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The Atkins mss., 1896-1980, consists largely of movie stills acquired by Thomas Radcliffe Atkins, 1939-2008, founder and editor of The Film Journal.

The Baker, E. mss., 1958-2003, consists primarily of the correspondence and writings of screenwriter and novelist Elliott Baker, 1922-2007.

The Bogdanovich mss., 1885-1994, consists of the papers, scripts, correspondence, business records, production materials, and films of director, actor, screenwriter, producer, critic and author Peter Bogdanovich, 1939-.

The Boorman, John mss., 1940-2014 consists of the papers, memorabilia, and reel–to–reel films of director–writer–producer John Boorman, 1933-.

The Bradley mss., 1902-1997 consists of the papers of director and film historian David Shedd Bradley, 1920-1997.

The Clarke, T.E.B. mss., 1934-1988, consists of the papers of British author and screenwriter Thomas Ernest Bennett Clarke, 1907-1989.

The De Santis mss., 1947-1990, consist of screenplays, manuscripts, research, and photographs pertaining to films both released and never produced by Italian film writer and director Giuseppe De Santis (1917-1997).

Echard mss., ca. 1903–1968, consist of the correspondence, newspaper clippings, articles, typescripts of mystery novels, short stories, plays, and scripts for stage and screen of writer Margaret Echard.

​The Eichler mss., 1928-2002, consists primarily of letters between educator, journalist, and businessman David Kemble Eichler, 1913-2003, and actress Katharine Hepburn, 1907-2003.

The Fanto mss., 1940-1951, consist of correspondence, film and theatre production materials, photographs, and clippings pertaining to the work of director Orson Welles, 1915-1985 and cinematographer George Fanto, 1918- .

Consists of individual items acquired separately either as a gift, purchase, transfer, or removal from a variety of sources, relating to film. Additions continue to be made.

Consists of the correspondence, papers, and memorabilia of motion picture director John Ford, 1895-1973.

The Ford, J. mss. II, ca. 1938-1973, consist of award certificates and plaques of film director John Ford, 1906-1976.

The Ford, J. mss. III, ca. 1958-1970, consist of individual items acquired from time to time either as a gift or purchased from a variety of sources.

The Foreign film mss., 1939-1962, consists of movie stills from 23 foreign films.

The Frasier mss., 1934-2014, consist of David K. Frasier's research materials, drafts, and related correspondence for his encyclopedias of show-business homicide and suicide as well as his biography/bibliography of Russ Meyer. Also included is correspondence with and writings about serial killer John Wayne Gacy and filmmaker Kenneth Anger.

The Harvey mss., 1928-2002, consists of the papers of film editor and director Anthony Harvey, 1930-2017.

The Hays mss., 1900-1985, consists of the papers of Will Hays, Sr., Republican politician and the first President of the Motion Picture Producers and Distributors of America (MPPDA), and his son Will Hays, Jr., author and Indiana mayor.

The Hayworth mss., 1943, consist primarily of letters to actress Rita Hayworth, 1918-1987, from her new husband, actor/director Orson Welles, 1915-1985.

The Hochman mss., 1956-2008, consists of the correspondence, scripts, drafts, films and other related material of poet and novelist Sandra Hochman.

The Hughes, R. mss., 1777-1981, consist of the correspondence and writings of British novelist, playwright, and poet Richard Arthur Warren Hughes, 1900-1976.

The Jay mss. II, 1940s-2018, consist of the correspondence, research files, and manuscripts of magician Ricky Jay (1946-2018).

The Jennings mss., 1924-1956, consists of the papers of Indiana WPA administrator John Kaley Jennings, 1883-1972.

The Kael mss., ca. 1939-2001, consists of the papers and correspondence of film critic and author Pauline Kael, 1919-2001.

The Killanin mss., 1951-1958, consists of photocopies of correspondence of Michael Morris, 3rd Baron Killanin, 1914-1999, concerning Four Provinces Productions, a film-making company created to make films in Ireland, with Irish actors and technicians.

The Leave Her to Heaven mss., 1944, consist of a letter, memos, and notes concerning script ideas and changes, as well as a script continuity for the motion picture Leave Her to Heaven.

Consists of the papers of Paul Vories McNutt, 1891-1955, lawyer, governor of Indiana and federal official.

Consists of the papers of playwright Clifford Odets, 1906-1963.

The Preston, Robert mss., ca. 1930s-1990s, consist of correspondence, photographs, and memorabilia of stage and screen actor Robert Preston.

The Pyle, W. mss. 1925-2006, consists of letters, original animation drawings, and works of art relating to Willis Pyle's career as an animator and artist.

The Ralston, G. mss., 1915-1953, consists primarily of lantern slides collected by Glenn Ralston.

Consists primarily of the correspondence and papers of Claude Renoir, 1901-1969, film producer, together with some papers of his better-known filmmaker brother, Jean Renoir, 1894-1979. The correspondence includes letters between the brothers regarding both family and film matters, as well as other business correspondence relating to the various film projects in which Claude and Jean were involved from Nana in 1926 to Opera-Musette in 1942. There are also film scripts and synopses by Claude and by Jean Renoir, financial documents, a film distribution notebook, a notebook of Claude's notes for "Cezanne," and photographs of Claude and Jean Renoir from 1914-1968.

The Sembene mss., 1956-2008, consists of the correspondence, photographs, writings, professional files, film scripts, and related material of filmmaker and author Ousmane Sembene.

The Shanks mss., 1928-2006, consists of the papers of television executive Bob Shanks, 1932-2020, and photographer Ann Zane (Kushner) Shanks, 1922-2015.

The Sinclair mss., 1814-1968, consists of the correspondence, writings, and miscellaneous papers of author Upton Beall Sinclair, 1878-1968.

The Taylor, F. mss., 1932-1984, consist of the correspondence, papers, business files and memorabilia of independent publisher, and film producer Frank Eugene Taylor, 1916-1999.

The Tevis mss., 1945-1984, consist of the writings of American novelist and short story writer Walter Tevis, whose novels The Man Who Fell to Earth, The Hustler, The Color of Money, and The Queen's Gambit have been adapted for the screen.

The Wakefield mss., 1950-2011, consists of the papers of novelist, journalist, and screenwriter Dan Wakefield, 1932- .

The Weldon mss., 1946-1989, consists of the papers of British author and playwright Fay Weldon, 1931- .

The Welles mss., 1930-1950 (bulk 1936-1947), consists of the correspondence, papers, and memorabilia of actor, writer, producer, and director Orson Welles 1915-1985.

The Welles mss. II, ca. 1931-2001, consists of individual items about or relating to actor, writer, producer, and director Orson Welles, 1915-1985.

The Welles mss. III, 1941-1958, consists of three original screenplays and one original play script by actor, writer, director, and producer Orson Welles, 1915-1985.

The Woodward, S.C. mss., 1767-1961, consist of correspondence, autographs and pictures of actors, actresses, managers, dramatists, musicians, and other persons connected with the theatre from the collection of Sidney C. Woodward, journalist.

The Zanuck mss., 1935-1951, consist of inter-office correspondence and notes to and from Darryl Francis Zanuck, 1902-1979, producer, and other officials of the Twentieth Century-Fox film studio.