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The Jared Nickerson Collection consists of one series relating to the press materials, magazines, newspaper clippings, and business transactions of the Black Rock Coalition (BRC) from 1987-1997.

Video documentation of the first decade of the annual DJ competitions in the United Stated and abroad, hosted by DMC (Disco Mix Club) and Technics. Includes World DJ Championships, World Mixing Championships, USA DJ Championship, and American Mixing Championship Finals.

Materials documenting audiovisual exhibits produced by Donna Lawrence Productions.

This collection consists of postcards focusing on women of the Harlem Renaissance and women in social protest, along with documentation, correspondence and research pertaining to Helaine Victoria Press.

Collection includes articles, magazines, transcripts, lectures and interviews. Time-based media content primary pertains to his Indiana University lectures in 1998, sponsored by Archives of African American Music and Culture.

This collection consists of books, papers, sheet music, posters, photographs, CDs, and DVDRs documenting the artistic life of Mike Johnson, "Country Music's No. 1 Black Yodeler."

The collection consists primarily of audio tapes of two radio programs produced by Bailey Broadcasting Services: The Hip Hop Countdown & Report (1991-1998) and RadioScope: The Entertainment Magazine of the Air (1990-1996). Press releases for RadioScope broadcasts are also included.

A collection of Prince commemorative publications assembled by the AAAMC following the artist's death on April 21, 2016.

Clippings, photographs, and audiocassette copies of airchecks compiled as "Sounds of the Fifties & Sixties" - radio programs as broadcast by well known WLAC deejay John R.

The Michael McAlpin Collection consists primarily of print materials used in the production of the PBS television documentary Record Row: the Cradle of Rhythm and Blues. Included are production materials and interview transcripts created during Dr. Portia Maultsby's collaboration on the project as AAAMC director as well as VHS tapes of the rough cut, final broadcast version, and local coverage of the documentary.

This collection includes press clippings, publicity materials, photographs, programs, CDs, and audio and video documenting Patrice Rushen's lectures and performance at Indiana University in April 1997.

The collection consists primarily of audiocassette copies of the 26-part radio series Wade in the Water, produced by NPR in collaboration with the Smithsonian Institution, and concieved and hosted by Dr. Bernice Johnson Reagon.

Extensions of the Tradition is an annual event featuring a concert of music by black composers with related exhibits and programs, co-sponsored by Indiana University's African American Arts Institute, the AAAMC, and the Jacobs School of Music. The event is documented through program booklets, flyers, photographs, and video and audio recordings.

The collection consists of interviews conducted by Craig Werner with various musicians, including Bobby Womack, Ruth Donahue, and original members of Creedence Clearwater Revival.

Honeyboy Edwards performing live at Indiana University for Professor Glenn Gass's History of Rock Music class, videotaped by the Archives of African American Music and Culture in Ballentine Hall 013.

A live performance of the Anthony Gomes Band followed by a discussion at Indiana University on November 18, 1998.

Press releases and administrative materials pertaining to the AAAMC website Black Grooves. The majority of material in this collection and on the website pertain to recordings in the AAAMC's general collections.

Press materials, itinerary, promotional materials, and media recordings from Rowena Stewart's 2001 lecture at Indiana University, "Music: An Interpretative Voice in the Extraordinary World of Museums."

The collection consists primarily of interviews conducted by AAAMC Project Manager Jason Housley for the 2005-2006 Indiana Historical Society Exhibit, "Soul and Funk: The Naptown Sound," as well as related production materials and photographs.

This collection documents the week surrounding the death of James Brown and the proceeding funeral ceremony. It also consists of documentation highlighting Brown's performance on the Indiana University, Bloomington campus a few months prior to his death.