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The Bonacio, Bennie mss., 1945-1946, consist of clippings, correspondence, scrapbooks, and programs relating to jazz saxophonist Bennie Bonacio, as well as several recording discs of Bonacio's performances and compositions.

The Campbell, Mary mss., 1954-2012, consist of the personal correspondence, writings, photographs, concert and theatre programs, and professional materials of music and theatre journalist Mary Campbell.

The Cooper mss. II, ca. 1905-1985, consists of the papers of newspaperman Kent Cooper, 1880-1965, and of his wife, Sarah A. Gibbs Cooper, mostly dating from after Kent Cooper's death. Most of the collection concerns his work as a journalist, but some of it relates to his work as a composer.

The DeVincent mss., ca. 1922-1997, consists primarily of correspondence, notes, photographs, etc., of musician and radio entertainer Sam DeVincent, 1918-1997.

The Frasier mss., 1934-2014, consist of David K. Frasier's research materials, drafts, and related correspondence for his encyclopedias of show-business homicide and suicide as well as his biography/bibliography of Russ Meyer. Also included is correspondence with and writings about serial killer John Wayne Gacy and filmmaker Kenneth Anger.

The Friday Musicale mss., ca. 1925-1980, consist of calendars, programs and achievement books of the Bloomington, Indiana affiliate of the National Federation of Music Clubs.

The Gellert mss., 1927-1978, consist of the correspondence and writings of Lawrence Gellert, 1898-1979, composer and author of Negro Songs of Protest.

The Heiden mss., ca. 1922-1998, consist of the of the music manuscripts, sketches, pencil scores and ink manuscripts, programs, clippings, and professional and personal correspondence of Bernhard Heiden (1910-2000) and his wife, Cola de Joncheere (1910-1999).

The Helm-Malipiero mss., ca. 1939-1982, consist primarily of correspondence of Everett Burton Helm, 1913-1999, author and composer, with and about composer and musicologist Gian Francesco Malipiero, 1882-1973.

The Helm mss., 1693-1965, consist of operatic scores largely in the hands of copyists, works of Mme Laure (Cinthie Montalant) Cinti-Damoreau, 1801-1863, singer and composer, and documents connected with the opera in Bologna, collected by Everett Helm, 1913-1999, composer and musicologist of New York and Asolo, Italy.