Consists of individual items acquired separately either as a gift, purchase, transfer, or removal from a variety of sources, relating to English literature. Additions continue to be made.
The Sieveking mss., 1724-1971, consists of the papers of Lancelot (Lance) de Giberne Sieveking, 1896-1974, author, playwright, and pioneer of BBC radio programming.
The Delany mss., 1728-1760, consists of an anthology, a volume of original drawings, and the manuscript of Marianna by Mary (Granville) Delany, 1700-1788, artist and writer.
The Williams, Jonathan mss., 1738-1869, consist of letters and papers of Jonathan Williams, 1750-1815, merchant and soldier, grand-nephew of Benjamin Franklin and first superintendent of the U.S. Military Academy at West Point.
The Gilder mss., 1781-1984 consists of correspondence and papers of poet, editor Richard Watson Gilder and his wife, the artist Helena de Kay Gilder, and their family.
The Lincoln mss., ca. 1798-1959, consist of letters, documents, and facsimile copies of documents by and about Abraham Lincoln, 1809-1865, his ancestors, immediate family, members of his cabinet, and other persons closely connected with him.
The Fess mss. consists of nineteen black and white undated photographs of paintings by artist Theodore Clement Steele, 1847-1926, and one of his studio in Brown County, Indiana. The photographs were made by Frank Michael Hohenberger, 1876-1963, also of Brown County, Indiana.
The Wordsworth mss. III, 1806-1956, consist of correspondence of William Wordsworth, 1770-1850, and of Mrs. Dorothy (Wordsworth) Dickson; a photograph of a chalk drawing of Wordsworth; and a photograph of Mrs. Dickson.
The Howard Ship Yards & Dock Company mss., 1834-1942, are papers of the company of that name of Jeffersonville, Indiana, builders of steamboats, barges, towboats, etc. The papers in the collection consist of account books and other financial records, letters received, letter-copybooks, blueprints, drawings, and some photographs.
The Illingworth mss., 1816-1880, consists of the papers of businessman Richard Stonhewer Illingworth, 1797-1884. The papers deal with personnel matters, finances, the returns on cocoa, cotton, sugar, and tobacco, and the mining of coal, copper, emeralds, gold, lead, salt, and silver.
The Martin, John mss., 1817-1848, consists of drawings by illustrator and engraver John Martin, 1789-1854, as well as an account book of the sales of his engravings and a letter.
The Smith, H.W. mss., 1817-1987, consists of the letters of reformer Hannah Whitall Smith, 1832-1911, her daughters, art historian Mary Berenson, 1864-1945, and relief organizer Alys Whitall Pearsall Russell, 1867-1951, and her granddaughters, suffragist Ray Strachey, 1887-1940, and psychologist Karin Stephen, 1889–1953.
The Lesueur mss., 1819-1830, consist of eight letters to Charles Alexandre Lesueur, 1778-1846, artist and naturalist, and bills of lading for minerals shipped by or to Lesueur.
The Starling mss., 1820-1927, are letters, illustrations, and writings by Hugh Clifford, Joseph Conrad, George Cruikshank, Charles Lever, and William Makepeace Thackeray, collected by Kenyon Law Starling, 1905-1983, businessman, of Dayton, Ohio.
The Rumely mss., 1838-1965, are the papers of Edward Aloysius Rumely, 1882-1964, physician, educator, and public relations man, and papers relating to his ancestors. The papers consist of correspondence with prominent people both in Europe and the United States; an autobiography; documents dealing with his arrest for perjury in July, 1918, and the pardon by President Calvin Coolidge on January 19, 1925; material on his many fields of interest; pictures, and printed matter.
The Champney sketches mss. consists of drawings of the post-Civil War South by painter and illustrator James Wells Champney, 1843-1903, made for articles written by Edward Smith King, 1848-1896, author and journalist.
The Johnson, W. S. mss., 1846-1894, consists of letters to printer William Spencer Johnson, 1813-1897, from actors, actresses, artists, musicians, editors, authors, journalists, and statesmen. Included are also some photographs of actors and actresses.
The Appleton-Century mss., 1846-1962, consists of the office files of the publishing company, its two predecessors, D. Appleton & Co., and the Century Co., and to a small extent its successor, Appleton-Century Crofts, Inc.
The Wordsworth mss. II, 1848-1909, consist of letters and papers of the family of William Wordsworth, 1770-1850, and their friends. They are concerned chiefly with family matters, financial accounts, and the welfare of Dora Wordsworth, 1858-1934, his granddaughter, after the death of her mother.
The Whitehouse, F. mss, 1848-1938, consist of architectural renderings, photographs, scratch board sketches, and pen & ink sketches of works produced by noted Chicago architect, Francis M. Whitehouse.
The Bryan mss., 1849-1863, are chiefly the letters of George Washington Bryan, 1825-1893, physician, exchanged with his wife, Alice (Calhoun) Bryan, during his period of service in 1862-63 with the Union forces along the Mississippi River on the steamers Glasgow, the Tigress, the P. J. Pringle, and at Young's Point, Louisiana.
The Cranstone Sketches mss., 1859-1860, consists of a series of 296 sketches, including 16 panoramas, in pen and ink and wash by Lefevre J. Cranstone, depicting a visit to the United States, September 1, 1859-June 1860.
The Engel mss., 1862-1941, consists of letters to Harry Engel, 1901-1970, artist and professor dealing primarily with the murals in the Indiana University Auditorium, 1933-1941.
The Carroll mss., 1867-1896, consist of the letters and writings of Charles Lutwidge Dodgson, 1832-1898, author, mathematician, and the drawings of Harry Furniss, 1854-1925, artist, for Dodgson's Sylvie and Bruno and Sylvie and Bruno Concluded.
The Keene mss., 1880-1890, consists of letters from Charles Samuel Keene, 1823-1891, a humorous artist for Punch from 1851-1890, who also made drawings for other periodicals including the Illustrated London News and Once a Week and for various books.
The Forman mss., 1885-1887, are those cards and letters sent to Harry Buxton Forman, 1842-1917, editor, who at this time lived at 46 Marborough Hill, St. John's Wood, London. Written by Ford Madox Brown, 1821-1893, painter, and John Pollard Seddon, 1827-1906, art critic.