Collection ID: COL 5 (VAD4348)
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Collection context

Summary

Creator:
Smith, Mary Perry, 1926-2015 and Black Filmmakers Hall of Fame, Inc.
Abstract:
This subseries contains papers, application packets, and audiovisual materials related to the Black Filmmakers Hall of Fame's Black Filmworks film festival and annual Independent Film, Video & Screenplay Competition.
Extent:
12 Boxes, 1039 Videocassettes, 30 Audio Discs, 22 Audiocassettes, 10 film reels, 3 audio reels, 3 video reels, 2 data discs, 8 video discs, and 7 Audio Discs
Language:
Materials are in English
Preferred citation:

[item], Mary Perry Smith Black Filmmakers Hall of Fame Archives Collection, Special Collection COL 5, Black Film Center & Archive, Indiana University, Bloomington.

Background

Biographical / Historical:

The Black Filmmakers Hall of Fame, Inc. (BFHFI) was founded in Oakland, California in 1974. The BFHFI began as a collaboration among Roy Thomas from the Afro-American Studies Department at UC-Berkley, Mary Perry Smith, who was the co-chairperson of the Cultural and Ethnic Affairs Guild and at the Oakland Museum, and Sonny Buxton of the San Francisco Bay Area station KGO-TV.

The BFHFI identified itself as an organization "dedicated to influencing Black images portrayed in film and television through education, the nurturing of current independent filmmakers and the preservation of contributions by Black artists" (BFHFI 20th Anniversary Celebration Program). Throughout its existence the BFHFI presented award ceremonies honoring contemporary and historic figures in black filmmaking. Notable programs established by the BFHFI include the Oscar Micheaux Awards Ceremony, the International Black Film, Video & Screenplay Competition, the Black Filmworks International Film Festival, and the Sidney Poitier Fellowship. Additionally, educational programs, various symposia, and lecture subseries on black film were conducted throughout the life of the organization.

The BFHFI initially operated in partnership with the Oakland Museum, later incorporating itself as an independent, non-profit organization in 1978. Attempts to establish a dedicated museum and permanent home for the BFHFI were ultimately unsuccessful, although the BFHFI did begin acquisition of collections for this proposed museum.

The final Oscar Micheaux Awards ceremony was held in 1993, the 20th anniversary of the founding of the event. The BFHFI continued to present the Black Filmworks International Film Festival and Black Independent Film, Video & Screenplay Competition through 2003.

For a more detailed administrative history, a biography for Mary Perry Smith, and a listing of other subseries, please see collection overview (http://purl.dlib.indiana.edu/iudl/findingaids/bfca/VAD4347).

Scope and Content:

This subseries consists of administrative documents and application materials related to the BFHFI's Black Filmworks film festival and its annual Independent Film, Video & Screenplay Competition.

In its earliest years, the competition was called the "Independent Black Filmmakers Film Competition." Although it appears to have started in 1975 as part of the BFHFI's second Black History Month Celebration, the first winners were not announced in the souvenir program until 1976, nor were winners regularly announced in the program until 1989. Based on available entry logs, the competition began to expand around this time and by 1992 it was receiving well over 100 moving image and screenplay submissions a year with additional prizes awarded in several categories such as "Community," "Cross-cultural," "PSA/Commercial," "Feature," "Animation," "Experimental," and "Education." In many cases the videocassettes and screenplays were returned to participants following the end of the competition, so the BFCA does not hold a full run of submitted entries. It does, however, hold the majority of the entries from the following years: 1990, 1992, 1994—2003. In some years the complete listing of submitted titles is unknown. A full list of known overall competition winners has been provided below. Honorable mention and category winners are frequently listed in the souvenir program and/or Black Filmworks programs. Winners of the screenplay portion of the competition are less frequently noted and it is unclear if screenplays were regularly accepted as part of the competition, particularly after 1993.

In addition to the application packets, videos, and scripts, the BFCA also received two boxes of correspondence with participants and judges, planning documents, committee documents connected strictly to the competition, judges' packets, and production materials.

In 1990 the BFHFI hired Cheryl Fabio-Bradford as its first full-time staff member to head its education and outreach activities. One of her first initiatives was to start the Black Filmworks film festival as a means of screening the winning entries as well as other films such as Bounce and Ralph J. Bunche: An American Odyssey. Initially the winners of the competition were announced as part of the Oscar Micheaux Awards Ceremony weekend in February while the film festival took place in April. Following the end of the awards ceremony, the competition and festival were combined and the dates became more variable. The final competition and festival were hosted in 2003.

The Black Filmworks administrative documents include planning documents; Filmworks steering committee documents, correspondence with participants, vendors, and host venues; and occasional scripts used by the presenters during the event.

The items listed under "Subseries 4.5. Miscellaneous Films and Videocassettes" are presumed to have been submitted to the film competition and/or the film festival at least as unsolicited review copies, but the specific relation is unclear.

See "Subseries 1. Publicity Materials" for items promoting and covering the festival and competition. See "Subseries 6. Miscellaneous BFHFI Events" for information on the Living Room Festival (which broadcast several competition winners in the mid-1990s) and additional screenings hosted by the BFHFI. Footage of the competition and festival is listed under "Subseries 7. BFHFI Event Recordings."

Winners of Annual Film Competition
Date Event
1975 Unknown
1976 Best Documentary -- Tony Batten Best Feature (U.S.) -- Larry Clarke Best Foreign Film -- Haile Gerima
1977 Best Film – Cheryl Fabio-Bradford for Rainbow Black: A Film Biography of Sarah Webster
1978 Best Film -- Robert van Lierop for O Povo Organizado (The People Organized): A Documentary of the Liberation Struggle in Mozambique
1979-1980 Unknown
1981 Best Film -- Don Chestnutt for A Brief Intermission
1982 Best Film -- Joanne Grant for Fundi: The Story of Ella Baker
1983 Best Film -- William Greaves for Booker T. Washington: The Life and the Legacy
1984-1988 Unknown
1989 Best Film -- Elena Featherston (director) for Visions of the Spirit 2nd Prize -- Candace Caruthers (KTOP/Executive producer) for The Meeting, Oakland Public Library 3rd Prize -- Iverson White for Dark Exodus Best Screenplay -- June Adelle Pinheiro for Wander Woman
1990 Best Film -- Maureen Blackwood for Perfect Image 2nd Place -- Stanley Nelson 3rd Place -- Regge Life and Jamal Joseph Outstanding Merit -- Marlon Riggs for Tongues Untied
1991 Best Film -- Billy Jackson for Didn't We Ramble 2nd Place -- Akili Buchanan for Rap City Rhapsody 3rd Place -- William Greaves for Ida B. Wells: A Passion for Justice
1992 Best Film -- Julie Dash and Arthur Jafa for Daughters of the Dust 2nd Place -- Marlon T. Riggs for Color Adjustment 3rd Place -- Jerome Thomas for Stop the Madness Special Merit -- T. Carlos Williams for Da Bridge Best Feature Screenplay -- Malcolm Johnson for Kokoyah: Beast of the North Best Short Screenplay -- Saundra Sharp for Dearly Beloved
1993 Best Film -- David Massey for Last Breeze of Summer 2nd Place -- Michael Brewer for The Rhyming Zoo 3rd Place -- Darryl S. McCane for Stool Daze Honorable Mention -- Audrey Lewis for The Gifted Screenplay Honorable Mention -- Dawk Kirk for Madness Screenplay Honorable Mention -- Paige Parker-Hayes for From African Roots
1994-1995 Unknown
1996 Best Film -- Charlie Jordan and Michele Barnwell for One Red Rose 2nd Place -- Nandi Bowe for Statistically Speaking 3rd Place -- Garret Williams for Spark
1997 Unknown
1998 Best Film -- Malcolm D. Lee for Morningside Prep 2nd Place -- Rick Wilkinson for A Short Wait Between Trains 3rd Place -- Debbi Reynolds for Letter to My Mother
1999 Unknown
2000 Best Film -- Stanley Nelson for Marcus Garvey: Look for Me in the Whirlwind 2nd Place -- Nandi Pointer for Highway of Dreams 3rd Place -- John Floss for Harry's War
2001 Best Film -- Edward La Borde, Jr., D'Wayne Wiggins, and Bernice McBride for Me & Mrs. Jones 2nd Place -- Shari Lynn Himes for A Song for Jade 3rd Place -- Tim Reid for American Legacy: A Television Special
2002 Best Film -- Antonia March and Jacqueline McKinley for Move 2nd Place -- Mateen O. Kemet for Silence 3rd Place -- Erma Elzy-Jones for Man Made
2003 Best Film -- Joe Brewster for The Killing Zone 2nd Place (Tie) Avon Kirkland for Ralph Ellison: An American Journey 2nd Place (Tie) Ashley James for Home and Almost Free 3rd Place -- Charles Burnett for Nat Turner: A Troublesome Property
Acquisition information:
The material in this subseries is part of a collection donated by Mary Perry Smith to the Indiana University Black Film Center Archive in January 2014.
Processing information:

Processed by Ronda L. Sewald, Seth Mitter, and Ardea Smith.

Completed in 2015.

Arrangement:

This collection is arranged into the following series with this series being arranged into 6 subseries. Files/items within the first four subseries (4.1--4.4) are arranged sequentially following the competition entry number assigned by the BFHFI. The remaining two file are arranged alphabetically:

  1. Collection overview
  2. Series 1. Publicity Materials
  3. Series 2. Oscar Micheaux Awards Ceremony and Gala
  4. Series 3. Film Lecture Series and Symposiums
  5. Series 4. Black Filmworks and Independent Film, Video & Screenplay Competition
  6. -- Subseries 4.1. Black Filmworks administrative documents
  7. -- Subseries 4.2. Independent Film, Video & Screenplay Competition - Administrative documents
  8. -- Subseries 4.3. Independent Film, Video & Screenplay Competition - Submitted videos and application materials
  9. -- Subseries 4.4. Independent Film, Video & Screenplay Competition - Submitted screenplays
  10. -- Subseries 4.5. Miscellaneous films and videocassettes
  11. -- Subseries 4.6. Miscellaneous audio recordings
  12. Series 5. Sidney Poitier Fellowship Competition
  13. Series 6. Miscellaneous BFHFI events files
  14. Series 7. BFHFI event recordings
  15. Series 8. Board and committee documents
  16. Series 9. General correspondence
  17. Series 10. HRMS, volunteer, and staff documents
  18. Series 11. General financial, fundraising, and legal documents
  19. Series 12. Memorabilia and artifacts
  20. Series 13. Third party publications
  21. Series 14. Research files
  22. Series 15. Mary P. Smith's files
  23. Series 16. Miscellaneous
  24. Series 17. Phil Moore Collection (Inventoried as if separate collection due to size)
  25. Series 18. Photographs (undergoing processing)
  26. Series 19. Born-digital materials (undergoing processing)
Accruals:

2016 accruals are located in box AC 2.

Physical facet:
VHS, U-matic, betacam, analog, DVD, DVD-R, and digital
General note:

In 2022, the Black Film Center/Archive (BFC/A) transitioned to its current name, the Black Film Center & Archive (BFCA). This finding aid was created under the organizational name Black Film Center/Archive. Upon this organizational name change, all previous references to the BFC/A were updated in this finding aid to match the current name, Black Film Center & Archive.

Access

RESTRICTIONS:

This subseries is open for research. Due to the presence of confidential information, some materials may require redaction before viewing. The bulk of the video recordings in this subseries will be digitized as part of Indiana University's Media Digitization and Preservation Initiative (MDPI) between summer 2015 and winter 2018 and access will be extremely limited until that time. If you wish to preview an item in this subseries, please contact the BFCA staff well in advance of your visit.

TERMS OF ACCESS:

Materials may be used in-house at the BFCA; duplication permitted only with permission of the Archivist.

PREFERRED CITATION:

[item], Mary Perry Smith Black Filmmakers Hall of Fame Archives Collection, Special Collection COL 5, Black Film Center & Archive, Indiana University, Bloomington.

CAMPUS:
Indiana University Bloomington
LOCATION OF THIS COLLECTION:
1320 East Tenth Street
Herman B Wells Library, Room 044
Bloomington, Indiana 47405-7000, United States
CAMPUS:
Indiana University Bloomington
CONTACT:
812-855-6041
bfca@indiana.edu