Collection ID: SC 184
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Collection context

Summary

Creator:
Johnson, Micheal A., 1946-
Abstract:
This collection consists of books, papers, sheet music, posters, photographs, CDs, and DVDRs documenting the artistic life of Mike Johnson, "Country Music's No. 1 Black Yodeler."
Extent:
1 document case (0.21 Linear Feet), 15 photographs , 3 Posters, 11 Audio Discs (CD), and 5 video discs (DVDR)
Language:
Materials are in English.
Preferred citation:

Mike Johnson Collection, SC 184, Archives of African American Music and Culture, Indiana University, Bloomington.

Background

Biographical / Historical:

Mike Johnson (b.1946) is an American country music singer, songwriter, and yodeler, whose unique versatility in combining the Jimmie Rodgers, Cowboy, and Swiss yodeling styles, along with being the most consistently performing and recorded yodeler since the 1920s, earned him the indisputable title of "Country Music's No.1 Black Yodeler". He sings single, double, and triple yodels, and like European Yodelers he also writes and performs wordless yodeling songs. Johnson first learned to yodel during the 1950s imitating the Tarzan call of actor Johnny Weissmuller. Over a decade later as he became involved in country music, with some of his early influences being Gene Autry, Roy Rogers, Jimmie Rodgers, Hank Williams, and Roger Miller, his songwriting idol.

Following his first professional recording session in April 1981 at Jim Maxwell's Globe Recording Studio in Nashville, Johnson's first releases were under his MAJJ Productions Literary Banner and his Pata del Lobo Music Publishing Banner. In September 1981 he became a long-distance trucker for Newlon's Transfer of Arlington, Virginia; little knowing that it would play a significant role in establishing him on the Independent Country Music circuit. When Globe Recording moved to White House, Tennessee, Maxwell connected him with his friend Jim Stanton, owner of Champ Recording Studio on Church Street at the edge of downtown Nashville. A friendship developed and Stanton taught Johnson how the Nashville cliqued worked, how to protect his music, and suggested he start his own record label. Johnson recorded his songs at Champ Studio in four sessions up until Stanton's untimely death in 1989. Two years earlier on 13 June 1987 Johnson created Roughshod Records for his country songs and You and Me Publishing and You and Me Records for his non-country songs. However, his non-country songs would be released on the Roughshod Records label until December 2014. Mike Johnson has performed in many venues around the country, received substantial international radio airplay, and has never recorded for, or been signed to, any label but his own.

Mike Johnson is profiled in Pamela E. Foster's 1998 My Country: the African Diaspora's Country Music Heritage and in her 2000 follow up book My Country Too: the Other Black Music. He was inducted into America's Old Time Country Music Hall of Fame in 2002 by the National Traditional Country Music Association in Avoca, Iowa, and received a Lifetime Achievement Award at their 2016 NTCMA festival in LeMars, Iowa. His 1200 song catalog contains over 150 yodeling songs, 50 of which are Black Yodel No.1 to Black Yodel No.50 and 114 of which were compiled into Mike Johnson's Yodel Song Archives a 4-disc set specifically created for the Recorded Sound Reference Center, which they acquire on April 27, 2007 for inclusion in their Reading and Reference Room collection at the Library of Congress in Washington DC. Contacted in January 2005 by Bart Plantenga, author of the 2004 Yodel - Ay - He - Oooo the Secret History of Yodeling Around the World Mike's yodeling song "Yeah I'm a Cowboy" was one of the 18 yodeling songs selected by Plantenga to be placed on the 2006 Rough Guide to Yodel CD. He continued to involve Johnson in projects and profiled him in his 2012 follow up yodeling book Yodel In Hi-Fi. Mike Johnson is a BMI songwriter member with over 350 songs registered in the BMI catalog. Since 1981, Mike Johnson has produced two 45rpm vinyls, 11 cassettes, 65 CDs, and a YouTube Channel containing over 1400 videos created by him.

Scope and Content:

This collection spans the years of 1987-2023, and specific materials document the entire artistic profile of Mike Johnson. In the collection are CDs Mike Johnson recorded and produced on his record label, Roughshod Records. There is also extensive video and written documentation on the preservation and acquisition work Mike Johnson has conducted with his collection at the Library of Congress. In addition, there is an anthology documenting his entire performing career, as well as a personal biography; all written and produced by Mike Johnson.

Acquisition information:
Donated by Mike Johnson in 2023.
Processing information:

Processed by AAAMC staff. Completed in 2023.

Arrangement:

Arranged in two series:

Series 1: Papers and Photographs
--- Sub-series 1.1: Papers
--- Sub-series 1.2: Photographs
Series 2: Audio-Visual Materials
--- Sub-series 2.1: CDs
--- Sub-series 2.2: DVDs
Rules or conventions:
DACS-Describing Archives: A Content Standard

Access

RESTRICTIONS:

Use of time-based media materials (audio and video) may require production of listening or viewing copies.

Access to streaming audio, moving image, and full resolution digital image materials may currently be restricted to researchers who can authenticate with an IU account or who are physically present on campus. Remote streaming to individual researchers may be allowed with the completion of applicable forms.

For further information about access to online audiovisual materials, contact AAAMC staff at aaamc@indiana.edu.

TERMS OF ACCESS:

Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, including but not limited to the Indiana Public Records Act (5-14-3-2 et seq.). Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in this collection without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which Indiana University assumes no responsibility.

Copyright is retained by the creators/authors of items in this collection, or their descendants, as stipulated by United States copyright law. All requests for copying and publishing materials must be submitted in writing to the Archives of African American Music and Culture, and may require the written permission of the creator(s)/author(s) or donor(s).

PREFERRED CITATION:

Mike Johnson Collection, SC 184, Archives of African American Music and Culture, Indiana University, Bloomington.

CAMPUS:
Indiana University Bloomington
LOCATION OF THIS COLLECTION:
Smith Research Center, Rooms 180-181
2805 East 10th Street
Bloomington, Indiana 47408-2601, United States
CAMPUS:
Indiana University Bloomington
CONTACT:
812-855-8547
aaamc@indiana.edu