Authors, Gordon Lish, and Additional. The Other Authors subseries includes original drafts and proofs from the works of Carver, DeLillo, and numerous other notable authors. Within Lish's own subseries are proofs of the publication The Quarterly. Photographs include pictures of Lish, Raymond Carver, James Dickey, and Neal Cassady. Legal records include court transcripts and filings of Lish v. Harper's (1992), and a book agreement between Raymond Carver and McGraw-Hill. Audio-Visual materials include a videotape of Lish's appearance on The Dick Cavett Show and audiotapes of students in Lish's writing classes. The Miscellaneous series includes materials from Lish's writing workshop, and a list of Lish's published writings (1956-1987).
The collection is organized into the following series: I. Correspondence; II. Writings; III. Newspaper Clippings; IV. Photographs; V. Artwork; VI. Legal; VII. Realia; VIII. Audio-Visual; IX. Miscellaneous; X. Additions
Access Restrictions: This collection is open for research.
Usage Restrictions: Prior arrangements are not necessary before coming to the Library, however, patrons from out of town are encouraged to communicate with the Library in advance of their visits to ascertain availability of materials. Photocopying permitted only with permission of the curator.
See Lish mss. II, also located at the Lilly Library, Indiana University, Bloomington, Indiana.
Persons
Bass, Rick, 1958- --Correspondence.
Beattie, Ann --Correspondence.
Bellow, Saul --Correspondence.
Bloom, Harold --Correspondence.
Bowles, Paul, 1910-1999 --Correspondence.
Boyle, T. Coraghessan --Correspondence.
Brodkey, Harold --Correspondence.
Buckley, William F. (William Frank), 1925-2008 --Correspondence.
Carver, Raymond, 1938-1988 --Correspondence.
Cheever, John --Correspondence.
Dickey, James --Correspondence.
Heller, Joseph --Correspondence.
Hemingway, Mary Elizabeth, 1905- --Correspondence.
Irving, John, 1942- --Correspondence.
Kesey, Ken --Correspondence.
Kubrick, Stanley --Correspondence.
Lish, Gordon.
Mailer, Norman --Correspondence.
Miller, Arthur, 1915-2005 --Correspondence.
Miller, Henry, 1891-1980 --Correspondence.
Nabokova, Vera --Correspondence.
Nixon, Richard M. (Richard Milhous), 1913-1994 --Correspondence.
Oates, Joyce Carol, 1938- --Correspondence.
Ozick, Cynthia --Correspondence.
Roth, Philip --Correspondence.
Sontag, Susan, 1933-2004 --Correspondence.
Theroux, Peter --Correspondence.
Warren, Robert Penn, 1905-1989 --Correspondence.
Wolfe, Tom --Correspondence.
Subjects
American literature--20th Century
Authors, American--Correspondence
Preferred Citation
[Item], Lish mss., Lilly Library, Indiana University, Bloomington, Indiana.
Acquisition Information
Acquired: 1991
Processing Information
Processed by Brenna Bychowski and Craig Simpson.
Completed in 2013
I. Correspondence
II. Writings
III. Newspaper Clippings
IV. Photographs
V. Artwork
VI. Legal
VII. Realia
VIII. Audio-visual
IX. Miscellaneous
X. Additions
I. Correspondence | |||||||||||
Individual | |||||||||||
Box 1 | Adams - Bellow | ||||||||||
Box 1 | Adams, Alice 1971 | ||||||||||
Box 1 | Adams, Ralph 1996-1997 | ||||||||||
Box 1 | Allen, Abigail 1996 | ||||||||||
Box 1 | Allen, Barton 1992-1997 | ||||||||||
Box 1 | Angell, Roger 1972-1978 | ||||||||||
Box 1 | Apple, Max 1973-1979 | ||||||||||
Box 1 | Auster, Paul 1985-1989 | ||||||||||
Box 1 | Baird, Ansie 1977-2010 (8 folders) | ||||||||||
Box 1 | Barth, John 1972-1984 | ||||||||||
Box 1 | Bass, Rick 1975-1995 (11 folders) | ||||||||||
Box 1 | Bausch, Richard 1976-1985 (2 folders) | ||||||||||
Box 1 | Baxter, Charles 1978-1983 | ||||||||||
Box 1 | Beattie, Ann 1971-1991 | ||||||||||
Box 1 | Belden, Kathryn 1996-1997 | ||||||||||
Box 1 | Bellow, Saul 1970-1971 | ||||||||||
Box 2 | Berne - Carver (start) | ||||||||||
Box 2 | Berne, Carol 1969-1985 | ||||||||||
Box 2 | Berkman, Johanna 1997 | ||||||||||
Box 2 | Berne, Betsy 1996 | ||||||||||
Box 2 | Bloom, Harold 1975-1988 | ||||||||||
Box 2 | Blount, Jr., Roy 1978-1987 | ||||||||||
Box 2 | Britton, Burt 1980-1989 | ||||||||||
Box 2 | Borus, Victoria 1996 (2 folders) | ||||||||||
Box 2 | Bowles, Paul 1970-1975 | ||||||||||
Box 2 | Boyle, Kay 1966-1975 | ||||||||||
Box 2 | Boyle, T. Coraghessan 1974-1991 | ||||||||||
Box 2 | Brodkey, Harold 1975-1988 | ||||||||||
Box 2 | Broyard, Anatole 1968-1983 | ||||||||||
Box 2 | Buckley, William F. 1975-1987 | ||||||||||
Box 2 | Bumpus, Jerry 1969-1988 | ||||||||||
Box 2 | Burgess, Anthony 1975 | ||||||||||
Box 2 | Burke, Kenneth 1979-1985 | ||||||||||
Box 2 | Burton, Jane 1999-2000 2005 (3 folders) | ||||||||||
Box 2 | Busch, Frederick 1970-1987 (3 folders) | ||||||||||
Box 2 | Carruth, Hayden 1965-2001 | ||||||||||
Box 2 | Carson, Anne 1987-1993 | ||||||||||
Box 2 | Carson, L.M. Kit 1974 | ||||||||||
Box 2 | Carter, Rubin "Hurricane" 1973 | ||||||||||
Box 2 | Carver, Raymond 1969-1975 (3 folders) | ||||||||||
Box 3 | Carver (end) - DeLillo | ||||||||||
Box 3 | Carver, Raymond 1976-1983 undated (7 folders) | ||||||||||
Box 3 | Casalini, Mario 1996 | ||||||||||
Box 3 | Cassady, Carolyn 1968-1990 | ||||||||||
Box 3 | Cerf, Emily 1993-1997 | ||||||||||
Box 3 | Charyn, Jerome 1974-1983 | ||||||||||
Box 3 | Cheever, John 1969-1980 | ||||||||||
Box 3 | Clark, Eleanor 1970-1977 | ||||||||||
Box 3 | Coe, Christopher 1984-1988 (3 folders) | ||||||||||
Box 3 | Cone, Jon 1996-1997 | ||||||||||
Box 3 | Connell, Evan 1970-1978 | ||||||||||
Box 3 | Connole, Patrick 1997 | ||||||||||
Box 3 | Conrad, Barnaby 1974-1979 | ||||||||||
Box 3 | Crawford, Stanley 1972-1984 1988 | ||||||||||
Box 3 | Crean, Patrick 1996 | ||||||||||
Box 3 | Danatt, Adrian 1997 | ||||||||||
Box 3 | Davis, Jodi 1997-2001 (2 folders) | ||||||||||
Box 3 | DeLillo, Don 1972-1995 (6 folders) | ||||||||||
Box 4 | DeLillo (end) - Erian | ||||||||||
Box 4 | DeLillo, Don 1996-2012 undated (5 folders) | ||||||||||
Box 4 | DeMarinis, Rick 1971-1988 | ||||||||||
Box 4 | DesPres, Terrence 1975-1987 (3 folders) | ||||||||||
Box 4 | Dickey, James 1970-1996 (11 folders) | ||||||||||
Box 4 | Didion, Joan 1973 | ||||||||||
Box 4 | di Giovanni, Norman Thomas 1970-1978 | ||||||||||
Box 4 | Doctorow, E.L. 1974-1985 | ||||||||||
Box 4 | Donoghue, Denis 1977-1998 undated (7 folders) | ||||||||||
Box 4 | Eastlake, William 1969-1972 | ||||||||||
Box 4 | Edson, Russell 1969-1978 2004 | ||||||||||
Box 4 | Ehlen, Patrick 1998-2000 | ||||||||||
Box 4 | Elkin, Stanley 1966-1980 | ||||||||||
Box 4 | Ellenberg, Jordan 1996 | ||||||||||
Box 4 | Ellison, Harlan 1976 | ||||||||||
Box 4 | Ellmann, Richard 1976-1977 | ||||||||||
Box 4 | Eno, Will 1992-2011 (7 folders) | ||||||||||
Box 4 | Epstein, Leslie 1977-1982 | ||||||||||
Box 4 | Erian, Alicia 1997 | ||||||||||
Box 5 | Evenson - Geeslin | ||||||||||
Box 5 | Evenson, Brian 1991-2008 (6 folders) | ||||||||||
Box 5 | Exley, Fred 1973-1986 | ||||||||||
Box 5 | Fiedler, Leslie 1970-1988 (2 folders) | ||||||||||
Box 5 | Ford, Richard 1976-1985 | ||||||||||
Box 5 | Fraser, Kathleen 1977-1979 | ||||||||||
Box 5 | Freed, Lynn 1996-1997 | ||||||||||
Box 5 | Friedman, Bruce Jay 1968-2012 | ||||||||||
Box 5 | Garcia Marquez, Gabriel undated | ||||||||||
Box 5 | Gangemi, Ken 1969-1985 | ||||||||||
Box 5 | Gardner, John 1970-1978 | ||||||||||
Box 5 | Garrett, George 1966-1972 (2 folders) | ||||||||||
Box 5 | Gass, William 1966-1981 | ||||||||||
Box 5 | Geeslin, Campbell 1989-1994 (9 folders) | ||||||||||
Box 6 | Geeslin (end) - Gold | ||||||||||
Box 6 | Geeslin, Campbell 1996-2012 (16 folders) | ||||||||||
Box 6 | Gekiere, Madeleine 1997 | ||||||||||
Box 6 | Gilbert, Jack 1975-1997 2004 (5 folders) | ||||||||||
Box 6 | Gilman, Richard 1973-1979 | ||||||||||
Box 6 | Gingrich, Arnold and Jane 1971-1975 | ||||||||||
Box 6 | Girodias, Maurice 1970-1976 | ||||||||||
Box 6 | Godwin, Gail 1971-1977 | ||||||||||
Box 6 | Gold, Herbert 1968-1979 undated (4 folders) | ||||||||||
Box 7 | Gori-Montanelli - Hemingway | ||||||||||
Box 7 | Gori-Montanelli, Margery 1989-2011 (8 folders) | ||||||||||
Box 7 | Gottlieb, Robert 1971-1986 (2 folders) | ||||||||||
Box 7 | Gottlieb, Theodore 1976-1983 | ||||||||||
Box 7 | Graves, John 1968-1977 1991 | ||||||||||
Box 7 | Greenberg, Pamela 1996 | ||||||||||
Box 7 | Guerard, Albert J. 1971-1978 | ||||||||||
Box 7 | Guglielmina, Pierre 1993-2000 | ||||||||||
Box 7 | Halberstadt, John undated | ||||||||||
Box 7 | Hannah, Barry 1974-2008 (13 folders) | ||||||||||
Box 7 | Harrison, Beth 1996 | ||||||||||
Box 7 | Harrison, William 1970-1990 (4 folders) | ||||||||||
Box 7 | Hawkes, John 1966-1973 1984 | ||||||||||
Box 7 | Heller, Joseph 1976-1978 | ||||||||||
Box 7 | Hemingway, Mary 1970-1978 | ||||||||||
Box 8 | Hempel | ||||||||||
Box 8 | Hempel, Amy 1980-2001 (19 folders) | ||||||||||
Box 9 | Hempel (end) - Janowitz | ||||||||||
Box 9 | Hempel, Amy 2002-2009 (11 folders) | ||||||||||
Box 9 | Herman, Victor 1977-1979 | ||||||||||
Box 9 | Herr, Michael 1976 | ||||||||||
Box 9 | Hill, Carol 1975-1982 | ||||||||||
Box 9 | Hochman, Sandra 1975 | ||||||||||
Box 9 | Hogan, Wayne 1992-2011 (4 folders) | ||||||||||
Box 9 | Holland, Noy [with Sam Michel] 1985-2011 (5 folders) | ||||||||||
Box 9 | Irving, John 1972-1978 1984 (3 folders) | ||||||||||
Box 9 | Janowitz, Phyllis 1974-1986 (2 folders) | ||||||||||
Box 10 | Jiles - Kimball | ||||||||||
Box 10 | Jiles, Paulette 1986-2012 (14 folders) | ||||||||||
Box 10 | Joyce, William 1973-1983 | ||||||||||
Box 10 | Kagan, Wendy 1996 | ||||||||||
Box 10 | Kauffman, Janet 1980-1990 | ||||||||||
Box 10 | Kazin, Alfred 1971-1986 | ||||||||||
Box 10 | Keach, Stacy 1969-1973 | ||||||||||
Box 10 | Keillor, Garrison 1984 | ||||||||||
Box 10 | Kennedy, Raymond 1972-1990 (2 folders) | ||||||||||
Box 10 | Kesey, Ken 1968-1980 | ||||||||||
Box 10 | Kessler, Jascha 1971-1979 | ||||||||||
Box 10 | Kimball, Michael 1991-2000 | ||||||||||
Box 11 | Kirkpatrick - Lock | ||||||||||
Box 11 | Kirkpatrick, Bear 1992-2007 (5 folders) | ||||||||||
Box 11 | Kirn, Walter 1988-1992 | ||||||||||
Box 11 | Kline, Kevin, 2001 | ||||||||||
Box 11 | Koperwas, Sam 1973-1983 | ||||||||||
Box 11 | Kosinski, Jerzy 1974 | ||||||||||
Box 11 | Kotzwinkle, William 1970-1978 1996-1997 (2 folders) | ||||||||||
Box 11 | Kracayna, Anna 1996-1997 (3 folders) | ||||||||||
Box 11 | Krupp, Carolyn 1995-2004 | ||||||||||
Box 11 | Kubrick, Stanley 1976-1982 | ||||||||||
Box 11 | Lane, Simon 1994-2001 (2 folders) | ||||||||||
Box 11 | Laughlin, James 1966-1988 (6 folders) | ||||||||||
Box 11 | Lee, Harper 1984 | ||||||||||
Box 11 | Le Guin, Ursula K. 1977 | ||||||||||
Box 11 | Lehmann-Haupt, Alexander 1972-1991 | ||||||||||
Box 11 | L'Heureux, John 1971-1989 | ||||||||||
Box 11 | Lish, Peter 1987-1998 | ||||||||||
Box 11 | Lock, Norman 1996 2000-2001 (3 folders) | ||||||||||
Box 12 | Lock (cont.) | ||||||||||
Box 12 | Lock, Norman 2001-2006 (21 folders) | ||||||||||
Box 13 | Lock (end) - Malin | ||||||||||
Box 13 | Lock, Norman 2007-2008 (5 folders) | ||||||||||
Box 13 | Loomis, Ed 1966-1991 | ||||||||||
Box 13 | Lurie, Morris 1971-1989 (8 folders) | ||||||||||
Box 13 | Lutz, Gary 1992-2011 (6 folders) | ||||||||||
Box 13 | McCall, Bruce 1975-1986 (3 folders) | ||||||||||
Box 13 | McCarthy, Mary 1971-1972 | ||||||||||
Box 13 | McEwan, Ian 1973-1977 | ||||||||||
Box 13 | McGuane, Tom 1975-1984 | ||||||||||
Box 13 | McInerney, Jay 1985 | ||||||||||
Box 13 | McMurtry, Larry 1968 | ||||||||||
Box 13 | Mailer, Norman 1966-1992 | ||||||||||
Box 13 | Malamud, Bernard 1969-1980 | ||||||||||
Box 13 | Malick, Terrence 1971-1974 | ||||||||||
Box 13 | Malin, Irving 1966-1983 (4 folders) | ||||||||||
Box 14 | Malin (end) - Meissner | ||||||||||
Box 14 | Malin, Irving 1984-2005 undated (9 folders) | ||||||||||
Box 14 | Malkovich, John 1999 | ||||||||||
Box 14 | Malone, Michael 1974-1982 (2 folders) | ||||||||||
Box 14 | Markus, Peter 1996-2007 (2 folders) | ||||||||||
Box 14 | Marten, Eugene, 2000-2001 | ||||||||||
Box 14 | Martone, Michael 1979-1987 (2 folders) | ||||||||||
Box 14 | Marx, Paty 1992-1998 | ||||||||||
Box 14 | Massik, Carolyn 1996-2009 (6 folders) | ||||||||||
Box 14 | Meissner, Jan 1992-1996 | ||||||||||
Box 15 | Michaels - Ozick | ||||||||||
Box 15 | Michaels, Leonard 1970-1985 | ||||||||||
Box 15 | Michel, Sam 1989-2001 | ||||||||||
Box 15 | Midwood, Bart 1971-1980 | ||||||||||
Box 15 | Milch, David 1975-1984 | ||||||||||
Box 15 | Miller, Arthur 1971-1977 1984 | ||||||||||
Box 15 | Miller, Henry 1970-1971 | ||||||||||
Box 15 | Morris, Wright 1969-1983 | ||||||||||
Box 15 | Nabakov, Vera, (for Vladimir) 1970-1977 | ||||||||||
Box 15 | Nemerov, Howard 1969-1985 | ||||||||||
Box 15 | Newman, Charles 1970-1974 | ||||||||||
Box 15 | Nixon, Richard 1968-1969 | ||||||||||
Box 15 | Oakes, John 1996-1997 | ||||||||||
Box 15 | Oates, Joyce Carol 1969-1990 | ||||||||||
Box 15 | O'Connor, Flannery 1962 | ||||||||||
Box 15 | Olsen, Tillie 1968-1971 | ||||||||||
Box 15 | Ostroff, Anthony 1972-1977 | ||||||||||
Box 15 | Ozick, Cynthia 1970-1988 (18 folders) | ||||||||||
Box 16 | Ozick (end) - Renner | ||||||||||
Box 16 | Ozick, Cynthia 1989-2011 (16 folders) | ||||||||||
Box 16 | Paglia, Camille 1990-1991 | ||||||||||
Box 16 | Panurgias, Basile 1997 | ||||||||||
Box 16 | Percy, Walker 1972-1984 | ||||||||||
Box 16 | Persson, Russell 1995-2002 | ||||||||||
Box 16 | Pinson, David 1993-2009 (2 folders) | ||||||||||
Box 16 | Portis, Charles 1994 | ||||||||||
Box 16 | Purdy, James 1968-1989 (6 folders) | ||||||||||
Box 16 | Rabassa, Gregory 1972-1976 | ||||||||||
Box 16 | Raffel, Dawn 1992-2008 | ||||||||||
Box 16 | Redel, Victoria 1992-2000 | ||||||||||
Box 16 | Renner, Cooper 1988-1998 (5 folders) | ||||||||||
Box 17 | Renner (end) - Roth | ||||||||||
Box 17 | Renner, Cooper 1999-2011 (13 folders) | ||||||||||
Box 17 | Riley, Jill Ellyn 1996-1997 | ||||||||||
Box 17 | Robbins, Tom 1970-1976 | ||||||||||
Box 17 | Roberts, Daniel 1996 | ||||||||||
Box 17 | Robison, Mary 1977-1995 (2 folders) | ||||||||||
Box 17 | Rosenberg, David 1999-2000 | ||||||||||
Box 17 | Rosenwald, Nina 1992-2000 (3 folders) | ||||||||||
Box 17 | Ross, Helen 1998-2010 | ||||||||||
Box 17 | Roth, Philip 1970-1984 | ||||||||||
Box 18 | Rybicki - Sayer | ||||||||||
Box 18 | Rybicki, John 1989-2009 (17 folders) | ||||||||||
Box 18 | Ryder, Pamela 1992-2010 | ||||||||||
Box 18 | Sarki, Michael 1995-2012 (6 folders) | ||||||||||
Box 18 | Sayer, Allison 1996-1997 | ||||||||||
Box 18 | Sayer, Katherine 1996-1997 | ||||||||||
Box 19 | Selzer - Williams | ||||||||||
Box 19 | Selzer, Richard 1971-1985 (4 folders) | ||||||||||
Box 19 | Shawn, Wallace 1978 | ||||||||||
Box 19 | Shawn, William 1984-1985 | ||||||||||
Box 19 | Shawver, James 1989 | ||||||||||
Box 19 | Sontag, Susan 1975-1978 | ||||||||||
Box 19 | Sorrentino, Gilbert 1972-1996 | ||||||||||
Box 19 | Styron, William 1972 | ||||||||||
Box 19 | Tanner, Tony 1972-1979 | ||||||||||
Box 19 | Taylor, Nelson 1996 | ||||||||||
Box 19 | Theroux, Alexander 1972-1989 (6 folders) | ||||||||||
Box 19 | Theroux, Paul 1969-1976 | ||||||||||
Box 19 | Theroux, Peter 1976-1978 | ||||||||||
Box 19 | Thompson, Hunter S. 1975-1978 | ||||||||||
Box 19 | Tolkin, Michael 1974 | ||||||||||
Box 19 | Trucks, Rob 1996-1997 | ||||||||||
Box 19 | Tyler, Anne 1985-1986 | ||||||||||
Box 19 | Tynan, Kenneth 1977 | ||||||||||
Box 19 | Updike, John 1971-1988 | ||||||||||
Box 19 | Walker, John 1972-1988 (3 folders) | ||||||||||
Box 19 | Wallace, David Foster 1987 | ||||||||||
Box 19 | Warren, Robert Penn 1971-1978 | ||||||||||
Box 19 | Welty, Eudora 1975 | ||||||||||
Box 19 | Williams, Diane 1985-1991 (10 folders) | ||||||||||
Box 20 | Williams (end) - Ziglar | ||||||||||
Box 20 | Williams, Diane 1992-1999 (6 folders) | ||||||||||
Box 20 | Williams, Tennessee 1977 | ||||||||||
Box 20 | Wilson, Edmund 1971 | ||||||||||
Box 20 | Wolcott, James 1985-1987 | ||||||||||
Box 20 | Wolf, Don 1993-2001 (2 folders) | ||||||||||
Box 20 | Wolfe, Tom 1973-1983 (3 folders) | ||||||||||
Box 20 | Wolff, Tobias 1980-1985 | ||||||||||
Box 20 | Wolitzer, Hilma 1969-1979 | ||||||||||
Box 20 | Ziglar, Vincent 1995-2000 | ||||||||||
General | |||||||||||
Box 21 | 1959 - 1970, Aug. | ||||||||||
Box 22 | 1970, Sept. - 1972, Sept. | ||||||||||
Box 23 | 1972 Oct. - 1974, Jul. | ||||||||||
Box 24 | 1974 Aug. - 1975, 15 Dec. | ||||||||||
Scope and Contents | |||||||||||
Includes correspondence between Lish and Frank Stanford | |||||||||||
Box 25 | 1975, 16 Dec. - 1977, 20 Mar. | ||||||||||
Box 26 | 1977, 21 Mar. - 1978 Feb. | ||||||||||
Box 27 | 1978, Mar. - 1979 May | ||||||||||
Box 28 | 1979, Jun. - 1980 Nov. | ||||||||||
Box 29 | 1980, Dec. - 1982, Mar. | ||||||||||
Box 30 | 1982, Apr. - 1983, Sept. | ||||||||||
Box 31 | 1983, Oct. - 1984, Nov. | ||||||||||
Box 32 | 1984, Dec. - 1985 | ||||||||||
Box 33 | 1986 | ||||||||||
Box 34 | 1987 | ||||||||||
Box 35 | 1988 | ||||||||||
Box 36 | 1989 | ||||||||||
Box 37 | 1990 | ||||||||||
Box 38 | 1991, Jan. - Sept. | ||||||||||
Box 87 | 1991, Oct. - 1992, Jun. | ||||||||||
Box 88 | 1992, Jul. - 1993, Feb. | ||||||||||
Box 89 | 1993, Mar. - Dec. | ||||||||||
Box 90 | 1994 | ||||||||||
Box 91 | 1994 undated | ||||||||||
Box 92 | 1995, Nov. - 1997, Oct. | ||||||||||
Box 93 | 1997, Nov. - 1999 | ||||||||||
Box 94 | 2000-2003 | ||||||||||
Box 95 | 2004-2006 | ||||||||||
Box 96 | 2007 - 2009, Apr. | ||||||||||
Box 97 | 2009, May - 2010, Oct. | ||||||||||
Box 98 | 2010, Nov. - 2012, Feb. | ||||||||||
Additional | |||||||||||
Scope and Contents | |||||||||||
(includes both individual and general correspondence) | |||||||||||
Box 110 | Hintze, Erich | ||||||||||
Box 110 | Kohler, Sheila | ||||||||||
Box 110 | Lemann, Nancy | ||||||||||
Box 110 | Lifschey, Paula | ||||||||||
Box 110 | 1990s | ||||||||||
Box 110 | 2000s | ||||||||||
Box 110 | Unidentified | ||||||||||
Box 119 | 1960s | ||||||||||
Box 119 | 1971-1973 | ||||||||||
Box 119 | 1974-1977 | ||||||||||
Box 119 | 1978-1979 | ||||||||||
Box 119 | 1980-1989 | ||||||||||
Box 119 | 1990-1992 | ||||||||||
Box 119 | 1992-1993 | ||||||||||
Box 119 | 1994-1995 | ||||||||||
Box 119 | 1996-1999 | ||||||||||
Box 119 | 2000-2001 | ||||||||||
Box 119 | 2002-2003 | ||||||||||
Box 119 | 2004 | ||||||||||
Box 119 | 2005-2010 | ||||||||||
Box 119 | Undated (3 folders) | ||||||||||
Personal | |||||||||||
Box 119 | 1971 | ||||||||||
Box 119 | 1972 | ||||||||||
Box 119 | 1973 | ||||||||||
Box 119 | 1974 | ||||||||||
Box 119 | 1975 | ||||||||||
Box 119 | 1976 | ||||||||||
Box 119 | 1977 | ||||||||||
Box 119 | 1978 | ||||||||||
Box 119 | 1979 | ||||||||||
Box 119 | 1980s | ||||||||||
Box 119 | 1990s | ||||||||||
Box 119 | 2000s | ||||||||||
Box 119 | Undated (2 folders) | ||||||||||
Box 120 | Gutbrod, Jess 2007 | ||||||||||
Box 120 | Gutbrod, Jess 2008, Jan. | ||||||||||
Box 120 | Gutbrod, Jess 2008, Feb. | ||||||||||
Box 120 | Gutbrod, Jess 2008, Mar. | ||||||||||
Box 120 | Gutbrod, Jess 2008, Apr. - May undated | ||||||||||
Box 120 | Gutbrod, Jess undated (3 folders) | ||||||||||
Box 120 | Kenan, Shomzian 2008-2009 | ||||||||||
Box 120 | 1969 | ||||||||||
Box 120 | 1975-1999 | ||||||||||
Box 120 | 1996 | ||||||||||
Box 120 | 1997, Feb. | ||||||||||
Box 120 | 1997, Mar. | ||||||||||
Box 120 | 1997, Apr. | ||||||||||
Box 120 | 1997, May | ||||||||||
Box 120 | 2000-2002 | ||||||||||
Box 120 | 2003 | ||||||||||
Box 120 | 2004-2009 | ||||||||||
Box 120 | Undated (2 folders) | ||||||||||
Esquire | |||||||||||
Box 111 | Gordon Lish memos | ||||||||||
Box 111 | Henderson, Bill 1970s | ||||||||||
Box 111 | A-C undated | ||||||||||
Box 111 | D undated | ||||||||||
Box 111 | D-F undated | ||||||||||
Box 111 | G-H undated | ||||||||||
Box 111 | G-H undated | ||||||||||
Box 111 | J-K undated | ||||||||||
Box 111 | L-M undated | ||||||||||
Box 111 | N-R undated | ||||||||||
Box 111 | S-T undated | ||||||||||
Box 111 | U-Z undated | ||||||||||
Box 111 | 1st name only, A-H | ||||||||||
Box 111 | 1st name only, I-L | ||||||||||
Box 111 | 1st name only, M-Z | ||||||||||
Box 111 | Undated (2 folders) | ||||||||||
Box 111 | Unidentified undated (2 folders) | ||||||||||
Box 112 | 1969-1970 | ||||||||||
Box 112 | 1970 (2 folders) | ||||||||||
Box 112 | 1971 (2 folders) | ||||||||||
Box 112 | 1972 (3 folders) | ||||||||||
Box 112 | ca. 1972 | ||||||||||
Box 112 | 1972-1973 | ||||||||||
Box 112 | 1973 (3 folders) | ||||||||||
Box 112 | 1973-1974 | ||||||||||
Box 112 | 1974, Jan. - Jun. | ||||||||||
Box 112 | 1974, Jul. - Dec. | ||||||||||
Box 112 | 1974, Jan. - 1975 Jan. | ||||||||||
Box 112 | 1975 | ||||||||||
Box 112 | ca. 1975 | ||||||||||
Box 112 | 1976, Jan. - May | ||||||||||
Box 112 | 1976, Jun. - Dec. | ||||||||||
Box 112 | 1976 | ||||||||||
Box 112 | 1977 | ||||||||||
Box 112 | Undated |
II. Writings | |||||||||||
By Other Authors | |||||||||||
General | |||||||||||
Note: some authors continued in the Additional Writings subseries. | |||||||||||
Box 39 | Abrahams - Baumgarten | ||||||||||
Box 39 | Abrahams, Bill | ||||||||||
Box 39 | Fifty Years of the American Short Story... Introduction | ||||||||||
Box 39 | Adams, Ralph | ||||||||||
Box 39 | Even a Wild Pitch Beans the Soul as the Bad Swing Muggeth the Heart | ||||||||||
Box 39 | Notes Toward an Elegy | ||||||||||
Box 39 | Adams, Stanford | ||||||||||
Box 39 | Appendix | ||||||||||
Box 39 | Ahn, Michael | ||||||||||
Box 39 | Jennifer [aka Here Kitty] | ||||||||||
Box 39 | Cruise [A Reminder] | ||||||||||
Box 39 | Aldrich, Marcia | ||||||||||
Box 39 | Yes | ||||||||||
Box 39 | Alexander, Edward | ||||||||||
Box 39 | Edward Alexander to Q [aka The Last Refuge of a Scoundrel] | ||||||||||
Box 39 | Allen, Abigail | ||||||||||
Box 39 | Tahiti | ||||||||||
Box 39 | The Trip [aka Oklahoma, 1995 ] | ||||||||||
Box 39 | The President | ||||||||||
Box 39 | The Color Gold You're Supposed to Get [aka Prince] | ||||||||||
Box 39 | School [aka The String Orchestra] | ||||||||||
Box 39 | The Stylist | ||||||||||
Box 39 | The Wheelers | ||||||||||
Box 39 | Allen, Barton | ||||||||||
Box 39 | Among the Coven | ||||||||||
Box 39 | The Androgynous Superhero | ||||||||||
Box 39 | The Angle | ||||||||||
Box 39 | Bliss | ||||||||||
Box 39 | Circle the Letters of Your Name | ||||||||||
Box 39 | The Cork-stripper's Son | ||||||||||
Box 39 | Dancing | ||||||||||
Box 39 | Everything for Form | ||||||||||
Box 39 | Exciting Preview | ||||||||||
Box 39 | Glued Construction | ||||||||||
Box 39 | God's God | ||||||||||
Box 39 | The Jumping Rope | ||||||||||
Box 39 | The Letter Under the Pillow | ||||||||||
Box 39 | Memory | ||||||||||
Box 39 | My Immolations | ||||||||||
Box 39 | Nosegay | ||||||||||
Box 39 | The Paralysis | ||||||||||
Box 39 | Pub | ||||||||||
Box 39 | A Question While Driving | ||||||||||
Box 39 | Romancing No One | ||||||||||
Box 39 | Scabs | ||||||||||
Box 39 | The Scale | ||||||||||
Box 39 | Sleep in My Glass Eye | ||||||||||
Box 39 | The Transplant | ||||||||||
Box 39 | Voir Dire | ||||||||||
Box 39 | Why Nightcrawlers Crawl | ||||||||||
Box 39 | Poet Student Barton Allen Gives Reading in New York [Lake Forest College Stentor, ] 28 April 1993 | ||||||||||
Box 39 | [Unnamed Collection] 1993 | ||||||||||
Box 39 | The First | ||||||||||
Box 39 | The Boldest Confession I Will Ever Make | ||||||||||
Box 39 | Terra Cotta | ||||||||||
Box 39 | The Covenant | ||||||||||
Box 39 | The Thirst | ||||||||||
Box 39 | My Immolations | ||||||||||
Box 39 | The Cradle | ||||||||||
Box 39 | Mammals | ||||||||||
Box 39 | The Mermaids, Adultery, the Curing of the Bait | ||||||||||
Box 39 | Shajida, Mermaid in the Tides of Ennfe | ||||||||||
Box 39 | My Father's Lover's Tomatoes | ||||||||||
Box 39 | The Imposter | ||||||||||
Box 39 | Adam's Boast | ||||||||||
Box 39 | Adam Renaming | ||||||||||
Box 39 | Intaglio, My Mother's Clothes | ||||||||||
Box 39 | Samsa, Dying in his Berth | ||||||||||
Box 39 | The Drive | ||||||||||
Box 39 | Wax Numen | ||||||||||
Box 39 | Beyond the Plaster Cast | ||||||||||
Box 39 | Entre Chien et Loup | ||||||||||
Box 39 | An Hour After the Bath | ||||||||||
Box 39 | The Statues | ||||||||||
Box 39 | The Pasteboard Tube | ||||||||||
Box 39 | Dancing | ||||||||||
Box 39 | First-Song | ||||||||||
Box 39 | In Darkness I Tell You This | ||||||||||
Box 39 | Origin | ||||||||||
Box 39 | The Cork-Stripper's Son | ||||||||||
Box 39 | Bright Crossing | ||||||||||
Box 39 | Epilogue | ||||||||||
Box 39 | God's God | ||||||||||
Box 39 | Wet Rocks | ||||||||||
Box 39 | The Infant's Songs [aka The Infant's Curse] | ||||||||||
Box 39 | The Infant's Song | ||||||||||
Box 39 | Here Is My Jump Rope Burning | ||||||||||
Box 39 | Though the Goat will Dance and the Hive Be Full | ||||||||||
Box 39 | Romancing No One | ||||||||||
Box 39 | The Tag | ||||||||||
Box 39 | Aging in My Palace Well | ||||||||||
Box 39 | The Beast | ||||||||||
Box 39 | People | ||||||||||
Box 39 | Charles the Zoologist | ||||||||||
Box 39 | Three Line Poem | ||||||||||
Box 39 | The Stepson's Song | ||||||||||
Box 39 | Do You See the Fear? | ||||||||||
Box 39 | Wet Dream | ||||||||||
Box 39 | Plankton | ||||||||||
Box 39 | Allen, Jennifer (5 folders) | ||||||||||
Box 39 | Stories (1 folder) | ||||||||||
Box 39 | 1987 | ||||||||||
Box 39 | Better Get Your Angel On | ||||||||||
Box 39 | Dinner | ||||||||||
Box 39 | Hello? Merry Christmas? Hello? | ||||||||||
Box 39 | Let Me Have You | ||||||||||
Box 39 | Mom and Pop | ||||||||||
Box 39 | Tricentennial | ||||||||||
Box 39 | Better Get Your Angel On proof (4 folders) | ||||||||||
Box 39 | Alper, Eleanor (4 folders) | ||||||||||
Box 39 | Stories (3 folders) | ||||||||||
Box 39 | After the Velveeta | ||||||||||
Box 39 | All About Mud | ||||||||||
Box 39 | Dark Enough for Hiding | ||||||||||
Box 39 | A Kind of Knot | ||||||||||
Box 39 | A Layer of Fat [aka A Thin Line] | ||||||||||
Box 39 | The Leg | ||||||||||
Box 39 | The Mothers | ||||||||||
Box 39 | Names and Places | ||||||||||
Box 39 | The Other Place [aka They Looked Altogether Different] | ||||||||||
Box 39 | Saint Blaise | ||||||||||
Box 39 | Startin at Upper Black Eddy | ||||||||||
Box 39 | They Called My Mother Lady | ||||||||||
Box 39 | Shopping [aka They Called Mye Mother Lady] | ||||||||||
Box 39 | We Started with Childcraft | ||||||||||
Box 39 | Where My Father Was [aka My Father's Saw] | ||||||||||
Box 39 | Today Cookeys Tomorrow the Wurld Chapters 2-9 (1 folder) | ||||||||||
Box 39 | Awmiller, Craig | ||||||||||
Box 39 | 24 Morskaya Street | ||||||||||
Box 39 | Andrews, Frank Earl | ||||||||||
Box 39 | Last Stand | ||||||||||
Box 39 | Strange Fruit | ||||||||||
Box 39 | Anthony, Mike | ||||||||||
Box 39 | The Hazards of High-Tar Cigarettes | ||||||||||
Box 39 | Apple, Max | ||||||||||
Box 39 | Bar b Q | ||||||||||
Box 39 | The Oranging of America | ||||||||||
Box 39 | Arnold, Jean | ||||||||||
Box 39 | Air Conditioning | ||||||||||
Box 39 | Our Father | ||||||||||
Box 39 | Arnoldi, Katherine | ||||||||||
Box 39 | Canton, Ohio: 1956 | ||||||||||
Box 39 | Crosscut Saw | ||||||||||
Box 39 | Ashbrook, Tom | ||||||||||
Box 39 | Seeding | ||||||||||
Box 39 | Swept Away | ||||||||||
Box 39 | Visakhapatnam | ||||||||||
Box 39 | Babtkis, Randall | ||||||||||
Box 39 | Alex in Front of the Mirror | ||||||||||
Box 39 | Connections | ||||||||||
Box 39 | The Search Party | ||||||||||
Box 39 | Bain, Terry | ||||||||||
Box 39 | Edna and Ten [aka Werner's Spoon] | ||||||||||
Box 39 | Baird, Ansie | ||||||||||
Box 39 | Alive in Prague | ||||||||||
Box 39 | Boy Home Sick | ||||||||||
Box 39 | Considering the Death of Her Child | ||||||||||
Box 39 | Landsman | ||||||||||
Box 39 | Nocturne | ||||||||||
Box 39 | Portrait | ||||||||||
Box 39 | This Time | ||||||||||
Box 39 | Turn It Off | ||||||||||
Box 39 | Who Has Not Slept with Famous Folk? | ||||||||||
Box 39 | Woman as Garage | ||||||||||
Box 39 | Baker, Mark | ||||||||||
Box 39 | The Marriage | ||||||||||
Box 39 | Baker, Nicholson | ||||||||||
Box 39 | Vox | ||||||||||
Box 39 | Balazic, Todd | ||||||||||
Box 39 | The Gift | ||||||||||
Box 39 | Passage Through the Country | ||||||||||
Box 39 | Rain Dance | ||||||||||
Box 39 | Ban, T. | ||||||||||
Box 39 | An Affair, I Guess | ||||||||||
Box 39 | Are We Almost There? | ||||||||||
Box 39 | Project for a Better World [aka The Outing] | ||||||||||
Box 39 | Banville, John | ||||||||||
Box 39 | A Death in the Family | ||||||||||
Box 39 | Barall, Victor | ||||||||||
Box 39 | Triptych with Fortune Cookies | ||||||||||
Box 39 | Barba, Rick | ||||||||||
Box 39 | The Believing Men [aka Disability] | ||||||||||
Box 39 | Something Out There | ||||||||||
Box 39 | Barth, John | ||||||||||
Box 39 | Dunyazadiad | ||||||||||
Box 39 | Bartsch, Janet | ||||||||||
Box 39 | A Big Empty Place | ||||||||||
Box 39 | Guns | ||||||||||
Box 39 | Pigeons | ||||||||||
Box 39 | Sunburn | ||||||||||
Box 39 | Bass, Rick (2 folders) | ||||||||||
Box 39 | Dennis and Probably the Rest | ||||||||||
Box 39 | Fear | ||||||||||
Box 39 | Field Events | ||||||||||
Box 39 | Fires | ||||||||||
Box 39 | Jorro's Magic | ||||||||||
Box 39 | Lorraine | ||||||||||
Box 39 | Mahatma Joe | ||||||||||
Box 39 | Not Home | ||||||||||
Box 39 | Okra, Rutebega, Yams | ||||||||||
Box 39 | Rick Bass to Q [aka Hawks] | ||||||||||
Box 39 | Susan | ||||||||||
Box 39 | The Windy Day | ||||||||||
Box 39 | Battin, M. Pabst | ||||||||||
Box 39 | The Death of A Mirthful Man [aka The Death of the Happy Man] | ||||||||||
Box 39 | Kill the Laughing Man | ||||||||||
Box 39 | Baumbach, Jonathan | ||||||||||
Box 39 | Crossed in Love by Her Eyes | ||||||||||
Box 39 | Disguises | ||||||||||
Box 39 | Growing Old | ||||||||||
Box 39 | The Photographer | ||||||||||
Box 39 | Baumgarten, Dawn | ||||||||||
Box 39 | Ma Ma's Boy | ||||||||||
Box 40 | Beattie - Bridgford | ||||||||||
Box 40 | Beattie, Ann | ||||||||||
Box 40 | Fred | ||||||||||
Box 40 | Onetwothree | ||||||||||
Box 40 | Beckett, Samuel | ||||||||||
Box 40 | Mercier and Camier | ||||||||||
Box 40 | Bellow, Saul (3 folders) | ||||||||||
Box 40 | In Sleep Begin Responsibilities Draft 1 | ||||||||||
Box 40 | In Sleep Begin Responsibilities Draft 2 | ||||||||||
Box 40 | In Sleep Begin Responsibilities Draft 3 | ||||||||||
Box 40 | Bennett, Hall | ||||||||||
Box 40 | Million-Dollare Baby | ||||||||||
Box 40 | Berley, Marc | ||||||||||
Box 40 | The Jon | ||||||||||
Box 40 | Rust | ||||||||||
Box 40 | Beckett, Samuel | ||||||||||
Box 40 | Notes on 'Grease' | ||||||||||
Box 40 | Berne, Suzaane | ||||||||||
Box 40 | The Affair | ||||||||||
Box 40 | Betts, Doris | ||||||||||
Box 40 | A Memory of Water | ||||||||||
Box 40 | Billman, Jon | ||||||||||
Box 40 | Custer on Mondays | ||||||||||
Box 40 | Bishop, Rick | ||||||||||
Box 40 | The Writer [aka Something to Forget Me By] | ||||||||||
Box 40 | Blades, John | ||||||||||
Box 40 | Between Stations | ||||||||||
Box 40 | Blair, David | ||||||||||
Box 40 | Islanders and Wanderers | ||||||||||
Box 40 | Unfortunate Name | ||||||||||
Box 40 | Blaise, Clark | ||||||||||
Box 40 | The Repossession | ||||||||||
Box 40 | Blanchard, Richard (6 folders) | ||||||||||
Box 40 | Stories (2 folders) | ||||||||||
Box 40 | Assignment | ||||||||||
Box 40 | Blackwell Spots Whatever Moves [aka Letters from Eden] | ||||||||||
Box 40 | Birth of Christ [aka Thy Kingdom Come] | ||||||||||
Box 40 | The Boys Are in the Cellar [aka My Boys Are Playing in the Cellar] | ||||||||||
Box 40 | Burger King | ||||||||||
Box 40 | Carnival | ||||||||||
Box 40 | Cleopatra | ||||||||||
Box 40 | Congratulations [aka Choice of Sex] | ||||||||||
Box 40 | Day Trip | ||||||||||
Box 40 | Dear Miss Scarlet's Mistress | ||||||||||
Box 40 | Dinosaurs Did Not Survive | ||||||||||
Box 40 | Does the E Stop Here, Too? | ||||||||||
Box 40 | Does Your Boy Have Soldiers? | ||||||||||
Box 40 | The Field Is Houses | ||||||||||
Box 40 | Flesh and Blood | ||||||||||
Box 40 | Hear the Heart | ||||||||||
Box 40 | Her | ||||||||||
Box 40 | He Talks to Me | ||||||||||
Box 40 | The House [aka My Girl] | ||||||||||
Box 40 | I Do Not Look Away | ||||||||||
Box 40 | I Hear the Door for Sure | ||||||||||
Box 40 | Information | ||||||||||
Box 40 | It Does Not Have to Be in Words [aka Brothers] | ||||||||||
Box 40 | Last Night Was Four A.M. | ||||||||||
Box 40 | Let Me Get You Something Dry | ||||||||||
Box 40 | Men Are Missing Everywhere [aka Sightings] | ||||||||||
Box 40 | Nature | ||||||||||
Box 40 | Next of Kin | ||||||||||
Box 40 | Night Life | ||||||||||
Box 40 | Our Lot | ||||||||||
Box 40 | Our Son Is on My Shoulders | ||||||||||
Box 40 | Personal | ||||||||||
Box 40 | Rules of War | ||||||||||
Box 40 | Stranger | ||||||||||
Box 40 | Sylvania [aka Zap] | ||||||||||
Box 40 | Tatoo [aka Can I Decide My Age?] | ||||||||||
Box 40 | They Will Say You Are the Biggest | ||||||||||
Box 40 | This Is a Free Country | ||||||||||
Box 40 | To Go [aka Coffee to Go] | ||||||||||
Box 40 | The Trail | ||||||||||
Box 40 | We Are of the Under Animals [aka Mammal Life] | ||||||||||
Box 40 | We Call Him Einstein [aka E=MC^2?] | ||||||||||
Box 40 | What Are You Tonight? | ||||||||||
Box 40 | What Does Your Father Do? | ||||||||||
Box 40 | Rules of War Draft 1 | ||||||||||
Box 40 | Rules of War Draft 2 | ||||||||||
Box 40 | Rules of War Draft 3 | ||||||||||
Box 40 | Blewer, Barbara | ||||||||||
Box 40 | The Death of the Bed | ||||||||||
Box 40 | I Am Safe and Live at Home | ||||||||||
Box 40 | Blount, Jr., Roy (6 folders) | ||||||||||
Box 40 | Crackers (3 folders) | ||||||||||
Box 40 | Crackers Proofs | ||||||||||
Box 40 | Pat and Mike | ||||||||||
Box 40 | A Rise Out of Meemaw | ||||||||||
Box 40 | Bogle, Ann | ||||||||||
Box 40 | Fairness | ||||||||||
Box 40 | Bohstedt, Jake | ||||||||||
Box 40 | Cincinnati Hobbyist | ||||||||||
Box 40 | Bond, Justin Clyde | ||||||||||
Box 40 | The Bright Sun | ||||||||||
Box 40 | Bondor, Rebecca | ||||||||||
Box 40 | … | ||||||||||
Box 40 | Bonetti, Edward | ||||||||||
Box 40 | Calder | ||||||||||
Box 40 | Bonner, J.W. | ||||||||||
Box 40 | Pumping Gas for Hemingway | ||||||||||
Box 40 | Bontly, Thomas | ||||||||||
Box 40 | The Demon | ||||||||||
Box 40 | Twilight of the Gods | ||||||||||
Box 40 | Boucher, Brian | ||||||||||
Box 40 | Doomtroopers | ||||||||||
Box 40 | Reaper of the White Wind | ||||||||||
Box 40 | Boyle, T. Coraghessan | ||||||||||
Box 40 | Our Vision Considered | ||||||||||
Box 40 | Brandon, William | ||||||||||
Box 40 | War | ||||||||||
Box 40 | Bridgford, Kim | ||||||||||
Box 40 | Alzheimer's | ||||||||||
Box 40 | Candy | ||||||||||
Box 40 | Day Sleep | ||||||||||
Box 40 | A Lesson in Handwriting | ||||||||||
Box 40 | Little Red Riding Hood | ||||||||||
Box 40 | Persephone | ||||||||||
Box 40 | Piano Fingers | ||||||||||
Box 40 | Popsicles | ||||||||||
Box 40 | The Room | ||||||||||
Box 40 | Sister | ||||||||||
Box 40 | Underwater | ||||||||||
Box 41 | Brodkey - Buckner | ||||||||||
Box 41 | Brodkey, Harold (3 folders) | ||||||||||
Box 41 | Anatomy of a Minor Bondage | ||||||||||
Box 41 | His Son, in His Arms, in Light, Aloft | ||||||||||
Box 41 | Stories | ||||||||||
Box 41 | On Friendship | ||||||||||
Box 41 | Sophistication [aka Sure We're Friends] | ||||||||||
Box 41 | Verona (A Young Woman Speaks) | ||||||||||
Box 41 | [Take, for example, me and Jimmy Stechell.] | ||||||||||
Box 41 | Brook, Adam | ||||||||||
Box 41 | Hemia | ||||||||||
Box 41 | Brooks, Philip | ||||||||||
Box 41 | Audubon | ||||||||||
Box 41 | A Brief Physical History of My Family Since 1972 | ||||||||||
Box 41 | G-Forces | ||||||||||
Box 41 | Letter on Behalf of My Son | ||||||||||
Box 41 | Note | ||||||||||
Box 41 | Notes of the Greatest Living Writer (Tuesday, Warm and Cloudy) | ||||||||||
Box 41 | Preface | ||||||||||
Box 41 | Report | ||||||||||
Box 41 | Bronzi, Elizabeth | ||||||||||
Box 41 | Extravaganza: una recente stravaganza di Gordon Lish | ||||||||||
Box 41 | Brott, Andrea | ||||||||||
Box 41 | Leftovers | ||||||||||
Box 41 | Broughton, T. Alan | ||||||||||
Box 41 | The Harrowing | ||||||||||
Box 41 | Broun, Hob (8 folders) | ||||||||||
Box 41 | Cardinal Numbers | ||||||||||
Box 41 | Cardinal Numbers Copy ms. | ||||||||||
Box 41 | Cardinal Numbers Setting ms. | ||||||||||
Box 41 | Cardinal Numbers Galleys | ||||||||||
Box 41 | Cardinal Numbers Second galleys | ||||||||||
Box 41 | Cardinal Numbers Preprint pages | ||||||||||
Box 41 | Cardinal Numbers Proofs | ||||||||||
Box 41 | Is This Civilization? | ||||||||||
Box 41 | Brown, C.S. | ||||||||||
Box 41 | Race [aka No Name in the World] | ||||||||||
Box 41 | Brown, Clark | ||||||||||
Box 41 | I Know a Man | ||||||||||
Box 41 | Browne, Dan | ||||||||||
Box 41 | Everybody Comes Out [aka Not Enough] | ||||||||||
Box 41 | Broyard, Anatole | ||||||||||
Box 41 | Aslies? | ||||||||||
Box 41 | Their Cups Runneth Over | ||||||||||
Box 41 | Through a Speculum Darkly | ||||||||||
Box 41 | Brunner, Bernard | ||||||||||
Box 41 | The Gorgeous Weather of the All-Pro | ||||||||||
Box 41 | Brunot, James | ||||||||||
Box 41 | Father Unfinished | ||||||||||
Box 41 | Buchanan, Cynthia | ||||||||||
Box 41 | Confessions of a Cryptonegrophiliac | ||||||||||
Box 41 | Buckner, Garth (3 folders) | ||||||||||
Box 41 | The Origins of Solitude 1st Draft | ||||||||||
Box 41 | The Origins of Solitude 2nd Draft | ||||||||||
Box 41 | The Origins of Solitude 3rd Draft | ||||||||||
Box 42 | Bumpus - Busch | ||||||||||
Box 42 | Bumpus, Jerry (2 folders) | ||||||||||
Box 42 | All the Good Girls in Oskaloosa | ||||||||||
Box 42 | Back Home in Alton | ||||||||||
Box 42 | The End of the World | ||||||||||
Box 42 | The Heart of Lovingkind | ||||||||||
Box 42 | In Sobibor… | ||||||||||
Box 42 | In Utica | ||||||||||
Box 42 | Neighbors on the Lane | ||||||||||
Box 42 | Outing | ||||||||||
Box 42 | The Worms Are Singing | ||||||||||
Box 42 | Burk, Frederic | ||||||||||
Box 42 | McGuerkney vs. Fischer | ||||||||||
Box 42 | Burks, Charlie | ||||||||||
Box 42 | Free Trade | ||||||||||
Box 42 | Rollo, the Giant Chicken | ||||||||||
Box 42 | Busch, Frederick (14 folders) | ||||||||||
Box 42 | Stories | ||||||||||
Box 42 | How the Indians Come Home | ||||||||||
Box 42 | The Too Late American Boyhood Blues | ||||||||||
Box 42 | The Trouble with Being Food | ||||||||||
Box 42 | What Charlie the Chief Left Behind and the Passage of His Recipes Down | ||||||||||
Box 42 | Widow Water | ||||||||||
Box 42 | Rounds Rough First Chapter | ||||||||||
Box 42 | Rounds (3 folders) | ||||||||||
Box 42 | Widow Water (2 folders) | ||||||||||
Box 42 | Widow Water Galleys | ||||||||||
Box 42 | Widow Water/Hardwater Country Galleys | ||||||||||
Box 42 | Hardwater Country Galleys | ||||||||||
Box 42 | Hardwater Country Second Galleys | ||||||||||
Box 42 | Hardwater Country Final Galleys | ||||||||||
Box 42 | Hardwater Country | ||||||||||
Box 43 | Butler - Carver | ||||||||||
Box 43 | Butler, Lynne | ||||||||||
Box 43 | Loon Country by Canoe | ||||||||||
Box 43 | Cochera, Charles | ||||||||||
Box 43 | Deinos Saura | ||||||||||
Box 43 | Cofagna, Marcus | ||||||||||
Box 43 | Psoriasis [aka Sex Like a Rosetta Stone] | ||||||||||
Box 43 | Callis, Daniel | ||||||||||
Box 43 | Sandhills | ||||||||||
Box 43 | Spats | ||||||||||
Box 43 | Calvin, Martin (3 folders) | ||||||||||
Box 43 | Our Father's Before Us 1st Version | ||||||||||
Box 43 | Our Father's Before Us 2nd Version (2 folders) | ||||||||||
Box 43 | Campbell, Sharon | ||||||||||
Box 43 | Sawzsoleetoe Sunset | ||||||||||
Box 43 | Camus, Albert | ||||||||||
Box 43 | A Happy Death | ||||||||||
Box 43 | Cantrell, Dave | ||||||||||
Box 43 | [He huddles by the rostrum…] | ||||||||||
Box 43 | Capote, Truman (5 folders) | ||||||||||
Box 43 | La Côte Basque | ||||||||||
Box 43 | Mojave | ||||||||||
Box 43 | Unspoiled Monsters (3 folders) | ||||||||||
Box 43 | Carlson, Gary | ||||||||||
Box 43 | Me, Akela | ||||||||||
Box 43 | Carmel, C.A. | ||||||||||
Box 43 | The Merciless | ||||||||||
Box 43 | Carpenter, Dan | ||||||||||
Box 43 | Archie | ||||||||||
Box 43 | Carpenter, Rachel | ||||||||||
Box 43 | The Recipe [aka Feathers] | ||||||||||
Box 43 | Carr, Jan | ||||||||||
Box 43 | Some of My Evidence | ||||||||||
Box 43 | Carson, Anne (2 folders) | ||||||||||
Box 43 | Stories | ||||||||||
Box 43 | The Autobiography of Red | ||||||||||
Box 43 | Just for the Thrill | ||||||||||
Box 43 | I Can Swim Like Otters | ||||||||||
Box 43 | Carver, Raymond (8 folders) | ||||||||||
Box 43 | Stories (6 folders) | ||||||||||
Box 43 | Another Rose | ||||||||||
Box 43 | Are These Actual Miles? | ||||||||||
Box 43 | Are You a Doctor? | ||||||||||
Box 43 | The Bath [aka A Small Good Thing] | ||||||||||
Box 43 | Beginners | ||||||||||
Box 43 | Bicycles, Muscles, Cigarettes | ||||||||||
Box 43 | The Calm | ||||||||||
Box 43 | The Cathedral | ||||||||||
Box 43 | Collectors | ||||||||||
Box 43 | Community Center | ||||||||||
Box 43 | Distance | ||||||||||
Box 43 | A Dog Story | ||||||||||
Box 43 | The Ducks [aka The Night the Mill Boss Died] | ||||||||||
Box 43 | Dummy | ||||||||||
Box 43 | Fat | ||||||||||
Box 43 | The Father | ||||||||||
Box 43 | Gazebo | ||||||||||
Box 43 | How About this? [aka Cartwheels | ||||||||||
Box 43 | I Am Going to Sit Down [aka Why Don't You Dance] | ||||||||||
Box 43 | The Idea | ||||||||||
Box 43 | Mr. Fixit [aka Where Is Everyone?] | ||||||||||
Box 43 | Little Things | ||||||||||
Box 43 | Neighbors | ||||||||||
Box 43 | Nightschool | ||||||||||
Box 43 | One More Thing | ||||||||||
Box 43 | On Writing | ||||||||||
Box 43 | Pie | ||||||||||
Box 43 | Sacks [aka The Fling] | ||||||||||
Box 43 | Sixty Acres | ||||||||||
Box 43 | So Much Water So Close to Home | ||||||||||
Box 43 | The Student's Wife | ||||||||||
Box 43 | Tell the Women We're Going | ||||||||||
Box 43 | View-Finder [aka The Mill] | ||||||||||
Box 43 | Want to See Something? | ||||||||||
Box 43 | What Do You Do in San Francisco? [aka Sometimes a Woman Can Just About Ruin a Man] | ||||||||||
Box 43 | Why, Honey? | ||||||||||
Box 43 | What's in Alaska? [aka Divert Me] | ||||||||||
Box 43 | Will You Please Be Quiet, Please? | ||||||||||
Box 43 | You Will Come Again, Won't You? | ||||||||||
Box 43 | Stories in Cathedral (2 folders) | ||||||||||
Box 43 | The Bridle | ||||||||||
Box 43 | Careful | ||||||||||
Box 43 | Cathedral | ||||||||||
Box 43 | Chef's House | ||||||||||
Box 43 | The Compartment | ||||||||||
Box 43 | Feathers | ||||||||||
Box 43 | A Small, Good Thing | ||||||||||
Box 43 | Fever | ||||||||||
Box 43 | Preservation | ||||||||||
Box 43 | The Train | ||||||||||
Box 43 | Vitamins | ||||||||||
Box 43 | Where I'm Calling From | ||||||||||
Box 44 | Carver (cont.) | ||||||||||
Box 44 | Carver, Raymond (cont.) (25 folders) | ||||||||||
Box 44 | Cathedral ms. for printer (3 folders) | ||||||||||
Box 44 | Cathedral Printer's ms. - copy (3 folders) | ||||||||||
Box 44 | Cathedral Knopf master proofs (2 folders) | ||||||||||
Box 44 | Cathedral Knopf pages | ||||||||||
Box 44 | Cathedral Collins master proofs (3 folders) | ||||||||||
Box 44 | Cathedral Collins pages | ||||||||||
Box 44 | What We Talk About When We Talk About Love 1st Draft (3 folders) | ||||||||||
Box 44 | What We Talk About When We Talk About Love 2nd Rewrite (3 folders) | ||||||||||
Box 44 | What We Talk About When We Talk About Love photocopy | ||||||||||
Box 44 | What We Talk About When We Talk About Love Ad copy, etc. | ||||||||||
Box 44 | What We Talk About When We Talk About Love Printer's ms. (2 folders) | ||||||||||
Box 44 | What We Talk About When We Talk About Love 2nd Proofs | ||||||||||
Box 44 | What We Talk About When We Talk About Love Master proofs | ||||||||||
Box 125 (Oversize) | Carver (cont.) | ||||||||||
Box 125 (Oversize) | Carver, Raymond | ||||||||||
Box 125 (Oversize) | What We Talk About When We Talk About Love 1st stage proofs | ||||||||||
Box 45 | Carver (end) - Chernoff | ||||||||||
Box 45 | Carver, Raymond (end) (17 folders) | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Stories (2 folders) | ||||||||||
Box 45 | Fat | ||||||||||
Box 45 | Neighbors | ||||||||||
Box 45 | The Idea | ||||||||||
Box 45 | Are You a Doctor? | ||||||||||
Box 45 | Jinxed [aka The Summer Steelhead] | ||||||||||
Box 45 | Sixty Acres | ||||||||||
Box 45 | What's in Alaska? | ||||||||||
Box 45 | Nightschool | ||||||||||
Box 45 | Collectors | ||||||||||
Box 45 | What Do You Do in San Francisco? | ||||||||||
Box 45 | The Student's Wife | ||||||||||
Box 45 | Put Yourself in My Shoes | ||||||||||
Box 45 | A Dog Story | ||||||||||
Box 45 | Why Honey? | ||||||||||
Box 45 | The Ducks | ||||||||||
Box 45 | How About This? [aka Cartwheels] | ||||||||||
Box 45 | Bicycles, Muscles, and Cigarettes | ||||||||||
Box 45 | What Is It? | ||||||||||
Box 45 | Another Rose | ||||||||||
Box 45 | Will You Please Be Quiet, Please? | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Stories, 2nd Copy (2 folders) | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Draft ms. (3 folders) | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Printer's ms. (4 folders) | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Reader's Proofs | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Master Proofs | ||||||||||
Box 45 | Will You Please Be Quiet Please? Dust cover copy | ||||||||||
Box 45 | Will You Please Be Quiet, Please? Ads and reviews | ||||||||||
Box 45 | Ceely, Jonathan | ||||||||||
Box 45 | Pyramid | ||||||||||
Box 45 | Celimi, Evren | ||||||||||
Box 45 | Love | ||||||||||
Box 45 | Cerf, Emily | ||||||||||
Box 45 | Emily Cerf to Q | ||||||||||
Box 45 | Field of Vision | ||||||||||
Box 45 | The Mirror | ||||||||||
Box 45 | Orgasmatron | ||||||||||
Box 45 | The Roof | ||||||||||
Box 45 | Top of the World | ||||||||||
Box 45 | Chaimov, Gregory | ||||||||||
Box 45 | The Ride | ||||||||||
Box 45 | Charyn, Jerome | ||||||||||
Box 45 | Bodybuilding in America | ||||||||||
Box 45 | On 3 Women | ||||||||||
Box 45 | Cheever, John | ||||||||||
Box 45 | Letter from the Combat Zone | ||||||||||
Box 45 | Sport | ||||||||||
Box 45 | Chernoff, Sanford | ||||||||||
Box 45 | The Heart They Take Out of You [aka The Tenants | ||||||||||
Box 45 | Her Alfred | ||||||||||
Box 45 | My Animal | ||||||||||
Box 46 | Cherry - Davis | ||||||||||
Box 46 | Cherry, Kelly | ||||||||||
Box 46 | A Bird's-Eye View of Einstein | ||||||||||
Box 46 | Chertok, Paula | ||||||||||
Box 46 | Nevada | ||||||||||
Box 46 | A Game of Cards | ||||||||||
Box 46 | Remembering Arizona | ||||||||||
Box 46 | The Scream [aka The Ring] | ||||||||||
Box 46 | Sorbitol | ||||||||||
Box 46 | Cheyfitz, Eric | ||||||||||
Box 46 | Oxygen Tent | ||||||||||
Box 46 | Christ at His Analyst's | ||||||||||
Box 46 | Chmelar, Robin | ||||||||||
Box 46 | Lake Pleasant | ||||||||||
Box 46 | Choi, Susan Malka | ||||||||||
Box 46 | And This, and So Much More | ||||||||||
Box 46 | The Way to Live Wisely | ||||||||||
Box 46 | Christenson, Shen | ||||||||||
Box 46 | Spitting Distance | ||||||||||
Box 46 | Christopher, Peter | ||||||||||
Box 46 | Getting What We Want to Whether We Want to or Not | ||||||||||
Box 46 | The Man Who Failed to Whack Off | ||||||||||
Box 46 | Claiborne, Sybil | ||||||||||
Box 46 | Flotsam and Jetsam | ||||||||||
Box 46 | Last Year at Pitsburgh | ||||||||||
Box 46 | The Quality of Life Is Strained | ||||||||||
Box 46 | The Skywriter | ||||||||||
Box 46 | Watch Out for the First Alternative | ||||||||||
Box 46 | What I Did Last Summer | ||||||||||
Box 46 | Clarke, Gerald | ||||||||||
Box 46 | [Vladimir Nabokov spreads his hands…] | ||||||||||
Box 46 | Cody, Paul | ||||||||||
Box 46 | America [aka Drugs] | ||||||||||
Box 46 | Disappearances | ||||||||||
Box 46 | Hey to All My Family [aka One] | ||||||||||
Box 46 | Coe, Christopher | ||||||||||
Box 46 | Bald | ||||||||||
Box 46 | I Look Divine | ||||||||||
Box 46 | The Inch Above the Floor | ||||||||||
Box 46 | The Names of Things | ||||||||||
Box 46 | Thirst | ||||||||||
Box 46 | Cohen, David E. | ||||||||||
Box 46 | Across the Street | ||||||||||
Box 46 | Ramblings | ||||||||||
Box 46 | Cokal, Susann | ||||||||||
Box 46 | Susann Cokal to Q [aka Across the Continent with Knittign Needles] | ||||||||||
Box 46 | Cole, Lucretia | ||||||||||
Box 46 | The Purse | ||||||||||
Box 46 | Sects | ||||||||||
Box 46 | Cole, Tom | ||||||||||
Box 46 | Balkan Bearings | ||||||||||
Box 46 | Conroy, Frank | ||||||||||
Box 46 | Between Keys | ||||||||||
Box 46 | Conway, Martha | ||||||||||
Box 46 | A Kind of Piety | ||||||||||
Box 46 | Corodimas, Peter | ||||||||||
Box 46 | Responsibility [aka Fall Guy] | ||||||||||
Box 46 | Smiles [aka The Happy Highway | ||||||||||
Box 46 | Cosimano, Chris | ||||||||||
Box 46 | The Son [aka Blow Out the Candles | ||||||||||
Box 46 | Crawford, Stanley (7 folders) | ||||||||||
Box 46 | Night Out | ||||||||||
Box 46 | Some Instructions Draft 1 | ||||||||||
Box 46 | Some Instructions Draft 2 | ||||||||||
Box 46 | Some Instructions Galleys (2 folders) | ||||||||||
Box 46 | Some Instructions Blue Pages | ||||||||||
Box 46 | Some Instructions Page Proofs | ||||||||||
Box 46 | Creamer, E. Stacy | ||||||||||
Box 46 | The Hardest R [aka Soldiering Along] | ||||||||||
Box 46 | Squirrel Away | ||||||||||
Box 46 | Creasy-Fontaine, Paula | ||||||||||
Box 46 | A Well-Hung Garden | ||||||||||
Box 46 | What Does You, The Reader, Want? | ||||||||||
Box 46 | Coiled | ||||||||||
Box 46 | The Art of Doing Drugs | ||||||||||
Box 46 | Said Over Lunch | ||||||||||
Box 46 | At Breakfast, The Day Eaten | ||||||||||
Box 46 | Making Love in the Zombie Field | ||||||||||
Box 46 | As If My Dildo Cares [aka Bon Appetit] | ||||||||||
Box 46 | A Well-Hung Garden | ||||||||||
Box 46 | Creel, [James?] | ||||||||||
Box 46 | [I am a wealthy man.] | ||||||||||
Box 46 | Crittenden, Jordan | ||||||||||
Box 46 | Arnold | ||||||||||
Box 46 | Cudmore, L.L. Larison | ||||||||||
Box 46 | A Plague of Physicists, A Quandry of Quarks, and the Meltdown of the Milky Way | ||||||||||
Box 46 | Cullen, Dan | ||||||||||
Box 46 | Adam's Curse | ||||||||||
Box 46 | July | ||||||||||
Box 46 | Passion Sunday | ||||||||||
Box 46 | Questioning | ||||||||||
Box 46 | Tales | ||||||||||
Box 46 | Wallenda | ||||||||||
Box 46 | A Young Woman's Diary - Tampa, 1874 | ||||||||||
Box 46 | Builders | ||||||||||
Box 46 | A Catalogue on the Subway | ||||||||||
Box 46 | From the Dormitory Window | ||||||||||
Box 46 | Questioning | ||||||||||
Box 46 | Wallenda Instructing | ||||||||||
Box 46 | Currie, Ellen | ||||||||||
Box 46 | Whatever You Say, Say Nothing | ||||||||||
Box 46 | Curtis, Craig | ||||||||||
Box 46 | Carbon | ||||||||||
Box 46 | The Man in the Glass Case [aka Pieta] | ||||||||||
Box 46 | Cusack, Isabel Langis | ||||||||||
Box 46 | The Love [aka Whispering Hope] | ||||||||||
Box 46 | Darby, Ann | ||||||||||
Box 46 | The Sitter | ||||||||||
Box 46 | Dark, Jackman | ||||||||||
Box 46 | Plot Summary of Millions, Billions Falling Down | ||||||||||
Box 46 | Dauer, Leslie | ||||||||||
Box 46 | Bronze Woman Standing | ||||||||||
Box 46 | Unclaimed Remains | ||||||||||
Box 46 | Davis, Allen | ||||||||||
Box 46 | My War Story | ||||||||||
Box 46 | Davis, A.R. | ||||||||||
Box 46 | Spending the Day With Donald Trump | ||||||||||
Box 46 | Davis, Christopher | ||||||||||
Box 46 | Going Like a Man | ||||||||||
Box 46 | Davis, Melinda | ||||||||||
Box 46 | Fissures | ||||||||||
Box 47 | Debrot - Des Pres | ||||||||||
Box 47 | Debrot, Jack | ||||||||||
Box 47 | On the Train Near Kamakura | ||||||||||
Box 47 | King Death | ||||||||||
Box 47 | Nighthawks, 1942 | ||||||||||
Box 47 | Deck, [John?] | ||||||||||
Box 47 | California Dreaming [aka A God for Oaktree] | ||||||||||
Box 47 | Deck, John | ||||||||||
Box 47 | Notes: What I Think the Pudding Says | ||||||||||
Box 47 | DeCourcy, Lynne H. | ||||||||||
Box 47 | Escape | ||||||||||
Box 47 | De Feis, Nicholas M. | ||||||||||
Box 47 | Concerning the Beauty of Scars and Slurs | ||||||||||
Box 47 | Degley, Frank | ||||||||||
Box 47 | Break | ||||||||||
Box 47 | De Gramont, Carol (2 folders) | ||||||||||
Box 47 | All the Clippings from All the Papers [aka The Ice Box] | ||||||||||
Box 47 | Barges | ||||||||||
Box 47 | Conquest [aka Prom Queen] | ||||||||||
Box 47 | Cooking Tips | ||||||||||
Box 47 | In the Dry World | ||||||||||
Box 47 | In the Region of Patricide and Infanticide [aka Grape Jelly] | ||||||||||
Box 47 | In the Wash [aka The Disclosure and In the Garden | ||||||||||
Box 47 | Literary Notes 1996 | ||||||||||
Box 47 | The Lost Breast | ||||||||||
Box 47 | My Mother Dressing | ||||||||||
Box 47 | Rivercraft [aka Barges] | ||||||||||
Box 47 | Style Notes, 1995 | ||||||||||
Box 47 | DeLillo, Don (14 folders) | ||||||||||
Box 47 | Stories | ||||||||||
Box 47 | Curves of the Seventh Degree | ||||||||||
Box 47 | Fitzgerald: The Movie | ||||||||||
Box 47 | A Noun Is the Name of a Person, Place, or Thing | ||||||||||
Box 47 | Pafko at the Wall | ||||||||||
Box 47 | The Product | ||||||||||
Box 47 | The Rapture of the Athlete Assumed into Heaven | ||||||||||
Box 47 | The Sightings | ||||||||||
Box 47 | Untitled Memory | ||||||||||
Box 47 | The Engineer of Moonlight 1st Draft | ||||||||||
Box 47 | The Engineer of Moonlight 2nd Draft | ||||||||||
Box 47 | Libra (5 folders) | ||||||||||
Box 47 | Mao II (4 folders) | ||||||||||
Box 47 | Players | ||||||||||
Box 47 | Showdown at Great Hole | ||||||||||
Box 47 | DeLynn, Jane | ||||||||||
Box 47 | Pearl | ||||||||||
Box 47 | DeMarinis, Rick | ||||||||||
Box 47 | A Gam Without Children | ||||||||||
Box 47 | Under the Wheat | ||||||||||
Box 47 | DeSanders, Diane | ||||||||||
Box 47 | [About the only time we weren't fighting…] | ||||||||||
Box 47 | Des Pres, Terrence | ||||||||||
Box 47 | Yeats and Hysterica Passio | ||||||||||
Box 47 | Yeats and the Rat-Rhymers | ||||||||||
Box 48 | Deutsch - Eggers | ||||||||||
Box 48 | Deutsch, A.A (3 folders) | ||||||||||
Box 48 | Dog Fire (3 folders) | ||||||||||
Box 48 | Dickey, James | ||||||||||
Box 48 | The Ground of the Night Air | ||||||||||
Box 48 | Dixon, Stephen | ||||||||||
Box 48 | The Intruder | ||||||||||
Box 48 | Doctorow, E.L. (5 folders) | ||||||||||
Box 48 | I'm Waving Tomorrow | ||||||||||
Box 48 | Our Family (3 folders) | ||||||||||
Box 48 | Ragtime Part 3 | ||||||||||
Box 48 | Dodd, Elizabeth | ||||||||||
Box 48 | Off I-70 | ||||||||||
Box 48 | Dolan, J.D. | ||||||||||
Box 48 | Grace | ||||||||||
Box 48 | Domini, John | ||||||||||
Box 48 | My Summer as Christ [aka Christ, JoggingMy Life as Christ and The Saviour of Cambridge] | ||||||||||
Box 48 | Donoghue, Denis (8 folders) | ||||||||||
Box 48 | Essays | ||||||||||
Box 48 | All The Pretty Horses: Review | ||||||||||
Box 48 | Is There a Perenial Literature? | ||||||||||
Box 48 | The Old Moderns | ||||||||||
Box 48 | Reading America (3 folders) | ||||||||||
Box 48 | Reading America Printer's ms. (3 folders) | ||||||||||
Box 48 | Warren Point | ||||||||||
Box 126 | Donoghue | ||||||||||
Box 126 | Donoghue, Denis | ||||||||||
Box 126 | Reading America (2 folders) | ||||||||||
Box 126 | We Irish: Essays on Irish Literature and Society (2 folders) | ||||||||||
Box 48 | Deutsch - Eggers (cont.) | ||||||||||
Box 48 | Donoso, Jose | ||||||||||
Box 48 | Chattanooga Choo-Choo | ||||||||||
Box 48 | Donovan, Gerard | ||||||||||
Box 48 | The Ground of the Night Air | ||||||||||
Box 48 | Dorfman, Richard | ||||||||||
Box 48 | Richard Dorfman to Q [aka The Fire] | ||||||||||
Box 48 | Dorph, Doug | ||||||||||
Box 48 | The Dump | ||||||||||
Box 48 | Dow, Robert | ||||||||||
Box 48 | A Second Time | ||||||||||
Box 48 | Doyle, Peter | ||||||||||
Box 48 | As If You Didn't Know | ||||||||||
Box 48 | Ducker, Bruce | ||||||||||
Box 48 | Containers | ||||||||||
Box 48 | Early Mass | ||||||||||
Box 48 | Friday | ||||||||||
Box 48 | The Man Crossing the Street | ||||||||||
Box 48 | On Vacation | ||||||||||
Box 48 | A Poem for My Fingers | ||||||||||
Box 48 | Presents | ||||||||||
Box 48 | Reeling | ||||||||||
Box 48 | Twin | ||||||||||
Box 48 | Where Do the Words | ||||||||||
Box 48 | Why Writing Poetry Is So Easy | ||||||||||
Box 48 | Dulany, Harris | ||||||||||
Box 48 | The Changeling | ||||||||||
Box 48 | DuPree, Sharon | ||||||||||
Box 48 | The Tenants | ||||||||||
Box 48 | The Voltron | ||||||||||
Box 48 | Durande, Neal | ||||||||||
Box 48 | Faithful as They Pass Me | ||||||||||
Box 48 | Percy, the Terrible [aka Macho Pots ] | ||||||||||
Box 48 | Dybeck, Stuart | ||||||||||
Box 48 | Blanche: A Baker's Dozon | ||||||||||
Box 48 | Old Grandma Rockingchair | ||||||||||
Box 48 | Edson, Russell | ||||||||||
Box 48 | Military Secrets | ||||||||||
Box 48 | Effinger, George Alec | ||||||||||
Box 48 | The Heart of a Champion [aka The Horse with One Leg] | ||||||||||
Box 48 | Eggers, Paul | ||||||||||
Box 48 | How the Water Feels | ||||||||||
Box 49 | Ehlen - Feldman | ||||||||||
Box 49 | Ehlen, Patrick (2 folders) | ||||||||||
Box 49 | Stories | ||||||||||
Box 49 | Family Reunion | ||||||||||
Box 49 | Reduction of State-Vector | ||||||||||
Box 49 | Frantz Fanon | ||||||||||
Box 49 | Eidelsberg, Maurice | ||||||||||
Box 49 | Cat [aka Not Fooled by Cat] | ||||||||||
Box 49 | The Core | ||||||||||
Box 49 | The Ground of the Night Air | ||||||||||
Box 49 | Dying for My Sins | ||||||||||
Box 49 | Forcing the Issue | ||||||||||
Box 49 | Gruntings | ||||||||||
Box 49 | Happy Birthday Palsy | ||||||||||
Box 49 | Here | ||||||||||
Box 49 | To His Beloved, Any Beloved [aka Love Me Cause ] | ||||||||||
Box 49 | How Stupid | ||||||||||
Box 49 | An Interogative Sentence [aka One Working Part] | ||||||||||
Box 49 | Intimate Knowledge | ||||||||||
Box 49 | Now Available | ||||||||||
Box 49 | One Bad Reflection | ||||||||||
Box 49 | Past Due | ||||||||||
Box 49 | Questions of Need | ||||||||||
Box 49 | A Rash Crotch | ||||||||||
Box 49 | Sex | ||||||||||
Box 49 | Sitting Perfection | ||||||||||
Box 49 | Spring | ||||||||||
Box 49 | Stupid Prick | ||||||||||
Box 49 | The Toll [aka Such Nerve] | ||||||||||
Box 49 | Travel Plans | ||||||||||
Box 49 | Two Almost of a Kind | ||||||||||
Box 49 | Wallet | ||||||||||
Box 49 | What They're Taking [aka Those Slanty Ones Are Taking] | ||||||||||
Box 49 | Who Needs It | ||||||||||
Box 49 | Einhorn, Sharon | ||||||||||
Box 49 | Cargo | ||||||||||
Box 49 | Eisenberg, Lee | ||||||||||
Box 49 | Take the F Train [aka Late Flashes from the New York Underground] | ||||||||||
Box 49 | Elkin, Stanley (3 folders) | ||||||||||
Box 49 | The Bailbondsman (3 folders) | ||||||||||
Box 49 | Elliot, George P. | ||||||||||
Box 49 | [Muriel's mother, her father's mother…] | ||||||||||
Box 49 | Ellison, Ralph | ||||||||||
Box 49 | Night | ||||||||||
Box 49 | Eno, Will (2 folders) | ||||||||||
Box 49 | Stories | ||||||||||
Box 49 | Dear Editorial Assistant, Dear Beautiful, of Czech Descent | ||||||||||
Box 49 | For YKW: My Great Love of Last Fall | ||||||||||
Box 49 | Mr. Character, in Setting | ||||||||||
Box 49 | Name and Address Withheld by Request | ||||||||||
Box 49 | Wild | ||||||||||
Box 49 | [untitled] | ||||||||||
Box 49 | From Here, to (My) Everyone | ||||||||||
Box 49 | Epstein, Leslie | ||||||||||
Box 49 | Skaters on Wood | ||||||||||
Box 49 | Erhardt, Jean | ||||||||||
Box 49 | Calling All Girls | ||||||||||
Box 49 | Erian, Alicia | ||||||||||
Box 49 | Bikini | ||||||||||
Box 49 | Cal Harvey Sends His Regards | ||||||||||
Box 49 | Dinner with Bob | ||||||||||
Box 49 | Evans, Elizabeth | ||||||||||
Box 49 | Blood and Gore | ||||||||||
Box 49 | English as a Second Language | ||||||||||
Box 49 | Eve, Nomi | ||||||||||
Box 49 | Gilda and the Bullets [aka Gilda the Thief] | ||||||||||
Box 49 | Evenson, Brian (11 folders) | ||||||||||
Box 49 | Stories (3 folders) | ||||||||||
Box 49 | After Omaha | ||||||||||
Box 49 | Altmann in Bolivia | ||||||||||
Box 49 | Altmann's Tongue | ||||||||||
Box 49 | The Auschwitz Barber | ||||||||||
Box 49 | The Basis of My Doctrine | ||||||||||
Box 49 | Bite | ||||||||||
Box 49 | Bodies of Light | ||||||||||
Box 49 | The Circular Desert | ||||||||||
Box 49 | A Conversation with Brenner | ||||||||||
Box 49 | The Definition of Everything [aka Shoes] | ||||||||||
Box 49 | Descending | ||||||||||
Box 49 | A Dog | ||||||||||
Box 49 | Dogs | ||||||||||
Box 49 | Eye | ||||||||||
Box 49 | Eye, steady for peeling | ||||||||||
Box 49 | The Father, Unblinking | ||||||||||
Box 49 | For a Loving Marriage [translation] | ||||||||||
Box 49 | Garker's Aestheticals | ||||||||||
Box 49 | Hole | ||||||||||
Box 49 | The Journey | ||||||||||
Box 49 | Mix, Mex, Somebody [aka Betrayal ] | ||||||||||
Box 49 | New Killers [aka Retribution] | ||||||||||
Box 49 | On the Job | ||||||||||
Box 49 | Pasco, Maybe | ||||||||||
Box 49 | The Perfect Team | ||||||||||
Box 49 | Preperations for Killing the Boiling Boy | ||||||||||
Box 49 | Sanctified in the Flesh | ||||||||||
Box 49 | Static | ||||||||||
Box 49 | Stung | ||||||||||
Box 49 | Two Brothers | ||||||||||
Box 49 | Usurpation [aka At the Timberline] | ||||||||||
Box 49 | *** | ||||||||||
Box 49 | Blurbs, Synopses ofAltmann's Tongue | ||||||||||
Box 49 | Dark Property Early Drafts | ||||||||||
Box 49 | Dark Property Complete Draft | ||||||||||
Box 49 | Dark Property Complete Draft 2 | ||||||||||
Box 49 | Dark Property Complete Draft 3 | ||||||||||
Box 49 | Review of Zimzum | ||||||||||
Box 49 | Siege | ||||||||||
Box 49 | Watson's Boy | ||||||||||
Box 49 | Exley | ||||||||||
Box 49 | [Tom Quinn is a friend of Norman Mailer…] | ||||||||||
Box 49 | The Ground of the Night Air | ||||||||||
Box 49 | Death | ||||||||||
Box 49 | The Dilema | ||||||||||
Box 49 | Faust, Irvin | ||||||||||
Box 49 | Willie the Milkman Remembers | ||||||||||
Box 49 | Feinbold, James S. | ||||||||||
Box 49 | Grandfather | ||||||||||
Box 49 | Feinstein, Alex | ||||||||||
Box 49 | Bite Down Like a Dog and Don't Let Go | ||||||||||
Box 49 | Exchange [aka I Don't Ask for Much] | ||||||||||
Box 49 | Horn of Plenty | ||||||||||
Box 49 | Oasis | ||||||||||
Box 49 | The Sky for Mr. B. | ||||||||||
Box 49 | Feldman, Lauri B. | ||||||||||
Box 49 | Bluers | ||||||||||
Box 49 | Death Hill, or Riding Her | ||||||||||
Box 49 | God - For Beginners | ||||||||||
Box 50 | Ferguson - Garrison | ||||||||||
Box 50 | Ferguson, William (2 folders) | ||||||||||
Box 50 | Magda | ||||||||||
Box 50 | Untitled Story Collection | ||||||||||
Box 50 | The Family [aka Siblings] | ||||||||||
Box 50 | Dies Irae | ||||||||||
Box 50 | Cortez | ||||||||||
Box 50 | The Teacher [aka Hold Your Horses] | ||||||||||
Box 50 | Space Invaders | ||||||||||
Box 50 | Scherzo with TV Antenna [aka Aubade] | ||||||||||
Box 50 | Terror [aka The Beechwood Spirit] | ||||||||||
Box 50 | Morrissey | ||||||||||
Box 50 | Space Invaders | ||||||||||
Box 50 | The Claims Adjuster | ||||||||||
Box 50 | Ferrandino, Joseph | ||||||||||
Box 50 | Gordon Lish [for the Dictionary of Literary Biography] | ||||||||||
Box 50 | Ferrell, Anderson (6 folders) | ||||||||||
Box 50 | Stories | ||||||||||
Box 50 | Easter Rush | ||||||||||
Box 50 | The Father He Has | ||||||||||
Box 50 | Why People Get Cancer | ||||||||||
Box 50 | Home for the Day (2 folders) | ||||||||||
Box 50 | Home for the Day Synopsis | ||||||||||
Box 50 | The Grace of Light Breaking [becomes Where She Was] | ||||||||||
Box 50 | Where She Was | ||||||||||
Box 50 | Fiedler, Leslie | ||||||||||
Box 50 | [I'm sorry you evoked all those things.] | ||||||||||
Box 50 | Fine, Warren | ||||||||||
Box 50 | In the Animal Kingdom | ||||||||||
Box 50 | [Picture this scene…] | ||||||||||
Box 50 | Finlay-Young, Jane | ||||||||||
Box 50 | Oil Spill | ||||||||||
Box 50 | Fish, Peter | ||||||||||
Box 50 | Comets | ||||||||||
Box 50 | Junior Achievement | ||||||||||
Box 50 | The Love of Good Women | ||||||||||
Box 50 | Flanagan, T.S. | ||||||||||
Box 50 | Appeal | ||||||||||
Box 50 | Ars Poetica | ||||||||||
Box 50 | Edict from the Poet Emporer | ||||||||||
Box 50 | Haruspex | ||||||||||
Box 50 | Waiting Room | ||||||||||
Box 50 | Flanigan, M. | ||||||||||
Box 50 | A Caution to the Lonely | ||||||||||
Box 50 | Fleischman, Cyrille | ||||||||||
Box 50 | Answers from a Master [translated by Alan Astro] | ||||||||||
Box 50 | Back from America [translated by Alan Astro] | ||||||||||
Box 50 | Cinéma Saint-Paul | ||||||||||
Box 50 | Fliegel, Dorian [Wasserman, Harriet] | ||||||||||
Box 50 | To Eat Partridge | ||||||||||
Box 50 | Your Death, My Death | ||||||||||
Box 50 | Fonda, Jane | ||||||||||
Box 50 | America Made Me Hate My Body: Her Story | ||||||||||
Box 50 | Ford, Richard | ||||||||||
Box 50 | In the Slow Waters of Sleep, Cascading | ||||||||||
Box 50 | Rock Springs | ||||||||||
Box 50 | Whoever Wakes up Second [aka Raccoon Day] | ||||||||||
Box 50 | Fox, Robert | ||||||||||
Box 50 | The Fighter Pilot | ||||||||||
Box 50 | Fox, Serena J. | ||||||||||
Box 50 | Shadows in the Sun | ||||||||||
Box 50 | Franzen, Bill | ||||||||||
Box 50 | After I Won the Lottery | ||||||||||
Box 50 | The Gene Norman Collector | ||||||||||
Box 50 | Getting Herbert Back | ||||||||||
Box 50 | So What Are You Going to Do Now if You're a Friend of Jim's? | ||||||||||
Box 50 | The Ways We Surfed | ||||||||||
Box 50 | Fraser, Kathleen | ||||||||||
Box 50 | The Decision | ||||||||||
Box 50 | Discrete Pitches | ||||||||||
Box 50 | Lily, Lois, Flaubert: the Site of Loss | ||||||||||
Box 50 | Regina, after and before | ||||||||||
Box 50 | Talking to myself talking to you | ||||||||||
Box 50 | This. Notes. New Year. | ||||||||||
Box 50 | Fravola, Richard | ||||||||||
Box 50 | India | ||||||||||
Box 50 | Freeman, Fred | ||||||||||
Box 50 | Letters from Flannery | ||||||||||
Box 50 | Friebert, Stuart | ||||||||||
Box 50 | Dinglefuzzie | ||||||||||
Box 50 | Fingerboard | ||||||||||
Box 50 | Fishing with Hellgrammites | ||||||||||
Box 50 | Gwinder | ||||||||||
Box 50 | Never | ||||||||||
Box 50 | Oyster Stew | ||||||||||
Box 50 | That Big Swim | ||||||||||
Box 50 | Friedman, Bruce Jay | ||||||||||
Box 50 | The Antelope Cage | ||||||||||
Box 50 | The Blind Side | ||||||||||
Box 50 | Friedman, Josh Allen | ||||||||||
Box 50 | Black Cracker | ||||||||||
Box 50 | Gandal, Kieth | ||||||||||
Box 50 | Cuyahoga Burning | ||||||||||
Box 50 | Gardien, Kent | ||||||||||
Box 50 | Viola's Book | ||||||||||
Box 50 | Gardner, Hugh | ||||||||||
Box 50 | From Rosebud to Little Red Riding Hood | ||||||||||
Box 50 | It Is Not High Prices but Unfair Profiteering that Is the Trouble | ||||||||||
Box 50 | Gardner, John (3 folders) | ||||||||||
Box 50 | Grendel | ||||||||||
Box 50 | Jason and Medeia | ||||||||||
Box 50 | Stories | ||||||||||
Box 50 | The Temptation of St. Ivo | ||||||||||
Box 50 | Trumpeter | ||||||||||
Box 50 | Garrison, Jim (3 folders) | ||||||||||
Box 50 | The Star Spangled Contract Chs. 1-16 | ||||||||||
Box 50 | The Star Spangled Contract Chs. 17-25 | ||||||||||
Box 50 | The Star Spangled Contract Chs. 26-29 | ||||||||||
Box 51 | Garrison (end) - Gilbert | ||||||||||
Box 51 | Garrison, Jim (continued) (10 folders) | ||||||||||
Box 51 | The Star Spangled Contract Chs. 30-33 | ||||||||||
Box 51 | The Star Spangled Contract Chs. 34-36 | ||||||||||
Box 51 | The Star Spangled Contract Ch. 37 | ||||||||||
Box 51 | The Star Spangled Contract Chs. 38-40 | ||||||||||
Box 51 | The Star Spangled Contract Chs. 41-46 | ||||||||||
Box 51 | The Star Spangled Contract Chs. 47-55 | ||||||||||
Box 51 | The Star Spangled Contract Revised chapters (3 folders) | ||||||||||
Box 51 | The Star Spangled Contract Misc. fragments | ||||||||||
Box 51 | Gavin, Thomas | ||||||||||
Box 51 | Transformations | ||||||||||
Box 51 | Gay, Franklin | ||||||||||
Box 51 | Head [aka Talking Head | ||||||||||
Box 51 | Gay, Rufus | ||||||||||
Box 51 | P.M. Schoener Is in Delivery | ||||||||||
Box 51 | Geeslin, Campbell (4 folders) | ||||||||||
Box 51 | Campbell Geeslin to Jan Meissner | ||||||||||
Box 51 | Campbell Geeslin to Q (2 folders) | ||||||||||
Box 51 | Writings | ||||||||||
Box 51 | Along Publishers Row | ||||||||||
Box 51 | First I lock the Door | ||||||||||
Box 51 | Hi-Yo | ||||||||||
Box 51 | The Other Number [aka They Call Me Black Paper | ||||||||||
Box 51 | Remember Mrs. Emerson? | ||||||||||
Box 51 | Geha, Joseph | ||||||||||
Box 51 | [The silence awakens him…] | ||||||||||
Box 51 | Gelfand, Michael | ||||||||||
Box 51 | The Box of Rubbers, for Example, by the Door | ||||||||||
Box 51 | Soft Serve | ||||||||||
Box 51 | Gelsanliter, David | ||||||||||
Box 51 | Happy Again [aka Marseille] | ||||||||||
Box 51 | George, Barry | ||||||||||
Box 51 | Rabbit [aka Black Rabbit] | ||||||||||
Box 51 | small talk | ||||||||||
Box 51 | [untitled] | ||||||||||
Box 51 | Gibson, R. Channing | ||||||||||
Box 51 | The Elephantasian | ||||||||||
Box 51 | Number 14 | ||||||||||
Box 51 | Gilbert, Jack (4 folders) | ||||||||||
Box 51 | Poems | ||||||||||
Box 51 | Adulterated | ||||||||||
Box 51 | Almost Happy | ||||||||||
Box 51 | Alone | ||||||||||
Box 51 | The Ground of the Night Air | ||||||||||
Box 51 | Andante Non Tropo [aka First Meditation: Andanta Non Tropo] | ||||||||||
Box 51 | Betrothed | ||||||||||
Box 51 | Between Aging and Old | ||||||||||
Box 51 | Beyond Beginnings | ||||||||||
Box 51 | Bring in the Gods | ||||||||||
Box 51 | Carrying the Torches at Noon | ||||||||||
Box 51 | Chastity | ||||||||||
Box 51 | A Close Call | ||||||||||
Box 51 | Conceiving Himself | ||||||||||
Box 51 | The Container for the Thing Contained | ||||||||||
Box 51 | Dante Dancing | ||||||||||
Box 51 | Eating with the Emperor | ||||||||||
Box 51 | The Edge of the World | ||||||||||
Box 51 | Exceeding | ||||||||||
Box 51 | Explicating the Twilight | ||||||||||
Box 51 | Factoring | ||||||||||
Box 51 | Finding Eurydice | ||||||||||
Box 51 | Finding Something | ||||||||||
Box 51 | First Times | ||||||||||
Box 51 | Foraging for Wood on the Mountain | ||||||||||
Box 51 | The Forgotten Dialect of the Heart | ||||||||||
Box 51 | The Friendship Inside Us | ||||||||||
Box 51 | From These Nettles, Alms | ||||||||||
Box 51 | Getting It All | ||||||||||
Box 51 | Getting Old | ||||||||||
Box 51 | Ghosts | ||||||||||
Box 51 | A Ghost Sings, a Door Opens | ||||||||||
Box 51 | Gift Horses | ||||||||||
Box 51 | Going There | ||||||||||
Box 51 | Guilty | ||||||||||
Box 51 | Half the Truth | ||||||||||
Box 51 | Hard Wired | ||||||||||
Box 51 | Harm and Boon in the Meetings | ||||||||||
Box 51 | Haunted Importantly | ||||||||||
Box 51 | Highlights and Inersticies | ||||||||||
Box 51 | The History of Men | ||||||||||
Box 51 | Homage [aka Respect] | ||||||||||
Box 51 | Hot Nights in Florida | ||||||||||
Box 51 | How to Love the Dead | ||||||||||
Box 51 | I Imagine the Gods | ||||||||||
Box 51 | Infidelity | ||||||||||
Box 51 | In Umbria | ||||||||||
Box 51 | Leporello on Don Giovanni | ||||||||||
Box 51 | The Lives of Famous Men | ||||||||||
Box 51 | Looking Away from Wanting | ||||||||||
Box 51 | The Lord Sits with Me out in Front | ||||||||||
Box 51 | Lovers | ||||||||||
Box 51 | Man at the Window | ||||||||||
Box 51 | Married | ||||||||||
Box 51 | Me and Capablanca | ||||||||||
Box 51 | Measuring the Tyger | ||||||||||
Box 51 | Michiko Dead | ||||||||||
Box 51 | Michiko Nogami (1946-1982) | ||||||||||
Box 51 | The Milk of Paradise | ||||||||||
Box 51 | Moment of Grace | ||||||||||
Box 51 | Music is the Memory of What Never Happened | ||||||||||
Box 51 | Night Songs and Day Songs | ||||||||||
Box 51 | 1953 | ||||||||||
Box 51 | Older Women | ||||||||||
Box 51 | On Stone | ||||||||||
Box 51 | Peaches | ||||||||||
Box 51 | Playing House | ||||||||||
Box 51 | Prospero Dreams of Arnaud Daniel Inventing Love in the 12th Century | ||||||||||
Box 51 | Prospero without His Magic | ||||||||||
Box 51 | Recovering Amid the Farms | ||||||||||
Box 51 | Ruins and Wabi [aka Meditation Seven: Ruins and Wabi] | ||||||||||
Box 51 | Scheming in the Snow | ||||||||||
Box 51 | Searching for Pittsburgh | ||||||||||
Box 51 | Sonatina | ||||||||||
Box 51 | The Spirit and the Soul | ||||||||||
Box 51 | Steel Guitars | ||||||||||
Box 51 | A Stubborn Ode | ||||||||||
Box 51 | Tasters for the Lord | ||||||||||
Box 51 | Tear It Down | ||||||||||
Box 51 | Theoretical Lives | ||||||||||
Box 51 | Thinking About Ecstasy | ||||||||||
Box 51 | To See If Something Comes Next | ||||||||||
Box 51 | Trying to Have Something Left Over | ||||||||||
Box 51 | Voices Inside and Out | ||||||||||
Box 51 | What Is There to Say | ||||||||||
Box 51 | The White Heart of God | ||||||||||
Box 51 | A Year Later | ||||||||||
Box 51 | A Group of Unpublished Poems | ||||||||||
Box 51 | A Description of Happiness in København | ||||||||||
Box 51 | The Movies | ||||||||||
Box 51 | My Marriage with Mrs. Johnson | ||||||||||
Box 51 | The Ground of the Night Air | ||||||||||
Box 51 | That Tenor of which the Night Birds Are a Vehicle | ||||||||||
Box 51 | Death as a Lover, Time as Death, Burning and Fathering: Accounts of My Country: Frankenstein with the Little Girl Meaning No Harm | ||||||||||
Box 51 | The Fashionable Heart | ||||||||||
Box 51 | All the Way from There to Here | ||||||||||
Box 51 | Template | ||||||||||
Box 51 | [Untitled Collection of Poems] | ||||||||||
Box 51 | The Lives of Famous Men | ||||||||||
Box 51 | Looking Away from Wanting | ||||||||||
Box 51 | The Lord Sits with Me Out Front | ||||||||||
Box 51 | Ruins and Wabi [aka Meditation Seven: Ruins and Wabi] | ||||||||||
Box 51 | Thinking about Ecstasy | ||||||||||
Box 51 | Michiko Nogami (1946-1982) | ||||||||||
Box 51 | Michicko Dead | ||||||||||
Box 51 | The Milk of Paradise | ||||||||||
Box 51 | Moment of Grace | ||||||||||
Box 51 | Music is the Memory of What Never Happened | ||||||||||
Box 51 | Night Songs and Day Songs | ||||||||||
Box 51 | 1953 | ||||||||||
Box 51 | Older Women | ||||||||||
Box 51 | Peaches | ||||||||||
Box 51 | Playing House | ||||||||||
Box 51 | Prospero Dreams of Arnaud Daniel Inventing Love in the 12th Century | ||||||||||
Box 51 | Prospero without His Magic | ||||||||||
Box 51 | Recovering Amid the Farms | ||||||||||
Box 51 | Homage [aka Respect] | ||||||||||
Box 51 | Scheming in the Snow | ||||||||||
Box 51 | Searching for Pittsburgh | ||||||||||
Box 51 | Sonatina | ||||||||||
Box 51 | Steel Guitars | ||||||||||
Box 51 | The Spirit and the Soul | ||||||||||
Box 51 | A Stubborn Ode | ||||||||||
Box 51 | Tasters for the Lord | ||||||||||
Box 51 | Tear It Down | ||||||||||
Box 51 | Theoretical Lives | ||||||||||
Box 51 | Thinking About Ecstasy | ||||||||||
Box 51 | Trying to Have Something Let Over | ||||||||||
Box 51 | On Stone | ||||||||||
Box 51 | To See If Something Comes Next | ||||||||||
Box 51 | What Is There to Say | ||||||||||
Box 51 | Voices Inside and Out | ||||||||||
Box 51 | The White Heart of God | ||||||||||
Box 51 | A Year Later | ||||||||||
Box 51 | Lovers | ||||||||||
Box 51 | Man at the Window | ||||||||||
Box 51 | Married | ||||||||||
Box 51 | Measuring the Tyger | ||||||||||
Box 51 | Adulterated | ||||||||||
Box 51 | Almost Happy | ||||||||||
Box 51 | Alone | ||||||||||
Box 51 | Alternatives | ||||||||||
Box 51 | Betrothed | ||||||||||
Box 51 | Between Aging and Old | ||||||||||
Box 51 | Beyond Beginnings | ||||||||||
Box 51 | Bring in the Gods | ||||||||||
Box 51 | Carryign the Torches at Noon | ||||||||||
Box 51 | Chastity | ||||||||||
Box 51 | Conceiving Himself | ||||||||||
Box 51 | The Container for the Thing Contained | ||||||||||
Box 51 | Dante Dancing | ||||||||||
Box 51 | Eating with the Emperor | ||||||||||
Box 51 | The Edge of the World | ||||||||||
Box 51 | Exceeding | ||||||||||
Box 51 | Explicating the Twilight | ||||||||||
Box 51 | Factoring | ||||||||||
Box 51 | Finding Eurydice | ||||||||||
Box 51 | Finding Something | ||||||||||
Box 51 | Andante Non Tropo [aka First Meditation: Burning :(Andante Non Tropo) | ||||||||||
Box 51 | First Times | ||||||||||
Box 51 | Foraging for Wood on the Mountain | ||||||||||
Box 51 | The Forgotten Dialect of the Heart | ||||||||||
Box 51 | From These Nettles, Alms | ||||||||||
Box 51 | Getting It All | ||||||||||
Box 51 | Getting Old | ||||||||||
Box 51 | Ghosts | ||||||||||
Box 51 | A Ghost Sings, A Door Opens | ||||||||||
Box 51 | Gift Horses | ||||||||||
Box 51 | Going There | ||||||||||
Box 51 | Guilty | ||||||||||
Box 51 | Half the Truth | ||||||||||
Box 51 | Hard Wired | ||||||||||
Box 51 | Harm and Boon in the Meetings | ||||||||||
Box 51 | Haunted Importantly | ||||||||||
Box 51 | Highlights and Interstices | ||||||||||
Box 51 | The History of Men | ||||||||||
Box 51 | Hot Nights in Florida | ||||||||||
Box 51 | How to Love the Dead | ||||||||||
Box 51 | I Imagine the Gods | ||||||||||
Box 51 | In Umbria | ||||||||||
Box 51 | Infidelity | ||||||||||
Box 51 | Leporello on Don Giovanni | ||||||||||
Box 51 | Me and Capablanca | ||||||||||
Box 51 | The Great Fires Jacket copy | ||||||||||
Box 52 | Gilbert (end) - Grimson | ||||||||||
Box 52 | Gilbert, Jack (end) (13 folders) | ||||||||||
Box 52 | Measuring the Tyger Draft 4 | ||||||||||
Box 52 | Monolithos Draft 1 | ||||||||||
Box 52 | Monolithos Draft 2 | ||||||||||
Box 52 | MonolithosFoul Draft | ||||||||||
Box 52 | Monolithos Setting ms. | ||||||||||
Box 52 | Monolithos Final Setting ms. | ||||||||||
Box 52 | Monolithos Galleys | ||||||||||
Box 52 | Monolithos Master Galleys | ||||||||||
Box 52 | Monolithos Master Pages | ||||||||||
Box 52 | Gill, Brendan | ||||||||||
Box 52 | Valor | ||||||||||
Box 52 | Gilmartin, Steven | ||||||||||
Box 52 | In a Queer Light [aka The Gift | ||||||||||
Box 52 | Glaze, Eleanor | ||||||||||
Box 52 | The Distance Between Bed and Earth [aka Distances Between Bed and Earth] | ||||||||||
Box 52 | Glynn, Thomas | ||||||||||
Box 52 | Thomas Glynn to Q [aka He Wants to Be Famous Indoors] | ||||||||||
Box 52 | Goad, Frank A. and Loomis, Edward | ||||||||||
Box 52 | Acne | ||||||||||
Box 52 | Goddin, Nell | ||||||||||
Box 52 | The Holes of the Sapsucker [aka Talk] | ||||||||||
Box 52 | Goding, Cecile Hanna | ||||||||||
Box 52 | The Arlington Street Station | ||||||||||
Box 52 | August 8, 1988 | ||||||||||
Box 52 | The [Busy?] Dog | ||||||||||
Box 52 | Erection Stress | ||||||||||
Box 52 | A Guide for Living | ||||||||||
Box 52 | Mr. and Mrs. From Missouri [aka Swing Shift] | ||||||||||
Box 52 | Godwin, Gail | ||||||||||
Box 52 | The Good Wife [aka Outposts] | ||||||||||
Box 52 | Notes for a Story [aka Childhood Friends] | ||||||||||
Box 52 | What She Wore | ||||||||||
Box 52 | Goff, Cindy | ||||||||||
Box 52 | God [aka God Is a Vampire] | ||||||||||
Box 52 | Heritage | ||||||||||
Box 52 | Northside | ||||||||||
Box 52 | Gold, Herbert | ||||||||||
Box 52 | Breeding the Wild Mosquito | ||||||||||
Box 52 | A Death on the East Side | ||||||||||
Box 52 | In the Community of Girls and the Commerce of Culture (Manhattan 1955-1960) | ||||||||||
Box 52 | A Very Personal Colleague of Andy Warhol | ||||||||||
Box 52 | Goldberg, Judith | ||||||||||
Box 52 | Catching Ben, or Hope, Color, and the State of Maine | ||||||||||
Box 52 | An Element Called Surprise | ||||||||||
Box 52 | Millard Fillmore! Martin van Buren! | ||||||||||
Box 52 | Nam, Nam, Nam | ||||||||||
Box 52 | Needing Nurses in Other Rooms | ||||||||||
Box 52 | Salvation | ||||||||||
Box 52 | Goodwin, Stephen | ||||||||||
Box 52 | His Heart | ||||||||||
Box 52 | Goolrick, Robert Cooke | ||||||||||
Box 52 | Six Days, Five Delicious Nighs in Sunwashed Symbia | ||||||||||
Box 52 | Gosnell, Stephen | ||||||||||
Box 52 | Show Me Something in a Soft, Quiet War Toy | ||||||||||
Box 52 | Twilight of the Profs | ||||||||||
Box 52 | [Have you a vision of your children…] | ||||||||||
Box 52 | [We'll go on the assumption that you want…] | ||||||||||
Box 52 | Gould, Scott | ||||||||||
Box 52 | Hitler [aka Territories] | ||||||||||
Box 52 | Gram, Richard | ||||||||||
Box 52 | Place We are, Place We Leave | ||||||||||
Box 52 | Graves, John | ||||||||||
Box 52 | Hardscrable | ||||||||||
Box 52 | Greenberg, Mark | ||||||||||
Box 52 | Mark Greenberg to Q [aka With Love] (3 folders) | ||||||||||
Box 52 | Greenberg, Pamela (3 folders) | ||||||||||
Box 52 | Banquet | ||||||||||
Box 52 | Flood | ||||||||||
Box 52 | Lagunitas, 1978 | ||||||||||
Box 52 | Love Poem #206 | ||||||||||
Box 52 | Ode | ||||||||||
Box 52 | Prarie | ||||||||||
Box 52 | Where Once It Stood | ||||||||||
Box 52 | Gremmel, William | ||||||||||
Box 52 | The Little Family | ||||||||||
Box 52 | Griffin, Michael | ||||||||||
Box 52 | It's a Sin to Tell a Lie | ||||||||||
Box 52 | Griffith, Kevin | ||||||||||
Box 52 | The Boy in the Well | ||||||||||
Box 52 | Emily Dickinson | ||||||||||
Box 52 | The Kwik-Stop of the Damned | ||||||||||
Box 52 | Poem Without a Photo | ||||||||||
Box 52 | Some Days, You Are That Man | ||||||||||
Box 52 | Net | ||||||||||
Box 52 | Summary of Charges | ||||||||||
Box 52 | The Retreat into Day | ||||||||||
Box 52 | Grimmett, Neil | ||||||||||
Box 52 | Cider | ||||||||||
Box 52 | The Hornets [aka Carried Away by Angels] | ||||||||||
Box 52 | Grimson, Todd | ||||||||||
Box 52 | Fried Chicken | ||||||||||
Box 52 | The Revolution [aka Ritual of the Dead] | ||||||||||
Box 53 | Grinstead - Hannah (start) | ||||||||||
Box 53 | Grinstead, David | ||||||||||
Box 53 | Kills | ||||||||||
Box 53 | Grossbach, Robert | ||||||||||
Box 53 | The Ground of the Night Air | ||||||||||
Box 53 | Guista, Michael | ||||||||||
Box 53 | Still Life | ||||||||||
Box 53 | Gullino, Derek | ||||||||||
Box 53 | Celeste | ||||||||||
Box 53 | Dancing for Men | ||||||||||
Box 53 | Disease | ||||||||||
Box 53 | Falepopo's Cadillac | ||||||||||
Box 53 | Gadamer's Maid | ||||||||||
Box 53 | Hungarian Woman | ||||||||||
Box 53 | Journey's by Sea | ||||||||||
Box 53 | Men without Women | ||||||||||
Box 53 | The Outlaw Mother-in-Law | ||||||||||
Box 53 | Pops | ||||||||||
Box 53 | Twain | ||||||||||
Box 53 | Where Our Linen Comes From | ||||||||||
Box 53 | Gunzenhauser, Lynn C. | ||||||||||
Box 53 | Father Portrait | ||||||||||
Box 53 | Gusewelle, C.W. | ||||||||||
Box 53 | August 20-26 | ||||||||||
Box 53 | Gutierrez, Stephen D. | ||||||||||
Box 53 | Walter's Sorrow | ||||||||||
Box 53 | Haas, Charles | ||||||||||
Box 53 | A Western | ||||||||||
Box 53 | Halberstadt, John | ||||||||||
Box 53 | Air [aka The Oxtgen Tanks] | ||||||||||
Box 53 | Selections from I'm in Love with Joanne Talsma | ||||||||||
Box 53 | Haley, Albert | ||||||||||
Box 53 | Down on the Farm | ||||||||||
Box 53 | Moon Shot | ||||||||||
Box 53 | Snow Eagles | ||||||||||
Box 53 | Tag: A Grocery Story | ||||||||||
Box 53 | That Oklahoma Flash | ||||||||||
Box 53 | Halliday, Ray | ||||||||||
Box 53 | Bowling in Jersey [aka The Great3es Bowler in New Jersey | ||||||||||
Box 53 | Dance, Mice, Dance | ||||||||||
Box 53 | Farted | ||||||||||
Box 53 | Fourth | ||||||||||
Box 53 | The Happiest Guy on the Train | ||||||||||
Box 53 | The Inquiry [aka Like a Dog] | ||||||||||
Box 53 | New Baltimore Service Area | ||||||||||
Box 53 | New Format | ||||||||||
Box 53 | Right Out of a Machine [aka Homeless Woman with Bag Outside the Bank Machine | ||||||||||
Box 53 | Wax Paper | ||||||||||
Box 53 | Hamann, Shannon | ||||||||||
Box 53 | The Wind | ||||||||||
Box 53 | Hannah, Barry | ||||||||||
Box 53 | Stories (4 folders) | ||||||||||
Box 53 | The Catalogue [aka The Cantata in the Catlogue] | ||||||||||
Box 53 | Christ Striding | ||||||||||
Box 53 | Coming Close to Donna | ||||||||||
Box 53 | The Ground of the Night Air | ||||||||||
Box 53 | Deaf and Dumb [aka The Courage of Minny Temple] | ||||||||||
Box 53 | Death of a Bitch | ||||||||||
Box 53 | Evening of the Yarp: A Report by Roonswent Dover | ||||||||||
Box 53 | Escape to Newark [aka Do It Yourself] | ||||||||||
Box 53 | Getting It (including Minny Gets It Regular and Green Gets It At Last) | ||||||||||
Box 53 | Green Gets It | ||||||||||
Box 53 | Hey Jack | ||||||||||
Box 53 | How Good Was It? | ||||||||||
Box 53 | Love too Long | ||||||||||
Box 53 | Man in the Street | ||||||||||
Box 53 | Midnight and I'm Not Famous Yet | ||||||||||
Box 53 | Mother Rooney Unscrolls the Hurt: A Tiny Novel | ||||||||||
Box 53 | Quadberry | ||||||||||
Box 53 | Return to Return | ||||||||||
Box 53 | Sources Agree Rock Swoon Has No Past | ||||||||||
Box 53 | Southern [aka End and All in Richmond; When He Burned His House) | ||||||||||
Box 53 | That's True [aka Not at the Very Last a Coward] | ||||||||||
Box 53 | Tuscaloose, Where I Live | ||||||||||
Box 53 | Airships Pages (2 folders) | ||||||||||
Box 53 | Airships Misc. Pages | ||||||||||
Box 53 | Airships Galleys (2 folders) | ||||||||||
Box 53 | Airships Retouched Galleys (4 of 5 folders) | ||||||||||
Box 54 | Hannah (cont.) | ||||||||||
Box 54 | Hannah, Barry (cont.) | ||||||||||
Box 54 | Airships Retouched Galleys (last of 5 folders) | ||||||||||
Box 54 | Airships Blues | ||||||||||
Box 54 | Behold the Man Transfigured in his Husbanding: Three Stories | ||||||||||
Box 54 | Home Free [aka With All the Old Trembling Men] | ||||||||||
Box 54 | At Home [aka One Place for Another] | ||||||||||
Box 54 | Homeless [aka Testimony of Gardens] | ||||||||||
Box 54 | Captain Maximus Stories | ||||||||||
General | |||||||||||
Note: see 24 Aug 1984 correspondence | |||||||||||
Box 54 | Watch Out, It's a Big One | ||||||||||
Box 54 | Hey Joe | ||||||||||
Box 54 | Nothing Else to Do | ||||||||||
Box 54 | Captain Maximus Stories - Photocopies | ||||||||||
Box 54 | American Sportsman [aka Watch Out, It's a Big One ] | ||||||||||
Box 54 | Idaho [aka Hey Joe | ||||||||||
Box 54 | I Am Shaking to Death [aka Nothing Else to Do] | ||||||||||
Box 54 | Football Heroes | ||||||||||
Box 54 | Even Greenland [aka John, This Plane's on Fire ] | ||||||||||
Box 54 | Ride, Fly, Penetrate, Loiter | ||||||||||
Box 54 | It Spoke of Exactly the Things [Black Butterfly] | ||||||||||
Box 54 | Captain Maximus Galleys | ||||||||||
Box 54 | Captain Maximus Master Set | ||||||||||
Box 54 | Maximum Ned | ||||||||||
Box 54 | Ray Draft 1 | ||||||||||
Box 54 | Ray Draft 2 | ||||||||||
Box 54 | Ray Draft 3 | ||||||||||
Box 54 | Ray Printer's ms. | ||||||||||
Box 54 | Ray Galleys | ||||||||||
Box 54 | Ray Master Proofs (2 folders) | ||||||||||
Box 54 | Ray Repros Proofs | ||||||||||
Box 54 | Ray Blues | ||||||||||
Box 55 | Hannah (end) - Hempel | ||||||||||
Box 55 | Hannah, Barry (end) | ||||||||||
Box 55 | The Tennis Handsome Copy 1 (2 folders) | ||||||||||
Box 55 | The Tennis Handsome Copy 2 (2 folders) | ||||||||||
Box 55 | Hanson, Michele | ||||||||||
Box 55 | How Bawble Made Them All Happy | ||||||||||
Box 55 | Table Manners | ||||||||||
Box 55 | Hardy, Edward | ||||||||||
Box 55 | Jerry [aka Bad Pets] | ||||||||||
Box 55 | Hardy, Melissa | ||||||||||
Box 55 | How I Was Made an Orphan the Second Time | ||||||||||
Box 55 | Harker, Steven | ||||||||||
Box 55 | Orange Delite | ||||||||||
Box 55 | Harmon, Joshua | ||||||||||
Box 55 | Signs | ||||||||||
Box 55 | Harris, Daniel | ||||||||||
Box 55 | First, Harris | ||||||||||
Box 55 | Second, Harris | ||||||||||
Box 55 | Harris, Evan | ||||||||||
Box 55 | The Hum | ||||||||||
Box 55 | The Spit | ||||||||||
Box 55 | Wedding Elements | ||||||||||
Box 55 | Harris, MacDonald | ||||||||||
Box 55 | A Memoir from the Lab | ||||||||||
Box 55 | Harrison, William | ||||||||||
Box 55 | The Arsons of Desire | ||||||||||
Box 55 | Down the Blue Hole [aka In America] | ||||||||||
Box 55 | Roller Ball Murder | ||||||||||
Box 55 | Hassall, K. | ||||||||||
Box 55 | Parable | ||||||||||
Box 55 | Hassler, Jon | ||||||||||
Box 55 | The Cheerleader [aka The Distant Cheerleader] | ||||||||||
Box 55 | Hatta, Mari | ||||||||||
Box 55 | As I Line My Eyes with Black | ||||||||||
Box 55 | Broken Sestina for a Samurai's Daughter | ||||||||||
Box 55 | A List for the Hard of Hearing | ||||||||||
Box 55 | Waitress | ||||||||||
Box 55 | Hays, Daniel | ||||||||||
Box 55 | Daniel Hayes to Q | ||||||||||
Box 55 | Hayward | ||||||||||
Box 55 | Orange with Reciept | ||||||||||
Box 55 | Snow | ||||||||||
Box 55 | Hazuka, Tom | ||||||||||
Box 55 | Playing Hard to Take | ||||||||||
Box 55 | Healey, Lynne | ||||||||||
Box 55 | Renaissance of the Short Story | ||||||||||
Box 55 | Heberton, Laura | ||||||||||
Box 55 | Fish | ||||||||||
Box 55 | Heffernan, Michael | ||||||||||
Box 55 | Poems | ||||||||||
Box 55 | Afternoon of the Hun | ||||||||||
Box 55 | The Boulevardier | ||||||||||
Box 55 | The Council | ||||||||||
Box 55 | Stickbug | ||||||||||
Box 55 | Rendering Aquinas | ||||||||||
Box 55 | Hemingway, Ernest (2 folders) | ||||||||||
Box 55 | Islands in the Stream | ||||||||||
Box 55 | Excerpts of Writings | ||||||||||
Box 55 | Hemingway, Mary | ||||||||||
Box 55 | An American Childhood | ||||||||||
Box 55 | Hempel, Amy (8 folders) | ||||||||||
Box 55 | Stories (3 folders) | ||||||||||
Box 55 | The Annex | ||||||||||
Box 55 | Antarctica | ||||||||||
Box 55 | At the Gates of the Animal Kingdom | ||||||||||
Box 55 | Breathing Jesus | ||||||||||
Box 55 | How Bawble Made Them All Happy | ||||||||||
Box 55 | The Center [aka Serlait] | ||||||||||
Box 55 | The Club Bread Vacation | ||||||||||
Box 55 | Jerry [aka Bad Pets] | ||||||||||
Box 55 | Daylight Come | ||||||||||
Box 55 | Du Jour | ||||||||||
Box 55 | The Game of Empty Hands | ||||||||||
Box 55 | Going | ||||||||||
Box 55 | The Harvest [aka Marriageability] | ||||||||||
Box 55 | In the Cemetary where Al Jolson Is Buried | ||||||||||
Box 55 | In Situ | ||||||||||
Box 55 | In a Tub | ||||||||||
Box 55 | A Letter to Q | ||||||||||
Box 55 | Live from the Deaf Club | ||||||||||
Box 55 | Live from the Death Club | ||||||||||
Box 55 | The Man in Bogota [aka Reason to Live] | ||||||||||
Box 55 | Maximum Hannah or The Slow Fire of Barry Hannah | ||||||||||
Box 55 | Murder [aka Boys and Girls] | ||||||||||
Box 55 | Nashville Gone to Ashes | ||||||||||
Box 55 | [On the nicer side of a not nice street…] | ||||||||||
Box 55 | Page after Page | ||||||||||
Box 55 | Piece Work | ||||||||||
Box 55 | The Rest of God | ||||||||||
Box 55 | San Francisco | ||||||||||
Box 55 | Three Popes Walk into a Bar | ||||||||||
Box 55 | Today Will Be a Quiet Day | ||||||||||
Box 55 | Tonight Is a Favor to Holly [aka From the People Who Brought You Fat Chance; West on Highway One] | ||||||||||
Box 55 | Triste but True | ||||||||||
Box 55 | Tumble Home | ||||||||||
Box 55 | [The trees are all on crutches…] | ||||||||||
Box 55 | Under No Moon | ||||||||||
Box 55 | When It's Human Instead of When It's a Dog [aka What Would Do It] | ||||||||||
Box 55 | Why I'm Here [aka Calling] | ||||||||||
Box 55 | Wittgenstein's Mistress | ||||||||||
Box 55 | Untitled | ||||||||||
Box 55 | At the Gates of the Animal Kingdom Author's Galleys | ||||||||||
Box 55 | At the Gates of the Animal Kingdom Page Proofs | ||||||||||
Box 55 | Reasons to Live Galleys | ||||||||||
Box 55 | Reasons to Live Author's Galleys | ||||||||||
Box 55 | What He Knows So Well | ||||||||||
Box 56 | Hempstead - Howland | ||||||||||
Box 56 | Hempstead, Avery (4 folders) | ||||||||||
Box 56 | Apricots [aka The Apricot Tree] | ||||||||||
Box 56 | Arrangments [aka Man with a Missing Earlobe] | ||||||||||
Box 56 | Babycakes | ||||||||||
Box 56 | How Bawble Made Them All Happy | ||||||||||
Box 56 | Book [aka A Change of Seats] | ||||||||||
Box 56 | Canard | ||||||||||
Box 56 | Jerry [aka Bad Pets] | ||||||||||
Box 56 | The Denture [aka Motherlove] | ||||||||||
Box 56 | The Dispatcher [aka Gable and Lombard and Cary Grant] | ||||||||||
Box 56 | Dreyfus on Walter | ||||||||||
Box 56 | An Evening with the Pale People | ||||||||||
Box 56 | Fine Germs and Low Conversation | ||||||||||
Box 56 | First Class | ||||||||||
Box 56 | Flutters | ||||||||||
Box 56 | Forests of the Night | ||||||||||
Box 56 | Gilbert and Sullivan | ||||||||||
Box 56 | Gomco | ||||||||||
Box 56 | The Hollywood Babies' Club | ||||||||||
Box 56 | The Hollywood Dream | ||||||||||
Box 56 | A Little Coffee in the Morning | ||||||||||
Box 56 | The Man in the Back Seat or Arnie and the Mumu Crowd | ||||||||||
Box 56 | The Money of Our Family [aka Child of Aliens] | ||||||||||
Box 56 | The News [aka On the Southern Coast of France] | ||||||||||
Box 56 | The Other End | ||||||||||
Box 56 | Retrospective | ||||||||||
Box 56 | Reverse=Spotted | ||||||||||
Box 56 | Rockpile | ||||||||||
Box 56 | Rules | ||||||||||
Box 56 | Someone Said J.D. Salinger Had Died | ||||||||||
Box 56 | Sometimes, It's Brian [aka The Man from Cartier ] | ||||||||||
Box 56 | The Spanish Lesson | ||||||||||
Box 56 | String | ||||||||||
Box 56 | To the Monkey House | ||||||||||
Box 56 | Toothbrush | ||||||||||
Box 56 | Tye Powers Blues | ||||||||||
Box 56 | The Woman Called Bambi Goldenspots or Moving Day | ||||||||||
Box 56 | Woman in the Red Raincoat | ||||||||||
Box 56 | Henderson, Bill | ||||||||||
Box 56 | His Son | ||||||||||
Box 56 | Hendrickson, Robert | ||||||||||
Box 56 | The Watcher [aka He Is Home] | ||||||||||
Box 56 | Hennessey, Eileen | ||||||||||
Box 56 | Eileen Hennessay to Q [After the Ball] | ||||||||||
Box 56 | Electra at the Well | ||||||||||
Box 56 | For Oedipus It Was So Bad That He Put Out His Own Eyes | ||||||||||
Box 56 | Judgment Passed on Electra | ||||||||||
Box 56 | Morning | ||||||||||
Box 56 | The Situation | ||||||||||
Box 56 | World Series | ||||||||||
Box 56 | Herr, Michael (4 folders) | ||||||||||
Box 56 | Jubilee Draft 1 | ||||||||||
Box 56 | Jubilee Draft 2 | ||||||||||
Box 56 | Jubilee Draft 3 | ||||||||||
Box 56 | Viet Memories | ||||||||||
Box 56 | Hersey, John | ||||||||||
Box 56 | From The Conspiracy | ||||||||||
Box 56 | Heuler, Karen | ||||||||||
Box 56 | In Livingston | ||||||||||
Box 56 | Hewat, Alan V. | ||||||||||
Box 56 | Bear, You Know? | ||||||||||
Box 56 | Men Against the Sea | ||||||||||
Box 56 | Surfacing | ||||||||||
Box 56 | [(c) Wives of Professional Athletes…] | ||||||||||
Box 56 | Hickins, Michael (2 folders) | ||||||||||
Box 56 | Stories | ||||||||||
Box 56 | Afair [aka One Day Affair] | ||||||||||
Box 56 | The Backswing of the Slugger | ||||||||||
Box 56 | Ernie the Counselor [aka Post Coitum Animale Tristum Est] | ||||||||||
Box 56 | In the Borough-Wides [aka Taking It] | ||||||||||
Box 56 | Summer Romance | ||||||||||
Box 56 | The Violent Society | ||||||||||
Box 56 | Bill in Love [aka Circa Someplace in America] | ||||||||||
Box 56 | Hickman, David | ||||||||||
Box 56 | Narcissus Diary #31 | ||||||||||
Box 56 | Hickoff, Stephen | ||||||||||
Box 56 | Canned Laughter | ||||||||||
Box 56 | Dor Fucks Jim | ||||||||||
Box 56 | Hunger, About It | ||||||||||
Box 56 | The News & World Report | ||||||||||
Box 56 | Real or Unreal Pancake Syrup | ||||||||||
Box 56 | Son, Not Even Your Mother… | ||||||||||
Box 56 | Hirsch, Edward | ||||||||||
Box 56 | And Who Will Look Upon Our Testimoy | ||||||||||
Box 56 | Hoar, Jere | ||||||||||
Box 56 | The Last Feminine Woman in the World | ||||||||||
Box 56 | Hochberg, Matthew | ||||||||||
Box 56 | Justice | ||||||||||
Box 56 | Hochman, Lucy | ||||||||||
Box 56 | Mollusks | ||||||||||
Box 56 | Hoda, Shahid | ||||||||||
Box 56 | The Catch | ||||||||||
Box 56 | An Empty Poem | ||||||||||
Box 56 | The Mistake | ||||||||||
Box 56 | The New Poem | ||||||||||
Box 56 | October 15 | ||||||||||
Box 56 | Scenes from a Movie | ||||||||||
Box 56 | Untitled | ||||||||||
Box 56 | The Valise | ||||||||||
Box 56 | The Women's Issue at a Friend's | ||||||||||
Box 56 | Hodges, John | ||||||||||
Box 56 | Filet Mignon | ||||||||||
Box 56 | Hogan, Wayne | ||||||||||
Box 56 | Assorted Drawings | ||||||||||
Box 56 | Holland, Noy (2 folders) | ||||||||||
Box 56 | Stories | ||||||||||
Box 56 | Delicious | ||||||||||
Box 56 | Nothing Like Tuscaloosa [aka The Girl] | ||||||||||
Box 56 | Someone Is Always Waiting | ||||||||||
Box 56 | Winter Bodies | ||||||||||
Box 56 | Her Children, Waiting | ||||||||||
Box 56 | Holland, Travis | ||||||||||
Box 56 | Decameron | ||||||||||
Box 56 | Meat | ||||||||||
Box 56 | Holmes, Olivia | ||||||||||
Box 56 | Anna's Promise | ||||||||||
Box 56 | Holst | ||||||||||
Box 56 | Another Impostor | ||||||||||
Box 56 | Chess | ||||||||||
Box 56 | A Following | ||||||||||
Box 56 | The Monroe Street Monster | ||||||||||
Box 56 | Homes, Amy | ||||||||||
Box 56 | The Dress [aka A Good Day] | ||||||||||
Box 56 | Hopeloff, Zero | ||||||||||
Box 56 | Babel | ||||||||||
Box 56 | Joseph | ||||||||||
Box 56 | (O) Eddie-piss | ||||||||||
Box 56 | Hopkins, Diane | ||||||||||
Box 56 | The Nipple of the Queen | ||||||||||
Box 56 | Horowitz, Syvlia [aka Sylvia Adele Deutsch] | ||||||||||
Box 56 | Bananas, Two for a Penny | ||||||||||
Box 56 | A Crumpled Tissue | ||||||||||
Box 56 | Howland, Bette (3 folders) | ||||||||||
Box 56 | Stories | ||||||||||
Box 56 | Grisha Lapidus | ||||||||||
Box 56 | The Landlady | ||||||||||
Box 56 | The Life They Gave Me [aka The Life You Gave Me] | ||||||||||
Box 56 | The Old Wheeze | ||||||||||
Box 56 | Birds of a Feather | ||||||||||
Box 56 | Things to Come and Go | ||||||||||
Box 57 | Huddle - Just | ||||||||||
Box 57 | Huddle, David | ||||||||||
Box 57 | The Interrogation of the Prisoner Bung by the Sergeart Tree and Mister Hawkins | ||||||||||
Box 57 | Hudson, Gabriel | ||||||||||
Box 57 | Litany | ||||||||||
Box 57 | How Bawble Made Them All Happy | ||||||||||
Box 57 | The Judge | ||||||||||
Box 57 | Hulse, Jerry | ||||||||||
Box 57 | Jerry [aka Bad Pets] | ||||||||||
Box 57 | Humphrey, William | ||||||||||
Box 57 | A Texas Dying | ||||||||||
Box 57 | Hunter, David M. | ||||||||||
Box 57 | Direction | ||||||||||
Box 57 | The Weatherman | ||||||||||
Box 57 | Huntington, Margaret | ||||||||||
Box 57 | Fire and Ice | ||||||||||
Box 57 | Hutton, William | ||||||||||
Box 57 | My Eyes Are Running | ||||||||||
Box 57 | Plax | ||||||||||
Box 57 | The Story of Yes and No | ||||||||||
Box 57 | Ingersoll, Glenn | ||||||||||
Box 57 | The Artificial Sump Pump | ||||||||||
Box 57 | The Heart's Work | ||||||||||
Box 57 | Iossel, Mikhail | ||||||||||
Box 57 | Wings | ||||||||||
Box 57 | Irving, John | ||||||||||
Box 57 | Almost in Iowa | ||||||||||
Box 57 | Dog in the Alley, Child in the Sky | ||||||||||
Box 57 | Toyland [aka There Was Scarcely a Soul at the Thaw Trooper's Funeral] | ||||||||||
Box 57 | Ispahani, Mahnaz | ||||||||||
Box 57 | Mahnaz Ispahani to Q | ||||||||||
Box 57 | Jacobs, Douglas | ||||||||||
Box 57 | Boy with a Slingshot | ||||||||||
Box 57 | Janowtiz, Phyllis | ||||||||||
Box 57 | The Admirals at t he Poles | ||||||||||
Box 57 | Birthday | ||||||||||
Box 57 | Faculty Meeting | ||||||||||
Box 57 | The Fire Eater | ||||||||||
Box 57 | In the Nursery [aka queaky Nursery Tunes] | ||||||||||
Box 57 | Madeleine | ||||||||||
Box 57 | My Sister | ||||||||||
Box 57 | Reunion with Jake at Still Creek Pond | ||||||||||
Box 57 | Six Months After the Death of My Father | ||||||||||
Box 57 | Stewardess to Passengers [aka Soon the Final Decree] | ||||||||||
Box 57 | The Victims | ||||||||||
Box 57 | Years Later | ||||||||||
Box 57 | Jesperson, Ruth | ||||||||||
Box 57 | Notes from the Underground Columns | ||||||||||
Box 57 | Jiles, Paulette | ||||||||||
Box 57 | Writings | ||||||||||
Box 57 | Novus Magnificat | ||||||||||
Box 57 | Collection of Works About Frank and Jessee James | ||||||||||
Box 57 | The Irish Girl at the Pie Dog Hotel and Whorehouse | ||||||||||
Box 57 | [This is a bank robbery…] | ||||||||||
Box 57 | [September of 1876 Frank rides…] | ||||||||||
Box 57 | Jesse Meets His Future Wife | ||||||||||
Box 57 | Frank Retires | ||||||||||
Box 57 | Frank Surrenders | ||||||||||
Box 57 | Hiding Out in Tennessee | ||||||||||
Box 57 | Frank Gets Nervouse About Jesse's Killer Instincts | ||||||||||
Box 57 | Bandit's Wives | ||||||||||
Box 57 | [Sitting around a slow, wet fire…] | ||||||||||
Box 57 | Paulette Jiles to Q | ||||||||||
Box 57 | Interviews | ||||||||||
Box 57 | Roger Noon [aka Thomas Noon] | ||||||||||
Box 57 | James Noon | ||||||||||
Box 57 | Cissy Poole | ||||||||||
Box 57 | Carolyn Poole | ||||||||||
Box 57 | Blackwater (2 folders) | ||||||||||
Box 57 | The Late Great Human Road Show Galleys | ||||||||||
Box 57 | A Manual of Ettiquette for Ladies Crossing Canada by Train Draft | ||||||||||
Box 57 | A Manual of Ettiquette for Ladies Crossing Canda by Train Page Proofs | ||||||||||
Box 57 | Excerpts from Northern Memoir Draft 1 | ||||||||||
Box 57 | Excerpts from Northern Memoir Draft 2 | ||||||||||
Box 57 | Wide Crossing (2 folders) | ||||||||||
Box 57 | [Untitled fragment] | ||||||||||
Box 57 | Johnson, Curt | ||||||||||
Box 57 | Skinning Cats | ||||||||||
Box 57 | Johnson, Dennis | ||||||||||
Box 57 | In a Public Place [aka The Heart] | ||||||||||
Box 57 | The Landlord's Girlfriend | ||||||||||
Box 57 | Where Have I Never Seen You Before | ||||||||||
Box 57 | Johnson, Drew | ||||||||||
Box 57 | An Embellishment | ||||||||||
Box 57 | Rococo [aka Seventeenth Centruy Orange Juice] | ||||||||||
Box 57 | Johnson, Gregory H. | ||||||||||
Box 57 | Tactics of Angling | ||||||||||
Box 57 | Johnson, Jonathan | ||||||||||
Box 57 | Boiling | ||||||||||
Box 57 | Mothere [aka Messages] | ||||||||||
Box 57 | The One Last Thing [aka Remedial] | ||||||||||
Box 57 | Open Roads | ||||||||||
Box 57 | Johnson, Quendrith | ||||||||||
Box 57 | The Great Supreme Being | ||||||||||
Box 57 | The Suspended Visitor | ||||||||||
Box 57 | The Letter Opener title page | ||||||||||
Box 57 | Jones, James | ||||||||||
Box 57 | The Merry Month of May | ||||||||||
Box 57 | Jones, R. | ||||||||||
Box 57 | Jumpers | ||||||||||
Box 57 | Jones, Robert | ||||||||||
Box 57 | Gordon Lish | ||||||||||
Box 57 | Robert Jones to Q | ||||||||||
Box 57 | Jurnovoy, Joyce | ||||||||||
Box 57 | A Certain Smirk | ||||||||||
Box 57 | Just, Ward | ||||||||||
Box 57 | In His Time | ||||||||||
Box 58 | Kamine - Kennedy | ||||||||||
Box 58 | Kamine, Mark | ||||||||||
Box 58 | The Return | ||||||||||
Box 58 | Kaplan, James | ||||||||||
Box 58 | In Miami, Last Winter [aka Harry Urbanie, Winning ] | ||||||||||
Box 58 | How Bawble Made Them All Happy | ||||||||||
Box 58 | Chicagoland | ||||||||||
Box 58 | Permanent | ||||||||||
Box 58 | Jerry [aka Bad Pets] | ||||||||||
Box 58 | Reformation [aka Affirmative Action] | ||||||||||
Box 58 | We Are Fish | ||||||||||
Box 58 | Karpinski, Michael J. | ||||||||||
Box 58 | Drive to the Sun | ||||||||||
Box 58 | Means of Escape | ||||||||||
Box 58 | My Name is Michael Karpinski [aka These Things That Kill Us] | ||||||||||
Box 58 | A Place [aka Encounter] | ||||||||||
Box 58 | Katt, Christian | ||||||||||
Box 58 | Gordon Lish: Poetics of Fiction | ||||||||||
Box 58 | Kauffman, Janet (8 folders) | ||||||||||
Box 58 | Stories | ||||||||||
Box 58 | Breaking the News to Doll | ||||||||||
Box 58 | Coincidence | ||||||||||
Box 58 | Colleen | ||||||||||
Box 58 | [Crystal's mother had drunk three beers…] | ||||||||||
Box 58 | Doing Time | ||||||||||
Box 58 | Gossip | ||||||||||
Box 58 | [Her life held a powerful sweetness…] | ||||||||||
Box 58 | [Lester Koselka, you're a bastard…] | ||||||||||
Box 58 | [My sister dug her own grave…] | ||||||||||
Box 58 | Protectorate | ||||||||||
Box 58 | Round Lake | ||||||||||
Box 58 | These Three Years | ||||||||||
Box 58 | When I Walk | ||||||||||
Box 58 | Collaborators Part 1 | ||||||||||
Box 58 | Collaborators Full Draft | ||||||||||
Box 58 | Collaborators Printer's ms. | ||||||||||
Box 58 | Collaborators Proofs | ||||||||||
Box 58 | Obscene Gestures for Women Printer's ms. | ||||||||||
Box 58 | Obscene Gestures for Women Master Galleys | ||||||||||
Box 58 | Places in the World a Woman Could Walk | ||||||||||
Box 58 | Keeble, John | ||||||||||
Box 58 | Saint James at Chief Joseph's Grave or The Transmission | ||||||||||
Box 58 | Kehoe, John | ||||||||||
Box 58 | Ths Is Why Hemingway Killed Himself | ||||||||||
Box 58 | What I'm Looking For [aka I'm Looking for a Job] | ||||||||||
Box 58 | Kelleher, Hugh | ||||||||||
Box 58 | Drink the Local Drink | ||||||||||
Box 58 | My Guys | ||||||||||
Box 58 | The Story of My Life | ||||||||||
Box 58 | Kennebeck, Paul | ||||||||||
Box 58 | End of Service | ||||||||||
Box 58 | The Exhileration of the Catch | ||||||||||
Box 58 | Kennedy, Raymond | ||||||||||
Box 58 | Stories | ||||||||||
Box 58 | Room Temperature | ||||||||||
Box 58 | Upstairs, in Our House, Sleeping | ||||||||||
Box 58 | The Flower of the Republic Draft 1 | ||||||||||
Box 58 | The Flower of the Republic Draft 2 | ||||||||||
Box 58 | A Private Station Draft 1 | ||||||||||
Box 58 | A Private Station Draft 2 | ||||||||||
Box 58 | A Private Station Draft 3 | ||||||||||
Box 58 | A Private Station Draft 4 | ||||||||||
Box 58 | A Private Station Draft 5 | ||||||||||
Box 59 | Kentfield - Kohler | ||||||||||
Box 59 | Kentfield, Calvin | ||||||||||
Box 59 | Who Has Seen the Wind? | ||||||||||
Box 59 | Kesey, Ken (3 folders) | ||||||||||
Box 59 | Writings | ||||||||||
Box 59 | How Bawble Made Them All Happy | ||||||||||
Box 59 | Killer | ||||||||||
Box 59 | Sometimes a Great Notion | ||||||||||
Box 59 | Untitled Fragment | ||||||||||
Box 59 | Among the Cows [aka Abdul the Bull and The Varmint in the Dark of the Circle] | ||||||||||
Box 59 | The Further Inquiry | ||||||||||
Box 59 | Kestin, Hershel | ||||||||||
Box 59 | The Man Who Kissed Stalin's Wife | ||||||||||
Box 59 | Kimball, George Robert | ||||||||||
Box 59 | The Hat-Check Girl | ||||||||||
Box 59 | The Tennis King | ||||||||||
Box 59 | Kimball, Michael | ||||||||||
Box 59 | Poems | ||||||||||
Box 59 | After Elizabeth | ||||||||||
Box 59 | Broken Sex | ||||||||||
Box 59 | Critical Biography | ||||||||||
Box 59 | Favors | ||||||||||
Box 59 | Immortality | ||||||||||
Box 59 | To Maurice Eidelsberg | ||||||||||
Box 59 | Mirrors | ||||||||||
Box 59 | Passage | ||||||||||
Box 59 | Places I've Been | ||||||||||
Box 59 | Potty Training | ||||||||||
Box 59 | To the Editor | ||||||||||
Box 59 | What Remains of the Day | ||||||||||
Box 59 | White | ||||||||||
Box 59 | The Way Our Family Got Away (3 folders) | ||||||||||
Box 59 | The Way Our Family Got Away Draft 2 | ||||||||||
Box 59 | Kirchdorfer, Ulf | ||||||||||
Box 59 | The Ducks [aka The Pond] | ||||||||||
Box 59 | Kirkpatrick | ||||||||||
Box 59 | [From Emily Dickinson's journal] | ||||||||||
Box 59 | Kirkpatrick, Bear | ||||||||||
Box 59 | Lemon | ||||||||||
Box 59 | Kirn, Walter | ||||||||||
Box 59 | Miles [aka Frequent Flier] | ||||||||||
Box 59 | The Orphan [aka Life Support] | ||||||||||
Box 59 | Paying My Calls | ||||||||||
Box 59 | The Personality of Writing | ||||||||||
Box 59 | Planetarium | ||||||||||
Box 59 | Southbound | ||||||||||
Box 59 | The Steward [aka Plumber's Helper] | ||||||||||
Box 59 | Used Animals | ||||||||||
Box 59 | Whole Other Bodies | ||||||||||
Box 59 | Kitteredge, William | ||||||||||
Box 59 | In Nevada | ||||||||||
Box 59 | Pretty Soon There's Nothing There [aka Moon of the Black Calf] | ||||||||||
Box 59 | Kleinschmidt, Edward | ||||||||||
Box 59 | Culture Shock | ||||||||||
Box 59 | Mean | ||||||||||
Box 59 | Poetry À Go Go | ||||||||||
Box 59 | Rustique | ||||||||||
Box 59 | Surplus | ||||||||||
Box 59 | Kofman, Gil | ||||||||||
Box 59 | Bashful Bill | ||||||||||
Box 59 | Kohler, Sheila (4 folders) | ||||||||||
Box 59 | Stories | ||||||||||
Box 59 | Correspondence | ||||||||||
Box 59 | [It was because of the hat…] | ||||||||||
Box 59 | [Let me show you where he killed my sister…] | ||||||||||
Box 59 | Light | ||||||||||
Box 59 | My Boy's Girl | ||||||||||
Box 59 | Sisters | ||||||||||
Box 59 | Trust | ||||||||||
Box 59 | The House on R Street | ||||||||||
Box 59 | Secondary Characters | ||||||||||
Box 59 | Secondary Characters Revisions | ||||||||||
Box 59 | Konrad, Evelyn | ||||||||||
Box 59 | The Apparition | ||||||||||
Box 59 | The Jon | ||||||||||
Box 59 | O Absalom! | ||||||||||
Box 59 | Koperwas, Sam | ||||||||||
Box 59 | Ball [aka A Father's Son] | ||||||||||
Box 59 | Winner in All Things [aka Slides] | ||||||||||
Box 59 | Korshak, Sharon | ||||||||||
Box 59 | Sharon Korshak to Q | ||||||||||
Box 60 | Koster - Lem | ||||||||||
Box 60 | Koster, R. M. | ||||||||||
Box 60 | The Reign of Kiki the First | ||||||||||
Box 60 | Kotzwinkle, William | ||||||||||
Box 60 | The Field | ||||||||||
Box 60 | How Bawble Made Them All Happy | ||||||||||
Box 60 | Kozlowski, Lynn | ||||||||||
Box 60 | Being Met | ||||||||||
Box 60 | Jerry [aka Bad Pets] | ||||||||||
Box 60 | Scrub | ||||||||||
Box 60 | Kranes, David | ||||||||||
Box 60 | Dealer | ||||||||||
Box 60 | Self Abuse | ||||||||||
Box 60 | Street | ||||||||||
Box 60 | Krawiec, Richard | ||||||||||
Box 60 | Listening to the Gay Boys | ||||||||||
Box 60 | Lovers | ||||||||||
Box 60 | Krekorian, Michael | ||||||||||
Box 60 | Oh, Rauschenberg! | ||||||||||
Box 60 | Kriesberg, Hadea | ||||||||||
Box 60 | Siamese | ||||||||||
Box 60 | Krisak, Len | ||||||||||
Box 60 | Technical Information | ||||||||||
Box 60 | Krist, Gary | ||||||||||
Box 60 | Bone by Bone | ||||||||||
Box 60 | Krotzer, Minter | ||||||||||
Box 60 | Making Old-Fashioneds | ||||||||||
Box 60 | Kubarycz, Brian | ||||||||||
Box 60 | Chip | ||||||||||
Box 60 | Hot nor Cold | ||||||||||
Box 60 | The Instruments I Used | ||||||||||
Box 60 | On the Mountain | ||||||||||
Box 60 | Kundera, Milan | ||||||||||
Box 60 | The Golden Apple of Eternal Desire | ||||||||||
Box 60 | The Hitchhiking Game | ||||||||||
Box 60 | Let the Old Dead Make Room for the Young Dead | ||||||||||
Box 60 | Introduction by Philip Roth | ||||||||||
Box 60 | Kurtzahn, Leslie | ||||||||||
Box 60 | Another Dreary Little Poem | ||||||||||
Box 60 | Kwitny, W. Wood | ||||||||||
Box 60 | What They Recalled in One Version | ||||||||||
Box 60 | Lane, Simon | ||||||||||
Box 60 | Fear | ||||||||||
Box 60 | The Formalist | ||||||||||
Box 60 | Twininity (2 folders) | ||||||||||
Box 60 | Langer, Suzanne | ||||||||||
Box 60 | The Great Shift: Instinct to Intuition | ||||||||||
Box 60 | Larsen, Deborah | ||||||||||
Box 60 | Deboarh Larsen to Q [aka Dance Notes for the Dogs] | ||||||||||
Box 60 | Larsen, Eric | ||||||||||
Box 60 | Spectre: A Writer's Notes | ||||||||||
Box 60 | Laughlin, James | ||||||||||
Box 60 | Ez As Waz | ||||||||||
Box 60 | Harvard, Fair Harvard | ||||||||||
Box 60 | The Pleasures of Reading the Classics in Translation | ||||||||||
Box 60 | Leader, Mary | ||||||||||
Box 60 | Among Things Held at Arms Length | ||||||||||
Box 60 | A Coastal Story | ||||||||||
Box 60 | Middle Daughter's Song | ||||||||||
Box 60 | Trimmed with Eyelet Lace | ||||||||||
Box 60 | Lear, Patricia | ||||||||||
Box 60 | After Memphis | ||||||||||
Box 60 | Believe Me, Phoebe | ||||||||||
Box 60 | Summer Party | ||||||||||
Box 60 | Ironman | ||||||||||
Box 60 | Leaton, Anne | ||||||||||
Box 60 | Gita's Story | ||||||||||
Box 60 | Leavitt, David | ||||||||||
Box 60 | Daguhs and Oonicaws | ||||||||||
Box 60 | The Dungeon | ||||||||||
Box 60 | Flight Attendant | ||||||||||
Box 60 | Fun | ||||||||||
Box 60 | My Father's Fish | ||||||||||
Box 60 | In the Radiation Therapy Center | ||||||||||
Box 60 | The Reindeer | ||||||||||
Box 60 | White horse Traveler | ||||||||||
Box 60 | A Woman and Her Dog | ||||||||||
Box 60 | Lee, Carol | ||||||||||
Box 60 | Absentmindedly | ||||||||||
Box 60 | According to Aunt Rose | ||||||||||
Box 60 | After Getting Rid of Ben | ||||||||||
Box 60 | Bud | ||||||||||
Box 60 | Capote's Strange Nostalgia | ||||||||||
Box 60 | Dining Experience | ||||||||||
Box 60 | A Evening in Review | ||||||||||
Box 60 | Fred | ||||||||||
Box 60 | Hal | ||||||||||
Box 60 | Helen and Ben | ||||||||||
Box 60 | In Heaven | ||||||||||
Box 60 | James, the Photographer | ||||||||||
Box 60 | Last Night | ||||||||||
Box 60 | Literary Concerns and the Lives of Poets | ||||||||||
Box 60 | My Diary | ||||||||||
Box 60 | Myrna Telling It | ||||||||||
Box 60 | The Neighbors Observed | ||||||||||
Box 60 | News | ||||||||||
Box 60 | Nina | ||||||||||
Box 60 | One Day | ||||||||||
Box 60 | Reading About Rita | ||||||||||
Box 60 | The Remaining Uncle | ||||||||||
Box 60 | Taylor Street | ||||||||||
Box 60 | The Thing Is | ||||||||||
Box 60 | The Way Father Ate an Apple | ||||||||||
Box 60 | When I Smoked | ||||||||||
Box 60 | When Ricky Came Home to Lucy | ||||||||||
Box 60 | Lee, David | ||||||||||
Box 60 | Snow | ||||||||||
Box 60 | Sparta Rodeo | ||||||||||
Box 60 | Leebron, Fred G. | ||||||||||
Box 60 | Counting | ||||||||||
Box 60 | Crush | ||||||||||
Box 60 | Salt Lake City | ||||||||||
Box 60 | Lefer, Diane | ||||||||||
Box 60 | Jordan | ||||||||||
Box 60 | Lelchuck, Alan | ||||||||||
Box 60 | The Struggless of a Reasonable Man [aka The Confessions of a Reasonable Man] | ||||||||||
Box 60 | Lem, Stanislaw | ||||||||||
Box 60 | From the Star Diary: Three Voyages Draft 1 | ||||||||||
Box 60 | From the Star Diary: Three Voyages Draft 2 | ||||||||||
Box 60 | From the Star Diary: Three Voyages Draft 3 | ||||||||||
Box 61 | Lemann | ||||||||||
Box 61 | Lemann, Nancy | ||||||||||
Box 61 | Stories | ||||||||||
Box 61 | Havanna | ||||||||||
Box 61 | Nancy Lemann to Q | ||||||||||
Box 61 | [There is a place across Lake Pontchartrain...] | ||||||||||
Box 61 | How My Heart Broke into a Million Pieces on the Floor (2 folders) | ||||||||||
Box 61 | Lives of the Saints Draft (2 folders) | ||||||||||
Box 61 | Lives of the Saints Master Pages | ||||||||||
Box 61 | Lives of the Saints Master Pages - Second Copy | ||||||||||
Box 61 | Lives of the Saints Author's Masters | ||||||||||
Box 61 | Lives of the Saints Second Masters | ||||||||||
Box 61 | Ritz of the Bayou Draft (2 folders) | ||||||||||
Box 61 | Ritz of the Bayou Draft 2 (2 folders) | ||||||||||
Box 61 | Ritz of the Bayou Draft 3 (2 folders) | ||||||||||
Box 61 | Ritz of the Bayou Draft of Opening | ||||||||||
Box 61 | Ritz of the Bayou Master Set - First Pass | ||||||||||
Box 62 | Lemann (end) - Lipsyte | ||||||||||
Box 62 | Lemann, Nancy (end) | ||||||||||
Box 62 | Ritz of the Bayou Master Set - Second Pass | ||||||||||
Box 62 | Ritz of the Bayou Pages | ||||||||||
Box 62 | Ritz of the Bayou 2 Preprint Manuscripts | ||||||||||
Box 62 | Copy about Lemann | ||||||||||
Box 62 | Lemperly, Robert | ||||||||||
Box 62 | Ass Bandit | ||||||||||
Box 62 | Gay Ray's Metaphysical Journey | ||||||||||
Box 62 | Hey, Fairchild [aka Sixteen ] | ||||||||||
Box 62 | How Bawble Made Them All Happy | ||||||||||
Box 62 | Pilgrim | ||||||||||
Box 62 | Lentricchia, Frank | ||||||||||
Box 62 | Edge of Night (2 folders) | ||||||||||
Box 62 | Johnny Critelli Draft 1 | ||||||||||
Box 62 | Johnny Critelli Draft 2 | ||||||||||
Box 62 | The Knifemen (2 folders) | ||||||||||
Box 62 | Lucchesi and the Whale | ||||||||||
Box 62 | The Music of the Inferno (2 folders) | ||||||||||
Box 62 | Leone, Dan [aka Dom Leone] | ||||||||||
Box 62 | Ambulanceman | ||||||||||
Box 62 | Autograph Hound | ||||||||||
Box 62 | Chemicals [aka Happiness and Nine] | ||||||||||
Box 62 | I Don Not Have a Dog | ||||||||||
Box 62 | Job [aka Show Me] | ||||||||||
Box 62 | Laundryman | ||||||||||
Box 62 | The Magic Bike | ||||||||||
Box 62 | Memory Guy [aka If I Had It in Me] | ||||||||||
Box 62 | Mother [aka Something to Cry About and Minor League Pain] | ||||||||||
Box 62 | Outside | ||||||||||
Box 62 | Party [aka Tommy's Party] | ||||||||||
Box 62 | Responsibleman | ||||||||||
Box 62 | Soberman | ||||||||||
Box 62 | The Stapler | ||||||||||
Box 62 | Tan Sofa with Day Bed | ||||||||||
Box 62 | Teacherman {aka Door to Door] | ||||||||||
Box 62 | Team [aka Your Team Is a Losing Team] | ||||||||||
Box 62 | Wife [aka Do You Know Where Your Alice Is?] | ||||||||||
Box 62 | Levy-Hinte, Jean | ||||||||||
Box 62 | Tumors | ||||||||||
Box 62 | Lesser, Ellen | ||||||||||
Box 62 | [I started noticing him now and then…] | ||||||||||
Box 62 | Levine, Matthew | ||||||||||
Box 62 | Noises of Astonishing Satisfaction | ||||||||||
Box 62 | When I Go for Her | ||||||||||
Box 62 | Ligon, Samuel W. | ||||||||||
Box 62 | Blueboy | ||||||||||
Box 62 | L'Heureux, John | ||||||||||
Box 62 | Consolations of Philosophy | ||||||||||
Box 62 | Lillywhite, Harvey | ||||||||||
Box 62 | Believing | ||||||||||
Box 62 | Believing | ||||||||||
Box 62 | What Can Still Be Told | ||||||||||
Box 62 | Letter to a Friend | ||||||||||
Box 62 | Leaving the Light | ||||||||||
Box 62 | Photographs | ||||||||||
Box 62 | The Desire to Sail | ||||||||||
Box 62 | Memorial Day | ||||||||||
Box 62 | Recovery | ||||||||||
Box 62 | The Gypsy King | ||||||||||
Box 62 | Night | ||||||||||
Box 62 | The Squatter: A Corncrib | ||||||||||
Box 62 | The Stone Grainary | ||||||||||
Box 62 | Cherries | ||||||||||
Box 62 | The Squatter | ||||||||||
Box 62 | Letting Go | ||||||||||
Box 62 | For Days We've Been Dreaming | ||||||||||
Box 62 | Oh Farmers! | ||||||||||
Box 62 | Tides | ||||||||||
Box 62 | Ulster Co., New York | ||||||||||
Box 62 | Napping | ||||||||||
Box 62 | First Thoughts After Kissing a Woman Who Wears Glasses | ||||||||||
Box 62 | Waking | ||||||||||
Box 62 | Makah | ||||||||||
Box 62 | The Last Note | ||||||||||
Box 62 | His Bed | ||||||||||
Box 62 | Ride to Chicago, 1932 | ||||||||||
Box 62 | Passing Time | ||||||||||
Box 62 | Returning with My Father | ||||||||||
Box 62 | Myth | ||||||||||
Box 62 | To Have Me, Mom Gave Up | ||||||||||
Box 62 | Walking | ||||||||||
Box 62 | Above It All | ||||||||||
Box 62 | The Last Friend | ||||||||||
Box 62 | Sleep | ||||||||||
Box 62 | For the Sabbath | ||||||||||
Box 62 | The Ocean in a Modern Economy | ||||||||||
Box 62 | Where | ||||||||||
Box 62 | The Distant Kitchen | ||||||||||
Box 62 | The Lilac Tree | ||||||||||
Box 62 | Fire in the Manti LaSalle | ||||||||||
Box 62 | Lima, Jose Lezama | ||||||||||
Box 62 | Excerpt from Paradiso | ||||||||||
Box 62 | Linder, Eric | ||||||||||
Box 62 | Distress | ||||||||||
Box 62 | Poem | ||||||||||
Box 62 | Lipsyte, Sam | ||||||||||
Box 62 | Kill the Body and the Head Will Die | ||||||||||
Box 62 | Torquemada | ||||||||||
Box 63 | Lirenman - Marinovich | ||||||||||
Box 63 | Lirenman, Ian | ||||||||||
Box 63 | Judas | ||||||||||
Box 63 | Lisicky, Paul | ||||||||||
Box 63 | Tip-It | ||||||||||
Box 63 | Liu, Timothy | ||||||||||
Box 63 | The Gates of Hell | ||||||||||
Box 63 | Say Goodnight | ||||||||||
Box 63 | Lock, Norman | ||||||||||
Box 63 | Dreaming Moriarty | ||||||||||
Box 63 | Explaining Africa | ||||||||||
Box 63 | Incident in Mombassa | ||||||||||
Box 63 | The Scream | ||||||||||
Box 63 | The Sleep Institute | ||||||||||
Box 63 | Through the Thorns | ||||||||||
Box 63 | Locklin, Gerald | ||||||||||
Box 63 | The Criminal Mentality | ||||||||||
Box 63 | Loomis, Ed | ||||||||||
Box 63 | Le sujet: un beau livre | ||||||||||
Box 63 | The Future | ||||||||||
Box 63 | Tragic Knowledge | ||||||||||
Box 63 | Manila Bay | ||||||||||
Box 63 | Tangerines | ||||||||||
Box 63 | Epigraph | ||||||||||
Box 63 | Mallarmé | ||||||||||
Box 63 | The Woman | ||||||||||
Box 63 | Hello | ||||||||||
Box 63 | Spiritual Affirmations | ||||||||||
Box 63 | Poem About the War | ||||||||||
Box 63 | After Van Gogh | ||||||||||
Box 63 | Casualty | ||||||||||
Box 63 | Infantry Duty in Germany | ||||||||||
Box 63 | A Luftwaffe Base | ||||||||||
Box 63 | Lowry, John | ||||||||||
Box 63 | Captains [aka In Dorian's Office] | ||||||||||
Box 63 | Going Up | ||||||||||
Box 63 | Out of the Blue | ||||||||||
Box 63 | Overpopulation | ||||||||||
Box 63 | Tike | ||||||||||
Box 63 | Luhn, David | ||||||||||
Box 63 | The Judith Poems | ||||||||||
Box 63 | Setting the Tone for Love | ||||||||||
Box 63 | People, You Say | ||||||||||
Box 63 | Nostalgie de la Boue | ||||||||||
Box 63 | Symposium | ||||||||||
Box 63 | Sojourner: The Superstition Wilderness | ||||||||||
Box 63 | Clairvoyance | ||||||||||
Box 63 | A Set of Blinders | ||||||||||
Box 63 | A Piece Is Where You Find It | ||||||||||
Box 63 | Passing Visions (for Barbara Siegel) | ||||||||||
Box 63 | At the Solstice | ||||||||||
Box 63 | Within Sight of Stony Creek Mountain | ||||||||||
Box 63 | Do Not for a Moment Mistake This for Aurelius | ||||||||||
Box 63 | August | ||||||||||
Box 63 | Triptychs | ||||||||||
Box 63 | Lacrymosa (for Edward Stierle. 1968-1991) | ||||||||||
Box 63 | As I Was Saying | ||||||||||
Box 63 | Drawing by Lots for Voyage (for Talbot Spivak) | ||||||||||
Box 63 | Against Reverie | ||||||||||
Box 63 | Attic Likeness | ||||||||||
Box 63 | Lurie, Morris | ||||||||||
Box 63 | Captain Fiction Meets the Polish Rapist | ||||||||||
Box 63 | How to Eat | ||||||||||
Box 63 | Mud | ||||||||||
Box 63 | Lutz, Gary (2 folders) | ||||||||||
Box 63 | The Assistant | ||||||||||
Box 63 | Care | ||||||||||
Box 63 | Carriers | ||||||||||
Box 63 | Certain Riddances | ||||||||||
Box 63 | Contractions | ||||||||||
Box 63 | The Daughter | ||||||||||
Box 63 | Devotions | ||||||||||
Box 63 | Education | ||||||||||
Box 63 | Four | ||||||||||
Box 63 | Friendship | ||||||||||
Box 63 | From Where I'm From Now On Hailing From | ||||||||||
Box 63 | The Gist | ||||||||||
Box 63 | The Go-Between | ||||||||||
Box 63 | Halfway | ||||||||||
Box 63 | Here | ||||||||||
Box 63 | In on It | ||||||||||
Box 63 | Left | ||||||||||
Box 63 | The Man Could Be Heard Doing Things | ||||||||||
Box 63 | My Bloodbaths | ||||||||||
Box 63 | Now and Later | ||||||||||
Box 63 | The Part of the Light I Am No Longer a Part Of | ||||||||||
Box 63 | The Pavilion | ||||||||||
Box 63 | Pledge | ||||||||||
Box 63 | Positions | ||||||||||
Box 63 | Seeing Supper | ||||||||||
Box 63 | Slices | ||||||||||
Box 63 | Susceptibility | ||||||||||
Box 63 | That Which Is Husbander Than Anything Prior | ||||||||||
Box 63 | The Time It Takes Me | ||||||||||
Box 63 | Turns | ||||||||||
Box 63 | Unnaming the Dog | ||||||||||
Box 63 | The Versionless Version of My Mother | ||||||||||
Box 63 | Verson, Recto | ||||||||||
Box 63 | Vouch for Me [aka Pull and When You Got Back] | ||||||||||
Box 63 | What They Mean Is What's Behind You | ||||||||||
Box 63 | Whole | ||||||||||
Box 63 | Luz, Martin J. | ||||||||||
Box 63 | Tracing an Epic Graph | ||||||||||
Box 63 | Lynn, Kirk | ||||||||||
Box 63 | The Lust Supper | ||||||||||
Box 63 | Lynch, Thomas | ||||||||||
Box 63 | Thomas Lynch to Q | ||||||||||
Box 63 | Skating with Heather Grace Draft | ||||||||||
Box 63 | Skating with Heather Grace Galleys | ||||||||||
Box 63 | Skating with Heather Grace Pages | ||||||||||
Box 63 | Skating with Heather Grace Printer's Proofs | ||||||||||
Box 63 | Second Tongue | ||||||||||
Box 63 | Lynds, Dennis | ||||||||||
Box 63 | Triptych | ||||||||||
Box 63 | Mace, Paul | ||||||||||
Box 63 | [Untitled] | ||||||||||
Box 63 | Maddox, William S. | ||||||||||
Box 63 | The Christmas Firing Squad | ||||||||||
Box 63 | Magavern, Sam | ||||||||||
Box 63 | The Beijing Blind Storytellers Guild | ||||||||||
Box 63 | Life as a Terrible Gift | ||||||||||
Box 63 | The Old Black Coat | ||||||||||
Box 63 | Rabbi Simon's Marriage | ||||||||||
Box 63 | Winter Time with the Bears | ||||||||||
Box 63 | Mailer, Norman | ||||||||||
Box 63 | Of a Small and Modest Malignancy, Wicked and Bristling with Dots | ||||||||||
Box 63 | Malamud, Bernard | ||||||||||
Box 63 | The Letter | ||||||||||
Box 63 | Malick, Terrence | ||||||||||
Box 63 | Deadhead Miles | ||||||||||
Box 63 | Maloley, Scott | ||||||||||
Box 63 | The Proof | ||||||||||
Box 63 | Malone, Michael | ||||||||||
Box 63 | Blue Cadillac | ||||||||||
Box 63 | Synopsis of Dingley Falls | ||||||||||
Box 63 | The Dingleys of Dingley Falls | ||||||||||
Box 63 | Malone, Michael (?) | ||||||||||
Box 63 | How Many Dogs Did Alexander Pope Have? | ||||||||||
Box 63 | Malzburg, Barry | ||||||||||
Box 63 | Yearbook | ||||||||||
Box 63 | Mandell, Arnold | ||||||||||
Box 63 | Transcendence Training - From the Energy of the First to the Second Second Wind | ||||||||||
Box 63 | Mano, D. Keith | ||||||||||
Box 63 | The Call | ||||||||||
Box 63 | The Death and Life of Harry Goth | ||||||||||
Box 63 | Marcus, Ben | ||||||||||
Box 63 | Stories | ||||||||||
Box 63 | The Animal Husband | ||||||||||
Box 63 | Continuous Winter, in Law | ||||||||||
Box 63 | Coughing, in Human Beings, Device | ||||||||||
Box 63 | Elevation of the Prison Bed | ||||||||||
Box 63 | False Water Society | ||||||||||
Box 63 | Intercourse with Resuscitated Wife | ||||||||||
Box 63 | Landing on Floating Island of the Gods | ||||||||||
Box 63 | An Open Area Free of Beasts | ||||||||||
Box 63 | Outline of a City | ||||||||||
Box 63 | Presentation of the Church | ||||||||||
Box 63 | Speaking without Breathing | ||||||||||
Box 63 | Swimming, Strictly, an Inscription | ||||||||||
Box 63 | The Age of Wire and String Early Drafts | ||||||||||
Box 63 | The Age of Wire and String | ||||||||||
Box 63 | Autobiography | ||||||||||
Box 63 | Marcus, J.S. | ||||||||||
Box 63 | By J.S. Marcus | ||||||||||
Box 63 | [When he's in London…] | ||||||||||
Box 63 | Marcus, Peter | ||||||||||
Box 63 | The Affair | ||||||||||
Box 63 | Chesterfield Solitude | ||||||||||
Box 63 | Minnows | ||||||||||
Box 63 | This Evening at My Desk a Dark Square Encloses My Mind | ||||||||||
Box 63 | Marinis, Rick de | ||||||||||
Box 63 | A Game Without Children | ||||||||||
Box 63 | Marinovich, Matt | ||||||||||
Box 63 | Archery at Home and Other Predictions | ||||||||||
Box 63 | Flash On [aka Making the Circuit] | ||||||||||
Box 63 | Food | ||||||||||
Box 63 | Help Me! [aka Serum] | ||||||||||
Box 63 | Intelligence | ||||||||||
Box 63 | A Little Vivaldi | ||||||||||
Box 63 | Making Headway [aka Small Victories] | ||||||||||
Box 63 | Our Latest Accomplishments | ||||||||||
Box 63 | Spoken For | ||||||||||
Box 63 | You Can't Leave Me Here | ||||||||||
Box 64 | Markus - Meats | ||||||||||
Box 64 | Markus, Peter | ||||||||||
Box 64 | Openings | ||||||||||
Box 64 | Marowitz | ||||||||||
Box 64 | Fantasizing Lisskulla | ||||||||||
Box 64 | Márquez, Gabriel García (2 folders) | ||||||||||
Box 64 | The Incredible and S ad Tale of Innocent Erendira and Her Heartless Grandmother (2 folders) | ||||||||||
Box 64 | Marten, Eugene | ||||||||||
Box 64 | The Apologist | ||||||||||
Box 64 | 'Doesn't Anybody Here Speak English?' | ||||||||||
Box 64 | Goat's Eye | ||||||||||
Box 64 | He Said the Bombing Had Started | ||||||||||
Box 64 | Liquids Continue to Conspire | ||||||||||
Box 64 | Vista | ||||||||||
Box 64 | Martinez, Manuel | ||||||||||
Box 64 | Melaleuca | ||||||||||
Box 64 | Martone, Michael | ||||||||||
Box 64 | Alive and Dead in Indiana Printer's ms. | ||||||||||
Box 64 | Alive and Dead in Indiana Galleys (2 folders) | ||||||||||
Box 64 | Alive and Dead in Indiana Master Galleys | ||||||||||
Box 64 | Alive and Dead in Indiana Pages (2 folders) | ||||||||||
Box 64 | Alive and Dead in Indiana Proof | ||||||||||
Box 64 | Untitled Collection of Stories | ||||||||||
Box 64 | March of Dimes | ||||||||||
Box 64 | Nein | ||||||||||
Box 64 | Lost | ||||||||||
Box 64 | X-Ray | ||||||||||
Box 64 | The Third Day of Trials | ||||||||||
Box 64 | An Accident | ||||||||||
Box 64 | Vocation | ||||||||||
Box 64 | Marvel, Mark | ||||||||||
Box 64 | [It is the night that they come…] | ||||||||||
Box 64 | [The pig corn field is where…] | ||||||||||
Box 64 | Matanle, Stephen | ||||||||||
Box 64 | Burning Windows | ||||||||||
Box 64 | Commissioned by a Wealthy Uncle to Write a Poem for His Birthday, I Remind Myself of Holbein's Portrait [aka Reading the Personal Ads I Think of Holbein's Portrait | ||||||||||
Box 64 | His Insomnia | ||||||||||
Box 64 | Materath, Mario (?) | ||||||||||
Box 64 | Literary Creative and the Publishing Industry: A Round Table | ||||||||||
Box 64 | Matthews, Jim | ||||||||||
Box 64 | The Ballad of Rube and Silky | ||||||||||
Box 64 | McCall, Bruce | ||||||||||
Box 64 | At the 1936 Cairo World's Fair | ||||||||||
Box 64 | McCloud, Kate | ||||||||||
Box 64 | [I finished Mojave late last night…] | ||||||||||
Box 64 | McDonald, Craig Anton | ||||||||||
Box 64 | The War at Home | ||||||||||
Box 64 | McDougall, Jo | ||||||||||
Box 64 | Elephants | ||||||||||
Box 64 | End of October | ||||||||||
Box 64 | Trains Crossing Kansas | ||||||||||
Box 64 | McEwan, Ian | ||||||||||
Box 64 | Butterflies | ||||||||||
Box 64 | Solid Geometry | ||||||||||
Box 64 | McGimpsey, David | ||||||||||
Box 64 | Bartok at Secodn Base | ||||||||||
Box 64 | Kate & Allie Chronicles | ||||||||||
Box 64 | McGonigle, Thomas | ||||||||||
Box 64 | Thomas McGonigle to Q | ||||||||||
Box 64 | McGookey, Kathleen | ||||||||||
Box 64 | In Traverse City | ||||||||||
Box 64 | McGuane, Thomas | ||||||||||
Box 64 | The Bushwhacked Piano | ||||||||||
Box 64 | McKenna, Shauna | ||||||||||
Box 64 | our good sister | ||||||||||
Box 64 | McLendon, David | ||||||||||
Box 64 | Love You, Boo | ||||||||||
Box 64 | McMullin, Brooks | ||||||||||
Box 64 | What We All Came Together to Say That It Is So | ||||||||||
Box 64 | McNally, Richard | ||||||||||
Box 64 | Velocity | ||||||||||
Box 64 | MacPherson, James Allen | ||||||||||
Box 64 | For the Defense | ||||||||||
Box 64 | Meats, Stephen E. | ||||||||||
Box 64 | Inside the Crow | ||||||||||
Box 64 | The Notified | ||||||||||
Box 65 | Meisner - Mulcahy | ||||||||||
Box 65 | Meisner, Jan | ||||||||||
Box 65 | Stories | ||||||||||
Box 65 | Alphabet | ||||||||||
Box 65 | The Art of Confession | ||||||||||
Box 65 | [Hello sugar sounded sweeter…] | ||||||||||
Box 65 | [High heels in the kitchen…] | ||||||||||
Box 65 | Inland in July | ||||||||||
Box 65 | [Just one, and something happens…] | ||||||||||
Box 65 | Love | ||||||||||
Box 65 | [My blue walls looked black…] | ||||||||||
Box 65 | [We weren't exactly Christians…] | ||||||||||
Box 65 | [You had to work hard for your gossip…] | ||||||||||
Box 65 | Jan Meisner to Campbell Geeslin | ||||||||||
Box 65 | Menche, Karl | ||||||||||
Box 65 | The Art of Ventriloquism | ||||||||||
Box 65 | Mester, Marianne | ||||||||||
Box 65 | Making Me | ||||||||||
Box 65 | Meyers, Paul | ||||||||||
Box 65 | Give Me Back My Hot Wheels | ||||||||||
Box 65 | I Don't Live Here | ||||||||||
Box 65 | Michel, Sam (6 folders) | ||||||||||
Box 65 | Stories | ||||||||||
Box 65 | The Beast, Watered [aka Shower ] | ||||||||||
Box 65 | The Big Pink | ||||||||||
Box 65 | The Bombardier [aka Afterburners] | ||||||||||
Box 65 | Champions | ||||||||||
Box 65 | Falling in the Holiday Season | ||||||||||
Box 65 | First I Lock the Door | ||||||||||
Box 65 | From Out of the Past Comes | ||||||||||
Box 65 | Happiness [aka Over Easy] | ||||||||||
Box 65 | [Harry pulled on the rope…] | ||||||||||
Box 65 | I'm Not Sold [aka Daddy Needs New Shoes] | ||||||||||
Box 65 | The Naming | ||||||||||
Box 65 | Neno, Neno, Neno, Neno [aka Back in the Almost ] | ||||||||||
Box 65 | [Not that she herself, his mother…] | ||||||||||
Box 65 | Pagan | ||||||||||
Box 65 | Smoke [aka Divorce Ranch] | ||||||||||
Box 65 | [So he kept digging…] | ||||||||||
Box 65 | Willows | ||||||||||
Box 65 | Calving (2 folders) | ||||||||||
Box 65 | Lincoln Dahl Turns Five | ||||||||||
Box 65 | Mihailovic, Dragoslav | ||||||||||
Box 65 | The Traveler | ||||||||||
Box 65 | Miller, Arthur | ||||||||||
Box 65 | My Czech New Year's Card | ||||||||||
Box 65 | Miller, Kathleen | ||||||||||
Box 65 | You Will Hear | ||||||||||
Box 65 | Miller, Nina | ||||||||||
Box 65 | Poppies | ||||||||||
Box 65 | Milligan, Marjorie | ||||||||||
Box 65 | Chutes | ||||||||||
Box 65 | Small-town News | ||||||||||
Box 65 | Millis, Christopher | ||||||||||
Box 65 | The Despair of Marcel Marceau | ||||||||||
Box 65 | Mills, Chris | ||||||||||
Box 65 | Lousy Coffee | ||||||||||
Box 65 | Mirsky, Mark Jay | ||||||||||
Box 65 | Mark Jay Mirsky to Q | ||||||||||
Box 65 | Mistry, Manek | ||||||||||
Box 65 | A Descent, in the Company of a Pig | ||||||||||
Box 65 | Do You Want a Glass of Water? | ||||||||||
Box 65 | The Eye of a Blind Newt | ||||||||||
Box 65 | Father | ||||||||||
Box 65 | George Washington Was a Satan Worshiper | ||||||||||
Box 65 | God and Satan Got Together as a Popular New Café | ||||||||||
Box 65 | Help Me I'm Trapped | ||||||||||
Box 65 | Not a Moral Desire | ||||||||||
Box 65 | Penance | ||||||||||
Box 65 | Physics for Poets | ||||||||||
Box 65 | Somebody Stepped on Bert | ||||||||||
Box 65 | Spoon | ||||||||||
Box 65 | St. George | ||||||||||
Box 65 | Three Stories | ||||||||||
Box 65 | What Are You Doing Lying on the Ground Outside My Door? | ||||||||||
Box 65 | Mitchell, James | ||||||||||
Box 65 | Taking Our Places | ||||||||||
Box 65 | Mitchell, Janet | ||||||||||
Box 65 | Acts in the Circus | ||||||||||
Box 65 | Talking About Momma | ||||||||||
Box 65 | Mitchner, Stuart | ||||||||||
Box 65 | Acid | ||||||||||
Box 65 | Bosch in Jerusalem | ||||||||||
Box 65 | Holding It Up to the Light | ||||||||||
Box 65 | Joan Crawford at the Automat | ||||||||||
Box 65 | Marlowe Struck by Lightning | ||||||||||
Box 65 | Panache | ||||||||||
Box 65 | Moceri, P. | ||||||||||
Box 65 | Giving a Stranger a Ride | ||||||||||
Box 65 | Monroe, Shelby | ||||||||||
Box 65 | Remembering | ||||||||||
Box 65 | Morris, Herbert | ||||||||||
Box 65 | Man in a Rowboat | ||||||||||
Box 65 | Morris, Leslie | ||||||||||
Box 65 | Away, Away in China | ||||||||||
Box 65 | Morris, Wright | ||||||||||
Box 65 | The Colonel, Between Wars | ||||||||||
Box 65 | Moser, Benjamin | ||||||||||
Box 65 | Chavela Vargas | ||||||||||
Box 65 | Staten Island | ||||||||||
Box 65 | Venezuela's Sincere Illusion | ||||||||||
Box 65 | Moshfegh, Ottessa | ||||||||||
Box 65 | I Have This to Tell You | ||||||||||
Box 65 | Times Square | ||||||||||
Box 65 | Nursery | ||||||||||
Box 65 | I Am Seventeen Years Old | ||||||||||
Box 65 | [You were plain against the shatter…] | ||||||||||
Box 65 | [Father plays the flute and mother dances…] | ||||||||||
Box 65 | Orion's Last Word | ||||||||||
Box 65 | [This is mother with all her glasses…] | ||||||||||
Box 65 | Moss, Donald | ||||||||||
Box 65 | My Summer Vacation in West Africa | ||||||||||
Box 65 | Mottern, James | ||||||||||
Box 65 | Wood Box | ||||||||||
Box 65 | Mountzoures, H.L. | ||||||||||
Box 65 | The Contributors | ||||||||||
Box 65 | Moyano, Dolores | ||||||||||
Box 65 | Adam and the Chinese | ||||||||||
Box 65 | Moynihan, Robert | ||||||||||
Box 65 | For Michael | ||||||||||
Box 65 | Mulcahy, Greg (5 folders) | ||||||||||
Box 65 | Stories (2 folders) | ||||||||||
Box 65 | Bedroom | ||||||||||
Box 65 | Cover This | ||||||||||
Box 65 | Driver | ||||||||||
Box 65 | Dry [aka Buy Out] | ||||||||||
Box 65 | Edge City | ||||||||||
Box 65 | Fast Food | ||||||||||
Box 65 | Fat Boy | ||||||||||
Box 65 | Floodlight | ||||||||||
Box 65 | Food Club | ||||||||||
Box 65 | Forward | ||||||||||
Box 65 | Garden Groves | ||||||||||
Box 65 | Light | ||||||||||
Box 65 | Low Cover [aka Hand to Hand] | ||||||||||
Box 65 | The Meditation [aka Slot Cars] | ||||||||||
Box 65 | Mercury | ||||||||||
Box 65 | Message | ||||||||||
Box 65 | Park [aka Blue Book] | ||||||||||
Box 65 | President | ||||||||||
Box 65 | Pumphouse | ||||||||||
Box 65 | Stick | ||||||||||
Box 65 | Sustenance | ||||||||||
Box 65 | This Is It | ||||||||||
Box 65 | Trains of the Future | ||||||||||
Box 65 | Truth | ||||||||||
Box 65 | Visit | ||||||||||
Box 65 | Work | ||||||||||
Box 65 | A History of Amnesia | ||||||||||
Box 65 | Trouble Lights (2 folders) | ||||||||||
Box 66 | Mullins - Murphy, Y. | ||||||||||
Box 66 | Mullins, Neva Sue (3 folders) | ||||||||||
Box 66 | Stories | ||||||||||
Box 66 | Daphne | ||||||||||
Box 66 | The Gift | ||||||||||
Box 66 | Interlude | ||||||||||
Box 66 | The Precious Enemy | ||||||||||
Box 66 | Momento Mori: An Anonymous Confession (2 folders) | ||||||||||
Box 66 | Muñoz, Alicia (2 folders) | ||||||||||
Box 66 | Blood and Other Stories | ||||||||||
Box 66 | Blood | ||||||||||
Box 66 | Kind, Generous, Lovely People | ||||||||||
Box 66 | Oxygen | ||||||||||
Box 66 | The Tourist | ||||||||||
Box 66 | Animals | ||||||||||
Box 66 | Burning or Freezing | ||||||||||
Box 66 | How Children Get Sick | ||||||||||
Box 66 | Curiosity Killed the Cat | ||||||||||
Box 66 | The God of Love Is Cruel | ||||||||||
Box 66 | Cactus Fruit | ||||||||||
Box 66 | The Real Story | ||||||||||
Box 66 | Butterflies | ||||||||||
Box 66 | Everything I Left Behind | ||||||||||
Box 66 | The Great Sinner Malachai | ||||||||||
Box 66 | A Hint of Sharpness | ||||||||||
Box 66 | The Last Mourner | ||||||||||
Box 66 | Santa Ana | ||||||||||
Box 66 | Murphy | ||||||||||
Box 66 | A Good Father | ||||||||||
Box 66 | To Woman Again | ||||||||||
Box 66 | Murphy, Patrick | ||||||||||
Box 66 | Some People [aka The Power of Dark, the Insufficiency of Light ] | ||||||||||
Box 66 | Murphy, Peter E. | ||||||||||
Box 66 | Fishing | ||||||||||
Box 66 | Heavy Construction | ||||||||||
Box 66 | The Laying of Hands | ||||||||||
Box 66 | Murphy, Yannick | ||||||||||
Box 66 | Stories (5 folders) | ||||||||||
Box 66 | Abalone, Ebony and Tusk | ||||||||||
Box 66 | Aunt Germaine | ||||||||||
Box 66 | The Beauty in Bulls | ||||||||||
Box 66 | Delaware | ||||||||||
Box 66 | Fat Man's Dance | ||||||||||
Box 66 | Find Natasha | ||||||||||
Box 66 | The Fishkeeper [aka When I Was a Girl and the River Was Clean] | ||||||||||
Box 66 | Into the Arms of the Man on the Moon [aka This Is a Sign] | ||||||||||
Box 66 | Is This a Land, a Continent, Can It Be Conquered? | ||||||||||
Box 66 | Kato and the Indians from Here | ||||||||||
Box 66 | The Killer [aka Water Buffalo] | ||||||||||
Box 66 | Lake Mohican | ||||||||||
Box 66 | Laws of Nature | ||||||||||
Box 66 | Legacies | ||||||||||
Box 66 | Lester | ||||||||||
Box 66 | The Lover (?) [aka Jesus of the Snow] | ||||||||||
Box 66 | Maimonides | ||||||||||
Box 66 | Mercury | ||||||||||
Box 66 | The One Story | ||||||||||
Box 66 | The Only Light to See By | ||||||||||
Box 66 | Our Underwater Mother | ||||||||||
Box 66 | Ready in the Night | ||||||||||
Box 66 | The Story of the Spirit | ||||||||||
Box 66 | Tidal Air | ||||||||||
Box 66 | The Time of Three Days Wind | ||||||||||
Box 66 | Up and Down the Stone Wall | ||||||||||
Box 66 | Weather [aka Ecuador] | ||||||||||
Box 66 | Where Dead Is Best | ||||||||||
Box 66 | The Woman in the Leopard Spotted Robe | ||||||||||
Box 66 | The Escape Master Set | ||||||||||
Box 66 | The Flight of Tim and Gale | ||||||||||
Box 66 | India | ||||||||||
Box 66 | Pony Bones | ||||||||||
Box 66 | Find Natasha | ||||||||||
Box 66 | The Beauty in Bulls | ||||||||||
Box 66 | The Story of the Spirit | ||||||||||
Box 66 | The Only Light to See By | ||||||||||
Box 66 | Jesus of the Snow | ||||||||||
Box 66 | Our Underwater Mother | ||||||||||
Box 66 | Lester | ||||||||||
Box 66 | Ready in the Night | ||||||||||
Box 66 | The Fish Keeper | ||||||||||
Box 66 | Is This a Land, a Continent, Can It Be Conquered? | ||||||||||
Box 66 | Aunt Germaine | ||||||||||
Box 66 | The Woman in the Leopard Spotted Robe [fragment] | ||||||||||
Box 66 | Lake Mohican [fragment] | ||||||||||
Box 66 | Abalone, Ebony and Tusk [fragment] | ||||||||||
Box 66 | Legacies | ||||||||||
Box 66 | In the Arms of the Man on the Moon | ||||||||||
Box 66 | The Year | ||||||||||
Box 66 | Stories in Another Language Master Set | ||||||||||
Box 66 | Stories in Another Language Author 1st Pass | ||||||||||
Box 66 | Stories in Another Language Author 2nd Pass | ||||||||||
Box 66 | Stories in Another Language Planning ms. (2 folders) | ||||||||||
Box 67 | Murphy (end) - Olsen | ||||||||||
Box 67 | Murphy, Yannick (end) | ||||||||||
Box 67 | Stories in Another Language Planning ms. (2 folders) | ||||||||||
Box 67 | Stories in Another Language Pages | ||||||||||
Box 67 | The Year | ||||||||||
Box 67 | Untitled Interview with Yanick Murphy | ||||||||||
Box 67 | Murray, Michael | ||||||||||
Box 67 | Cement Canoe | ||||||||||
Box 67 | Michael Murray to Q [aka Requiscat] | ||||||||||
Box 67 | Meyers, Jim | ||||||||||
Box 67 | Memories of Christmas Past | ||||||||||
Box 67 | O, Collegtown | ||||||||||
Box 67 | Myers, David | ||||||||||
Box 67 | Do You Hear Tapshoes [aka That Natural Rhythm] | ||||||||||
Box 67 | When Kings and Jesters Mischief Make [aka Maurice Is the Fantastic Knuckleballer] | ||||||||||
Box 67 | Nabokov, Dmitri | ||||||||||
Box 67 | Breaking the News | ||||||||||
Box 67 | Nabokov, Vladimir | ||||||||||
Box 67 | Anniversary Notes | ||||||||||
Box 67 | Myself Incomplete: A True Autobiography | ||||||||||
Box 67 | Transparent Things | ||||||||||
Box 67 | Nace, D.R. | ||||||||||
Box 67 | Spasm | ||||||||||
Box 67 | Nelson, Blake | ||||||||||
Box 67 | I Want to Write You Long Letters | ||||||||||
Box 67 | Nelson, Dianne L. | ||||||||||
Box 67 | A Brief History of Male Nudes in America | ||||||||||
Box 67 | Nelson, Rolf | ||||||||||
Box 67 | The Men on the Ground | ||||||||||
Box 67 | Nemerov, Howard | ||||||||||
Box 67 | Figures of Thought | ||||||||||
Box 67 | Two Ways of the Imagination | ||||||||||
Box 67 | Neva | ||||||||||
Box 67 | Daumier at Work | ||||||||||
Box 67 | Newlove, Donald | ||||||||||
Box 67 | Donald Newlove Face Many Dead Drunks | ||||||||||
Box 67 | Don't Worry, I've Got You [aka In His Breath ] | ||||||||||
Box 67 | The Dreamer's Eye, or The Boy Who Died the Hard Way | ||||||||||
Box 67 | Love's Labor [aka The Baby] | ||||||||||
Box 67 | Newman, Leigh | ||||||||||
Box 67 | His Call | ||||||||||
Box 67 | Untitled? | ||||||||||
Box 67 | Niedzviecki, Hal | ||||||||||
Box 67 | Mistaken | ||||||||||
Box 67 | Noguchi, Rick | ||||||||||
Box 67 | The Market on La Cienega | ||||||||||
Box 67 | Orchard | ||||||||||
Box 67 | Norman, Marc | ||||||||||
Box 67 | Bike Riding in Los Angeles | ||||||||||
Box 67 | Nurkse, D. | ||||||||||
Box 67 | The Grammer of Pain | ||||||||||
Box 67 | The Hotel Metropole | ||||||||||
Box 67 | The Last Night of Fever | ||||||||||
Box 67 | The Next World Is a Village Seen from a Train | ||||||||||
Box 67 | Shyness | ||||||||||
Box 67 | The Thread of the Conversation | ||||||||||
Box 67 | Nye, Robert | ||||||||||
Box 67 | Falstaff | ||||||||||
Box 67 | Oaks, Lynne Butler | ||||||||||
Box 67 | What I Can See from Here | ||||||||||
Box 67 | Oates, Joyce Carol (2 folders) | ||||||||||
Box 67 | Stories | ||||||||||
Box 67 | Black Eucharist | ||||||||||
Box 67 | How My Father Was Murdered | ||||||||||
Box 67 | Insomnia | ||||||||||
Box 67 | Martyrdom | ||||||||||
Box 67 | Scenes of Passion and Despair | ||||||||||
Box 67 | Variation on an American Hymn | ||||||||||
Box 67 | Wednesday | ||||||||||
Box 67 | The Triumph of the Spider Monkey | ||||||||||
Box 67 | O'Bannion, Seamus | ||||||||||
Box 67 | Sweater | ||||||||||
Box 67 | Sunset | ||||||||||
Box 67 | O'Brien, John | ||||||||||
Box 67 | Life Along the Number 11 | ||||||||||
Box 67 | O'Brien, Tim | ||||||||||
Box 67 | Spin [aka The Butterfly] | ||||||||||
Box 67 | Ohle, David | ||||||||||
Box 67 | The Boy Scout | ||||||||||
Box 67 | Chili Hearts | ||||||||||
Box 67 | The Flocculus | ||||||||||
Box 67 | From the Moldenke Sampler | ||||||||||
Box 67 | The Rules | ||||||||||
Box 67 | Olsen, Tillie | ||||||||||
Box 67 | IV | ||||||||||
Box 68 | Oouguleum - Pesetsky | ||||||||||
Box 68 | Oouguleum, Yambo | ||||||||||
Box 68 | Blessed Are the Niggertrash | ||||||||||
Box 68 | Opolicky, Michael | ||||||||||
Box 68 | Zebra | ||||||||||
Box 68 | Ormsby, Eric | ||||||||||
Box 68 | Brink-Grasses | ||||||||||
Box 68 | Cremation | ||||||||||
Box 68 | Great-Uncle Albert Renounces the Apocalypse | ||||||||||
Box 68 | Lamb | ||||||||||
Box 68 | The Monkey on the clothesline | ||||||||||
Box 68 | The Sadness of Rumplestiltskin | ||||||||||
Box 68 | Orr, Jeanne | ||||||||||
Box 68 | Story, Dance of the Fat Manifesto with Preface, Dedication, Commiato and Tumors | ||||||||||
Box 68 | Ortolani, Al | ||||||||||
Box 68 | Boys Did Through Neighbor's Trash Only to Become Beset by Great Mystery | ||||||||||
Box 68 | The Dupe [aka Finding Babe Ruth's Bat and Calling Your Shot] | ||||||||||
Box 68 | Orton, Thomas | ||||||||||
Box 68 | The Pitch | ||||||||||
Box 68 | Ostroff, Anthony | ||||||||||
Box 68 | The Principles of Ownership | ||||||||||
Box 68 | True Love | ||||||||||
Box 68 | Overstreet, Ray | ||||||||||
Box 68 | A Sparrow | ||||||||||
Box 68 | Owens, Iris | ||||||||||
Box 68 | After Claude | ||||||||||
Box 68 | Ozick, Cynthia | ||||||||||
Box 68 | Bleips Visit | ||||||||||
Box 68 | Bloodshed | ||||||||||
Box 68 | An Education | ||||||||||
Box 68 | Essay | ||||||||||
Box 68 | Infatuation's Desire | ||||||||||
Box 68 | An Overwrought View from the Peak of the Bottom: An Epistle to the Gentiles and Some Jews | ||||||||||
Box 68 | Prayer Leader | ||||||||||
Box 68 | Paczkowski, John S. | ||||||||||
Box 68 | Battologer | ||||||||||
Box 68 | Page, Frank | ||||||||||
Box 68 | The Mailer Assignment | ||||||||||
Box 68 | Operation Belscam | ||||||||||
Box 68 | The 25 Best Writers in America | ||||||||||
Box 68 | Who the Fuck Is Harold Brodkey? | ||||||||||
Box 68 | Paley, Grace | ||||||||||
Box 68 | The Long Distance Runner | ||||||||||
Box 68 | Oh That Child, That Child [aka The Little Girl ] | ||||||||||
Box 68 | Two Little Stories About Debts | ||||||||||
Box 68 | Palmer, Ezra | ||||||||||
Box 68 | Desire [aka Long] | ||||||||||
Box 68 | Pankey, Eric | ||||||||||
Box 68 | Apocrypha | ||||||||||
Box 68 | Midsummer Vestments | ||||||||||
Box 68 | Paola, Suzanne | ||||||||||
Box 68 | Crespuscolari | ||||||||||
Box 68 | Parker, Alan J. | ||||||||||
Box 68 | In from the cold | ||||||||||
Box 68 | interstate | ||||||||||
Box 68 | Parker, Diana | ||||||||||
Box 68 | Blue Bayou | ||||||||||
Box 68 | Parker, Kyle | ||||||||||
Box 68 | Food Chain | ||||||||||
Box 68 | How We Now Talk | ||||||||||
Box 68 | Our Thoughts We Have | ||||||||||
Box 68 | A Short Poem Found in a Closet | ||||||||||
Box 68 | Tower | ||||||||||
Box 68 | Parvin, Roy | ||||||||||
Box 68 | All the Days | ||||||||||
Box 68 | Passikof, Ben | ||||||||||
Box 68 | Freud | ||||||||||
Box 68 | Pastan, Linda | ||||||||||
Box 68 | Swimming Last Summer | ||||||||||
Box 68 | Patchen, Kenneth | ||||||||||
Box 68 | 'The Dark Kingdom' of Kenneth Patchen | ||||||||||
Box 68 | Pauling, Linus | ||||||||||
Box 68 | American Scientists and the Spirit of the Frontier | ||||||||||
Box 68 | Paulson, Steven C. | ||||||||||
Box 68 | The Stove [aka Stacking Boxes] | ||||||||||
Box 68 | Peck, John | ||||||||||
Box 68 | Blind Girl Raped, the True Story | ||||||||||
Box 68 | Peck, Norris | ||||||||||
Box 68 | I Would Rather Be Kissed at Seas Level | ||||||||||
Box 68 | The Wrong Side [aka Driving on the Left] | ||||||||||
Box 68 | Peletz, Roma | ||||||||||
Box 68 | [The first thing she did…] | ||||||||||
Box 68 | [On that day, the day she was going to…] | ||||||||||
Box 68 | Pendleton, Jan | ||||||||||
Box 68 | Stories | ||||||||||
Box 68 | Artichokes | ||||||||||
Box 68 | Black Flowers | ||||||||||
Box 68 | Carnival | ||||||||||
Box 68 | Clips | ||||||||||
Box 68 | Feathers with Hats [aka The Joker from Out of Town] | ||||||||||
Box 68 | The Hotel | ||||||||||
Box 68 | Houses on the Avenues | ||||||||||
Box 68 | Hunter | ||||||||||
Box 68 | In the North [aka Numbers] | ||||||||||
Box 68 | Inside the Roomer's Room | ||||||||||
Box 68 | Killing the Goats | ||||||||||
Box 68 | Legos [aka La Route Departentale] | ||||||||||
Box 68 | The Mascot | ||||||||||
Box 68 | Mexicans | ||||||||||
Box 68 | Nose | ||||||||||
Box 68 | [Please God Jan Pendleton is reading…] | ||||||||||
Box 68 | Shithead | ||||||||||
Box 68 | Spider | ||||||||||
Box 68 | Turbot, Tomossa | ||||||||||
Box 68 | Widows | ||||||||||
Box 68 | Shithead Draft | ||||||||||
Box 68 | Spider | ||||||||||
Box 68 | Artichokes | ||||||||||
Box 68 | Shithead | ||||||||||
Box 68 | Nose | ||||||||||
Box 68 | Girl | ||||||||||
Box 68 | The Hunter | ||||||||||
Box 68 | Inside the Roomer's Room | ||||||||||
Box 68 | Signs of Something | ||||||||||
Box 68 | Legos | ||||||||||
Box 68 | Teeth | ||||||||||
Box 68 | Houses on the Avenue | ||||||||||
Box 68 | Good Times | ||||||||||
Box 68 | The Hotel | ||||||||||
Box 68 | James | ||||||||||
Box 68 | Dolls | ||||||||||
Box 68 | Friends | ||||||||||
Box 68 | Clips | ||||||||||
Box 68 | Feathers with Hats | ||||||||||
Box 68 | Dummies | ||||||||||
Box 68 | Iguanas | ||||||||||
Box 68 | Black Flowers | ||||||||||
Box 68 | Carnival | ||||||||||
Box 68 | The Mascot | ||||||||||
Box 68 | Killing the Goats | ||||||||||
Box 68 | Shithead Copy of Draft | ||||||||||
Box 68 | Pesetsky, Bette | ||||||||||
Box 68 | Author from Savage People | ||||||||||
Box 68 | Care by Women Draft 1 | ||||||||||
Box 68 | Family Romances | ||||||||||
Box 68 | The Passing Parade | ||||||||||
Box 68 | Care by Women | ||||||||||
Box 68 | The Hobbyist | ||||||||||
Box 68 | Moe, Nat, and Yrd [aka Phylogeny and Other Spiritual Matters ] | ||||||||||
Box 68 | Stories Up to a Point | ||||||||||
Box 68 | Ulcer [aka Kitchen] | ||||||||||
Box 68 | Dyslexia | ||||||||||
Box 68 | An Artist's Life | ||||||||||
Box 68 | Walking Around | ||||||||||
Box 68 | Offspring of the First Generation | ||||||||||
Box 68 | The Person Who Held the Job Before You | ||||||||||
Box 68 | The Theory of Sets | ||||||||||
Box 68 | Scratch [aka The Complete Dictionary of Memory] | ||||||||||
Box 68 | A Family History | ||||||||||
Box 68 | Care by Women Draft 2 | ||||||||||
Box 68 | Moe, Nat, and Yrd | ||||||||||
Box 68 | Family Romances | ||||||||||
Box 68 | The Theory of Sets | ||||||||||
Box 68 | The Passing Parade | ||||||||||
Box 68 | The Hobbyist | ||||||||||
Box 68 | From P Forward [aka An Artist's Life] | ||||||||||
Box 68 | Stories Up to a Point | ||||||||||
Box 68 | Offspring of the First Generation | ||||||||||
Box 68 | Scratch | ||||||||||
Box 68 | Care by Women | ||||||||||
Box 68 | Dyslexia | ||||||||||
Box 68 | A Walker's Manual [aka Walking Around] | ||||||||||
Box 68 | Ulcer | ||||||||||
Box 68 | The Person Who Held the Job Before You | ||||||||||
Box 68 | A Family History | ||||||||||
Box 68 | The Legend of May | ||||||||||
Box 68 | Stories Up to a Point Master Set | ||||||||||
Box 68 | Stories Up to a Point Uncorrected Proof | ||||||||||
Box 69 | Petroski - Reinbold | ||||||||||
Box 69 | Petroski, Catherine | ||||||||||
Box 69 | The Shakespeare Man | ||||||||||
Box 69 | Pfeil, Fred | ||||||||||
Box 69 | Tom, Dick, and Harry [aka Man in Airport ] | ||||||||||
Box 69 | Phillips, Paul Gary | ||||||||||
Box 69 | The Fantasy of Gordon Lish | ||||||||||
Box 69 | Pinson, David | ||||||||||
Box 69 | Positive [aka Love and Stuff] | ||||||||||
Box 69 | The Wake | ||||||||||
Box 69 | Pitts, J.E. | ||||||||||
Box 69 | The Assasination | ||||||||||
Box 69 | The Waiter | ||||||||||
Box 69 | Poole, Ladybird | ||||||||||
Box 69 | The Will Eno Interview | ||||||||||
Box 69 | Pollio, Lynnda | ||||||||||
Box 69 | Soul Seeds | ||||||||||
Box 69 | Pomerantz, Edward | ||||||||||
Box 69 | Into It | ||||||||||
Box 69 | Polite, Frank | ||||||||||
Box 69 | Detti Casoli | ||||||||||
Box 69 | Postman, Andrew | ||||||||||
Box 69 | About To | ||||||||||
Box 69 | Impotence | ||||||||||
Box 69 | Potter, Steve | ||||||||||
Box 69 | Awaiting the New Crab Lady | ||||||||||
Box 69 | The Cat Not in the Hat [aka The King of Dreams] | ||||||||||
Box 69 | Powers, William | ||||||||||
Box 69 | Coming of Age | ||||||||||
Box 69 | Karl and Ilse | ||||||||||
Box 69 | Price, Reynolds | ||||||||||
Box 69 | Honest Hearts | ||||||||||
Box 69 | Price, Richard | ||||||||||
Box 69 | Intro | ||||||||||
Box 69 | Pruitt, Jasper Lamar | ||||||||||
Box 69 | Riding the Campus Reading Circuit for Fun and Profit | ||||||||||
Box 69 | Puleo, Robin | ||||||||||
Box 69 | Love, Love [aka White Noise ] | ||||||||||
Box 69 | Pundyk, Jeffrey | ||||||||||
Box 69 | The Bellelli Family, c. 1858-'63, in Which the Artist's Aunt, Uncle and Cousins Are Shown in Their Sitting Room | ||||||||||
Box 69 | I am the Nigger Behind | ||||||||||
Box 69 | The Jaws of Life | ||||||||||
Box 69 | Purdy, James (3 folders) | ||||||||||
Box 69 | Stories | ||||||||||
Box 69 | Dawn | ||||||||||
Box 69 | Don't Let the Snow Fall | ||||||||||
Box 69 | Mud Toe the Cannibal | ||||||||||
Box 69 | St. Stephen | ||||||||||
Box 69 | Summer Tidings [aka Summer Testament] | ||||||||||
Box 69 | Veterans [aka Brawith] | ||||||||||
Box 69 | I Am Elijah Thrush | ||||||||||
Box 69 | In a Shallow Grave | ||||||||||
Box 69 | Pyne, Anne | ||||||||||
Box 69 | Evergreen | ||||||||||
Box 69 | The Legs of the Wine | ||||||||||
Box 69 | R, Chuck | ||||||||||
Box 69 | Byrd of Westover | ||||||||||
Box 69 | For Ameila [aka Green Ribbons] | ||||||||||
Box 69 | For John Clayton Randolph [aka Between the Levee and the River] | ||||||||||
Box 69 | Kierkegaard | ||||||||||
Box 69 | The New Year | ||||||||||
Box 69 | Raffel, Dawn | ||||||||||
Box 69 | Here and Gone | ||||||||||
Box 69 | Indian Giving | ||||||||||
Box 69 | Is Anybody Listening? | ||||||||||
Box 69 | Nightjars | ||||||||||
Box 69 | The Other R's | ||||||||||
Box 69 | The Pleiads | ||||||||||
Box 69 | [Someone of something sneezed…] | ||||||||||
Box 69 | Up the Old Goat Road with Sister and Me | ||||||||||
Box 69 | Ragland, Scott | ||||||||||
Box 69 | 20 Reasons | ||||||||||
Box 69 | Raphael, Phyllis | ||||||||||
Box 69 | A Good Time | ||||||||||
Box 69 | Rascoe, Judith | ||||||||||
Box 69 | Goodbye and Goodbye and Goodbye [aka When You Go Away] | ||||||||||
Box 69 | Ray, David | ||||||||||
Box 69 | Notes on the Sex War | ||||||||||
Box 69 | Rayfiel, Thomas | ||||||||||
Box 69 | Here in America [aka Rebel Without a Genre] | ||||||||||
Box 69 | Split-levels | ||||||||||
Box 69 | Redel, Victoria (2 folders) | ||||||||||
Box 69 | Stories | ||||||||||
Box 69 | Am I Hot? Am I Cold? | ||||||||||
Box 69 | Breaking the Air | ||||||||||
Box 69 | He's Back | ||||||||||
Box 69 | Porch Light | ||||||||||
Box 69 | Soul to Take | ||||||||||
Box 69 | We Were Russia So It Said | ||||||||||
Box 69 | Loverboy | ||||||||||
Box 69 | Reed, John | ||||||||||
Box 69 | First Hour | ||||||||||
Box 69 | Reg, Gustus | ||||||||||
Box 69 | Kidding | ||||||||||
Box 69 | The Psoriasis Diet | ||||||||||
Box 69 | Two Families | ||||||||||
Box 69 | What Is Left to Link Us | ||||||||||
Box 69 | Weight | ||||||||||
Box 69 | Reid, Elwood | ||||||||||
Box 69 | Lime [aka Ugly] | ||||||||||
Box 69 | Reinbold, James S. (3 folders) | ||||||||||
Box 69 | Stories | ||||||||||
Box 69 | The End of diLonghi Hermit | ||||||||||
Box 69 | A Family Portrait | ||||||||||
Box 69 | Houses | ||||||||||
Box 69 | Two Short Stories and a Novella | ||||||||||
Box 69 | Ventriloquism, or: The Trunk | ||||||||||
Box 69 | Cartography | ||||||||||
Box 69 | Eels | ||||||||||
Box 70 | Reinbold (end) - Roberts | ||||||||||
Box 70 | Reinbold, James S. (end) (2 folders) | ||||||||||
Box 70 | In the Oasis Room | ||||||||||
Box 70 | Moving [aka Mr. Staal] | ||||||||||
Box 70 | Reingold, Jacquelyn | ||||||||||
Box 70 | The Men Who Wanted to Be President | ||||||||||
Box 70 | Three Words | ||||||||||
Box 70 | Renner, B. | ||||||||||
Box 70 | Container vs. Contained: An elimae Forum | ||||||||||
Box 70 | Renner, Cooper S. [aka Cooper Esteban] | ||||||||||
Box 70 | Achilles on Lefki | ||||||||||
Box 70 | After He Found Out | ||||||||||
Box 70 | After Hearing on CNN that Women in India Are Aborting Daughters | ||||||||||
Box 70 | Ares' Epitaph: or, Christentum Ueber Alles | ||||||||||
Box 70 | Avernus | ||||||||||
Box 70 | Baseball Lyric | ||||||||||
Box 70 | Callisthenes on How Alexander Came to the Throne | ||||||||||
Box 70 | Casanova | ||||||||||
Box 70 | Chrism | ||||||||||
Box 70 | Coyotes | ||||||||||
Box 70 | EC(H)O | ||||||||||
Box 70 | Eleven | ||||||||||
Box 70 | Extrapolation | ||||||||||
Box 70 | For V*KR*M S*TH | ||||||||||
Box 70 | Form Triumphs of Over Function: or, the Dilemma of Consciousness | ||||||||||
Box 70 | From a Levee Overlooking the Trinity | ||||||||||
Box 70 | Hanging Out at the Parthenon; or, A Poem in the Manner of Mary Jo; or, In Celebration of the Latest Winner of the Amy Lowell Poetry Traveling Scholarship; or, Where Is Mean Old Uncle Ezra When You Really Need Him? | ||||||||||
Box 70 | Industrial Avenue | ||||||||||
Box 70 | Inside Eden | ||||||||||
Box 70 | Lawrence | ||||||||||
Box 70 | Mary's Lover | ||||||||||
Box 70 | The Maze Bull | ||||||||||
Box 70 | Mujerados | ||||||||||
Box 70 | Origami | ||||||||||
Box 70 | Parthenogenitor | ||||||||||
Box 70 | Poem | ||||||||||
Box 70 | Recapitulation | ||||||||||
Box 70 | Southwestern Poem; or, No Roof but Lack of Imagination and a Deadly Dull Earnestness | ||||||||||
Box 70 | Sufi Gunfighter Starring Rumi Bly as Six Gun Kabir | ||||||||||
Box 70 | That Day | ||||||||||
Box 70 | Theodicy | ||||||||||
Box 70 | Under Vespian | ||||||||||
Box 70 | Untitled | ||||||||||
Box 70 | Yaakov Ben Nirriti | ||||||||||
Box 70 | Warhol Enters Heaven | ||||||||||
Box 70 | We Are Seven | ||||||||||
Box 70 | Rennie, Doug | ||||||||||
Box 70 | Boxes | ||||||||||
Box 70 | The List | ||||||||||
Box 70 | Rhoton, Laura | ||||||||||
Box 70 | The End of the This [aka Omnibus] | ||||||||||
Box 70 | The Mine | ||||||||||
Box 70 | Ricchiute, David | ||||||||||
Box 70 | My Unspeakable Secret | ||||||||||
Box 70 | Rice, Jackson | ||||||||||
Box 70 | The Day They Cured Boredom Plot Summery | ||||||||||
Box 70 | Rice, Oliver | ||||||||||
Box 70 | An American in Santa Fe | ||||||||||
Box 70 | Aspects of the Novel | ||||||||||
Box 70 | On the Explication of Maps | ||||||||||
Box 70 | Richard, Mark (6 folders) | ||||||||||
Box 70 | Stories (2 folders) | ||||||||||
Box 70 | Fishboy | ||||||||||
Box 70 | Friendship [aka Charity] | ||||||||||
Box 70 | Genius | ||||||||||
Box 70 | Just Name Someplace | ||||||||||
Box 70 | Little Firebugs, Little Lightening Flies | ||||||||||
Box 70 | The Louisiana Purchase [aka All God's Money] | ||||||||||
Box 70 | Merry Christmas, Michael Christian | ||||||||||
Box 70 | Never in this World | ||||||||||
Box 70 | People Don't Write Letters Like They Used To | ||||||||||
Box 70 | Plymouth Rock | ||||||||||
Box 70 | Strays | ||||||||||
Box 70 | Surrender | ||||||||||
Box 70 | The Theory of Man | ||||||||||
Box 70 | This Is Us, Excellent | ||||||||||
Box 70 | Where Blue Is Blue | ||||||||||
Box 70 | Fishboy Copy 1 (2 folders) | ||||||||||
Box 70 | Fishboy Copy 2 (2 folders) | ||||||||||
Box 70 | Fishboy Proof | ||||||||||
Box 70 | The Ice at the Bottom of the World Author's Proof | ||||||||||
Box 70 | The Ice at the Bottom of the World Blue Pages | ||||||||||
Box 70 | The Ice at the Bottom of the World Pages (2 folders) | ||||||||||
Box 70 | Richards, Peter | ||||||||||
Box 70 | Bulrushes | ||||||||||
Box 70 | The Drift | ||||||||||
Box 70 | Endangering | ||||||||||
Box 70 | Going Down | ||||||||||
Box 70 | The Security Council | ||||||||||
Box 70 | Richey, James | ||||||||||
Box 70 | The Yellow Circle | ||||||||||
Box 70 | Richman, Elliot | ||||||||||
Box 70 | Still Life with Hanging Man | ||||||||||
Box 70 | Rickstad, Eric | ||||||||||
Box 70 | The Blue Car [aka A Classic] | ||||||||||
Box 70 | Rima, Larry | ||||||||||
Box 70 | An Interview with Richard Stern | ||||||||||
Box 70 | Ringer, R.C. | ||||||||||
Box 70 | The Sitter [aka A Place to Go] | ||||||||||
Box 70 | Things Happen | ||||||||||
Box 70 | Visiting | ||||||||||
Box 70 | Robbins, James | ||||||||||
Box 70 | Leper | ||||||||||
Box 70 | Roberts, Charles Stewart | ||||||||||
Box 70 | The Undiscovered Country | ||||||||||
Box 70 | Modigliani, Italian Painter in France | ||||||||||
Box 70 | Reading USA Today [aka Sarajevo | ||||||||||
Box 70 | Letter to Oxford, Georgia | ||||||||||
Box 70 | Homage to Isabella | ||||||||||
Box 70 | The Deerskin | ||||||||||
Box 70 | Four Suicides | ||||||||||
Box 70 | Christmas Eve | ||||||||||
Box 70 | The Fatalist | ||||||||||
Box 70 | Studies in Composure | ||||||||||
Box 70 | Pastel Colors | ||||||||||
Box 70 | A Morning Letter | ||||||||||
Box 70 | A Departure | ||||||||||
Box 70 | Four Rose Themes | ||||||||||
Box 70 | Waiting Room | ||||||||||
Box 70 | Vida | ||||||||||
Box 70 | The First Night | ||||||||||
Box 70 | Bayreuth | ||||||||||
Box 70 | James Joyce | ||||||||||
Box 70 | Hart Crane | ||||||||||
Box 70 | The Death of Delmore | ||||||||||
Box 70 | Ezra Pound | ||||||||||
Box 70 | The Young Poet | ||||||||||
Box 70 | Quincy Square | ||||||||||
Box 70 | Sound and Fury | ||||||||||
Box 70 | St. Louis Woman | ||||||||||
Box 70 | Chapel Hill Living Room | ||||||||||
Box 70 | Dinner with My Father and His Friend | ||||||||||
Box 70 | Cezanne | ||||||||||
Box 70 | Letter from Arles | ||||||||||
Box 70 | Vuillard | ||||||||||
Box 70 | Gauguin in Tahiti | ||||||||||
Box 70 | Variations on Gauguin | ||||||||||
Box 70 | Kandinsky's Moscow in the Early Morning | ||||||||||
Box 70 | Vermeer's Head of a Girl | ||||||||||
Box 70 | The Unfinished Tenth Symphony | ||||||||||
Box 70 | Marcus Aurelius | ||||||||||
Box 70 | Kierkegaard | ||||||||||
Box 70 | The Postcard | ||||||||||
Box 70 | Flaubert | ||||||||||
Box 70 | Days of Angel, Days of Prayer | ||||||||||
Box 70 | Pasternak | ||||||||||
Box 70 | Marina Tsvetayeva | ||||||||||
Box 70 | Rainer Maria Rilke | ||||||||||
Box 70 | Marbot | ||||||||||
Box 70 | Wordsworth | ||||||||||
Box 70 | The Birds of Chelsea | ||||||||||
Box 70 | Disraeli of England | ||||||||||
Box 70 | Carlyle | ||||||||||
Box 70 | T.S. Eliot of London | ||||||||||
Box 70 | Raleigh | ||||||||||
Box 70 | Napoleon in Russia (Anno 1812) | ||||||||||
Box 70 | Lord Nelson | ||||||||||
Box 70 | Lord Cornwallis | ||||||||||
Box 70 | Francis Marion | ||||||||||
Box 70 | Banastre Tarleton | ||||||||||
Box 70 | George Washington | ||||||||||
Box 70 | Jefferson at Monticello | ||||||||||
Box 70 | Adams of Quincy | ||||||||||
Box 70 | Frederick Douglass | ||||||||||
Box 70 | Andersonville | ||||||||||
Box 70 | Lincoln | ||||||||||
Box 70 | Prisoner After War | ||||||||||
Box 70 | Sidney Lanier | ||||||||||
Box 70 | Between the Levee and the River | ||||||||||
Box 70 | Grief or Nothing | ||||||||||
Box 70 | Cassone | ||||||||||
Box 70 | Paris in August | ||||||||||
Box 70 | Six Letters to a Son | ||||||||||
Box 70 | The Dusty Chandelier | ||||||||||
Box 70 | Note to Grandmother Roberts | ||||||||||
Box 70 | Leaving Atlanta | ||||||||||
Box 70 | The Photographer | ||||||||||
Box 70 | Postscript | ||||||||||
Box 70 | Alla Prima | ||||||||||
Box 70 | Yeates | ||||||||||
Box 70 | Husband and Wife | ||||||||||
Box 70 | The Storm | ||||||||||
Box 70 | A First Bereavement | ||||||||||
Box 70 | The Day I Signed Seperation Papers | ||||||||||
Box 70 | The Children | ||||||||||
Box 70 | The New Year | ||||||||||
Box 70 | Rainbow Café | ||||||||||
Box 70 | Fatherhood | ||||||||||
Box 70 | Separation | ||||||||||
Box 70 | Man of War | ||||||||||
Box 70 | Evening Under Lamplight | ||||||||||
Box 70 | Canteloupe from Canteloupa | ||||||||||
Box 70 | Winter | ||||||||||
Box 70 | Chelsea | ||||||||||
Box 70 | Onslow Gardens | ||||||||||
Box 70 | London Pub | ||||||||||
Box 70 | London | ||||||||||
Box 70 | Decatur Cemetary | ||||||||||
Box 70 | Reading Faulkner | ||||||||||
Box 70 | After Edgar Allen Poe | ||||||||||
Box 70 | A Remembrance of My Mother | ||||||||||
Box 71 | Robinson - Robison | ||||||||||
Box 71 | Robinson, Lou | ||||||||||
Box 71 | The Tendency and Flair | ||||||||||
Box 71 | Robison, Mary | ||||||||||
Box 71 | Stories (4 folders) | ||||||||||
Box 71 | An Amateurs Guide to the Night | ||||||||||
Box 71 | Apostasy | ||||||||||
Box 71 | Beach Traffic | ||||||||||
Box 71 | Beatniks | ||||||||||
Box 71 | Camilla's Different Clothes | ||||||||||
Box 71 | Coach | ||||||||||
Box 71 | A Common Spring | ||||||||||
Box 71 | Cryptography or The Last Message of Mr. Moto | ||||||||||
Box 71 | The Dictionary in the Laundry Chute [aka When It Rains] | ||||||||||
Box 71 | Falling Away | ||||||||||
Box 71 | Felt Pieces | ||||||||||
Box 71 | Grace | ||||||||||
Box 71 | Heart | ||||||||||
Box 71 | In Jewel | ||||||||||
Box 71 | Kite and Paint | ||||||||||
Box 71 | Look at Me Go [aka Lighthouse Point] | ||||||||||
Box 71 | Looking at the Orange Faces [aka Yours] | ||||||||||
Box 71 | May Queen | ||||||||||
Box 71 | The Nature of Almost Anything [aka Turn Off the Radio] | ||||||||||
Box 71 | Nothing's It | ||||||||||
Box 71 | Orange | ||||||||||
Box 71 | Pretty Ice | ||||||||||
Box 71 | Sisters | ||||||||||
Box 71 | Smart | ||||||||||
Box 71 | Smoke | ||||||||||
Box 71 | Snow | ||||||||||
Box 71 | Stay with Me | ||||||||||
Box 71 | Sunday, Late | ||||||||||
Box 71 | You Know Charles | ||||||||||
Box 71 | An Amateur's Guide to the Night Master Set (2 folders) | ||||||||||
Box 71 | An Amateur's Guide to the Night Master Set (2 folders) | ||||||||||
Box 71 | An Amateur's Guide to the Night Printer's ms. | ||||||||||
Box 71 | An Amateur's Guide to the Night Master Set (2 folders) | ||||||||||
Box 71 | The Short Fictions of Mary Robison [eventually retitled Book of Days then Days] | ||||||||||
Box 71 | Book of Days [eventually retitled Days] | ||||||||||
Box 71 | Book of Days First Proofs | ||||||||||
Box 71 | Book of Days Proofreading Master Proofs | ||||||||||
Box 71 | Book of Days Master Page Proofs | ||||||||||
Box 71 | Days Repro Pages (3 folders) | ||||||||||
Box 72 | Robison - Rooke | ||||||||||
Box 72 | Robison, Mary (end) | ||||||||||
Box 72 | Days Blues | ||||||||||
Box 72 | Oh! Galleys | ||||||||||
Box 72 | Something Nice and Something New Copy 1 [aka This Way] (3 folders) | ||||||||||
Box 72 | Something Nice and Something New Copy 2 (3 folders) | ||||||||||
Box 72 | Rodriguez, Jesús Ramón | ||||||||||
Box 72 | Stories (2 folders) | ||||||||||
Box 72 | Anselle's Ribbon | ||||||||||
Box 72 | Being Around [aka The Night That People Are Not Good For Burning] | ||||||||||
Box 72 | The Boys in the Highland | ||||||||||
Box 72 | Eating the Father's Penis, an Esssay for Leonard Michaels | ||||||||||
Box 72 | The Greatest Story Ever Told [aka A Man Has Needs] | ||||||||||
Box 72 | Heroin | ||||||||||
Box 72 | The New Century | ||||||||||
Box 72 | The Rapture Within These Walls | ||||||||||
Box 72 | Sink [aka A Messed Up World] | ||||||||||
Box 72 | Story for a Child Born Dead | ||||||||||
Box 72 | Unravelling | ||||||||||
Box 72 | Where We Live | ||||||||||
Box 72 | Corn-whiskey Edged Penitence to the Heartland (?) (2 folders) | ||||||||||
Box 72 | The Night People Are Not Good For Burning | ||||||||||
Box 72 | Soil | ||||||||||
Box 72 | Unravelling | ||||||||||
Box 72 | The New Century | ||||||||||
Box 72 | The Dragonslayer | ||||||||||
Box 72 | Bendición | ||||||||||
Box 72 | Standing | ||||||||||
Box 72 | The Mexican Gun | ||||||||||
Box 72 | Thoughts of Heaven | ||||||||||
Box 72 | Anselle's Ribbon | ||||||||||
Box 72 | In Nevada, Drving, the Remarkable Thing | ||||||||||
Box 72 | Manhattan | ||||||||||
Box 72 | What It Is You Feel at Times Like This | ||||||||||
Box 72 | The Killing Place | ||||||||||
Box 72 | The Boys in the Highlands | ||||||||||
Box 72 | The Rapture, Within These Walls | ||||||||||
Box 72 | Touching Jesus | ||||||||||
Box 72 | Fishing the Silver Sky | ||||||||||
Box 72 | Rodriguez, Richard | ||||||||||
Box 72 | Days of Obligation | ||||||||||
Box 72 | Roe, Christopher | ||||||||||
Box 72 | [As I threw the rocks…] | ||||||||||
Box 72 | [Christopher: What happens…] | ||||||||||
Box 72 | A Close Look at Myself | ||||||||||
Box 72 | The Crescent Moon | ||||||||||
Box 72 | [Getting form here to there…] | ||||||||||
Box 72 | [The greenest pastures…] | ||||||||||
Box 72 | [People are wonderful…] | ||||||||||
Box 72 | Petros and the Vase of Happiness | ||||||||||
Box 72 | Raja Rao | ||||||||||
Box 72 | Shakespeare and the King | ||||||||||
Box 72 | Stargazer | ||||||||||
Box 72 | Suicide Passion | ||||||||||
Box 72 | [The thought of being lonely…] | ||||||||||
Box 72 | Truly | ||||||||||
Box 72 | Rogers | ||||||||||
Box 72 | Crazy Times | ||||||||||
Box 72 | Rogers, Bruce Holland | ||||||||||
Box 72 | Murder, Mystery | ||||||||||
Box 72 | Rogers, George | ||||||||||
Box 72 | Living Near Canada | ||||||||||
Box 72 | Rogers, Michael | ||||||||||
Box 72 | Don't Worry About the Bear | ||||||||||
Box 72 | Romm, Jamie | ||||||||||
Box 72 | The Galvanization of Lenny Lottovich | ||||||||||
Box 72 | Rooke, Leon | ||||||||||
Box 72 | Stories | ||||||||||
Box 72 | Art | ||||||||||
Box 72 | Breasts [aka Foot in Field Story] | ||||||||||
Box 72 | Drivers [aka No Pears] | ||||||||||
Box 72 | Show People | ||||||||||
Box 72 | Swami | ||||||||||
Box 72 | The Book of Fate, or the Biogrphy of Nancy Sullivan | ||||||||||
Box 72 | Fat Woman (3 folders) | ||||||||||
Box 73 | Rooke (end) - Schutt, Christine | ||||||||||
Box 73 | Rooke, Leon (end) | ||||||||||
Box 73 | A Good Baby (3 folders) | ||||||||||
Box 73 | Shakespeare's Dog Draft 1 | ||||||||||
Box 73 | Shakespeare's Dog Draft 2 (2 folders) | ||||||||||
Box 73 | Rosenberg, David | ||||||||||
Box 73 | The Eden Revelation | ||||||||||
Box 73 | Losing One's Place | ||||||||||
Box 73 | TV of Sun | ||||||||||
Box 73 | Rosenberg, Harold | ||||||||||
Box 73 | Art Critic, New Yorker | ||||||||||
Box 73 | Dr. James Watson | ||||||||||
Box 73 | Rosenberg, Liz | ||||||||||
Box 73 | Things | ||||||||||
Box 73 | Roth, Philip | ||||||||||
Box 73 | [Interview] | ||||||||||
Box 73 | Rowe, Alick | ||||||||||
Box 73 | The Dogs | ||||||||||
Box 73 | Ryan, David | ||||||||||
Box 73 | The Beekeeper | ||||||||||
Box 73 | Blush | ||||||||||
Box 73 | Ryan, R.M. | ||||||||||
Box 73 | Ars Poetica Rule One | ||||||||||
Box 73 | Beckett | ||||||||||
Box 73 | The Figure the Fugue Makes | ||||||||||
Box 73 | Rybicki, John (3 folders) | ||||||||||
Box 73 | Writings | ||||||||||
Box 73 | After The Last of the Mohicans | ||||||||||
Box 73 | [Archer…] | ||||||||||
Box 73 | Back Home | ||||||||||
Box 73 | The Beast Traveling Back to its Hole | ||||||||||
Box 73 | Before the Reading, at a Philip's 66 | ||||||||||
Box 73 | The Blown Up Goat | ||||||||||
Box 73 | [Brave Youth…] | ||||||||||
Box 73 | Brothers | ||||||||||
Box 73 | The Children's Home | ||||||||||
Box 73 | Cliff Notes | ||||||||||
Box 73 | [Dear Helena…] | ||||||||||
Box 73 | Delton Writer Opens home for Workshop Sessions [article] | ||||||||||
Box 73 | Driving Through It | ||||||||||
Box 73 | Ed Mullen, Hooker - Detroit Tradesman Rugby Football Club | ||||||||||
Box 73 | Fire Psalm | ||||||||||
Box 73 | Flying | ||||||||||
Box 73 | The Green Side of Town | ||||||||||
Box 73 | I Am Mad and This Is How I Am | ||||||||||
Box 73 | [I train my train into this city…] | ||||||||||
Box 73 | In the Can After Work, Letter to Hutch | ||||||||||
Box 73 | Inside the Dog | ||||||||||
Box 73 | Jeptha Lake | ||||||||||
Box 73 | Junkyard Poem | ||||||||||
Box 73 | The Left Side of the Flesh | ||||||||||
Box 73 | Letter to Bob Hicok | ||||||||||
Box 73 | Letter to Russell Edson | ||||||||||
Box 73 | [Matt, Even when the wide earth…] | ||||||||||
Box 73 | [Matt, Got halfbacks ripping…] | ||||||||||
Box 73 | Poem on the Back of an Envelope | ||||||||||
Box 73 | The Postman's Rivers | ||||||||||
Box 73 | The Reading | ||||||||||
Box 73 | Satellite to that Last Kiss | ||||||||||
Box 73 | Scene Eleven | ||||||||||
Box 73 | [She remembers, as a little girl…] | ||||||||||
Box 73 | Slogans | ||||||||||
Box 73 | Snow | ||||||||||
Box 73 | Sparta Rodeo | ||||||||||
Box 73 | St. Claire of Montefalco | ||||||||||
Box 73 | Stained Glass Johnny | ||||||||||
Box 73 | Subterranean | ||||||||||
Box 73 | Sweet Star Chisel, Dearest Flaming Crumbs in Your Beard Lord | ||||||||||
Box 73 | This Sun | ||||||||||
Box 73 | Trumpeter Swans | ||||||||||
Box 73 | The Twin-headed Beast | ||||||||||
Box 73 | Untitled | ||||||||||
Box 73 | [When the cancer's zapped and gone…] | ||||||||||
Box 73 | [You gut the air…] | ||||||||||
Box 73 | Dancing the Cancer Down to Dust | ||||||||||
Box 73 | Poetry Collections | ||||||||||
Box 73 | Traveling at High Speeds | ||||||||||
Box 73 | Slogans | ||||||||||
Box 73 | T.H. Hickory - Trial Guernsey Sire On the Breeders Exchange | ||||||||||
Box 73 | Finding Miss Right | ||||||||||
Box 73 | Carnival | ||||||||||
Box 73 | Driving Through It | ||||||||||
Box 73 | Metaphor on a Roadside Kill | ||||||||||
Box 73 | Testimony After Sleep | ||||||||||
Box 73 | On the Possible Conception of My First Child | ||||||||||
Box 73 | Tuning the Morning | ||||||||||
Box 73 | Tuesday Morning | ||||||||||
Box 73 | Holocaust Seen from the Moon | ||||||||||
Box 73 | Rolling with It, Kansas | ||||||||||
Box 73 | I Am Mad and This Is How I Am | ||||||||||
Box 73 | Cleaning the Auger | ||||||||||
Box 73 | View from a Farmhouse Window | ||||||||||
Box 73 | Billy Martin Speaks to His Team | ||||||||||
Box 73 | Walking Home | ||||||||||
Box 73 | At Alfred A. Knopf | ||||||||||
Box 73 | Coal Boys | ||||||||||
Box 73 | While She Sleeps | ||||||||||
Box 73 | Traveling at High Speeds | ||||||||||
Box 73 | July 29th | ||||||||||
Box 73 | Walnut Manor Dairy Farm | ||||||||||
Box 73 | The Edge of a Round World | ||||||||||
Box 73 | Ringing In | ||||||||||
Box 73 | Killers | ||||||||||
Box 73 | First Storm, Day Off Work | ||||||||||
Box 73 | Premarriage DT's | ||||||||||
Box 73 | Tearing Down the Uniroyal Plant - Detroit Michigan | ||||||||||
Box 73 | After 'The Star Spangled Banner' | ||||||||||
Box 73 | 6:00 A.M. | ||||||||||
Box 73 | Brother Ben | ||||||||||
Box 73 | The Impossible Borders of Permanence | ||||||||||
Box 73 | Everywhere | ||||||||||
Box 73 | Making Tracks | ||||||||||
Box 73 | St. Jude's Home for Delinquent Boys | ||||||||||
Box 73 | The Hands of Absence | ||||||||||
Box 73 | Untitled collection | ||||||||||
Box 73 | Tuesday Morning | ||||||||||
Box 73 | Walking Home | ||||||||||
Box 73 | Tuning the Morning | ||||||||||
Box 73 | T.H. Hickory - Trial Guernsey Sire On the Breeders Exchange | ||||||||||
Box 73 | Cleaning the Auger, Wet Corn Silo | ||||||||||
Box 73 | Testimony After Sleep | ||||||||||
Box 73 | Ryder | ||||||||||
Box 73 | [Hole up on that settee so long…] | ||||||||||
Box 73 | Ryder, Pamela | ||||||||||
Box 73 | Ark | ||||||||||
Box 73 | Sirens, Siren | ||||||||||
Box 73 | Three Men | ||||||||||
Box 73 | Untitled | ||||||||||
Box 73 | Sachs, Sheldon | ||||||||||
Box 73 | Flannery O'Connor/A Circle in the Fire | ||||||||||
Box 73 | Sadoff, Ira | ||||||||||
Box 73 | Alienation from Nature | ||||||||||
Box 73 | Last Poem for the Breast | ||||||||||
Box 73 | Poem to My Wife [aka Fidelity] | ||||||||||
Box 73 | Sakamoto, Naomi | ||||||||||
Box 73 | Monkey on My Back | ||||||||||
Box 73 | Salinger, J. B. | ||||||||||
Box 73 | The Collected Works of Clifford Irving | ||||||||||
Box 73 | The Complete Works of Clifford Irving | ||||||||||
Box 73 | Salinger, J.D. | ||||||||||
Box 73 | A Salute to Whit Burnett, 1899-1972 | ||||||||||
Box 73 | Photocopies of news stories | ||||||||||
Box 73 | Sandblom, John | ||||||||||
Box 73 | Lead | ||||||||||
Box 73 | Sanders, Steve | ||||||||||
Box 73 | Brother [aka Birthday] | ||||||||||
Box 73 | Sandow, Star | ||||||||||
Box 73 | We're on Our Way [aka Gliding on Silent Hinges] | ||||||||||
Box 73 | Sarki, Michael T. | ||||||||||
Box 73 | Poems | ||||||||||
Box 73 | Affair [aka Dish] | ||||||||||
Box 73 | After Harvest | ||||||||||
Box 73 | Bad Sky | ||||||||||
Box 73 | Blue Dirt | ||||||||||
Box 73 | Full Eclipse of the Son | ||||||||||
Box 73 | Glaring | ||||||||||
Box 73 | The Main Dish | ||||||||||
Box 73 | Portland | ||||||||||
Box 73 | The Preacher | ||||||||||
Box 73 | Tree [aka Deflection] | ||||||||||
Box 73 | Tulip [aka Nipple] | ||||||||||
Box 73 | Zimble Zamble Zumble | ||||||||||
Box 73 | Tulip | ||||||||||
Box 73 | Blue Dirt | ||||||||||
Box 73 | Tree | ||||||||||
Box 73 | The Preacher | ||||||||||
Box 73 | Lake | ||||||||||
Box 73 | Woodshed | ||||||||||
Box 73 | Beast | ||||||||||
Box 73 | Gorilla | ||||||||||
Box 73 | Affair | ||||||||||
Box 73 | Mother | ||||||||||
Box 73 | St. Louis | ||||||||||
Box 73 | Sault Saint Marie | ||||||||||
Box 73 | Ausable | ||||||||||
Box 73 | Long Beach | ||||||||||
Box 73 | Crown Him | ||||||||||
Box 73 | Embryo | ||||||||||
Box 73 | Sinner | ||||||||||
Box 73 | Gingerbread | ||||||||||
Box 73 | Hotel | ||||||||||
Box 73 | Muted Orange | ||||||||||
Box 73 | Silver Creek | ||||||||||
Box 73 | Plumbing | ||||||||||
Box 73 | Flight | ||||||||||
Box 73 | Appendages | ||||||||||
Box 73 | Still Life | ||||||||||
Box 73 | Subterfuge | ||||||||||
Box 73 | All the Rivers Where Angels Sing | ||||||||||
Box 73 | Cistern | ||||||||||
Box 73 | Little Brother | ||||||||||
Box 73 | Bird | ||||||||||
Box 73 | Emily | ||||||||||
Box 73 | Lender | ||||||||||
Box 73 | Filament | ||||||||||
Box 73 | Hilda | ||||||||||
Box 73 | Why Wind Blows | ||||||||||
Box 73 | The Darkness in the Lightness of Her Demitasse | ||||||||||
Box 73 | Of Daphne Odora | ||||||||||
Box 73 | Pavlo | ||||||||||
Box 73 | Flower by Tightening | ||||||||||
Box 73 | Napp's | ||||||||||
Box 73 | A 1953 Comedy | ||||||||||
Box 73 | Gordon-Gordon! | ||||||||||
Box 73 | Of Posturing | ||||||||||
Box 73 | Nest | ||||||||||
Box 73 | Heat | ||||||||||
Box 73 | Beneath the Giant Sycamore | ||||||||||
Box 73 | Calories | ||||||||||
Box 73 | Ruined Sleep | ||||||||||
Box 73 | Dominocus | ||||||||||
Box 73 | Setula Brouille' | ||||||||||
Box 73 | The Importance of the Pyramids | ||||||||||
Box 73 | Hungry | ||||||||||
Box 73 | Closing on the Vine | ||||||||||
Box 73 | In Her Tuttled Marsh | ||||||||||
Box 73 | Powder | ||||||||||
Box 73 | When Nothing Comes First | ||||||||||
Box 73 | In Poulard, Tongue Is Spoken | ||||||||||
Box 73 | Already Its Utterance Is Given | ||||||||||
Box 73 | She Goes Forward | ||||||||||
Box 73 | Pin Oak on Hazel | ||||||||||
Box 73 | Brown Coat Draped over Chewed Cigars | ||||||||||
Box 73 | Caught in the Broth, Gasping for Air | ||||||||||
Box 73 | Her Hero Sleeps on Corners | ||||||||||
Box 73 | Stranger to Himself | ||||||||||
Box 73 | A Gale of Perfection | ||||||||||
Box 73 | The Heart Pleads | ||||||||||
Box 73 | Gianni's Testimone | ||||||||||
Box 73 | For Gordon | ||||||||||
Box 73 | Why, Then, Do We Vacuum This Carpet? | ||||||||||
Box 73 | Long Robes Sublime | ||||||||||
Box 73 | Gangrel's Lading | ||||||||||
Box 73 | Fugleman's | ||||||||||
Box 73 | The Largest Man Beneath This Bridge | ||||||||||
Box 73 | Behind the Wooden Stairs | ||||||||||
Box 73 | Raising the Phulkari | ||||||||||
Box 73 | Once, a Fascicle | ||||||||||
Box 73 | In a Garden of Comestibles | ||||||||||
Box 73 | Kloof in the Propylaeum | ||||||||||
Box 73 | Of Levigations and Cascarilla | ||||||||||
Box 73 | For Bricking Raleigh Tavern | ||||||||||
Box 73 | Rubble, and the Lammikin | ||||||||||
Box 73 | In My Difficulties with Direction | ||||||||||
Box 73 | Untimely Is this Nomad | ||||||||||
Box 73 | On the Destruction of a Sentiment | ||||||||||
Box 73 | Biscuits and Striola | ||||||||||
Box 73 | Am I Still Holding Here? | ||||||||||
Box 73 | Gnomon's Bois de Rose | ||||||||||
Box 73 | When Vincent Paid His Rent | ||||||||||
Box 73 | Of Chippage and the Bud | ||||||||||
Box 73 | A Winsome Jest and Behold the Giver | ||||||||||
Box 73 | Rarities in Descending Orders | ||||||||||
Box 73 | A Modern Architecture | ||||||||||
Box 73 | Saint-Rémy | ||||||||||
Box 73 | In Her Garden Coat and Dungarees | ||||||||||
Box 73 | New York's Ninety-Sixth and Teacher | ||||||||||
Box 73 | Flaming on the Banks of Ohio | ||||||||||
Box 73 | Will the Person on This Bus Please Move Over? | ||||||||||
Box 73 | And Only If Her Insult Was My Name | ||||||||||
Box 73 | Gregori's Theater of Belief | ||||||||||
Box 73 | Night in the Sidewalk Café | ||||||||||
Box 73 | And Will You Haul Away This Marvel? | ||||||||||
Box 73 | A Leg Off Every Wishbone | ||||||||||
Box 73 | The Cornhuskers Gather | ||||||||||
Box 73 | The Immovable Steel of Donegal | ||||||||||
Box 73 | Effacing the Clown | ||||||||||
Box 73 | Tweezers and Gauze, Unguents That Percolate | ||||||||||
Box 73 | Periods Before the Aggressive Banking | ||||||||||
Box 73 | Sitting on the Arm of Robert's Mouth | ||||||||||
Box 73 | Under the Bellows | ||||||||||
Box 73 | Borrowed from Death Row | ||||||||||
Box 73 | Unabashed | ||||||||||
Box 73 | Could Be Astigmia, or a Phantasmagoria | ||||||||||
Box 73 | Dialing for Dharma | ||||||||||
Box 73 | Driving Gretchen's Doll | ||||||||||
Box 73 | Missouri, Das Unheimliche | ||||||||||
Box 73 | Sayer | ||||||||||
Box 73 | Property Withheld | ||||||||||
Box 73 | Sayer, Allison | ||||||||||
Box 73 | [I am stone sober. My neighbor is dying…] | ||||||||||
Box 73 | Scherer, Catherine | ||||||||||
Box 73 | The Education of Henri Mattisse Withheld [aka The Learning of Henri Matisse] | ||||||||||
Box 73 | Scherer, Steven H. | ||||||||||
Box 73 | Writings | ||||||||||
Box 73 | Plot and Character Summary of Countdown to Survival | ||||||||||
Box 73 | Plot and Character Summary of Slow Pan of Earth in Flame | ||||||||||
Box 73 | What the Cameras Saw | ||||||||||
Box 73 | Countdown to Survival Draft 1 | ||||||||||
Box 73 | Countdown to Survival Draft 2 (2 folders) | ||||||||||
Box 73 | Slow Pan of Earth in Flame | ||||||||||
Box 73 | Schmidt, Dorey | ||||||||||
Box 73 | riverSedge | ||||||||||
Box 73 | Schumacher, James | ||||||||||
Box 73 | Grenade | ||||||||||
Box 73 | Schutt, Christine (3 folders) | ||||||||||
Box 73 | Stories (2 folders) | ||||||||||
Box 73 | Because I Could Not Stop for Death | ||||||||||
Box 73 | Do I Know You? | ||||||||||
Box 73 | Erigeron azures, Drkest of All | ||||||||||
Box 73 | Every Time We Say Good-bye | ||||||||||
Box 73 | I Am Reading Jane Eyre Again | ||||||||||
Box 73 | Metropolis [aka In the Country of Ease] | ||||||||||
Box 73 | [Our Nana, in the world before the automobile…] | ||||||||||
Box 73 | Religion | ||||||||||
Box 73 | So Many Short Sudden Motions | ||||||||||
Box 73 | Stephen, Michael, Patrick, John | ||||||||||
Box 73 | [There is a man on top of her…] | ||||||||||
Box 73 | The Dependence | ||||||||||
Box 74 | Schutt, Geoff - Sparks | ||||||||||
Box 74 | Schutt, Geoff | ||||||||||
Box 74 | The Ball [aka What We've Learned from Roger Maris] | ||||||||||
Box 74 | Hygiene [aka The Monsters] | ||||||||||
Box 74 | Schwartz, Jason | ||||||||||
Box 74 | Antwerp | ||||||||||
Box 74 | Dead Bark | ||||||||||
Box 74 | Feet in the Mud in the Sun | ||||||||||
Box 74 | Hooks in the Wall | ||||||||||
Box 74 | Ox | ||||||||||
Box 74 | Ram | ||||||||||
Box 74 | Ram Farm | ||||||||||
Box 74 | Rope Tail | ||||||||||
Box 74 | The Staves | ||||||||||
Box 74 | The Women in the Window | ||||||||||
Box 74 | Scroogins, Daryl | ||||||||||
Box 74 | Delphic | ||||||||||
Box 74 | A Few Small Adjustments | ||||||||||
Box 74 | The Hounding | ||||||||||
Box 74 | Levels of Contentment | ||||||||||
Box 74 | Shapiro, Harvey | ||||||||||
Box 74 | A Day's Portion | ||||||||||
Box 74 | These Are the Streets | ||||||||||
Box 74 | Celebrations | ||||||||||
Box 74 | Questions | ||||||||||
Box 74 | New York Summer | ||||||||||
Box 74 | Meditation on a Brooklyn Bench | ||||||||||
Box 74 | City Ethic | ||||||||||
Box 74 | New York Note | ||||||||||
Box 74 | Hollywood Note | ||||||||||
Box 74 | Brooklyn Heights | ||||||||||
Box 74 | Brooklyn Nights | ||||||||||
Box 74 | Fact | ||||||||||
Box 74 | Monday in New York | ||||||||||
Box 74 | Lessons | ||||||||||
Box 74 | August, from Brooklyn | ||||||||||
Box 74 | Lower East Side | ||||||||||
Box 74 | Lit-Crit | ||||||||||
Box 74 | Different Schools | ||||||||||
Box 74 | On Writing | ||||||||||
Box 74 | Sunday School | ||||||||||
Box 74 | Bible Lesson | ||||||||||
Box 74 | Genesis | ||||||||||
Box 74 | After the Fall | ||||||||||
Box 74 | For Paul Celan and Primo Levi | ||||||||||
Box 74 | Tonight | ||||||||||
Box 74 | Loyalty | ||||||||||
Box 74 | Snapshot | ||||||||||
Box 74 | Assimilation | ||||||||||
Box 74 | Natural History | ||||||||||
Box 74 | Jerusalem | ||||||||||
Box 74 | Bronx Elegy | ||||||||||
Box 74 | A Tel Aviv Notebook | ||||||||||
Box 74 | Aubade | ||||||||||
Box 74 | His Age | ||||||||||
Box 74 | Table Scene | ||||||||||
Box 74 | History | ||||||||||
Box 74 | The Encounter | ||||||||||
Box 74 | Politics | ||||||||||
Box 74 | Pleasure | ||||||||||
Box 74 | Belief Systems | ||||||||||
Box 74 | Another Story | ||||||||||
Box 74 | Masha | ||||||||||
Box 74 | Education | ||||||||||
Box 74 | A Story | ||||||||||
Box 74 | Fancy | ||||||||||
Box 74 | How It Ended | ||||||||||
Box 74 | When the Spirit | ||||||||||
Box 74 | Before Sleep | ||||||||||
Box 74 | On My Portrait by a Rose Garden | ||||||||||
Box 74 | Ocean Dawn | ||||||||||
Box 74 | The Text | ||||||||||
Box 74 | For Charles Reznikoff | ||||||||||
Box 74 | Saroyan | ||||||||||
Box 74 | Portrait | ||||||||||
Box 74 | Losses | ||||||||||
Box 74 | Goodbye, Rio | ||||||||||
Box 74 | Family Man | ||||||||||
Box 74 | A Day | ||||||||||
Box 74 | Tranquility | ||||||||||
Box 74 | 1943 | ||||||||||
Box 74 | Blowing Smoke | ||||||||||
Box 74 | Iggy | ||||||||||
Box 74 | Vineyard Autumn | ||||||||||
Box 74 | Sunday | ||||||||||
Box 74 | Selfportrait | ||||||||||
Box 74 | The Boast | ||||||||||
Box 74 | Years Ago | ||||||||||
Box 74 | Shoppers | ||||||||||
Box 74 | A Day's Portion | ||||||||||
Box 74 | Shaukat, A. | ||||||||||
Box 74 | Mourning | ||||||||||
Box 74 | West of Amarillo | ||||||||||
Box 74 | Shaw, Dave | ||||||||||
Box 74 | Her Book | ||||||||||
Box 74 | A Man's Hands | ||||||||||
Box 74 | Shawver, James E. | ||||||||||
Box 74 | James E. Shawver to Q | ||||||||||
Box 74 | Sherwood, Kay E. | ||||||||||
Box 74 | Clothes (or For Gordon) | ||||||||||
Box 74 | Sefaris, George | ||||||||||
Box 74 | Mythistorema | ||||||||||
Box 74 | Seiler, Barry | ||||||||||
Box 74 | The Lake | ||||||||||
Box 74 | Namesake | ||||||||||
Box 74 | Seiter, Dave | ||||||||||
Box 74 | Breakfast | ||||||||||
Box 74 | Things You Should Know | ||||||||||
Box 74 | Selby, Jr., Hubert | ||||||||||
Box 74 | The Roon | ||||||||||
Box 74 | Selzer, Richard (4 folders) | ||||||||||
Box 74 | Stories (2 folders) | ||||||||||
Box 74 | Abortion | ||||||||||
Box 74 | Bald, or Rheum at the Top [aka Bald! and Balderdash ] | ||||||||||
Box 74 | Belly | ||||||||||
Box 74 | Chaucer's Tale | ||||||||||
Box 74 | Five Appointments with the Discuss Thrower | ||||||||||
Box 74 | Good Manners in the O.R. | ||||||||||
Box 74 | The Harbinger | ||||||||||
Box 74 | In Praise of Smoking | ||||||||||
Box 74 | The Knife | ||||||||||
Box 74 | The Laugh [aka On Laughter] | ||||||||||
Box 74 | On Birdwatching | ||||||||||
Box 74 | Pages from a Wound Dresser's Diary | ||||||||||
Box 74 | Skin | ||||||||||
Box 74 | The Stone | ||||||||||
Box 74 | Tales | ||||||||||
Box 74 | Belly | ||||||||||
Box 74 | The Corpse [aka Death] | ||||||||||
Box 74 | Severy, Bruce | ||||||||||
Box 74 | Diary of a Love Survivor [aka Diary of a Citizen] | ||||||||||
Box 74 | Shablan, D.L. | ||||||||||
Box 74 | A Lesson in Blood | ||||||||||
Box 74 | Sharma, Akhil | ||||||||||
Box 74 | The Blue Umbrella Man | ||||||||||
Box 74 | Sharpe, Matthew | ||||||||||
Box 74 | Goldilocks | ||||||||||
Box 74 | Shawver, James E. | ||||||||||
Box 74 | Buttermilk | ||||||||||
Box 74 | Shelnutt, Eve | ||||||||||
Box 74 | Feet | ||||||||||
Box 74 | Sherman, Martin | ||||||||||
Box 74 | The Evening News [aka You Are There: Armenie 1988] | ||||||||||
Box 74 | The Sliver [aka Slivers] | ||||||||||
Box 74 | The Story [aka Faith] | ||||||||||
Box 74 | Thinking | ||||||||||
Box 74 | Shetzline | ||||||||||
Box 74 | Property [aka The Compleat Angler] | ||||||||||
Box 74 | Shields, David | ||||||||||
Box 74 | The Gun in the Grass at Your Feet | ||||||||||
Box 74 | Shields, James | ||||||||||
Box 74 | I See [aka the AnaMuong Railway] | ||||||||||
Box 74 | Siegel, Helen D. | ||||||||||
Box 74 | An Unstory | ||||||||||
Box 74 | Siegel, Marc | ||||||||||
Box 74 | The Assistant [aka Making Fire] | ||||||||||
Box 74 | The Fixer | ||||||||||
Box 74 | Gaz | ||||||||||
Box 74 | Housecall | ||||||||||
Box 74 | Life Not of Kierkegard [aka Orphaned] | ||||||||||
Box 74 | Not Some Other Game | ||||||||||
Box 74 | Siegel, Sally Dewald | ||||||||||
Box 74 | Forty Reasons for Segregation | ||||||||||
Box 74 | Signor, Randy Michael | ||||||||||
Box 74 | He Said, I Am a Hero | ||||||||||
Box 74 | Simon, Kelly | ||||||||||
Box 74 | Kelly Simon to Q [aka I Know Who This Is] | ||||||||||
Box 74 | Seligman's Hat [aka Kaliakin's Hat] | ||||||||||
Box 74 | Singleton, George | ||||||||||
Box 74 | George Singleton to Q | ||||||||||
Box 74 | Smith, Lee | ||||||||||
Box 74 | The Seven Deadly Sins | ||||||||||
Box 74 | Smith, Richard D. | ||||||||||
Box 74 | Einstein, the Movies | ||||||||||
Box 74 | Smock, Frederick | ||||||||||
Box 74 | Federick Smock to Q | ||||||||||
Box 74 | Smoodin, Roberta (3 folders) | ||||||||||
Box 74 | Ursus Major (2 folders) | ||||||||||
Box 74 | [Joseph, who's called the King…] | ||||||||||
Box 74 | Snee, Pat | ||||||||||
Box 74 | Sex Habits of Suburban Couples | ||||||||||
Box 74 | Solomon, Gregory | ||||||||||
Box 74 | Glitter | ||||||||||
Box 74 | Sorkin, Ken | ||||||||||
Box 74 | Twenty % Tippers Newsletters | ||||||||||
Box 74 | Sorrells, Helen | ||||||||||
Box 74 | Town I Left | ||||||||||
Box 74 | Sorrentino, Gilbert | ||||||||||
Box 74 | Decades [aka The Sick and the Wounded] | ||||||||||
Box 74 | In Loveland | ||||||||||
Box 74 | Spackman, W.M. | ||||||||||
Box 74 | An Armful of Warn Girl | ||||||||||
Box 74 | Spain, Chris | ||||||||||
Box 74 | Entrepeneurs [aka Right Stuff Gone Wrong] | ||||||||||
Box 74 | Spanbauer, Tom (2 folders) | ||||||||||
Box 74 | Stories | ||||||||||
Box 74 | Idiot Boy | ||||||||||
Box 74 | Like Sea Animals [aka Where the Owls Chase the Chickens] | ||||||||||
Box 74 | Faraway Places | ||||||||||
Box 74 | Spark, Muriel | ||||||||||
Box 74 | Crisis in New York | ||||||||||
Box 74 | Sparks, Rennie | ||||||||||
Box 74 | Dirtbags | ||||||||||
Box 75 | Sparling - Sudnow | ||||||||||
Box 75 | Sparling, Ken (4 folders) | ||||||||||
Box 75 | Stories and Poems | ||||||||||
Box 75 | Book Review | ||||||||||
Box 75 | Currency | ||||||||||
Box 75 | Dot Matrix Meets the Melancholy Baby [aka What I Really Want to Give Her] | ||||||||||
Box 75 | I Am One of the Caretakers Here | ||||||||||
Box 75 | It's All Coming Back to Me Now | ||||||||||
Box 75 | I've Been Thinking, Dad | ||||||||||
Box 75 | Job | ||||||||||
Box 75 | Judgement | ||||||||||
Box 75 | Mozambique In One Place I Know I'll Never See | ||||||||||
Box 75 | Note | ||||||||||
Box 75 | Pick It | ||||||||||
Box 75 | Thank God | ||||||||||
Box 75 | Then One Day | ||||||||||
Box 75 | Tom | ||||||||||
Box 75 | The Trouble with Lish | ||||||||||
Box 75 | Turning Point, or Moment of Crisis | ||||||||||
Box 75 | Yes, Yes…But What Do You Do When It's Raining [aka Get There Now, I Don't Have a Lot of Time ] | ||||||||||
Box 75 | Dad Says He Saw You at the Mall | ||||||||||
Box 75 | The Poetling Speaks | ||||||||||
Box 75 | Terror | ||||||||||
Box 75 | Terror | ||||||||||
Box 75 | Compass Things | ||||||||||
Box 75 | Limits | ||||||||||
Box 75 | Garbage | ||||||||||
Box 75 | Old Man in a Webbed Chair | ||||||||||
Box 75 | Mould | ||||||||||
Box 75 | Intercourse | ||||||||||
Box 75 | Tragedy | ||||||||||
Box 75 | Sex | ||||||||||
Box 75 | Light | ||||||||||
Box 75 | Fido | ||||||||||
Box 75 | Mumbley | ||||||||||
Box 75 | People Who Died: Supplement to the 1993 Edition (includes index) | ||||||||||
Box 75 | Discomfort | ||||||||||
Box 75 | Sick | ||||||||||
Box 75 | You Want Bag? | ||||||||||
Box 75 | Tom | ||||||||||
Box 75 | Bob Rode the Train | ||||||||||
Box 75 | The Bread of Life | ||||||||||
Box 75 | Hey, Look at Me, the Dickhead! | ||||||||||
Box 75 | Just Another Shadow on My Lawn | ||||||||||
Box 75 | Alone | ||||||||||
Box 75 | Stuff You See Everyday | ||||||||||
Box 75 | The Sun Was Shining | ||||||||||
Box 75 | Then | ||||||||||
Box 75 | Hot Dogs | ||||||||||
Box 75 | Can't Say | ||||||||||
Box 75 | Persephone | ||||||||||
Box 75 | Smell | ||||||||||
Box 75 | Decorating Stories | ||||||||||
Box 75 | Tricks | ||||||||||
Box 75 | Scheduling | ||||||||||
Box 75 | Added Bonus: Great Tits | ||||||||||
Box 75 | A Lot of It | ||||||||||
Box 75 | Sorry | ||||||||||
Box 75 | Tutti's Story | ||||||||||
Box 75 | Legend | ||||||||||
Box 75 | Hey Gwen | ||||||||||
Box 75 | Frail | ||||||||||
Box 75 | In the Bud | ||||||||||
Box 75 | The Black Rod Club | ||||||||||
Box 75 | Spencer, Darrell | ||||||||||
Box 75 | Hops | ||||||||||
Box 75 | Loose in the Mail | ||||||||||
Box 75 | Spencer, Scott | ||||||||||
Box 75 | The Tip [aka Hope] | ||||||||||
Box 75 | Wrong Number | ||||||||||
Box 75 | Staley, Kathryn | ||||||||||
Box 75 | Fish Tale | ||||||||||
Box 75 | Petey Capete | ||||||||||
Box 75 | Stanton, Maura | ||||||||||
Box 75 | The Poetry of Raymond Carver's Stories | ||||||||||
Box 75 | Stein, Marion | ||||||||||
Box 75 | Pogo | ||||||||||
Box 75 | Stein, Scott | ||||||||||
Box 75 | The Stacker | ||||||||||
Box 75 | Steinberg, Susan | ||||||||||
Box 75 | Isla | ||||||||||
Box 75 | Standstill | ||||||||||
Box 75 | There's a Window | ||||||||||
Box 75 | Steinem, Gloria | ||||||||||
Box 75 | Digging Shirley | ||||||||||
Box 75 | Steiner, Robert | ||||||||||
Box 75 | The Rose Man's Tale | ||||||||||
Box 75 | Stern, Steve | ||||||||||
Box 75 | Stories | ||||||||||
Box 75 | Aaron Makes a Match | ||||||||||
Box 75 | The Book of Mordecai | ||||||||||
Box 75 | Bruno's Metamorphosis | ||||||||||
Box 75 | Goldfinch & Son | ||||||||||
Box 75 | Isaac and the Undertaker's Daughter | ||||||||||
Box 75 | Rudolph Finkl's Apprenticeship | ||||||||||
Box 75 | A Sentimental Journey | ||||||||||
Box 75 | Harry Kaplan's Adventures Underground | ||||||||||
Box 75 | Stevens, Brooke | ||||||||||
Box 75 | Hitch-hiking [aka Sleep Well] | ||||||||||
Box 75 | Minnows | ||||||||||
Box 75 | St. Germain, Richard | ||||||||||
Box 75 | The Bomber [aka School] | ||||||||||
Box 75 | [He wants to change the storm-door window…] | ||||||||||
Box 75 | It Wasn't Thanksgiving [aka Leftover] | ||||||||||
Box 75 | The Last Trash Day | ||||||||||
Box 75 | My Name Is Richard [aka Enough] | ||||||||||
Box 75 | Not Home | ||||||||||
Box 75 | Some Shoes | ||||||||||
Box 75 | Untitled Fiction in Progress | ||||||||||
Box 75 | Workout | ||||||||||
Box 75 | Stickney, John | ||||||||||
Box 75 | Six Characters in Search of an Author | ||||||||||
Box 75 | Stone, Alan | ||||||||||
Box 75 | The Hobbyist and the Communists | ||||||||||
Box 75 | Stone, Alma | ||||||||||
Box 75 | I'm Waving Tomorrow | ||||||||||
Box 75 | The Rope Rock Singer [aka The Traveller] | ||||||||||
Box 75 | Viva La Tva | ||||||||||
Box 75 | Stone, Lee | ||||||||||
Box 75 | Their Sizes Run Differently | ||||||||||
Box 75 | Stone, Robert | ||||||||||
Box 75 | The Last Good Run | ||||||||||
Box 75 | Stone, Sandra | ||||||||||
Box 75 | Salmon [aka Paybeck] | ||||||||||
Box 75 | Street, Steve | ||||||||||
Box 75 | Welcome | ||||||||||
Box 75 | Strozier, Robert M. | ||||||||||
Box 75 | Sir | ||||||||||
Box 75 | Styron, William | ||||||||||
Box 75 | The Way of the Warrior | ||||||||||
Box 76 | Sudnow, David (8 folders) | ||||||||||
Box 76 | Making Sense of Sights: The Social Organization of Looking | ||||||||||
Box 76 | Between Two Keyboards [would later become From Here to There then Talk's Body] | ||||||||||
Box 76 | From Here to There Draft 1 [would later become Talk's Body] | ||||||||||
Box 76 | From Here to There Draft 2 | ||||||||||
Box 76 | From Here to There Galleys | ||||||||||
Box 76 | Talk's Body Proof | ||||||||||
Box 76 | Talk's Body Printer's ms | ||||||||||
Box 76 | Talk's Body Master Proof | ||||||||||
Box 76 | Sudnow (end) - Thomas, James | ||||||||||
Box 76 | Sudnow, David (end) (5 folders) | ||||||||||
Box 76 | Talk's Body Master Proof 2 | ||||||||||
Box 76 | Talk's Body Blues | ||||||||||
Box 76 | Talk's Body Pages | ||||||||||
Box 76 | Talk's Body Repros | ||||||||||
Box 76 | Sulaitis, D. Sabina | ||||||||||
Box 76 | Out the Window [aka Cowboy on Columbus] | ||||||||||
Box 76 | Sullins, Wayne | ||||||||||
Box 76 | A Little Something | ||||||||||
Box 76 | The Mother in the Booth | ||||||||||
Box 76 | This Time | ||||||||||
Box 76 | Sullivan, Julie | ||||||||||
Box 76 | [I was sitting on a crate in the sunshine…] | ||||||||||
Box 76 | [I went to visit Dawson at the office…] | ||||||||||
Box 76 | Susswein, Charles | ||||||||||
Box 76 | The Dinner [aka I Could Have Eaten a Horse] | ||||||||||
Box 76 | Svoboda, Therese | ||||||||||
Box 76 | I Dreamt He Fell Three Floors and Lived | ||||||||||
Box 76 | La Historia Is a Woman | ||||||||||
Box 76 | Trailer | ||||||||||
Box 76 | Sweet, FloydSonny | ||||||||||
Box 76 | An Introduction to the Complete Works of Clifford Irving | ||||||||||
Box 76 | Talal, Marilynn | ||||||||||
Box 76 | At the Family Table | ||||||||||
Box 76 | [The caller leaves no message…] | ||||||||||
Box 76 | Feeding the Fish at Hanauma Bay | ||||||||||
Box 76 | Gold-Miner Outside Fairbanks | ||||||||||
Box 76 | How She Went from Yellow to Pink | ||||||||||
Box 76 | Mornings Before School | ||||||||||
Box 76 | Mrs. Shapanka's Embrace | ||||||||||
Box 76 | Mummy in the De Young Museum | ||||||||||
Box 76 | One-Eyed Hens | ||||||||||
Box 76 | Outside Fairbanks | ||||||||||
Box 76 | Self-Portrait from the Fifties | ||||||||||
Box 76 | Summer Blossoms | ||||||||||
Box 76 | Through the Iron Hush | ||||||||||
Box 76 | To Be Continued… | ||||||||||
Box 76 | The Unbinding of Sarah | ||||||||||
Box 76 | Tanner, Ron | ||||||||||
Box 76 | High Heat for Cotton | ||||||||||
Box 76 | Jackpot | ||||||||||
Box 76 | The Lesson [aka The Big Picture] | ||||||||||
Box 76 | Tanner, Tony | ||||||||||
Box 76 | Review of I Am Elijah Thrush | ||||||||||
Box 76 | Targan, Barry | ||||||||||
Box 76 | Kingdoms | ||||||||||
Box 76 | Tarnoff, Deborah | ||||||||||
Box 76 | In a Manner of Speaking | ||||||||||
Box 76 | Taylor. Harry H. | ||||||||||
Box 76 | Plot Outline of The Man Who Married Before | ||||||||||
Box 76 | Taylor, Kent | ||||||||||
Box 76 | Brain Tumor | ||||||||||
Box 76 | Medical Records | ||||||||||
Box 76 | Taylor, Jr., E.F. | ||||||||||
Box 76 | Laughing Sutra | ||||||||||
Box 76 | Taylor, Leeka | ||||||||||
Box 76 | The Curtain Rises | ||||||||||
Box 76 | Tennant, Emma | ||||||||||
Box 76 | The Boss's Wife | ||||||||||
Box 76 | Tester, William | ||||||||||
Box 76 | DarlingDraft 1 | ||||||||||
Box 76 | Darling Draft 2 (3 folders | ||||||||||
Box 76 | Theroux, Alexander | ||||||||||
Box 76 | Stories (6 folders | ||||||||||
Box 76 | The Copernicus Affair | ||||||||||
Box 76 | Edward Gorey | ||||||||||
Box 76 | Evangelist | ||||||||||
Box 76 | The Faculty Wife | ||||||||||
Box 76 | Herbert Head, Gent. | ||||||||||
Box 76 | Lynda van Cats | ||||||||||
Box 76 | The Master's Oral | ||||||||||
Box 76 | The Obsolescent Lobster | ||||||||||
Box 76 | The Psychiatrist | ||||||||||
Box 76 | The Sissy | ||||||||||
Box 76 | Southern Manners | ||||||||||
Box 76 | Theroux Metaphrastes | ||||||||||
Box 76 | Thibeau, Jack | ||||||||||
Box 76 | Eat Your Heart Out, Circe [aka I'd Take Circe to the City but She'd Turn Everyone to Pigs ] | ||||||||||
Box 76 | Thompson, Earl | ||||||||||
Box 76 | The Header, the Rigger, the Captain | ||||||||||
Box 76 | Thomas, James | ||||||||||
Box 76 | Paco and I at Sea | ||||||||||
Box 76 | Half Frame | ||||||||||
Box 76 | Sparkle in Five | ||||||||||
Box 76 | Santorini Gray | ||||||||||
Box 76 | Last Factory Blues | ||||||||||
Box 76 | My Journal as the Fishwoman | ||||||||||
Box 76 | Blood Money | ||||||||||
Box 76 | Paco and I at Sea | ||||||||||
Box 76 | Christmas in Calpe | ||||||||||
Box 76 | Talma Levy Is Falling | ||||||||||
Box 76 | Barbecue | ||||||||||
Box 77 | Thornburn - Wehle | ||||||||||
Box 77 | Thorburn, Russell | ||||||||||
Box 77 | After Bingo | ||||||||||
Box 77 | Apollonaire in America | ||||||||||
Box 77 | Apology to my Father | ||||||||||
Box 77 | Cocteau Painting a Mural of Angels in a Chapel in Villefranche, Where a Young Boy Holds His Ladder | ||||||||||
Box 77 | Desire at the Quarry | ||||||||||
Box 77 | Hotel Memory | ||||||||||
Box 77 | The Jean Cocteau Fan Club | ||||||||||
Box 77 | The Judas Fan Club | ||||||||||
Box 77 | Life on Lesznianska Street | ||||||||||
Box 77 | Matisse's World Is at a Standstill | ||||||||||
Box 77 | The Mexican Baseball League | ||||||||||
Box 77 | Playing Frisbee without My Shirt | ||||||||||
Box 77 | [What a Dickensian bunch…] | ||||||||||
Box 77 | Toma, T.L. | ||||||||||
Box 77 | The Exchange | ||||||||||
Box 77 | Topp, Mike | ||||||||||
Box 77 | Erik Satie | ||||||||||
Box 77 | The Evil Empire | ||||||||||
Box 77 | Young Peas | ||||||||||
Box 77 | Trelawny, Victor | ||||||||||
Box 77 | The Illusions of Youth | ||||||||||
Box 77 | The Kid with His Mind in the Sewer | ||||||||||
Box 77 | Murder on the Mass Market | ||||||||||
Box 77 | On the Job | ||||||||||
Box 77 | Prestige | ||||||||||
Box 77 | Sailboard | ||||||||||
Box 77 | Seventy-Three's Not So Bad | ||||||||||
Box 77 | The Super Bowl Is Usually Over by Halftime Too | ||||||||||
Box 77 | Trell, Max | ||||||||||
Box 77 | The Small Gods and Mr. Barnum | ||||||||||
Box 77 | Trilling, Lionel | ||||||||||
Box 77 | [Ever since I first took charge…] | ||||||||||
Box 77 | Troyan, Sheila | ||||||||||
Box 77 | The Mountain | ||||||||||
Box 77 | Trussell, Donna | ||||||||||
Box 77 | Fishbone | ||||||||||
Box 77 | On Sky-Vue Boulevard | ||||||||||
Box 77 | To Miss Candance Amyes, Lost on the Titanic | ||||||||||
Box 77 | Tuck, Lilly | ||||||||||
Box 77 | Stories | ||||||||||
Box 77 | Dog | ||||||||||
Box 77 | Impotence | ||||||||||
Box 77 | Yesterday, Today, Tomorrow | ||||||||||
Box 77 | Interviewing Matisse or The Woman Who Died Standing Up (2 folders) | ||||||||||
Box 77 | Turner, Gregory | ||||||||||
Box 77 | Thank you, Egypt | ||||||||||
Box 77 | Ullian, Robert | ||||||||||
Box 77 | A Snag in the Warp | ||||||||||
Box 77 | Unger, Donald N. | ||||||||||
Box 77 | Peaks and Valleys | ||||||||||
Box 77 | Public Works | ||||||||||
Box 77 | Ungerer, Kathryn (2 folders) | ||||||||||
Box 77 | Stories (2 folders) | ||||||||||
Box 77 | The Conception of Angels | ||||||||||
Box 77 | Eternity | ||||||||||
Box 77 | Harmony | ||||||||||
Box 77 | How I Saw the Bears Dancing North of Nain | ||||||||||
Box 77 | La Marquesa in Solitary | ||||||||||
Box 77 | Red Dress, Yello Dress: Chronicles and Indulgences | ||||||||||
Box 77 | Weed and Bone | ||||||||||
Box 77 | Unrue, Jane Elizabeth | ||||||||||
Box 77 | The Chair | ||||||||||
Box 77 | Eating from the Box | ||||||||||
Box 77 | It Is Too Old | ||||||||||
Box 77 | Killers | ||||||||||
Box 77 | Man and Duck and Cracker and the Phylogenetic Question | ||||||||||
Box 77 | Production | ||||||||||
Box 77 | (Untitled) | ||||||||||
Box 77 | Updike, John | ||||||||||
Box 77 | The Bankrupt Man | ||||||||||
Box 77 | Protect Us and Keep Us, Mrs. O. | ||||||||||
Box 77 | Van de Graaff, Leonard | ||||||||||
Box 77 | On a Painting by Edward Hopper | ||||||||||
Box 77 | VanArsdall, R. | ||||||||||
Box 77 | The Spirits Will Win Through: An Interview with Barry Hannah | ||||||||||
Box 77 | Vannatta, Dennis | ||||||||||
Box 77 | Thetis, Mary, and Mother | ||||||||||
Box 77 | Vaughan, Samuel S. | ||||||||||
Box 77 | Medium Rare: A Look at the Book and Its People | ||||||||||
Box 77 | Viegener, Matias | ||||||||||
Box 77 | The Black Prince | ||||||||||
Box 77 | Vinz, Mark | ||||||||||
Box 77 | Art Isn't Long Enough [aka The Lost Story Man] | ||||||||||
Box 77 | Vogrin, Valerie | ||||||||||
Box 77 | Unborrowing the Sugar | ||||||||||
Box 77 | Vreuls, Diane | ||||||||||
Box 77 | Are We There Yet? (3 folders) | ||||||||||
Box 77 | Vukcevich, Ray | ||||||||||
Box 77 | In the Refrigerator | ||||||||||
Box 77 | Vukelich, George | ||||||||||
Box 77 | The Bosun's Chair | ||||||||||
Box 77 | Waddington, Chris | ||||||||||
Box 77 | A Story from When I Was a Boy [aka Like Glue] | ||||||||||
Box 77 | Walker, John | ||||||||||
Box 77 | Untitled Collection | ||||||||||
Box 77 | The Dee-vorce | ||||||||||
Box 77 | Bob's Institute of Mixology | ||||||||||
Box 77 | Sabatoge | ||||||||||
Box 77 | Call Forwarding PLUS | ||||||||||
Box 77 | Bell Telephone's New 'Unlisted Information' Service | ||||||||||
Box 77 | Vacu-Phones | ||||||||||
Box 77 | Damaged goods | ||||||||||
Box 77 | K-Tell Presents 'The Fabulous Singing Dogs' | ||||||||||
Box 77 | Do Something NEW with Johnson's Baby Powder | ||||||||||
Box 77 | The King on the Cutting Room Floor | ||||||||||
Box 77 | WEEKEND UPDATE | ||||||||||
Box 77 | Last Minute Ideas | ||||||||||
Box 77 | Walker, John S.P. (2 folders) | ||||||||||
Box 77 | Bad Dogs Uncorrected Proofs (2 folders) | ||||||||||
Box 77 | Wallick, V.Q. | ||||||||||
Box 77 | Sky, Rain, Rainbow | ||||||||||
Box 77 | Walmsley, Blake | ||||||||||
Box 77 | Announcement | ||||||||||
Box 77 | Love | ||||||||||
Box 77 | Ode to Ennui | ||||||||||
Box 77 | Nobody Move | ||||||||||
Box 77 | Strange but True | ||||||||||
Box 77 | Ward, Andrew | ||||||||||
Box 77 | The Ducts | ||||||||||
Box 77 | The Regular | ||||||||||
Box 77 | The Renewal | ||||||||||
Box 77 | With My Grandparents at an Inn August 1970 | ||||||||||
Box 77 | Ward, Robert | ||||||||||
Box 77 | Save the Child | ||||||||||
Box 77 | Waring, Judith | ||||||||||
Box 77 | Early Retirement | ||||||||||
Box 77 | Warren, Jane Baird | ||||||||||
Box 77 | Tweezer | ||||||||||
Box 77 | Warren, Michael T. | ||||||||||
Box 77 | Altered Toys [aka Nothing to Do with Pain] | ||||||||||
Box 77 | Warren, Robert Penn | ||||||||||
Box 77 | Bicentenntial | ||||||||||
Box 77 | Waters, Chris | ||||||||||
Box 77 | Rhode Island Hospitality | ||||||||||
Box 77 | Warwick, Robert | ||||||||||
Box 77 | The Turkey Story [aka The Red-Head Story] | ||||||||||
Box 77 | The Vision | ||||||||||
Box 77 | Watson, Rufus | ||||||||||
Box 77 | Comradeship | ||||||||||
Box 77 | Wearing, Deborah | ||||||||||
Box 77 | Awakening | ||||||||||
Box 77 | Harold Eulenberg's Chair | ||||||||||
Box 77 | Weathersby, Jr., William | ||||||||||
Box 77 | Design for Living | ||||||||||
Box 77 | Webb, Charles | ||||||||||
Box 77 | the abolitionist of clark gable place | ||||||||||
Box 77 | Webb, Sheila Mulligan | ||||||||||
Box 77 | Cologne | ||||||||||
Box 77 | Weber, Bruce | ||||||||||
Box 77 | Raymond Carver Profile | ||||||||||
Box 77 | Weeks, Robert Lewis | ||||||||||
Box 77 | Card Shark | ||||||||||
Box 77 | Ideal World | ||||||||||
Box 77 | Robert Lewis Weeks to Q [aka Talk About Poetry] | ||||||||||
Box 77 | Wehle, Ellen | ||||||||||
Box 77 | 20th Century | ||||||||||
Box 77 | Saturday Morning | ||||||||||
Box 77 | Speaking of Pharoah's Son | ||||||||||
Box 78 | Weslowski - Wilson | ||||||||||
Box 78 | Weslowski, Dieter | ||||||||||
Box 78 | Disturbance [aka The Last Straw] | ||||||||||
Box 78 | Father Struggled Up [aka Father Rose] | ||||||||||
Box 78 | How the Birds Settle | ||||||||||
Box 78 | Let's Go and See the Horses, Daddy ; Father Rose | ||||||||||
Box 78 | Lisa; I Get a Little Worried | ||||||||||
Box 78 | This Is for You; Geode | ||||||||||
Box 78 | To His Holiness | ||||||||||
Box 78 | When I Become a God; The Last Straw | ||||||||||
Box 78 | West, Paul | ||||||||||
Box 78 | In a High Place | ||||||||||
Box 78 | The Universe, and Other Fictions | ||||||||||
Box 78 | Up and Away, Air Jamaica! | ||||||||||
Box 78 | Whalen, Tom | ||||||||||
Box 78 | Murder Story | ||||||||||
Box 78 | Notes from the Tower | ||||||||||
Box 78 | Whatley, Daniel | ||||||||||
Box 78 | The Jasper Owl [aka Mound] | ||||||||||
Box 78 | Whitaker, Rick | ||||||||||
Box 78 | Stories | ||||||||||
Box 78 | Cor-Ten Steel | ||||||||||
Box 78 | Straight [aka I Have a Lump in my Throat] | ||||||||||
Box 78 | Loverboy | ||||||||||
Box 78 | White, James L. | ||||||||||
Box 78 | Burial Office of the Dead | ||||||||||
Box 78 | A Cold Horse by Dawn | ||||||||||
Box 78 | The Deer | ||||||||||
Box 78 | Divorce Proceedings | ||||||||||
Box 78 | The Fox | ||||||||||
Box 78 | Frisbee | ||||||||||
Box 78 | The Last Summer of My Father's Mind | ||||||||||
Box 78 | The Little Mad Boy | ||||||||||
Box 78 | Maria Conception's Child | ||||||||||
Box 78 | Miss. Ophelia of the Famous Door | ||||||||||
Box 78 | On the Death of D.H. Lawrence | ||||||||||
Box 78 | Pillman's Drug Store, 1948 | ||||||||||
Box 78 | Santa Fe '72 | ||||||||||
Box 78 | Stephan | ||||||||||
Box 78 | Yes | ||||||||||
Box 78 | White, Roderick | ||||||||||
Box 78 | Proof | ||||||||||
Box 78 | Wet Dream | ||||||||||
Box 78 | Whitehead, James | ||||||||||
Box 78 | Excerpt from Joiner | ||||||||||
Box 78 | Whitman, James | ||||||||||
Box 78 | That One! | ||||||||||
Box 78 | Wiebe, Rick | ||||||||||
Box 78 | Parlor Games | ||||||||||
Box 78 | Plus Change | ||||||||||
Box 78 | Wieder, Robert | ||||||||||
Box 78 | Man to Man | ||||||||||
Box 78 | Willard, Nancy | ||||||||||
Box 78 | The Doctrine of the Leather Stocking Jesus | ||||||||||
Box 78 | I Love You, Missus Bird | ||||||||||
Box 78 | Williams, Diane (7 folders) | ||||||||||
Box 78 | Stories (3 folders) | ||||||||||
Box 78 | All American | ||||||||||
Box 78 | All New | ||||||||||
Box 78 | The Answer to the Question | ||||||||||
Box 78 | Baby | ||||||||||
Box 78 | The Band-Aid and the Piece of Gum | ||||||||||
Box 78 | Boiled and Starched | ||||||||||
Box 78 | The Boy [aka Superhumans] | ||||||||||
Box 78 | The Case of the Cold Murderer | ||||||||||
Box 78 | Clean | ||||||||||
Box 78 | Crush | ||||||||||
Box 78 | Diagnosis | ||||||||||
Box 78 | Egg | ||||||||||
Box 78 | Erotic Property | ||||||||||
Box 78 | Escapade | ||||||||||
Box 78 | The Everlasting Sippers | ||||||||||
Box 78 | Excitability | ||||||||||
Box 78 | The Festival | ||||||||||
Box 78 | A Field That Can Never Be Exhausted | ||||||||||
Box 78 | The Flesh | ||||||||||
Box 78 | Forty Thousand Dollars | ||||||||||
Box 78 | The Fuck | ||||||||||
Box 78 | The Fullness of Life Is from Something | ||||||||||
Box 78 | The Future of the Illusion | ||||||||||
Box 78 | The Good Man | ||||||||||
Box 78 | Good News | ||||||||||
Box 78 | Ha | ||||||||||
Box 78 | How Can Visiting a Black Hole Keep You Going | ||||||||||
Box 78 | [I will warn people that you are…] | ||||||||||
Box 78 | Icky | ||||||||||
Box 78 | The Idea of Counting [aka A Pair of Gems] | ||||||||||
Box 78 | An Imperishable Romance | ||||||||||
Box 78 | In There It Sounds Funny | ||||||||||
Box 78 | An Inventory [aka Dish] | ||||||||||
Box 78 | Jewelling | ||||||||||
Box 78 | Jewishness | ||||||||||
Box 78 | Killer [aka Necking and Heavy Petting] | ||||||||||
Box 78 | Lady | ||||||||||
Box 78 | The Lost Sex | ||||||||||
Box 78 | Luxuries | ||||||||||
Box 78 | Machinery | ||||||||||
Box 78 | Meat [aka The Prince] | ||||||||||
Box 78 | My Coat [aka My Jacket] | ||||||||||
Box 78 | My Radiant Girl | ||||||||||
Box 78 | Excerpt from My Secret Life [anonymous 19th century novel] | ||||||||||
Box 78 | Mystery of the Universe | ||||||||||
Box 78 | Naaa | ||||||||||
Box 78 | The Nature of a Miracle | ||||||||||
Box 78 | The Nude [aka The Slip] | ||||||||||
Box 78 | O Rock | ||||||||||
Box 78 | Okeydoke | ||||||||||
Box 78 | Oncce Uppon aa Timme | ||||||||||
Box 78 | An Opening Chat | ||||||||||
Box 78 | Ore [aka Pest] | ||||||||||
Box 78 | Original Belief | ||||||||||
Box 78 | Ornament of Beauty | ||||||||||
Box 78 | Passage of the Soul | ||||||||||
Box 78 | The Power [aka The Adulterer] | ||||||||||
Box 78 | The Power of Performance | ||||||||||
Box 78 | The Primary Institution | ||||||||||
Box 78 | A Progress in Spirituality | ||||||||||
Box 78 | Pussy | ||||||||||
Box 78 | The Revenge | ||||||||||
Box 78 | Screaming | ||||||||||
Box 78 | The Seduction | ||||||||||
Box 78 | Sex Solves Problems | ||||||||||
Box 78 | Speech | ||||||||||
Box 78 | The Strangest and Most Powerful | ||||||||||
Box 78 | The Strong Petals of Quiet | ||||||||||
Box 78 | The Suitor | ||||||||||
Box 78 | Thank You | ||||||||||
Box 78 | Their Privileges | ||||||||||
Box 78 | They Were Naked Again | ||||||||||
Box 78 | This Is the Reason Why | ||||||||||
Box 78 | The Time of Harmony | ||||||||||
Box 78 | To Die [aka The Will to Die] | ||||||||||
Box 78 | Ultimate Object | ||||||||||
Box 78 | The Uncanny | ||||||||||
Box 78 | Violent Self-Indulgence | ||||||||||
Box 78 | What Knowledge Is Most Worth Having? | ||||||||||
Box 78 | The Whole Earth Is Full of Her Glory | ||||||||||
Box 78 | [We'll leave our clothes on…] | ||||||||||
Box 78 | Yes, I Suppose You're Right | ||||||||||
Box 78 | My Mary | ||||||||||
Box 78 | The Stupefaction Draft 1 | ||||||||||
Box 78 | The Stupefaction Draft 2 | ||||||||||
Box 78 | The Stupefaction copy of Draft 2 | ||||||||||
Box 78 | Williams, Ishmael | ||||||||||
Box 78 | Brownsville | ||||||||||
Box 78 | Williams, Joy | ||||||||||
Box 78 | Eating Cotton Candy | ||||||||||
Box 78 | The Lover | ||||||||||
Box 78 | Parados | ||||||||||
Box 78 | Preparation for a Collie | ||||||||||
Box 78 | Shorelines | ||||||||||
Box 78 | Woods | ||||||||||
Box 78 | Williams, Lauren | ||||||||||
Box 78 | The Glass [aka Somehow, It's About Love ] | ||||||||||
Box 78 | The Heat in Robert's Kitchen | ||||||||||
Box 78 | In the Night [aka The Length of a Night and Through the Night] | ||||||||||
Box 78 | Williams, Tennessee | ||||||||||
Box 78 | Happy August Tenth | ||||||||||
Box 78 | Mother Yaws | ||||||||||
Box 78 | Wilmer, Andrew | ||||||||||
Box 78 | Family Folly | ||||||||||
Box 78 | The Sea Monster | ||||||||||
Box 78 | Sevin's Techniques of Self Preservation | ||||||||||
Box 78 | Wilson, Jr., Robley | ||||||||||
Box 78 | Bringing Back the President | ||||||||||
Box 78 | On the Island | ||||||||||
Box 78 | Others | ||||||||||
Box 78 | Saying Goodbye to the President | ||||||||||
Box 78 | Wilson, Rudy | ||||||||||
Box 78 | Crushed | ||||||||||
Box 78 | Meat [aka Horsie Child, of Mine ] | ||||||||||
Box 78 | Cartoon [early draft of The Red Truck] (2 folders) | ||||||||||
Box 78 | The Red Truck (2 folders) | ||||||||||
Box 79 | Winter - Zuckel; Anonymous | ||||||||||
Box 79 | Winter, Max | ||||||||||
Box 79 | The Nineteenth Thanksiving | ||||||||||
Box 79 | Wohl, Lisa | ||||||||||
Box 79 | Lisa Wohl to Q [aka The Food Center of the World] | ||||||||||
Box 79 | The Rendezvous [aka Perspective] | ||||||||||
Box 79 | Vanishing Point | ||||||||||
Box 79 | Wafer [aka Omnivore] | ||||||||||
Box 79 | Wohlgemuth, Audrey | ||||||||||
Box 79 | [The pool was our favorite room…] | ||||||||||
Box 79 | Wolfe, Tom (5 folders) | ||||||||||
Box 79 | Be an Hombre's Hombre, Hombres | ||||||||||
Box 79 | The Biggest Roll of Tarpaper in the National League | ||||||||||
Box 79 | Jousting with Sam and Charlie | ||||||||||
Box 79 | Introduction to Great American Things | ||||||||||
Box 79 | Introduction: The Neo-Fabulists | ||||||||||
Box 79 | Wolff, Geoffrey | ||||||||||
Box 79 | The Company Man anf the Revolutionary | ||||||||||
Box 79 | Wolitzer, Hilma | ||||||||||
Box 79 | Depression | ||||||||||
Box 79 | Photographs | ||||||||||
Box 79 | Sleep | ||||||||||
Box 79 | Trophies [aka Long Distance, Short Takes ] | ||||||||||
Box 79 | Woodworth, Marc | ||||||||||
Box 79 | Fiddle-Head Ferns | ||||||||||
Box 79 | Lovis Corinth's Samson Blinded | ||||||||||
Box 79 | Wooten, Thomas | ||||||||||
Box 79 | The Father [aka Liminal Drama] | ||||||||||
Box 79 | News of Science [aka Reader's Digest] | ||||||||||
Box 79 | The Other Side, Radiant [aka Mrs. Alewine ] | ||||||||||
Box 79 | Smoke | ||||||||||
Box 79 | Thomas Wooten to Q [aka The Young/Old Woman] | ||||||||||
Box 79 | The Waiting Room | ||||||||||
Box 79 | Wright, Richard B. | ||||||||||
Box 79 | Last Legs | ||||||||||
Box 79 | Wyatt, Charles | ||||||||||
Box 79 | Lizard with a Blue Tail | ||||||||||
Box 79 | Yehoshua, A.B. | ||||||||||
Box 79 | Facing the Forrests [translated by Miriam Arad] | ||||||||||
Box 79 | Yglesias, Jose | ||||||||||
Box 79 | One Mistake They Made in Alaska | ||||||||||
Box 79 | Young, Philip | ||||||||||
Box 79 | Big world Out There | ||||||||||
Box 79 | The Last Good Country | ||||||||||
Box 79 | Summer People | ||||||||||
Box 79 | Zaza, David | ||||||||||
Box 79 | The Dog in Florida | ||||||||||
Box 79 | Zelver, Patricia | ||||||||||
Box 79 | Landmarks [aka The Middle-Aged Couple in the Chrysler New Yorker] | ||||||||||
Box 79 | Norwegians | ||||||||||
Box 79 | Zenari, Vivian | ||||||||||
Box 79 | The Wolf [aka The Man Behind the Hill] | ||||||||||
Box 79 | Ziebarth, Sean | ||||||||||
Box 79 | Following Questions | ||||||||||
Box 79 | Revolver | ||||||||||
Box 79 | Ziglar, Vincent | ||||||||||
Box 79 | Blinks | ||||||||||
Box 79 | Sorghum | ||||||||||
Box 79 | Untitlable | ||||||||||
Box 79 | Zigman, Laura | ||||||||||
Box 79 | Laura Zigman to Q | ||||||||||
Box 79 | Zuckel, Helen | ||||||||||
Box 79 | The Reading | ||||||||||
Box 79 | Anonymous Authors | ||||||||||
Box 79 | Chapter III: Rockpile | ||||||||||
Box 79 | Coloring Books | ||||||||||
Box 79 | [Dear Janita, We're having early August…] | ||||||||||
Box 79 | [Dearest Pearl, I am not certain…] | ||||||||||
Box 79 | The Great Lawn at Groton | ||||||||||
Box 79 | [It was the brown muscle of the river…] | ||||||||||
Box 79 | The Lotos Eaters | ||||||||||
Box 79 | Natural Regrets | ||||||||||
Box 79 | Retreat | ||||||||||
Box 79 | The Seer | ||||||||||
Box 79 | Time Capsule | ||||||||||
Box 79 | Travel Diary | ||||||||||
Box 79 | The Turn | ||||||||||
Box 79 | Vivaldi | ||||||||||
By Gordon Lish | |||||||||||
Box 80 | Short Writings | ||||||||||
General | |||||||||||
[Note: Because some works contain too many drafts or were too long to fit comfortably in the alphabetical works, they appear alphabetically in their own folders following the regular alphabetized arrangement.] | |||||||||||
Box 80 | Alphabetical Writings (8 folders) | ||||||||||
Box 80 | Agony | ||||||||||
Box 80 | All Things Bright and Beautiful | ||||||||||
Box 80 | balzano and son | ||||||||||
Box 80 | The Best Defense Is a Good Offense and Other Wise Sayings to Do with Me and the New York Literary Establishment | ||||||||||
Box 80 | Burt Britton Intro | ||||||||||
Box 80 | By Way of Paying What I Owe | ||||||||||
Box 80 | Certain Great Eats I Know About | ||||||||||
Box 80 | Changes | ||||||||||
Box 80 | Chicken Soup, Polypeptide Plasmids, and You | ||||||||||
Box 80 | [CHIP KIDD and Lish? You're asking me…] | ||||||||||
Box 80 | Chopped Liver for Goyim [aka Chopped Liver for Gentiles] | ||||||||||
Box 80 | Chronicles | ||||||||||
Box 80 | Class Leter [For class of Fall, 1993] | ||||||||||
Box 80 | Customs, Manners, Dress, Means of Exchange, and Major National Holidays in Don DeLillo | ||||||||||
Box 80 | Deep-Structure Counsel for Pre-Matrimonial Human Beings | ||||||||||
Box 80 | A Distinguished American Speaks His Mind [aka Hot Lips from the Mystery Poet and Speak Out, the Arts ] | ||||||||||
Box 80 | Dog Story | ||||||||||
Box 80 | Donoghue Plays | ||||||||||
Box 80 | Down from Reader to Editor: A Moral Tale | ||||||||||
Box 80 | Eating at the New York Literary Establishment | ||||||||||
Box 80 | Eats with Lentricchia and Delillo | ||||||||||
Box 80 | An Edgar | ||||||||||
Box 80 | Editors and Writers: Certain Assertions | ||||||||||
Box 80 | Esquire for Lisa Grunwald | ||||||||||
Box 80 | An Esquire Self-Instructional Program for the Man Who Plans to Help Himself | ||||||||||
Box 80 | A Few Words with Alexander Portnoy's Mother | ||||||||||
Box 80 | A Few Words with the Masked Poet | ||||||||||
Box 80 | A Few Words with the World's Greatest Chili-Maker | ||||||||||
Box 80 | A Few Words with the World's Greatest Lover | ||||||||||
Box 80 | A Few Words with the World's Greatest Walker | ||||||||||
Box 80 | Fiction That Is Good for Everything: Backing into a Definition | ||||||||||
Box 80 | Five Easy Lessons Toward a Seemingly Grownup You | ||||||||||
Box 80 | Flannery O'Connor | ||||||||||
Box 80 | The Friend | ||||||||||
Box 80 | Gordon Lish, Theatre Piece | ||||||||||
Box 80 | A Great Champion Steps Down | ||||||||||
Box 80 | Hannah Jacket | ||||||||||
Box 80 | [The heavier aircraft, airplanes…] | ||||||||||
Box 80 | Hemingway's Island's In the Stream | ||||||||||
Box 80 | [Her name was Kate…] | ||||||||||
Box 80 | Hey, Dad, What Does Strolling Mean? | ||||||||||
Box 80 | [Hob Broun did not die…] | ||||||||||
Box 80 | How to Brew the World's Greatest Cup of Coffee | ||||||||||
Box 80 | How to Brew the World's Greatest Cup of Tea Now That It's Cheaper to Drink Money Than Coffee | ||||||||||
Box 80 | How to Get a Girl Story and Keep the One You've Got | ||||||||||
Box 80 | How to Write a Poem | ||||||||||
Box 80 | How I Got to Be a New York Crazy | ||||||||||
Box 80 | Huddling | ||||||||||
Box 80 | [I am going to tell you a story…] | ||||||||||
Box 80 | I Used to Live Here Once | ||||||||||
Box 80 | [I wish I could tell you what…] | ||||||||||
Box 80 | Imp Among the Aunts | ||||||||||
Box 80 | In the Matter Endlessly Pending | ||||||||||
Box 80 | In Praise of Cheap Gossip | ||||||||||
Box 80 | An Interested Reader's Reply | ||||||||||
Box 80 | An Interview with Gordon Lish | ||||||||||
Box 80 | Introduction for Bill Hayward | ||||||||||
Box 80 | [Joseph Heller's second novel…] | ||||||||||
Box 80 | Juicers | ||||||||||
Box 80 | [Just between you, me, and the lamppost…] | ||||||||||
Box 80 | Ladies and gentlemen… | ||||||||||
Box 80 | The Lecture | ||||||||||
Box 80 | [Like men, magazines come and go…] | ||||||||||
Box 80 | Making | ||||||||||
Box 80 | More Outdoors: A Reappraisal | ||||||||||
Box 80 | My Favorites | ||||||||||
Box 80 | My Two Favorite Sex Ideas | ||||||||||
Box 80 | [The neighborhood pharmacy…] | ||||||||||
Box 80 | New Sounds in American Fiction | ||||||||||
Box 80 | New York: The Great Outdoors | ||||||||||
Box 80 | [No need to tell us the gods favor the bold…] | ||||||||||
Box 80 | Oh, Cuisine! | ||||||||||
Box 80 | Oh, Daddy, Be Serious | ||||||||||
Box 80 | On the Loose | ||||||||||
Box 80 | On the Telephone with the Right Reverend 'Dub' Nance, Pastor of the Holiday Inn Chaplaincy | ||||||||||
Box 80 | Overated/Underated | ||||||||||
Box 80 | Parents and Children: Who's Been Tampering with the Inventory? | ||||||||||
Box 80 | [Paris steams this third day…] | ||||||||||
Box 80 | Peace and Contentment Begins with Trewax | ||||||||||
Box 80 | Preface to Brisk Whisteling in the Long-Toothed Dark | ||||||||||
Box 80 | Research | ||||||||||
Box 80 | Special Added Attraction! | ||||||||||
Box 80 | A Star Is Reborn | ||||||||||
Box 80 | Sophistication | ||||||||||
Box 80 | Talking About Looking at Women | ||||||||||
Box 80 | Tarzan, Jungle King or Queen? | ||||||||||
Box 80 | Ten Assertions Bearing, First of All, On the Story at Hand | ||||||||||
Box 80 | [There's no way escaping…] | ||||||||||
Box 80 | Three Opinionated but Worthwhile Statements About Each of the Following… | ||||||||||
Box 80 | The Traitor | ||||||||||
Box 80 | Travel Notes that Are Really Notes | ||||||||||
Box 80 | Trilobite: In Memoriam | ||||||||||
Box 80 | True Confessions of a Failed Reader | ||||||||||
Box 80 | The True History of Junk Food | ||||||||||
Box 80 | Understanding Muscle and Myself | ||||||||||
Box 80 | Weight | ||||||||||
Box 80 | What to Do When She's Pregnant and You Can't | ||||||||||
Box 80 | What to Do When Your Child Cries for a Dog | ||||||||||
Box 80 | What to Eat When All Else Fails | ||||||||||
Box 80 | What I Can Tell You About Phyllis Janowitz | ||||||||||
Box 80 | What I Hurried Home to Write After Watching the New York Marathon, But I Walked Every Inch of the Way | ||||||||||
Box 80 | What Is Left to Link Us | ||||||||||
Box 80 | [When folks are told you keep company with fiction…] | ||||||||||
Box 80 | When I Was a Lad I Served a Term | ||||||||||
Box 80 | White's Monotonous | ||||||||||
Box 80 | Why I Don't Watch TV | ||||||||||
Box 80 | [You might want to think back...] | ||||||||||
Box 80 | Death and Language [both in English and Italian] | ||||||||||
Box 80 | A Distinguished American Speaks His Mind | ||||||||||
Box 80 | For Jerome, With Love and Kisses | ||||||||||
Box 80 | For Rupert - With No Promises | ||||||||||
Box 80 | Four Meetings with the Celebrated Writer, in which He Composes the Great Comedy and Tragedy of His Career | ||||||||||
Box 80 | How I Got to Be a Bigshot Editor and Other Worthwhile Self-Justifications | ||||||||||
Box 80 | Interview Magazine | ||||||||||
Box 80 | Little Homemaker | ||||||||||
Box 80 | Outdoors | ||||||||||
Box 80 | Poetics of Fiction | ||||||||||
Box 80 | Push, Push | ||||||||||
Box 81 | Novels and Anthologies | ||||||||||
Box 81 | All Our Secrets Are the Same Draft (2 folders) | ||||||||||
Box 81 | All Our Secrets Are the Same Partial Drafts | ||||||||||
Box 81 | All Our Secrets Are the Same Master Pages | ||||||||||
Box 81 | Coming Out of the Ice Draft 1, untitled (2 folders) | ||||||||||
Box 81 | Coming Out of the Ice Draft 2, I Am Victor Herman (3 folders) | ||||||||||
Box 81 | Coming Out of the Ice Draft 3, I Am Victor Herman (6 folders) | ||||||||||
Box 81 | Coming Out of the Ice Draft 4, I Am Victor Herman (3 folders) | ||||||||||
Box 82 | Novels and Anthologies (cont.) | ||||||||||
Box 82 | Coming Out of the Ice Draft 4, I Am Victor Herman (3 folders) | ||||||||||
Box 82 | Coming Out of the Ice Draft 5, Deadfall (5 folders) | ||||||||||
Box 82 | Coming Out of the Ice Partial drafts, Epilogue | ||||||||||
Box 82 | Coming Out of the Ice Galleys | ||||||||||
Box 82 | Coming Out of the Ice Partial Galleys | ||||||||||
Box 82 | Coming Out of the Ice Proofs | ||||||||||
Box 82 | Dear Mr. Capote Draft 1 (2 folders) | ||||||||||
Box 82 | Dear Mr. Capote Draft 2 (2 folders) | ||||||||||
Box 83 | Novels and Anthologies (end)The Quarterly 1-3 | ||||||||||
Box 83 | Dear Mr. Capote Master Proof (2 folders) | ||||||||||
Box 83 | Extravaganza Blue Pages | ||||||||||
Box 83 | Extravaganza Proof | ||||||||||
Box 83 | Peru Partial German Translation [by M.C. Punzengruber] | ||||||||||
Box 83 | Secrets High and Low (2 folders) | ||||||||||
Box 83 | Fragments | ||||||||||
Box 83 | The Quarterly - Drafts | ||||||||||
Box 83 | Quarterly 1, Proof (3 folders) | ||||||||||
Box 83 | Quarterly 3, Master Set 1st Pass (2 folders) | ||||||||||
Box 83 | Quarterly 3, Master Set 2nd Pass (2 folders) | ||||||||||
Box 83 | Quarterly 3, Xerox of repro (2 folders) | ||||||||||
Box 84 | Quarterly 3-10 | ||||||||||
Box 84 | Quarterly 3, Master Set 1st Revised (2 folders) | ||||||||||
Box 84 | Quarterly 3, Foul copy (3 folders) | ||||||||||
Box 84 | Quarterly 7, Master Set 1st Pass (2 folders) | ||||||||||
Box 84 | Quarterly 7, Master Set 2nd Pass (2 folders) | ||||||||||
Box 84 | Quarterly 7, Foul copy (3 folders) | ||||||||||
Box 84 | Quarterly 9 (2 folders) | ||||||||||
Box 84 | Quarterly 10, Copy 1 (2 folders) | ||||||||||
Box 85 | Quarterly 11-12 | ||||||||||
Box 85 | Quarterly 10, Copy 2 (2 folders) | ||||||||||
Box 85 | Quarterly 11, Master Set 1st Pass (2 folders) | ||||||||||
Box 85 | Quarterly 11, Master Set 2nd Pass (2 folders) | ||||||||||
Box 85 | Quarterly 11, Gordon's Set copy 1 (2 folders) | ||||||||||
Box 85 | Quarterly 11, Gordon's Set copy 2 (2 folders) | ||||||||||
Box 85 | Quarterly 11, Gordon's Set copy 3 (2 folders) | ||||||||||
Box 85 | Quarterly 11, Foul copy (2 folders) | ||||||||||
Box 85 | Quarterly 12, Gordon's Set copy 1 (2 folders) | ||||||||||
Box 85 | Quarterly 12, Gordon's Set copy 2 (2 folders) | ||||||||||
Box 86 | Quarterly 12-25 | ||||||||||
Box 86 | Quarterly 12, Foul copy (3 folders) | ||||||||||
Box 86 | Quarterly 16, Proof (2 folders) | ||||||||||
Box 86 | Quarterly 16, Setting ms. (2 folders) | ||||||||||
Box 86 | Quarterly 16, Fragment | ||||||||||
Box 86 | Quarterly 24, Setting ms. (2 folders) | ||||||||||
Box 86 | Quarterly 25, Setting ms. (3 folders) | ||||||||||
Box 101 | Unidentified Writings by Lish | ||||||||||
Box 101 | Unidentified (13 folders) | ||||||||||
Box 102 | Unidentified Writings by Lish | ||||||||||
Box 102 | Unidentified (15 folders) | ||||||||||
Box 109 | Quarterly 8-9 | ||||||||||
Box 109 | Quarterly 9, Gordon's set | ||||||||||
Box 109 | Quarterly 9, Au set | ||||||||||
Box 109 | Quarterly 8, Gordon's set | ||||||||||
Box 109 | Quarterly 8 (2 folders) | ||||||||||
Box 116 | All Our Secrets are the Same book review by Alan Heineman | ||||||||||
Box 116 | Dear Mr. Capote (5 folders) | ||||||||||
Box 116 | Feeling Uniformly Jewish: An Interview with Gordon Lish | ||||||||||
Box 116 | Fiction Report | ||||||||||
Box 116 | Five Easy Lessons Toward Seemingly a Grownup You | ||||||||||
Box 116 | For Rupert - with no Promises | ||||||||||
Box 116 | How to Write a Novel | ||||||||||
Box 116 | I Look Out for Will Eno! | ||||||||||
Box 116 | Letter to the Busybodies | ||||||||||
Box 116 | Molly Bloome Talks with Gordon Lish | ||||||||||
Box 116 | Trilobite: In Memoram | ||||||||||
Box 116 | What I Know about Don DeLillo and Certain Other Unnamed Persons | ||||||||||
Box 116 | Untitled interview with Lish | ||||||||||
Box 116 | Unidentified | ||||||||||
Box 116 | Quarterly 7 | ||||||||||
Additional Writings | |||||||||||
Box 103 | Abramson, Valerie | ||||||||||
Box 103 | Her Bright Condition | ||||||||||
Box 103 | Allen, Barton. Poems and Stories | ||||||||||
Box 103 | My Father's Surface | ||||||||||
Box 103 | Hamlet | ||||||||||
Box 103 | Down the Cellar Stairs | ||||||||||
Box 103 | The Artifact | ||||||||||
Box 103 | The Athanor | ||||||||||
Box 103 | Approaching the Queen | ||||||||||
Box 103 | Allen, Jeff. Stories | ||||||||||
Box 103 | Holding Pattern | ||||||||||
Box 103 | It Shall Be Again | ||||||||||
Box 103 | Liberty, Equality, Fraternity | ||||||||||
Box 103 | A Brooklyn Clean and Well-Lighted: A Review of Nicholas Montemarano's A Fine Place | ||||||||||
Box 103 | Used to Do | ||||||||||
Box 103 | Shadowboxing | ||||||||||
Box 103 | Toilet Training | ||||||||||
Box 103 | Mississippi Story | ||||||||||
Box 103 | Dog Tags | ||||||||||
Box 103 | Arnoldi, Katherine | ||||||||||
Box 103 | All Things Are Labor | ||||||||||
Box 103 | Baird, Ansie. Poems (2 folders) | ||||||||||
Box 103 | And So It Was | ||||||||||
Box 103 | News from the Ramparts | ||||||||||
Box 103 | Breathing Lessons | ||||||||||
Box 103 | Forecast | ||||||||||
Box 103 | The Earth in Its Orbit | ||||||||||
Box 103 | Times Two | ||||||||||
Box 103 | A Partial Story | ||||||||||
Box 103 | Plain Song | ||||||||||
Box 103 | The Royal Connection | ||||||||||
Box 103 | The Line | ||||||||||
Box 103 | The Statue | ||||||||||
Box 103 | The Earth in its Orbit | ||||||||||
Box 103 | Baricco, Alessandro (3 folders) | ||||||||||
Box 103 | Penguin City | ||||||||||
Box 103 | Bass, Rick | ||||||||||
Box 103 | Not Home | ||||||||||
Box 103 | Blanchard, Richard | ||||||||||
Box 103 | Doing the High Traverse | ||||||||||
Box 103 | Borges, Jorge Luis | ||||||||||
Box 103 | An Overwhelming Film (on Citizen Kane) | ||||||||||
Box 103 | Brodkey, Harold | ||||||||||
Box 103 | Preface | ||||||||||
Box 103 | Buckner, Garth (5 folders) | ||||||||||
Box 103 | Bangalay | ||||||||||
Box 103 | The Lion in our Garden | ||||||||||
Box 103 | The Origins of Solitude | ||||||||||
Box 103 | The Human Tide | ||||||||||
Box 103 | Carrollhach, Haley. Stories (8 folders) | ||||||||||
Box 103 | Beautiful Daughters | ||||||||||
Box 103 | Magnificent Odessa | ||||||||||
Box 103 | Her Hogs | ||||||||||
Box 103 | Suddenly Yellow | ||||||||||
Box 103 | The Party | ||||||||||
Box 103 | Teenagers in Loveland | ||||||||||
Box 103 | A Betrayal | ||||||||||
Box 103 | Deaf Strength | ||||||||||
Box 103 | Killing Chickens | ||||||||||
Box 103 | They Feared Mountain Lion | ||||||||||
Box 103 | Precious and Precious's Mother | ||||||||||
Box 103 | Teenagers in Loveland | ||||||||||
Box 103 | Killing Chickens | ||||||||||
Box 103 | The Joseph Story | ||||||||||
Box 103 | Deaf Strength | ||||||||||
Box 103 | Suddenly Yellow | ||||||||||
Box 103 | My Grandfather and the Telephone | ||||||||||
Box 103 | Magnificent Odessa | ||||||||||
Box 103 | The First Half of Summer | ||||||||||
Box 103 | A Harvest of Cabbage | ||||||||||
Box 103 | The Impossible Bottom | ||||||||||
Box 103 | A Harvest of Cabbage | ||||||||||
Box 103 | The End of the Bible | ||||||||||
Box 103 | The Neighborhood | ||||||||||
Box 103 | My Mother Said | ||||||||||
Box 103 | Many Such Afternoons | ||||||||||
Box 103 | The Inheritance | ||||||||||
Box 103 | The Get-Together | ||||||||||
Box 103 | Décor | ||||||||||
Box 103 | An Inheritance | ||||||||||
Box 103 | The End of the Bible | ||||||||||
Box 103 | Untitled | ||||||||||
Box 103 | Killing Chickens | ||||||||||
Box 103 | Corn | ||||||||||
Box 103 | The Word STOP Mirrored in Water | ||||||||||
Box 103 | Endings Go Down Drains | ||||||||||
Box 104 | Carver, George | ||||||||||
Box 104 | Lish, Gordon: Notes and Reflections of a Former Student | ||||||||||
Box 104 | Cooperrider, Carrie. Stories | ||||||||||
Box 104 | The Book Bug | ||||||||||
Box 104 | Out West | ||||||||||
Box 104 | Corman, Catherine | ||||||||||
Box 104 | Appraiser, Reappraised or Three Books | ||||||||||
Box 104 | Collecting Venus: Citizen Kane's Solitude | ||||||||||
Box 104 | Cuiff, Jules | ||||||||||
Box 104 | Cirque du Calder | ||||||||||
Box 104 | deCourcy, Lynne H. Poems. | ||||||||||
Box 104 | Sister, Did You Ever Pray? | ||||||||||
Box 104 | Watching My Daughter Skate: In Training | ||||||||||
Box 104 | Searching | ||||||||||
Box 104 | DeLillo, Don (4 folders) | ||||||||||
Box 104 | That Day in Rome | ||||||||||
Box 104 | Beader-Meinhof | ||||||||||
Box 104 | S/11: Making War on the Future | ||||||||||
Box 104 | Woman in the Distance | ||||||||||
Box 104 | Doran, Cat | ||||||||||
Box 104 | Some Girls | ||||||||||
Box 104 | Durando, Neal | ||||||||||
Box 104 | F105 over Red River | ||||||||||
Box 104 | Engels, John. Poems | ||||||||||
Box 104 | The Warning | ||||||||||
Box 104 | Devil's Hole | ||||||||||
Box 104 | Eno, Will. Plays (2 folders) | ||||||||||
Box 104 | Ladies and Gentleman | ||||||||||
Box 104 | King Anyone | ||||||||||
Box 104 | Middletown | ||||||||||
Box 104 | Eno, Will. Stories (2 folders) | ||||||||||
Box 104 | Wild | ||||||||||
Box 104 | Fast Living | ||||||||||
Box 104 | Interview with Berkeley Rep Magazine | ||||||||||
Box 104 | Evenson, Brian (3 folders) | ||||||||||
Box 104 | Difficult Communions | ||||||||||
Box 104 | The Open Curtain | ||||||||||
Box 104 | Feldman, Irving. Poems | ||||||||||
Box 104 | Poet at Thirteen | ||||||||||
Box 104 | Yet Even These | ||||||||||
Box 104 | Foulkrod, Catherine | ||||||||||
Box 104 | For the Day | ||||||||||
Box 104 | Froderberg, Gretchen | ||||||||||
Box 104 | Various Live Death Acts | ||||||||||
Box 104 | Froderberg, Susan. Stories | ||||||||||
Box 104 | A Home to Go Home To | ||||||||||
Box 104 | Old Border Road | ||||||||||
Box 104 | Froterberg, Gretchen | ||||||||||
Box 104 | Aiea Heights | ||||||||||
Box 104 | Among the Living | ||||||||||
Box 104 | 86th-96th-76th | ||||||||||
Box 104 | Gretchen Froterberg | ||||||||||
Box 104 | The Story of Grout | ||||||||||
Box 104 | Gaddis, Anicee | ||||||||||
Box 104 | Untitled | ||||||||||
Box 104 | Hannah, Barry | ||||||||||
Box 104 | Repulsed | ||||||||||
Box 104 | Untitled | ||||||||||
Box 104 | Gilbert, Jack | ||||||||||
Box 104 | Refusing Heaven | ||||||||||
Box 104 | Hanshe, Rainer J. | ||||||||||
Box 104 | The Acolytes | ||||||||||
Box 104 | Hempel, Amy. Stories | ||||||||||
Box 104 | The Uninvited | ||||||||||
Box 104 | Melody | ||||||||||
Box 104 | Mouths, Open | ||||||||||
Box 104 | Untitled | ||||||||||
Box 104 | Sing To It | ||||||||||
Box 104 | Greed | ||||||||||
Box 104 | Holland, Noy. Stories (2 folders) | ||||||||||
Box 104 | Time for the Flat-Headed Man | ||||||||||
Box 104 | Visitations | ||||||||||
Box 104 | What Begins with Bird | ||||||||||
Box 104 | Fairway | ||||||||||
Box 104 | Swim for the Little One First | ||||||||||
Box 104 | Holodnak, Lili | ||||||||||
Box 104 | Untitled | ||||||||||
Box 104 | Jackson, Mitchell S. | ||||||||||
Box 104 | In John We Trust | ||||||||||
Box 104 | The Residue Years | ||||||||||
Box 104 | Untitled | ||||||||||
Box 104 | Jiles, Paulette | ||||||||||
Box 104 | Untitled | ||||||||||
Box 104 | Kamine, Mark | ||||||||||
Box 104 | The Blow | ||||||||||
Box 104 | Kimball, Michael. Poems | ||||||||||
Box 104 | Remains of the Day | ||||||||||
Box 104 | If You Leave the Door Open | ||||||||||
Box 104 | The Jortian Age | ||||||||||
Box 104 | Knauff, Marco | ||||||||||
Box 104 | Six Dramantics | ||||||||||
Box 105 | Lear, Patricia. Stories (4 folders) | ||||||||||
Box 105 | No One Will Ever Marry You, You Know | ||||||||||
Box 105 | Nirvana | ||||||||||
Box 105 | The Bridge Playing Ladies | ||||||||||
Box 105 | After Memphis | ||||||||||
Box 105 | Summer Party | ||||||||||
Box 105 | Nirvana | ||||||||||
Box 105 | Nirvana | ||||||||||
Box 105 | Interview: Amy Hempel | ||||||||||
Box 105 | Lemann, Nancy | ||||||||||
Box 105 | The Undeparted | ||||||||||
Box 105 | Lentricchia, Frank | ||||||||||
Box 105 | Disappearance | ||||||||||
Box 105 | The Italian Actress | ||||||||||
Box 105 | Aristotle and/or DeLillo | ||||||||||
Box 105 | Levine, Jeffrey | ||||||||||
Box 105 | Distinguished Guests | ||||||||||
Box 105 | Lingis, Alphoso | ||||||||||
Box 105 | Trust | ||||||||||
Box 105 | Lock, Norman (6 folders) | ||||||||||
Box 105 | Favorite Sports of the Martyrs | ||||||||||
Box 105 | The Captain is Sleeping | ||||||||||
Box 105 | A Swan Boat on the Nile | ||||||||||
Box 105 | Love in the Steam Age | ||||||||||
Box 105 | The Sleep Institute | ||||||||||
Box 105 | Marco and Marian Take a Vacation | ||||||||||
Box 105 | Marco and Marion Sleep | ||||||||||
Box 105 | Tango in Amsterdam | ||||||||||
Box 105 | The Light on the Razorwire is almost Beautiful | ||||||||||
Box 105 | Love in the Steam Age | ||||||||||
Box 105 | The Monster in Winter | ||||||||||
Box 105 | To Each According to His Sentence | ||||||||||
Box 105 | Scenes in the Life of Napoleon Bonaparte | ||||||||||
Box 105 | In the Time of the Comet | ||||||||||
Box 105 | My Father's Affair with Esther Williams | ||||||||||
Box 105 | The Invisible Dutchman and His Dog | ||||||||||
Box 105 | The Gaiety of Henry James | ||||||||||
Box 105 | From Piece for Small Orchestra | ||||||||||
Box 105 | The Havoc of the Stars/The Universe of the Body | ||||||||||
Box 105 | Ideas of Space | ||||||||||
Box 105 | The King of Sweden | ||||||||||
Box 105 | Loomis, Edward | ||||||||||
Box 105 | Homeward | ||||||||||
Box 105 | Long, Daniel | ||||||||||
Box 105 | Homework | ||||||||||
Box 105 | Untitled | ||||||||||
Box 105 | Lutz, Gary | ||||||||||
Box 105 | Impossible Object | ||||||||||
Box 105 | Fatal Agreement | ||||||||||
Box 105 | Stories in the Worst Way | ||||||||||
Box 105 | An Interview with Gary Lutz | ||||||||||
Box 105 | Maliszewski, Paul | ||||||||||
Box 105 | Actual Value | ||||||||||
Box 105 | Facsimile | ||||||||||
Box 105 | Harvey Strub | ||||||||||
Box 105 | Manning, Kate | ||||||||||
Box 105 | Found | ||||||||||
Box 105 | Margalit, Israela | ||||||||||
Box 105 | Getting Noticed (or not) book proposal | ||||||||||
Box 106 | Marten, Eugene | ||||||||||
Box 106 | In the Blind | ||||||||||
Box 106 | Marten, Eugene | ||||||||||
Box 106 | In the Blind | ||||||||||
Box 106 | Rat of the World | ||||||||||
Box 106 | Meissner, Jan (2 folders) | ||||||||||
Box 106 | Zoomtown | ||||||||||
Box 106 | Michel, Sam | ||||||||||
Box 106 | Michel, Sam (3 folders) | ||||||||||
Box 106 | Lincoln Dahl Turns Fire | ||||||||||
Box 106 | Big Dogs and Flyboys | ||||||||||
Box 106 | Mikesch, Elizabeth | ||||||||||
Box 106 | Saturnine | ||||||||||
Box 106 | Miller, S.G. | ||||||||||
Box 106 | Old Hildegarde Has Died | ||||||||||
Box 106 | Paradise | ||||||||||
Box 106 | Millhauser, Steven | ||||||||||
Box 106 | Edwin Mullhouse | ||||||||||
Box 106 | Mirsky, Mark Jay | ||||||||||
Box 106 | A Dish of Radishes | ||||||||||
Box 106 | Montgomery, Mark | ||||||||||
Box 106 | A Locomotive in Winter | ||||||||||
Box 106 | Moore, Honor | ||||||||||
Box 106 | The Pink Dress | ||||||||||
Box 107 | Mulcahy, Greg (4 folders) | ||||||||||
Box 107 | Canada | ||||||||||
Box 107 | Carbine | ||||||||||
Box 107 | Fishing Trips | ||||||||||
Box 107 | Sustenance | ||||||||||
Box 107 | Murphy, Yannick | ||||||||||
Box 107 | Here Come the Hot Dog Men | ||||||||||
Box 107 | Newman, Leigh. Stories (2 folders) | ||||||||||
Box 107 | I Know How You Are | ||||||||||
Box 107 | My Father's Best Friend's Daughter | ||||||||||
Box 107 | One Bedroom | ||||||||||
Box 107 | Dad's Piano | ||||||||||
Box 107 | The Blasphemer of Spices | ||||||||||
Box 107 | Eat | ||||||||||
Box 107 | A Little More History | ||||||||||
Box 107 | Child? Dog? Stay? Run? | ||||||||||
Box 107 | That Water | ||||||||||
Box 107 | Our Night Out | ||||||||||
Box 107 | His Call | ||||||||||
Box 107 | You Know the Story | ||||||||||
Box 107 | Just as Soon as She Wakes Up | ||||||||||
Box 107 | Oates, Joyce Carol | ||||||||||
Box 107 | How My Father Was Murdered | ||||||||||
Box 107 | O'Connell, Patricia (2 folders) | ||||||||||
Box 107 | Night Windows | ||||||||||
Box 107 | Ozick, Cynthia (2 folders) | ||||||||||
Box 107 | (to Q) Reply to an Invitation (All Expenses Paid) to Germany | ||||||||||
Box 107 | The Modern Hep! Hep! Hep! | ||||||||||
Box 107 | Pendleton, Jan. Stories | ||||||||||
Box 107 | Movers | ||||||||||
Box 107 | Iguanas | ||||||||||
Box 107 | Dummies | ||||||||||
Box 107 | Sarah | ||||||||||
Box 107 | Pinson, David. Stories | ||||||||||
Box 107 | This is When | ||||||||||
Box 107 | Departures | ||||||||||
Box 107 | Storage | ||||||||||
Box 107 | The Wake | ||||||||||
Box 107 | Bandage | ||||||||||
Box 107 | Raffel, Dawn (3 folders) | ||||||||||
Box 107 | Further Adventures in the Restless Universe | ||||||||||
Box 107 | The Lesson | ||||||||||
Box 107 | Carrying the Body | ||||||||||
Box 107 | Rauch, Earl | ||||||||||
Box 107 | The Wonderful World of DeSoto | ||||||||||
Box 107 | Rayfiel, Tom | ||||||||||
Box 107 | Ideograms | ||||||||||
Box 107 | Redel, Victoria | ||||||||||
Box 107 | I Could See for a While Who Was Who | ||||||||||
Box 107 | Rehill, Evan (2 folders) | ||||||||||
Box 107 | The Runner | ||||||||||
Box 107 | The Spade | ||||||||||
Box 107 | Renner, Cooper. Poems (2 folders) | ||||||||||
Box 107 | Bedtime Story | ||||||||||
Box 107 | Ceasarean | ||||||||||
Box 107 | [Untitled] | ||||||||||
Box 108 | Richard, Mark (3 folders) | ||||||||||
Box 108 | The Ice at the Bottom of the World | ||||||||||
Box 108 | Rodriguez, Jesus Ramon. Stories (2 folders) | ||||||||||
Box 108 | La Cosa Grande | ||||||||||
Box 108 | Genio | ||||||||||
Box 108 | Meat Cutter | ||||||||||
Box 108 | Wife | ||||||||||
Box 108 | Rybicki, John. Interview, Poems, Stories (4 folders) | ||||||||||
Box 108 | Delicious Vertigo: A Conversation with John Rybicki | ||||||||||
Box 108 | The Boy | ||||||||||
Box 108 | I Pass This Beautiful Crow | ||||||||||
Box 108 | Into the Standing Corn | ||||||||||
Box 108 | Yellow Jackets | ||||||||||
Box 108 | Brother | ||||||||||
Box 108 | I Straddle the Earth | ||||||||||
Box 108 | Firstling | ||||||||||
Box 108 | These Nail Holes in my Palm | ||||||||||
Box 108 | I Reach Through the Cobwebs, Ice and Weariness | ||||||||||
Box 108 | My Animal | ||||||||||
Box 108 | Why Everything is a Poem | ||||||||||
Box 108 | Day Seven in the Belly of the Whale - Bone Marrow Unit, October 23, 1994 | ||||||||||
Box 108 | Lifting My Bride | ||||||||||
Box 108 | Daily this Leaf Blown | ||||||||||
Box 108 | Thought at the Parting of These Waters | ||||||||||
Box 108 | There's No Place on this Earth Quiet Enough | ||||||||||
Box 108 | It's Morning and I'm Trying on the Walls | ||||||||||
Box 108 | Quarter | ||||||||||
Box 108 | Love is the Heel That Knocks Hard Against the Floor | ||||||||||
Box 108 | Yellow-Haired Girl with Spider | ||||||||||
Box 108 | Ryder, Pamela | ||||||||||
Box 108 | A Tendency to be Gone | ||||||||||
Box 108 | Ryder, Pamela (5 folders) | ||||||||||
Box 108 | Captiva | ||||||||||
Box 108 | The Correction of Drift | ||||||||||
Box 108 | Graveweed | ||||||||||
Box 108 | Recognizable Constellations and Familiar Objects of the Night Sky in Early | ||||||||||
Box 108 | Spring | ||||||||||
Box 108 | Untitled | ||||||||||
Box 108 | Spargo, R. Clifton. Stories | ||||||||||
Box 108 | All Her Sons are Fallen | ||||||||||
Box 108 | The Empty Center | ||||||||||
Box 108 | The Breach | ||||||||||
Box 108 | St. Germain, Richard | ||||||||||
Box 108 | Chrysanthemums | ||||||||||
Box 108 | Loveseat | ||||||||||
Box 108 | Steinberg, Susan. Stories | ||||||||||
Box 108 | Adult | ||||||||||
Box 108 | Lifelike | ||||||||||
Box 108 | Sudnow, David | ||||||||||
Box 108 | I Could Write a Book | ||||||||||
Box 108 | Taylor, Justin | ||||||||||
Box 108 | In My Heart I am Already Gone | ||||||||||
Box 108 | Trelawny, Victor. Stories | ||||||||||
Box 108 | In the Land of Opportunity | ||||||||||
Box 108 | My First Three Visits with Her | ||||||||||
Box 108 | About Australia | ||||||||||
Box 108 | In the Basement | ||||||||||
Box 108 | Udelson, Jonathan. Stories | ||||||||||
Box 108 | All the Gathered, Here Again | ||||||||||
Box 108 | Updike, John | ||||||||||
Box 108 | The Tarbox Police | ||||||||||
Box 108 | Volk, Patricia | ||||||||||
Box 108 | Stuffed: Adventures of a Restaurant Family | ||||||||||
Box 108 | Wickersham, Joan | ||||||||||
Box 108 | The News from Spain | ||||||||||
Box 108 | Williams, Tennessee | ||||||||||
Box 108 | Unidentified | ||||||||||
Box 116 | General 1990 | ||||||||||
Box 116 | General 1992 | ||||||||||
Box 116 | General 1993 | ||||||||||
Box 116 | General 1994 | ||||||||||
Box 116 | General 1995 | ||||||||||
Box 116 | General 1996 | ||||||||||
Box 116 | General 1997 | ||||||||||
Box 116 | General 1998 | ||||||||||
Box 116 | General 1999 | ||||||||||
Box 116 | General 2000 | ||||||||||
Box 116 | General 2004 | ||||||||||
Box 116 | General 2006 | ||||||||||
Box 116 | General 2008 | ||||||||||
Box 116 | General 2009 | ||||||||||
Box 116 | General 2010 | ||||||||||
Box 116 | General 2012 | ||||||||||
Box 116 | General, undated | ||||||||||
Box 117 | Anonymous Authors | ||||||||||
Box 117 | Act One | ||||||||||
Box 117 | Five of a Kind | ||||||||||
Box 117 | Losing My Accent | ||||||||||
Box 117 | Pleasant Avenue | ||||||||||
Box 117 | Miscellaneous (4 folders) | ||||||||||
Box 117 | Untitled | ||||||||||
Box 117 | Miscellaneous Writings (8 folders) | ||||||||||
Box 118 | All Our Secrets Are the Same: New Fiction From Esquire mock-ups | ||||||||||
Box 128 | Unidentified auhor, story notes |
III. Newspaper Clippings | |||||||||||
Scope and Contents | |||||||||||
Contains clippings from newspapers, magazines and periodicals. | |||||||||||
Box 99 | Carver 1976, Jan. - Jun. | ||||||||||
Box 99 | Lish 1976, Nov. - 1977, Nov. (2 folders) | ||||||||||
Box 99 | Salinger material 1977, Jan. - Apr. (2 folders) | ||||||||||
Box 99 | Forest fires 1933-1977 (2 folders) | ||||||||||
Box 99 | 1963, Jan. - 1975, Oct. | ||||||||||
Box 99 | 1971-1983 | ||||||||||
Box 99 | ca. 1972-1976 | ||||||||||
Box 99 | 1974-1976 | ||||||||||
Box 99 | 1975 | ||||||||||
Box 99 | 1976 | ||||||||||
Box 99 | 1977, Jan. - Dec. (2 folders) | ||||||||||
Box 99 | 1977, Jan. - Dec. | ||||||||||
Box 99 | 1978, Apr. - Jul. | ||||||||||
Box 99 | 1970s | ||||||||||
Box 99 | Undated (2 folders) | ||||||||||
Box 100 | Barry Hannah 1978, Mar. - Jun. | ||||||||||
Box 100 | Victor Herman 1979, Mar.9 | ||||||||||
Box 100 | Janet Kauffman 1989, Sept. | ||||||||||
Box 100 | The Secret Life of Our Times 1973-1974 | ||||||||||
Box 100 | 1968-1972 | ||||||||||
Box 100 | 1970-1979 | ||||||||||
Box 100 | 1972-1976, Apr. | ||||||||||
Box 100 | 1973-1975 | ||||||||||
Box 100 | 1976, May - Jul. | ||||||||||
Box 100 | 1977-1979 | ||||||||||
Box 100 | 1977-1984 | ||||||||||
Box 100 | 1979, Jun. - Fall | ||||||||||
Box 100 | Printed material and miscellaneous reviews 1974-1979 | ||||||||||
Box 100 | Miscellaneous (2 folders) | ||||||||||
Box 100 | Undated | ||||||||||
Box 109 | 1970s (4 folders) | ||||||||||
Box 109 | and 1970s 1980s | ||||||||||
Box 109 | 1980s | ||||||||||
Box 109 | 1990s (2 folders) | ||||||||||
Box 110 | 1970s | ||||||||||
Box 110 | 1970s-2000s | ||||||||||
Box 110 | 1980s | ||||||||||
Box 110 | 1982, Feb. - May | ||||||||||
Box 110 | 1985 | ||||||||||
Box 110 | 1986 |
IV. Photographs | |||||||||||
Box 110 | Miscellaneous photographs (2 folders) | ||||||||||
Box 110 | Etched copper photo printing plate | ||||||||||
Box 115 | Gordon Lish | ||||||||||
Box 115 | Samuel Becket | ||||||||||
Box 115 | Saul Bellow | ||||||||||
Box 115 | Raymond Carver | ||||||||||
Box 115 | Neal Cassady | ||||||||||
Box 115 | James Dickey | ||||||||||
Box 115 | Ken Kesey | ||||||||||
Box 115 | Tom Wolfe | ||||||||||
Box 115 | Esquire | ||||||||||
Box 115 | Miscellaneous | ||||||||||
Box 115 | Slides | ||||||||||
Box 115 | Unidentified (2 folders) | ||||||||||
Box 127 | Unidentified male |
V. Artwork | |||||||||||
Box 110 | Miscellaneous drawings and sketches | ||||||||||
Box 113 | Sketchpads (3 folders) | ||||||||||
Box 113 | Drawings Rose Graubart Ignatow 1952-1965 | ||||||||||
Box 113 | Marion Perkins Fan Club Scrapbook | ||||||||||
Box 129 | Artwork and sketches | ||||||||||
Box 131 | B. Lish | ||||||||||
Box 132 | All the Pretty Isms for Gordon from Shelton |
VI. Legal | |||||||||||
Box 110 | Lish v. Harper's, court transcript 9 Oct. 1992 | ||||||||||
Box 110 | Lish v. Harper's, court filing 2 Nov. 1992 | ||||||||||
Box 110 | Lish v. Harper's, court filing 5 Nov. 1992 | ||||||||||
Box 110 | Lish v. Harper's, court filing 6 Nov. 1992 | ||||||||||
Box 110 | Lish v. Harper's, court filing 16 Nov. 1992 | ||||||||||
Box 110 | Lish v. Harper's, court filing 24 Nov. 1992 | ||||||||||
Box 110 | Bernard Geis Assoc. Inc., Publishing Agreement | ||||||||||
Box 110 | Book Agreement: Raymond Carver and McGraw-HillPut Yourself in My Shoes |
VII. Realia | |||||||||||
Box 118 | Party gifts from Norman Lock | ||||||||||
Box 124 | Gordon Lish's belt |
VIII. Audio-visual | |||||||||||
Box 121 | Gordon Lish on The Dick Cavett Show videotape | ||||||||||
Box 121 | I.F. Reading CD-ROM (2) | ||||||||||
Box 121 | Bookworm Interview CD-ROM | ||||||||||
Box 121 | Reefer Songs CD-ROM | ||||||||||
Box 121 | The Best of Everything master-tape | ||||||||||
Box 121 | The Piano Player master-tape | ||||||||||
Box 121 | Sunday Dinner in Brooklyn master-tape | ||||||||||
Box 121 | Victor Herman autobiography, audiocassettes | ||||||||||
Box 121 | Miscellaneous authors, audiocassettes | ||||||||||
Box 122 | New Sounds in Fiction master-tapes (11) | ||||||||||
Box 123 | Student audiotapes, Gordon Lish's classes 1985-1987 |
IX. Miscellaneous | |||||||||||
Box 110 | Pamphlets | ||||||||||
Box 110 | PR materials (2 folders) | ||||||||||
Box 110 | Gordon Lish Writing Workshop materials | ||||||||||
Box 110 | Handwritten journal, unidentified author | ||||||||||
Box 110 | Letter of recommendation for Evan Sark | ||||||||||
Box 110 | Maggot Brain No. 2 | ||||||||||
Box 110 | Midnight Express production notes | ||||||||||
Box 110 | Publicity materials: A Public Reading, Lecture, and Discussion by Gordon Lish | ||||||||||
Box 110 | Song Titles | ||||||||||
Box 110 | Doubleday Catalog | ||||||||||
Box 110 | Magazines | ||||||||||
Box 110 | Ephemera | ||||||||||
Box 110 | Miscellaneous papers (3 folders) | ||||||||||
Box 110 | Miscellaneous papers 1987 | ||||||||||
Box 110 | Miscellaneous papers 1990-1992 | ||||||||||
Box 110 | Miscellaneous papers 1991-1992 (2 folders) | ||||||||||
Box 110 | Miscellaneous papers 1993 (2 folders) | ||||||||||
Box 110 | Miscellaneous papers 1994 | ||||||||||
Box 110 | Miscellaneous papers 1995 (2 folders) | ||||||||||
Box 110 | Miscellaneous papers 1996 | ||||||||||
Box 110 | Miscellaneous papers 1997-1998 | ||||||||||
Box 110 | Miscellaneous papers 1999 | ||||||||||
Box 110 | Miscellaneous papers, undated (2 folders) | ||||||||||
Box 113 | Questionnaire responses 1969 | ||||||||||
Box 113 | Questionnaire results, responses 1970 | ||||||||||
Box 113 | Miscellaneous papers 1970s (2 folders) | ||||||||||
Box 113 | Miscellaneous papers 1980s | ||||||||||
Box 113 | Miscellaneous papers 1990s | ||||||||||
Box 113 | Miscellaneous papers, undated | ||||||||||
Box 114 | Esquire Merit Award and Pennant 1974 | ||||||||||
Box 114 | Maps | ||||||||||
Box 114 | Pamphlets 1984 | ||||||||||
Box 114 | Printed materials 1970-1976 (2 folders) | ||||||||||
Box 114 | Printed materials and pamphlets 1970-1972 | ||||||||||
Box 114 | Miscellaneous papers 1970s (4 folders) | ||||||||||
Box 114 | Miscellaneous papers 1973 | ||||||||||
Box 114 | Miscellaneous papers 1974 | ||||||||||
Box 114 | Miscellaneous papers 1974-1979 | ||||||||||
Box 114 | Miscellaneous papers 1976 | ||||||||||
Box 114 | Miscellaneous papers 1977 | ||||||||||
Box 114 | Miscellaneous papers 1986 | ||||||||||
Box 114 | Miscellaneous papers 1988 | ||||||||||
Box 114 | Miscellaneous papers 1980s | ||||||||||
Box 115 | List: Collection of Published Writings of Gordon Lish 1956-1987 | ||||||||||
Box 115 | Project Fire 1978 | ||||||||||
Box 115 | Magazines | ||||||||||
Box 115 | Miscellaneous papers 1973 | ||||||||||
Box 115 | Miscellaneous papers 1976-1977 | ||||||||||
Box 115 | Miscellaneous papers 1970s (2 folders) | ||||||||||
Box 115 | Miscellaneous papers 1982 | ||||||||||
Box 115 | Miscellaneous papers 1989-1990 | ||||||||||
Box 115 | Miscellaneous papers 1980s (3 folders) | ||||||||||
Box 115 | Miscellaneous papersand 1980s 1990s | ||||||||||
Box 115 | Miscellaneous papers 1990s | ||||||||||
Box 115 | Miscellaneous papers 2000-2010 | ||||||||||
Box 115 | Miscellaneous papers, undated | ||||||||||
Box 127 | Broadsides | ||||||||||
Box 127 | Lecture by Gordon Lish | ||||||||||
Box 127 | Contemporary Writing World: A Conversation with Gordon Lish, Lee Eisenberg, John Herrmann | ||||||||||
Box 127 | CertificateThe Art Directors Club 66th Annual Exhibition 1987 Merit Award: Gordon Lish, Editor, 'The Quarterly, Spring 1987' | ||||||||||
Box 130 | Araby envelope |
X. Additions | |||||||||||
Additional Correspondence | |||||||||||
box 133 | Allman, John and Eileen 2013 | ||||||||||
box 133 | Andreou, George 2013-2014 | ||||||||||
box 133 | Baird, Ansie 2012 | ||||||||||
box 133 | Ballybung, Jim and Liz 2013, undated | ||||||||||
box 133 | Bass, Rick 2013-2014 | ||||||||||
box 133 | Belden, Kathryn 2012-2014 | ||||||||||
box 133 | Blanchard, Richard 2013 | ||||||||||
box 133 | Boland, Eavan 2013 | ||||||||||
box 133 | Buckley, Christopher 2014 | ||||||||||
box 133 | Buckner, Garth 2012-2013 | ||||||||||
box 133 | Cooperrider, Carrie [Fenimore] 2012-2014, undated | ||||||||||
box 133 | Corman, Catherina Ann 2010-2013 | ||||||||||
box 133 | Davies, Jeremy M. 2012 | ||||||||||
box 133 | Davis, Melinda 2012 | ||||||||||
box 133 | Diebsonovich, Puehle undated | ||||||||||
box 133 | Dieckmann, Katherine 2013 | ||||||||||
box 133 | Donoghue, Denis 2014 | ||||||||||
box 133 | Durat, Marion 2011 | ||||||||||
box 133 | Einhorn, Sharone 2014 | ||||||||||
box 133 | Elliott, Anne 2012-2013, undated | ||||||||||
box 133 | Eno, Will 2013, undated | ||||||||||
box 133 | Feldman, Irving 2012 | ||||||||||
box 133 | Geeslin, Campbell 2008-2014, undated | ||||||||||
box 133 | Gekiere, Nemi 2012-2014 | ||||||||||
box 133 | Glover, Douglas 2013 | ||||||||||
box 133 | Goebel, Luke 2012, undated | ||||||||||
box 133 | Groenland, Tim 2013 | ||||||||||
box 133 | Haag, Peter 2014 | ||||||||||
box 133 | Hach, Haley 2013 | ||||||||||
box 133 | Hade, George undated | ||||||||||
box 133 | Hale, Buddy 2013 | ||||||||||
box 133 | Hamiliton, Mary 2012-2013, undated | ||||||||||
box 133 | Hamilton, Megan 2011-2012 | ||||||||||
box 133 | Hempel, Amy 2010-2013, undated | ||||||||||
box 133 | Hess, Wayne (Larry) 2012 | ||||||||||
box 133 | Hintze, Erich 2012 | ||||||||||
box 133 | Hodges, John 2013-2014 | ||||||||||
box 133 | Hogan, Wayne 2011-2014 (2 folders) | ||||||||||
box 133 | Holoboff, Elaine 2012 | ||||||||||
box 133 | Ives, Stephen G. 2013 | ||||||||||
box 133 | Jilesjohnson, Paulette 2012-2014, undated | ||||||||||
box 133 | Jackson, Mitchell 2012 | ||||||||||
box 133 | Krupp, Jane 2012 | ||||||||||
box 133 | Lafontaine, Elan 2012 | ||||||||||
box 133 | Landis, Joanne 2012 | ||||||||||
box 133 | Lear, Trish 2012 | ||||||||||
box 133 | Lee, J 2013 | ||||||||||
box 133 | Lemann, Nancy 2012 | ||||||||||
box 133 | Lingis, Al 2012 | ||||||||||
box 133 | Lish, Gordon 2004-2012, undated | ||||||||||
box 133 | Livingstone, Carolyn 2012-2013 | ||||||||||
box 133 | Long, Daniel 2009 | ||||||||||
box 133 | Lutz, Gary 2012 | ||||||||||
box 133 | Mahon, Eugene J. 2013-2014 | ||||||||||
box 133 | Maliszewski, Paul 2012-2014 | ||||||||||
box 133 | Marx, Leon 2013 | ||||||||||
box 133 | Mc Auliffe, Jody 2013 | ||||||||||
box 133 | Mc Lendon, David 2012-2014 | ||||||||||
box 133 | Michaka, Stéphane 2012-2013 | ||||||||||
box 133 | Mizrahi, Shevaun 2012 | ||||||||||
box 133 | Mulcahy, Gregory 2012-2014 | ||||||||||
box 133 | O'Connell, Pat 2013 | ||||||||||
box 133 | Odell, Joshua S. 2012 | ||||||||||
box 133 | O'Donoghue, Mary 2012-2013 | ||||||||||
box 133 | OR Books 2012 | ||||||||||
box 133 | Ozick, Cynthia 2008-2014 | ||||||||||
box 133 | Parker, Ryan 2014 | ||||||||||
box 133 | Parker, Scott F. 2012 | ||||||||||
box 133 | Parsons, Kimberly K. 2009-2010 | ||||||||||
box 133 | Person, Russell 2013 | ||||||||||
box 133 | Quarnstrom, Lee 2013 | ||||||||||
box 133 | Redel, Victoria 2013 | ||||||||||
box 133 | Reisner, Alex 2014 | ||||||||||
box 133 | Ross, Helen 2014 | ||||||||||
box 133 | Rybicki, John 2012 | ||||||||||
box 134 | Sampsell, Kevin 2013 | ||||||||||
box 134 | Sarki, Michael 2012 | ||||||||||
box 134 | Saunders, George 2013 | ||||||||||
box 134 | Schwartz, Jason 2012-2013, undated | ||||||||||
box 134 | Sklenicka, Carol 2005 | ||||||||||
box 134 | Slutzky, Zöe 2013 | ||||||||||
box 134 | Schreiner, Helen 2012-2013 | ||||||||||
box 134 | Spohrer, Lauren 2011 | ||||||||||
box 134 | Sparling, Ken undated | ||||||||||
box 134 | Stark, Sam 2012 | ||||||||||
box 134 | Sterritt, Brooks 2012 | ||||||||||
box 134 | Sticker, Gerald 2013 | ||||||||||
box 134 | Summell, Matt 2012-2013 | ||||||||||
box 134 | Sussler, Betsy 2013 | ||||||||||
box 134 | Tay, May-Lan 2014, undated | ||||||||||
box 134 | Treanor, Tom 2012 | ||||||||||
box 134 | Vasicek, René Georg 2013 | ||||||||||
box 134 | Volk, Patty 2012 | ||||||||||
box 134 | W. D. undated | ||||||||||
box 134 | Williams, Cherry 2009 | ||||||||||
box 134 | Williams, Joy 2014 | ||||||||||
box 134 | Yates, Mahala Stripling 2012 | ||||||||||
box 134 | Zyzak, Magdalena 2014, undated | ||||||||||
box 134 | Renner, Cooper 2010-2014 (2 folders) | ||||||||||
box 134 | Ross, Helen Klein 2013-2014 | ||||||||||
box 134 | Todd, Robb 2012-2013 | ||||||||||
box 134 | Walsmith, Shelton 2009-2014, undated | ||||||||||
box 134 | First name only 2010-2014, undated | ||||||||||
box 134 | Unnamed undated | ||||||||||
Additional Writings | |||||||||||
box 134 | Anonymous Authors | ||||||||||