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The Ricketts mss., 9th-19th cent., are illuminated medieval and renaissance manuscripts assembled by Coella Lindsay Ricketts, 1859-1941, calligrapher, of Chicago, Illinois. Most of the material relates to religious matters.

The Pliny mss., 9th cent.-1938, are photostats of Pliny manuscripts assembled by Selatie Edgar Stout, 1871-1969, professor of Latin and dean of the College of Arts and Sciences, Indiana University.

The Allen mss., 800-1972, consists of manuscript pieces collected by William Edward David Allen, 1901-1973, foreign service officer, businessman, and author, and his own writings about Georgian history.

Papers and related materials of writer, researcher, and professor J. Ronald Green. The collection contains research, drafts, and correspondence pertaining to the publication of Green's books Straight Lick: The Cinema of Oscar Micheaux (2000) and With a Crooked Stick—The Films of Oscar Micheaux (2004), as well as a number of his scholarly articles.

This collection, which was donated as part of the Mary Perry Smith Black Filmmakers Hall of Fame Archives Collection, contains the personal papers and artifacts, business and financial records, photographs, audiovisual recordings, and musical manuscripts of composer, arranger, performer, and talent coach Phil Moore.

Music manuscripts composed and arranged by Phil Moore including scores and parts for full orchestra, small ensembles, vocalist with keyboard accompaniment, lead sheets, and initial sketches. Moore composed in a wide range of genres, but works in various jazz styles popular during the early 1940s through the 1960s are particularly well represented. His musical manuscripts include arrangements for night club acts, musicals, and studio recordings; soundtrack material for films, television productions, cartoons, and commercials; and various forms of Western art music. When known, the name of the artist a specific arrangement was made for has been provided.

This series contains memorabilia related to the Black Filmmakers Hall of Fame including inductee plaques and handprints, signed books and programs, offical government proclamations and commendations, costumes and clothing, and an assortment of additional three-dimensional and print artifacts.

This series contains books, event programs, newsletters, and journals by third party publishers from the Black Filmmakers Hall of Fame library.

The Phyl Garland Collection consists primarily of personal papers, including original typescripts for Garland's columns in Ebony and Stereo Review, and related research and photographs. Also included are 41 original audiocassette recordings of interviews conducted by Garland (except as noted) primarily with various African American musicians, artists, and filmmakers. Topics include African American composers and musicians as well as various genres of music including, but not limited to, jazz, R&B, soul, rock, classical, and blues. Record company publicity materials include publicity photos and press releases for over 900 artists.

Collection consists of materials related to Lewis's work at the WERD radio station in the 1950s and '60s. Founded by Jesse B. Blayton, Sr. in October 1949 in Atlanta, Georgia, WERD was the first black owned and operated radio station in the United States. The collection materials comprise 7 black and white and 7 color photographs documenting WERD's early history. Content includes the exterior of the WERD studio building, publications related to WERD such as photographs of an issue of The Printed WERD, and a portrait of J.B. Blayton Sr.

Collection consists of black and white photographs from the 1950s through the early 1980s related to KYOK in Houston. Including are images documenting the activities of KYOK's deejays in the studio and surrounding communities, particularly in connection with listener contests and station-sponsored events such as dances and the "We Love You" concert. Also included are photographs of KYOK publicity materials and publicity photographs of many of the rhythm and blues artists, jazz, and blues artists featured on the station.

This series contains research files used to support the activities and publications of the Black Filmmakers Hall of Fame (BFHFI).

The Josef Gugler collection consists of promotional materials for films produced in or directed by filmmakers from Africa and the Middle East. Over 500 unique films by approximately 350 film directors are represented. Formats include film posters, pressbooks, chirashi flyers, lobby and storefront cards, handbills, photographs, slides, and audiovisual recordings.

Collection consists primarily of materials related to Roberts's work at KYOK-AM in the 1960s and '70s including images of KYOK sponsored events such as the "We Love You" concert and associated publicity materials, a beauty pageant, radio contests, and on-site broadcasts throughout Houston. Also included are photographs of KYOK radio personalities and staff as well as candid and publicity photographs of visiting R&B artists.

Black radio photograph collection documenting events and personnel, including photos with rhythm and blues musicians, at Houston station KCOH in the 1960s and 1970s. Photographs were copied from the personal collection of Gardner. Accompanied by a transcription of an interview with Gardner which includes descriptions of each photograph.

This series contains documents stemming from Mary Perry Smith's activities outside of the Black Filmmakers Hall of Fame and a few of her personal papers.

Photographs documenting the career of Houston deejay Skipper Lee Frazier, copied from his personal collection. Additional photo descriptions with biographical information transcribed from an interview with Frazier are available in accession folder. The collection consists of 12 b&w photographs with negatives primarily documenting Skipper Lee Frazier's activities in connection with KCOH in Houston during the 1970s and '80s.

This series contains documents and artifacts that do not fit within the other series of the collection or whose fit within the collection cannot be determined. Included are roughly three dozen U-matic videocassettes of the 1989 Black Choreographers conference and production cassettes for a project on Black soldiers.

The Kathe Sandler Collection contains 16mm film and sound outtakes, original negatives, other film and pre-production elements, and transcripts from A Question of Color and Remembering Thelma.

The Belva Davis and William Moore Black Filmmakers Hall of Fame Archives collection contains audiovisual recordings of BFHFI events hosted between 1978 and 1993 as well as text-based documents generated during the production of the 2nd and 18th annual BFHFI Black History Month Celebration in 1975 and 1991.

This collection contains a wide array of materials documenting the history and activities of the Black Filmmakers Hall of Fame (BFHFI). The materials were collected and/or created by Mary Perry Smith from the time immediately predating the BFHFI's first Black History Month celebration in 1974 to the efforts of its remaining supporters to revitalize the organization following its final film festival in 2003. Highlights include event publicity and souvenirs; celebrity memorabilia; moving image and screenplay submissions to the BFHFI's annual competition; Phil Moore's personal papers, arrangements, lyric sheets, recordings, and photographs; video recordings of BFHFI events; correspondence; and administrative, board, and planning documents.

This series contains administrative documents generated by the Black Filmmakers Hall of Fame in the process of planning and producing the annual Oscar Micheaux Awards Ceremony and the Celebrity Dinner and Dance Gala from 1974-1993. Also included are a handful of documents related to planning a 23rd, 24th, 30th, and 35th awards ceremony between 1995 and 2008, although these ceremonies ultimately were never hosted.

This series contains audiovisual recordings of events hosted by the Black Filmmakers Hall of Fame including the annual Oscar Micheaux Awards Ceremony, Independent Film, Video & Screenplay Competition awards ceremony, Film and Lecture Series, annual symposium, and Black Filmworks film festival, as well as various workshops, lectures, interviews, and miscellaneous smaller events.

Collection consists of casting, production, and promotional materials used by James Spooner in the production of his film White Lies, Black Sheep and materials associated with the film Afro-Punk including interview footage, promotional materials, film festival awards, and periodicals in which the film and/or Spooner was highlighted.

The Gill, Jemima mss., c. 1849, consist of a manuscript notebook of lace knitting patterns, with original samples stitched in.

The Gottfried mss. consists of Latin manuscripts and a working translation of Giovanni Della Casa's Rime by Rudolf B. Gottfried, 1909-1986, professor emeritus of English, Indiana University.

The collection consists of a group of 28 hornbooks. Also included are two auction catalogs for sales where some of the hornbooks were sold and a description of a hornbook in brass from dealer Patrick King's list no. 11, 1986.

The Lindenbaum, Peter mss., ca. 1590-2008, consist of the papers of Dr. Peter Lindenbaum (1938-2010), a former English Professor at Indiana University.

The Johnson, J. mss., ca. 1740-1759, consists of materials devised by Jane (Russell) Johnson primarily for the instruction of her son, George William Johnson. The materials consist of 438 items and are arranged in 24 groups. Included are alphabet cards, religious and secular lesson cards, all hand-made. Some contain colored illustrations and are decorated with multi-colored Dutch paper.

Consists of individual items acquired separately either as a gift or purchased from a variety of sources, relating to or by French literary figures. Additions continue to be made.

The Wensinger, Arthur S. mss., 1798-2007, consists of the papers of translator and academic Arthur S. Wensinger, 1926- .

The McFarland, Demas Lindley mss., ca. 1812-1849, consist of correspondence concerning the experiences and conduct of Demas Lindley McFarland during the War of 1812, as well as with the Jacksonian controversy over the Second Bank of the United States.

This is a collection of several hundred ridiculous rhymes in imitation of known authors and their works. It includes parodies of Thomas Moore, Rudyard Kipling, Henry Wadsworth Longfellow, Edgar Allan Poe, Alfred Tennyson and William Shakespeare, among others.

The Cycling mss., ca. 1879-1978, consists of materials pertaining to the growth of bicycling and the bicycling industry in the late-19th and early-20th century.

The Cooper mss. II, ca. 1905-1985, consists of the papers of newspaperman Kent Cooper, 1880-1965, and of his wife, Sarah A. Gibbs Cooper, mostly dating from after Kent Cooper's death. Most of the collection concerns his work as a journalist, but some of it relates to his work as a composer.

The Woodburn mss. II, ca. 1911-1974, consist of letters and papers of the Woodburn family. The majority of the collection belongs to James Albert Woodburn, 1856-1943, and his son, James Gelston Woodburn, 1894-1980.

Consists primarily of the correspondence and papers of Claude Renoir, 1901-1969, film producer, together with some papers of his better-known filmmaker brother, Jean Renoir, 1894-1979. The correspondence includes letters between the brothers regarding both family and film matters, as well as other business correspondence relating to the various film projects in which Claude and Jean were involved from Nana in 1926 to Opera-Musette in 1942. There are also film scripts and synopses by Claude and by Jean Renoir, financial documents, a film distribution notebook, a notebook of Claude's notes for "Cezanne," and photographs of Claude and Jean Renoir from 1914-1968.

The Pound mss. IV consist of articles, poems, plays, and other writings by various authors that were sent to Ezra or Dorothy Pound by those authors.

The Elkin Mathews, Ltd. mss., ca. 1919-1987, consists of the correspondence and business papers of Elkin Mathews, firm, booksellers, as well as the personal papers of Percival Horace Muir, 1894-1979, bookseller and author.

The Masaryk, T.G. mss., ca. 1923-1934, consist of 5x7 black and white photographs of or relating to Tomas Garrigue Masaryk, 1850-1937, president of the Czechoslovak Republic, 1918-1935.

The Pyle mss. VI, ca. 1923–1954, consist of papers concerning journalist Ernest Taylor Pyle, 1900–1945, Clarence E. Edmondson and Edna Hatfield Edmondson.

The Bradley M. mss. ca. 1929-2002 consists of the papers of sculptor, art restorer, Morton Clark Bradley, 1912-2004.

The Sullivan, Mark X. mss., ca. 1930-1952, consist of 16mm. reels of film featuring actress Miriam Hopkins (1902-1972).

The Wright B. mss., ca. 1930-2009, consists of the papers of translator Barbara Wright relating to her English translations of French authors.

The Castle Films mss. consists of 7 8mm films released by home video distributor Castle Films. These films are believed to have been released in the 1930s.

The Preston, Robert mss., ca. 1930s-1990s, consist of correspondence, photographs, and memorabilia of stage and screen actor Robert Preston.

The Farano mss. II, ca. 1931-1972, consist of correspondence and writings of poet Michel Farano of West New York, New Jersey. Also present are files relating to Farano's close friend, poet Jean Starr Untermeyer.

The Leiber, F. mss. II, ca. 1932-1970, consist of correspondence, writings, drawings, and photographs of science fiction writer Fritz Leiber, 1910-1992.

The Pound mss., VI, consist of those items by and relating to poet Ezra Loomis Pound, 1885-1972.

The National Federation of Music Clubs mss., ca. 1935-2007, consist of scrapbooks, files, minutes, correspondence, periodicals, photographs, and newspaper clippings documenting the work of the organization.