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The collection includes Burnim's dissertation research on African American religious music conducted primarily in Indiana between 1976-1979 with an emphasis on gospel music performance and practice; and post-dissertation research on African and African American religious music conducted between 1980-1996 in the U.S., Cuba, Liberia, and Malawi. Also included is documentation of the 1984 Smithsonian American Folklife Festival and gospel sheet music. The collection was primarily recorded on analog audio formats and includes audiocassettes, open reel tapes, videocassettes, open reel video, slides, sheet music, song texts, and additional documentation.

This collection consists of published and manuscript scores of Moore's music, as well as photographs of Moore and videos containing performances and interviews.

Collection documenting the AAAMC's 2014 panel discussion and exhibit, Hot Buttered Soul: The Role of Foodways & Musicmaking in Building and Sustaining African American Communities, which explored the intersections between sacred and secular music genres and traditional foodways as signifiers of African American life and culture. Featured panelists include Dr. Psyche Williams-Forson, Dr. Tyron Cooper, Dr. Alisha Lola Jones, and Dr. Mellonee Burnim. Includes audio, video, image, and research files.

This collection consists primarily of audio and video files of interviews with alumni of the IU Soul Revue and African American Arts Institute at Indiana University, including students, administrators, and directors of performing ensembles. The majority of the interviews were conducted with individuals who were members of the IU Soul Revue during its first ten years, under the direction of Dr. Portia K. Maultsby.