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Manuscript and printed scores, photographs, biographical material, and recordings by Black composers active from 1950 to present.

This collection consists of printed and manuscript scores of music by Charles Coleman, including sacred and secular choral works, as well as ephemeral materials related to the composer.

This collection consists of published and manuscript scores of Moore's music, as well as photographs of Moore and videos containing performances and interviews.

The collection includes 47 audiocassettes and partial transcripts of interviews conducted by Jackson primarily for his book, A House On Fire: The Rise and Fall of Philadelphia Soul, as well as related articles and book drafts.

This collection spans the active career (1964-) of Evelyn Simpson-Curenton as well as holds materials highlighting the renowned Singing Simpsons, and Evelyn's sister, Joy Simpson. It consists of CDRs, LPs, DVDs, and home-video tapes; along with several concert programs, photographs, personal letters and more.

Draper's collection documents the career of an African American music executive and covers his tenures at RCA Records and Warner Bros. Records.

This collection consists of manuscript scores of Banfield's music, promotional and ephemeral material relating to Banfield, and recordings and transcripts of interviews that Banfield conducted with a variety of African-American composers as well as recordings of Banfield's radio show, Landscapes in Color.

Programs, press releases, audio recordings, and manuscript charts for jazz compositions composed by Hamilton College music professor Michael "Doc" Woods.

The materials in this collection relate to Carl MaultsBy's activities as a composer, arranger, conductor, organist, keyboardist, singer, author and former music industry executive. Included are scores and recordings of his compositions as well as concert programs, photographs, notated music, sound recordings, videos and information about his performances and recordings.

Extensions of the Tradition is an annual event featuring a concert of music by black composers with related exhibits and programs, co-sponsored by Indiana University's African American Arts Institute, the AAAMC, and the Jacobs School of Music. The event is documented through program booklets, flyers, photographs, and video and audio recordings.