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The Phyl Garland Collection consists primarily of personal papers, including original typescripts for Garland's columns in Ebony and Stereo Review, and related research and photographs. Also included are 41 original audiocassette recordings of interviews conducted by Garland (except as noted) primarily with various African American musicians, artists, and filmmakers. Topics include African American composers and musicians as well as various genres of music including, but not limited to, jazz, R&B, soul, rock, classical, and blues. Record company publicity materials include publicity photos and press releases for over 900 artists.

This collection documents Dr. Teresa Hairston's work in the gospel music industry from the late 1980s into the early twenty-first century and consists of materials related to the publication of her gospel music magazines Score, Gospel Today, and Gospel Industry Today as well as events and television programs produced by Dr. Hairston. Included are publicity materials, photographs, press kits, magazines, correspondence, business records, and time-based media in both published and unpublished audio and video formats.

The collection consists primarily of materials collected during research for Nelson George's book Where Did Our Love Go?: The Rise and Fall of the Motown Sound (St. Martin's Press, 1985). This includes interviews (audiocassettes and transcripts), photographs, newspaper clippings, magazines, photocopies of legal documents, manuscripts, and correspondence.

This collection includes interviews and research materails used for the production of the book The Black Composer Speaks (1978), a project initiated by the Afro-American Arts Institute at Indiana University, and co-edited by Lida M. Belt, David N. Baker and Herman C. Hudson. The majority of the interviews were conducted by Lida Belt (Baker).

This collection documents the activities of Dr. Winona Fletcher as Producing Director of the Indiana University Afro-American Arts Institute's 1986 revival of the Federal Theatre Project's 1939 production Prelude to Swing, entitled Prelude to Swing +50.

The collection consists of personal papers, photographs, and a video documenting the career Ed Castleberry, a pioneering black radio disc jockey and newscaster.

These materials comprise a thirteen-part radio series of public service broadcasts produced by Sam Chase for WLIB radio in New York in cooperation with Newsweek Magazine.

Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper's Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mello Yello."

The collection includes 11 issues of the periodical Gospel News Journal. The collection does not contain a complete run of the journal, but includes issues from Volumes 2-5, dating from 1966-1968.

Draper's collection documents the career of an African American music executive and covers his tenures at RCA Records and Warner Bros. Records.