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The collection of music industry professional Logan H. Westbrooks contains professional and personal papers, photographs, sound recordings, video recordings, digital files, posters, books, memorabilia, artifacts and other material documenting his life and work from the 1930s through the 2010s. Professional papers pertain to his employment at Capitol Records, Mercury Records, CBS Records, CBS International, Soul Train Records, Source Records, and his management firm Ascent Music Inc. Personal papers pertain to his upbringing in Memphis, TN, the Church of God in Christ, lectures at California State University and Indiana University, philanthropic activities, and civic service. Topics include African American music industry executives; record labels; recording industry in United States, Africa, and Jamaica; African American musicians; black churches; rhythm and blues, soul, jazz, and funk music; radio and African American disc jockeys.

Jack "The Rapper" Gibson was a pioneer in Black radio, as well as an innovator, a leader, and a mentor to many in the radio and music industries. His work as a Black radio deejay spanned the early days of Black radio in the 1940s through the Civil Rights Movement, and included stints at WERD-Atlanta, WLOU-Louisville, WMBM-Miami, WCIN-Cincinnati, and WABQ-Cleveland. After retiring from radio in 1961, he became a successful music industry executive working for Motown, Decca, and Stax Records. In 1976, he launched the industry magazine Jack the Rapper, the oldest Black trade publication targeted to radio, and for the next twenty years organized the annual "Jack the Rapper's Family Affair," a Black music convention drawing generations of performers and music industry executives. His professionalism, continuous fight for racial equality and justice, and endearing human qualities made him a legend in the industry. This collection documents his long career in radio and music through personal correspondence, clippings, memorabilia, photographs, publicity materials, airchecks, interviews, lecture materials, and over 500 issues of his trade magazine "Jack the Rapper's Mello Yello."

The collection consists primarily of interviews and articles regarding radio stations and music in New Orleans, including information about the first African American deejays in New Orleans and the Poppa Stoppa radio program.

The collection consists of personal papers, photographs, and a video documenting the career Ed Castleberry, a pioneering black radio disc jockey and newscaster.

Doug "Jocko" Henderson was a pioneering "rapping" deejay primarily associated with Philadelphia radio station WDAS in the 1970s. Collection primarily documents Henderson's Get Ready company, which published materials to be used in schools to teach American history, spelling, and the dangers of drug abuse using rap lyrics. Also included is material documenting Henderson's bid for a seat in the United States House of Representatives in Pennsylvania. Materials include audiocassettes, teaching manuals, correspondence, photographs, business cards, press clippings, flyers, and other memorabilia.

Series G, "Music Industry Interviews," consists of transcripts and audiocassettes of interviews primarily conducted by Portia K. Maultsby between 1981-1986 as part of her research on the Black music industry. The remainder of the series in this collection are still in the process of being accessioned and are unavailable for general research and public use.

The Brian Lassiter Southern Rap Collection contains 3 series made up of various promotional materials, magazines and various media types related to the topic of Southern Rap music.

Video recording of an interview with the legendary gospel music pioneer Al Hobbs by Keith McCutchen and Fredara Hadley at Hobbs' Indianapolis home in June of 2007.

Collection consists of black and white photographs from the 1950s through the early 1980s related to KYOK in Houston. Including are images documenting the activities of KYOK's deejays in the studio and surrounding communities, particularly in connection with listener contests and station-sponsored events such as dances and the "We Love You" concert. Also included are photographs of KYOK publicity materials and publicity photographs of many of the rhythm and blues artists, jazz, and blues artists featured on the station.

Collection consists primarily of materials related to Roberts's work at KYOK-AM in the 1960s and '70s including images of KYOK sponsored events such as the "We Love You" concert and associated publicity materials, a beauty pageant, radio contests, and on-site broadcasts throughout Houston. Also included are photographs of KYOK radio personalities and staff as well as candid and publicity photographs of visiting R&B artists.