Collections : [Archives of African American Music and Culture]

A collection of 26 photos copied from the personal collection of Michael Graham for use by Portia K. Maultsby and the Smithsonian Institution for the 1986 symposium and accompanying booklet and exhibition, Rhythm and Blues, 1945-1955.

The collection includes Burnim's dissertation research on African American religious music conducted primarily in Indiana between 1976-1979 with an emphasis on gospel music performance and practice; and post-dissertation research on African and African American religious music conducted between 1980-1996 in the U.S., Cuba, Liberia, and Malawi. Also included is documentation of the 1984 Smithsonian American Folklife Festival and gospel sheet music. The collection was primarily recorded on analog audio formats and includes audiocassettes, open reel tapes, videocassettes, open reel video, slides, sheet music, song texts, and additional documentation.

The collection consists primarily of programs, newspaper and magazine clippings, photographs, scrapbooks, awards, correspondence, memorabilia, posters, clothing, audio recordings and video related to Marietta Simpson's career.

The collection spans the years 1955-2020; The earliest materials are LPs released between 1955 and 1974, while the papers are dated from 2012. Materials consist primarily of records, radio interviews, and magazines discussing the Pastor Maceo L. Woods, as well the Charles Harrison Mason Historical Society.

The collection consists of materials related to Smithsonian Institution programs, including the Duke Ellington Youth Project, in addition to gospel sheet music and related research materials from George's personal collection.

The collection of music industry professional Logan H. Westbrooks contains professional and personal papers, photographs, sound recordings, video recordings, digital files, posters, books, memorabilia, artifacts and other material documenting his life and work from the 1930s through the 2010s. Professional papers pertain to his employment at Capitol Records, Mercury Records, CBS Records, CBS International, Soul Train Records, Source Records, and his management firm Ascent Music Inc. Personal papers pertain to his upbringing in Memphis, TN, the Church of God in Christ, lectures at California State University and Indiana University, philanthropic activities, and civic service. Topics include African American music industry executives; record labels; recording industry in United States, Africa, and Jamaica; African American musicians; black churches; rhythm and blues, soul, jazz, and funk music; radio and African American disc jockeys.

The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.

Collection consists of materials related to Lewis's work at the WERD radio station in the 1950s and '60s. Founded by Jesse B. Blayton, Sr. in October 1949 in Atlanta, Georgia, WERD was the first black owned and operated radio station in the United States. The collection materials comprise 7 black and white and 7 color photographs documenting WERD's early history. Content includes the exterior of the WERD studio building, publications related to WERD such as photographs of an issue of The Printed WERD, and a portrait of J.B. Blayton Sr.

Collection consists primarily of interview transcripts, program transcripts, and artist publicity materials used in the production of the Westwood One Radio programs Special Edition, That's Country Music, Rock Chronicles, My Top Ten, and History of Rock 'n Roll. It also contains materials from various specials including programs on Elvis Presley, Jimi Hendrix, and the Rolling Stones.

Clippings, photographs, and audiocassette copies of airchecks compiled as "Sounds of the Fifties & Sixties" - radio programs as broadcast by well known WLAC deejay John R.